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Squelch into the deepest puddles where sadness echoes her silent heart across physiological plateaus of numbness.
Can I have permission to permeate your being whilst plantations convey their sorceries beyond seeming sophistication?
We must interact beyond the realms of that which is anticipated.
I am sincerely grateful for those broken hemispheres of discrimination,
because we are lost within the parameters of being found.
tread you on water?
or water in which you tread
judge not, lest ye ****
When the night wind makes the pine trees creak
And the pale clouds glide across the dark sky,
Go out my child, go out and seek
Your soul: The Eternal I.


For all the grasses rustling at your feet
And every flaming star that glitters high
Above you, close up and meet
In you: The Eternal I.



Yes, my child, go out into the world; walk slow
And silent, comprehending all, and by and by
Your soul, the Universe, will know
Itself: the Eternal I.
Dame Jane Morris Goodall, DBE (born Valerie Jane Morris-Goodall on 3 April 1934) is a British primatologist, ethologist, anthropologist, and UN Messenger of Peace.
Considered to be the world's foremost expert on chimpanzees, Goodall is best known for her 45-year study of social and family interactions of wild chimpanzees in Gombe Stream National Park, Tanzania.
She is the founder of the Jane Goodall Institute and the Roots & Shoots program, and she has worked extensively on conservation and animal welfare issues. She has served on the board of the Nonhuman Rights Project since its founding in 1996.

Goodall is the former president of Advocates for Animals, an organization based in Edinburgh, Scotland, that campaigns against the use of animals in medical research, zoos, farming and sport.

Goodall is a devoted vegetarian and advocates the diet for ethical, environmental, and health reasons. In The Inner World of Farm Animals, Goodall writes that farm animals are "far more aware and intelligent than we ever imagined and, despite having been bred as domestic slaves, they are individual beings in their own right. As such, they deserve our respect. And our help. Who will plead for them if we are silent?”
Goodall has also said, “Thousands of people who say they 'love' animals sit down once or twice a day to enjoy the flesh of creatures who have been treated so with little respect and kindness just to make more meat."

In April 2008, Goodall gave a lecture entitled "Reason for Hope" at the University of San Diego's Joan B. Kroc Institute for Peace & Justice Distinguished Lecture Series.
Thoughts, a whirl, merge
in the delight of motions;
a meaning beyond words surge
in the frenzy of converging moments.
I learnt to tie my shoes
I learnt to ride my bike
I learnt to smoke
I learnt the vulnerability of fully exposing an idea
I learnt to tie my shoes
I learnt to adapt my behavior in the light of others' actions.
I learnt the difficulty of sustaining the hopes of youth.

I remember a French girl with an English name.
'Leave me now, return tonight,' she told me every morning, and I did.

I remember an English girl with an French name.
We were the circle that no one could break, or so I thought.


Yesterday I was there.
Today I am here.
The two are light years apart.

I dance with a friend,
holding her hand realize,
how disconnected I have become,
from the simple beauty of touch.


I return and sense,
that things are not the same as before,
but feel had I stayed,
everything would likely seem the same.


Your words touch me.
Your thoughts excite me.
I want to try all that.
Explore everything with you.



Alone.
All one.


If and but and maybe and whatever.
I hate those words.


Everything doesn't have to be perfect.
To idealize is also a form of suffering.

                          
                                             ------ by Julian Hibbard



st...26 march 2014
Julian Hibbard is an English-born fine art photographer.

His enigmatic, award winning images have been exhibited in London, New York, Los Angeles, Scotland, Santiago de Chile and at the prestigious Fundación RAC Gallery in Spain.

Editorial assignments and profiles include: Afterimage, Fascineshion.com, Surface Magazine, Elle, Label, Dpict, Victor by Hasselblad, Wallpaper, The Huffington Post, Observor Life, Popular Mechanics, Honey, Blink, Pictured, Spin, Antenna, The New York Times Style Magazine, Sony Music and Bliss Lau.

His first book, "The Noir A-Z", a visual alphabet to accompany dominant terms from the noir universe, was published in 2009.

