Dear reader,


It won't be long before they electrocute the trees with candy colored Christmas lights. Soon everything will be gone: memories, glances, the year. Every thing will dissolve into nostalgia and our lives will become more patchwork and less hopeful. Soul-crushingly sweet our smiles will be, as we watch that disguised meteorite crash into our existence.

Her name was Reno. Her dad joked he named her so because she was the result of a gamble gone wrong.

I could see the stitching around her eyes start to falter, as tears slipped out like a young nineteen year-old girl, running out of the back of a double-wide. Away. Away from it all. Leaving her father, the mechanic who could only fix things with his hands. Running through a field as shimmering as her nails, touching the tall grass with her short fingers.

"I'm not trailer trash," she said, "I've just had it rough."

Reno could see things others couldn't see. Frequently she painted wrecked cars, and I asked why, to which she explained, "Some accidents are allowed to be beautiful."

I fell for her the way her jaw drops after one of my inappropriate jokes: quickly and with such joy.

She had the same answer to when I asked if she liked movies and if she missed her mom.

"Of course I do, Josh," she looked at me and smiled, "Hey buck, have you ever seen True Romance?"

A woman after my own heart.

We watched Christian Slater shoot Drexl, and, like a bullet to the chest, she placed her hand over my heart.

"My, oh my, are you sure that rib cage is big enough for that thing, Mr. Haines?"

She looked a little like Patricia Arquette, but identical to Michelle Williams.

"Are you aware that you look like Michelle Williams?"

Reno ran her hands up my legs, across my torso, and held her hands at my jaw,"Are you aware of how good of a person you are, John Mayer?"

"Ah, yeah. I've gotten that since high school."

She smiled, looked down and up at me,"No, the part about you being a good person? ...You're the drawing on my wall."

I didn't know what that meant.

"I had this drawing-so terrible-it was of the sunset on our hill in Welling Valley," she looked into me and down, while smiling,"Anyway, the sun would kiss the grass every evening, and one day I thought I'd draw it and keep it in my room. When every thing got ugly with my daddy's drinking, and when he beat me something awful, I wanted something to remind me that the light sometimes goes away but will always be back another day. You're my light, Josh. You're the next day after nineteen years of cussing and drinking."

We made love on my bed, as, through the window, the sun bathed our bodies. Her body was a sculpture and her voice was as soft as her lips. I was terrified.

Pulling her hair back, she stood at the foot of my bed, naked,"Are you scared of little ole' me? You look as white as a ghost."

"No, I've never felt so alive... You're so ******* beautiful."

Reno and I lain in bed while Parks and Rec played on the television. Her index and ******* walked across my chest and stopped as she asked, "Josh, have you ever been in love?"

I touched my fingers on hers, studying them with my eyes, and then I looked at her, "Yes, once."

"What was it like?"

I thought I'd feel pain but instead I smiled, "Fantastic, fleeting, and always a little out of reach."

She cooed, "I can't wait until I think I love you like nobody else."

"Me too."



Sincerely,


Joshua Haines

it's visiting walls packed tight with people
possessing the god-forbidden depression
like bait for the fish
to latch onto the lure
substances?
i'm hooked

but to hold on to the victim
is to pull on his life
and rip through the roof
let some light in
and when it no longer visits,
but is crammed into your home;
what's the matter?
the walls are no more depression than
they are roots and soil

do not bring home the dogs
for the dogs can dig
and an act of jealousy
can let it all cave in
but father, do you see?
these roots are not buried
and the seeds will soon sprout
(if you'll let them)
and they'll grow higher than you,
greater than you,
to make it out of the ground
leave you, hound, behind

but you're a barb to get past
and you're attached to alcohol
leaving the only path to follow
be one of the earthworms
and no future ahead
**oh, father.

I can hear your back crack,
in the dark.
Removing your underwear
with chewed fingernails:
You softly ask
if we can share scar tissue
and if I'll stay
despite every issue.

You try to kick the covers
off of our bed,
and ask if we can share the thoughts
buzzing inside of your head.

When insomnia erases your eyes
and disease steals your brain:
You inhale ways to die,
because you still dream
but it's not the same.

I can hear the static in your skull.
I know why you keep
the kitchen knives dull.
You pull on my fingers
so I don't forget you.
You cry on the pillows
and hope I like romance too.

