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this kids,
is how you do it

in the mid of the dark hours,
when two am is your new oldest friend
when sleep, your oldest old one,
left town on the midnight train,
taking your peace of mind

though she is far away
lost in dream-thoughts caught,
but only twelve inches close,
granting you an unasked permission,
you ok to stroke her hair,
undisturbing her, yet comforting yourself,
every voice in your temple'd altar praying,
one glorious chorus godly chant:

Oh Lord, what would I do without her?

and you stroke her hair and are saved.


2:51am

May 2014
Seasons fade
into the years
a pen ablaze
with poet’s tears

A young boy
must be a man
to please the one
he never can

A girl in pain
lamenting fate
her trickster gods
arrived too late

Everyone took
and no one gave
an empty race
to fill a grave

Hearts are broken
love’s a *****
start a party
throw a war

I fear that I
forgot to say
I love you
it’s too late today
No more tears
to write or cry
alone at night
still asking why
a thirsty soul suspended over the
waters of this heartland like some kind of
symbolic sacrifice to the lesser demigods
she is wearing a hippy skirt and a fashionable hat
a swift sunrise gives her aspects of divinity

she tells me she came here to go shopping
but in the turbulent space between our hearts
something has changed
she tells me cloudy days make her sad
i tell her rain is a companion to no man
but the flowers love it just the same
she knows she loves it too

i pick up her thought and bounce it like a rubber ball
cause it keeps comin back to me'
just like that mysterious smile that
lingered on her face
long on my mind
i cant seem to shed the thought
that it all means something someplace
always somebody thirsty somewhere

the clock stopped at a quarter to four
and a shameful woman sits there fixing her face
with the wrenches and hammers of fashionable practice
seek to be the same as everybody else
someday your bound to get there
just to find yourself questioning why you
bothered once your there

her and the shameful woman put a
heated argument in the pocket of hunger
and giggling like schoolgirls walk away
to go find a mirror to get lost in
swap makeup and spit in some bathroom selfies
girls night out

i'm standing out here in the open air parking lot
watching the heartland of fiveashes sink slowly into the sea
walk on the puddles reflections of clouds
as they break apart to bring us a brand new day
rain is a companion to no man
but the flowers like it anyway
~~~

this is my opening night.
this is my final performance.

this is the very first poem
I have ever written.
this may be the last poem
I ever write.

I cannot be sure.

so utter these words before you write.
pray this commencement invocation,
each time, every time,
for who can know when it will be
the last curtain call,
for your first may also be your
finale.

you are the architect of an edifice,
that will be tested by time.
before you lay the cornerstone,
before you press the save button...

ask - is the best I can do?

this creation, forever etched upon your face,
will be reflected in the eyes of strangers,
are you satisfied with your appearance?

must answer this question.

is this the best I can do?

must answer this question.

whatever the answer,
you will know what needs doing, before,
before you do it.

This is my first and last poem.
The concept for this poem was spoken by Jacques d'Amboise, ballet dancer, choreographer and teacher at a talk in honor of the 50th year of the New York City Ballet Company's residence at the Koch Auditorium or the New York State Theater as it was first known, in the Lincoln Center complex, this evening.
I can write the saddest poem of all tonight.

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.

To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.

What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.

That's all. Far away, someone sings. Far away.
My soul is lost without her.

As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.

The same night that whitens the same trees.
We, we who were, we are the same no longer.

I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.

Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.

I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.

Because on nights like this I held her in my arms,
my soul is lost without her.

Although this may be the last pain she causes me,
and this may be the last poem I write for her.
Forgetting the desert's treacherous paths
standing alone, he insanely marvels
nature's architectural craft;
a cactus tower unique, spiraling many ways.
1431
poems in ye old inbox,
genteel knocking,
whispering thru stolid front door
love me a little lot,
little lot, love me?

this is not mere work product,
collegial-laid upon me for gentle shared, for pre-review,
Nottingham Forest arrowed, bow shaped
pithy comments,

these are the holy-of-the-holies
attention-me-crystal-cries,
prayers, wry observations, nature collations,
me and thee adorations, heart rendering
screams of need,
these are the moments in your life
raw-roughened gifted or threaded smooth cursed,
but tendered unto my caring.

(an aside:
perhaps you understand better now
why woman-in-the-moon imagery,
red bowed, grapefruit tasting hearts,
all the lovelies, word shape shifts a/k/a
Imagery
language delights!
but time-using, confusingly confuses,
and has been erased from my own poetry frame)

gnawing doubt me routs,
god gave me humans,
and gave them speech,
to bring me
closer to him
thru them.

somewhere in those 1431 essays of labor,
dashed off, handcrafted, pithy or poor,
just might be the one
justification for my opening my eyes
this poetry someday Sunday sun-day.

put the cofe on
(saving letters, saving time,
deleting unnecessary e's
from my life till when I am dying on
all-on-that desperate
e-n-ee-dy day).

loaded my shotgun heart with
loves and likes,
yellow thunderbolt bullets firing,
and considered yourself
notified
I'm a-coming over,
shoes on the cofe table,
breaking taboo's
gonna read 1431
and when dining done,

gonna pay attention to my muse,
my woman, cause she is the
original e,
that provides the raw materials,
in ye old nat-box,
that lets me love ever one of them,
she is the e
in me

and me will be in you,
starting now.
The burn

of the smoldering

embers of deceit

is eternal.
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