A second title - "Schematics: A Love Story" - a diagrammatical mapping of love, loss, time and memory, was released in December 2011.
alliteration
delving delusory,
a literati shun
thy commissions,
galore,
the line goes around the
corner

Entrusted.
write us a prayer -
as if I were thus worthy

t'is a delusion
which is worse than
Illusion
my fingers command me -
not I, them
I scribe inky,
they write what they deem
the most unfitting fulfilling

thy requests
more crosses to bear,
this Jew has walked the
Via Dolorosa
then, and again,
now

oh yes delve delve
with archaic *****
turn over earth unsubstantiated
long time un~disturbed

"bring us your truths
in whatever form
they spill from you"


Thus, they command me, Lord

"Go back to living,
like it used to be.
No more tortured soul
to slow you down"


Thus, they command me, Lord

sleep restful,
feet bathed,
Pavorotti  & Pachelbel
comforted,
let it go,
live the fleeting,
well,
drink the wine,
wafer, taste,
Jew,
but stay away from the confessional

don't
delve into your own
thesaurus
when opened,
one can vision
right through us

don't
delve in to the recesses
thankfully receding, eroding,
except for the enlightening flashbacks
that stone cold come with no
forewarning

don't
let the sin memories
of ancient words,
black gold bubble up
with the first striking of the blade

Delve
(excavate your soul deep)
Not

I did not come this poem to write
I did not come to repeat
Solomon's poem,
nothing new under the sun

don't,
daunting
wish to delve into my delusions,
my original sin
the deceit
the conceit
I am unique
I am original

but let us weave as I best could
diagrammed prayers
as the sun rises over my eastern river
for it the seventh day,
the sabbath day,
which the commandments
commend as the day to remember and

to keep it holy.
Six days you shall labor,
and do all your work,
but the seventh day is a Sabbath
to the LORD your God.
On it you shall not do any work,
you, or your son, or your daughter,
your male servant, or your female servant,
or your livestock,
or the

sojourner
who is within your gates.
For in six days the LORD
made heaven and earth, the sea,
and all that is in them,
and rested on the seventh day.
Therefore the LORD
blessed the Sabbath day
and made it holy.


no delving today
I will observe thy reader's,
all of them my teacher's,
commandments
rest easy,
spill no truths this day

but on the new born morrow
I shall fresh
delve and sin again
and write them
joyful hymns
to sing
on the profane workweek,
for my torture,
my spilled and soiled truths
shall be
re-presented
to joyous comfort

and then,
I shall sojourn among them
I did not cone to write this poem.
It came and I mere mortalized, transcribed it,
for it too,
just a sojourner.
Then after thus commanded,
the boy,
rested.
******! dali,
the clock's
sliding off
the wall...
again.

piccasso,
you *******
you blest
me with
three *******...
but nothing to
hold it all

van gogh,
whose
going to
clean up
all that straw
and blood.

and
munch,
do you
wonder
that
i
scream!!!
what we lovers, wives, and muses have to put up with.lol
soft snow gently dawns
earth in renaissance attire
winter's parting gift
When she was seven, my grandmother suffered from fever and swollen glands. The doctors believed her tonsils were inflamed, that she needed surgery. Instead, she went to a curandera. The curandera divined that a jealous relative had cast a curse on her and, now, her language of kindness was bound to her throat, the unspoken swelling her glands.

As a child my grandmother spoke to santitos with a voice like a chestnut: ruddy and warm, seeds dropping from her mouth. The santitos would take her words into themselves, her voice growing within them like grapevines.

During the tonsillitis, when the words no longer fell like seeds from her lips, the santito's vineyards of accent and voice grew vapid, dry as a parched mouth. They went to her tongue and asked why silence imprisoned the words of the child, why lumps were present under her chin, why tears drew channels down her cheeks.

I asked my grandmother how her tongue replied. After touching my cheek, she told me she had a dream that night: She was within her lungs and she rose like breath through the moist of her throat. She remembered her tonsils swinging before her like fleshy apples, then a hand taking them into a fist, harvesting their sound. She told me her throat opened in two spots like insect eyes and the names of her children came flying through her wounds like peacocks.

Patting my thigh, she said, "That is why the name of your mother is Maria, because she is a prayer, a song of praise to the Holy Mother."
She told me this, then showed me two scars on her throat—tiny scars, like two eyelids stitched closed.


st - 20 mar 14
what a day for grapes in the sun.. to aspire to be raisin' a merry storm (later)..
pecans but not almonds.. will do.



sub-bent-tree: full two trie


how liberating.. wen a hart passes in the woulds
here, can the ****** of attempts be crack'd?

a wholly marvellous case of the best
full to trie.. drink it slow.
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