I kiss your temple
during each thunderstorm.
I read you books in bed,
because your eyes are worn.
I put my ear to your chest
because I want you to see
that the air you breathe
means everything to me.

month ten, it began to snow
as the choir sang christmas songs
all too soon
and while everyone got all warm
and fuzzy,
it's not gloomy enough for me.
i grew up in the rain and
my filters drowned in it
which probably explains
my bitterness towards the sun
and any given day.
but yesterday,
how sweet it was, for you to say
you love me
to this female who loves you too much
for you to be kind
for you to be nice
for you to be generous
for you to be kidding
and the casual invitation
in which you promptly ignore.
now, the smoke that rolls over when each of your veins move
has become my october addiction
but your words are a close second
and the storms that the forecast
no longer calls for are the reason
it's tolerable,
tolerable,
is it tolerable?

My antidepressants don't work
the way I want them to.
I tried to imagine watching each film
with anyone but you.

Your flickering eyes,
they project the world.
Hidden reels
inside your soul.
There's too many people
inside your bones.
You don't have to be
in your theatre alone.

I forgot how to sleep
under the same ceiling.
I watch movies in the dark
to remember the feeling
that made me confide in her.
My eighties film.
My Winona Ryder.

There's too many people
inside your bones.
You don't have to
be in your theatre alone.

Five after dawn
and your movie's still on.
Christian, **** the popular kids,
because they don't understand
how her brain works,
how her glances steal,
how each death
can't make her feel.

Your flickering eyes,
they project the world.
I watch movies in the dark
to remember the feeling
that made me confide in you.
My eighties film.
My Winona Ryder,
let me forget you.

Maybe you're crazy
with your cleaner.
Maybe each swing of the mallet
made you meaner.
Maybe reality bites because of Heather.
Maybe it scared you that we were in love, together.

Maybe it scared you to stay together.
Maybe it scared you to stay together.

I tried crushing each memory like a shortening cigarette, but it's easier to allow yourself to die than to forget.

I stood in front of the mirror-the wall behind me scribbled in green-and I watched myself shave the weathered, brunette hairs off my cheeks, chin, lips, and jawline that you found so attractive and wrapped your lips around like a future reunion of, "Hi. I'm sorry for goodbye. I'm glad I met you again before I thought I would die."

And, in my head, I watched you approach my lips with yours.
And, in my head, I took a step back and started to tear up.
You asked me to kiss you, in my head.
And I shook my head, in my head.
You said you were sorry and got help, in my head.
You were better, in my head.
You were healthy, in my head.
But I'm aware some things may only live and die and say goodbye in my head.

I sat on the edge of my bed, no longer in my head, watching "Good Morning, Vietnam", and I remembered where I was when I learned that Robin Williams died. I remembered poking your thigh, in Starbucks, and wondering how long it'd take you to feel my finger or if you'd try to ignore the feeling, like most feelings. Your lips were red and your pants were black and on white, were black cats. And you were afraid to ask for your coffee. And once you sipped on your coffee, you left a red stain and it still appears in my head. And I relive every thing while being dissacioiated with my current life. And every kiss is a red stain in my head. Oh, great, we're back in my head. I guess we never left.

And I remembered when I knew you were dying and leaving and when I knew you had died and left. But I drowned those memories in ***** and suffocated them with smoke, until my body collapsed and until my lungs learned the cursive in every exhale.

In my head.
In my head.
In my head.
In my head.

Here I sit in the dark, watching 80's films. Because thirty years ago, there was no you and there was no me. I imagine it was a simpler time for the both of us.

A time where we never met.
But I'm glad I met you.
A time where we never kissed.
But I'm glad I kissed you.
A time where I didn't say,
"It's okay.
It's okay and it's always going to be okay
because I love you too."

It's not okay. It's not okay. Itsnotokay.itsnotokayitsnotokayitsnotokayitsnotokay

Tomorrow I will wake up, put on a t-shirt, boxers, socks, jeans, worn out Nikes, and a beat up flannel. I'll check my pulse, as I do my vitals, and I'll take my medications. I'll look at my bank account and determine how much money it'll take to forget you and how much more I wish I had so I could help you.

Is there a simpler way of saying I love you, or should I continue writing this album?