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**** me quietly in the current of the Caspian
That calloused-caviar undertow
Petroleum-pierced fragmented bone
You whispered things no child should know
And I was no child then
Trembling hands I emerge from the lion’s den
Wearing memory like white lines on the insides of my wrists
Until I forget they’re there
Blue eyes, blonde hair
Painted mouth and vacant stare
Here is who I have become

So kiss me quietly in the white-capped waves of the Caspian
My lips a promise sealed in black oil and blood
Hear the water tank trickle fill and flood
See the volcanoes burst with sacred mud
And feel my skeptical smile
Spectacle-clad you read my file
It’s been a while since I relived all of this

And I’m deciding if it’s far too late or far too soon
To begin to deconstruct our interactions
The repulsion, the attraction
The actions and reactions
That defined that interim allotment of time
I sit here now retracing your lines
On the rickety map in the back of my mind
Memory, so mute, so blind
And ripping down the track so quickly
Thrown back so sickly-bitterly
Like salt-lime-tequila

My memory has been mutilated
Slaughtered, drained and skinned
Treated, chopped and trimmed
And now I place it on a table in the street
Tell me, can you hear the pattern of its late heartbeat
As you grip a fleshy dripping pound of it in your hand
My memories are no-man’s land

So caress me carefully in the cool-calm caves of the Caspian
Recall the strange sounds of the early days
Sacred grounds, hot-garbage haze
Sandy winds, the bazaar maze
That made me acutely aware of the incomplete
Not even joyful summer heat
Could keep me from floating feet-up in the Georgian river
Memory smile, convulse and shiver

I intended this to be a reconciliation
Call me queen of counterproductive apology
Let’s redefine astrology
To gain some favour from the stars
Russian salad and white box cars
Deep *** holes in Badamdar
Truthfully I’ve never known who you really are
And I probably never will

But cut me kindly in the clouds above the Caspian
This is as close as we can get
Ignorant prejudice my one regret
But I have not forgotten all the good
And I will try to love you like I should
But tell me, is it better to have memories that lie
Or have nothing at all?
Shall I embrace the distortions or the abyss?
**** me carefully or give me a kiss
Tell me, what am I to do with this?
Cut me open or caress me
Call me child or undress me
Your impassive smile does not impress me
Tell me, how am I to process this?

I’ve swam your sea, I’ve coughed your air
I let you stroke and steal my sandy hair
I left without once looking back
No pillar of salt
No pile of ash
No blame or fault
Or debt or cash
But still the walls begin to crack
I feel the stitches start to tear
Murky-memory drags me eastward by my fresh-grown hair
Forcing my eyes, so-cold and ever-blue ever deeper into you,
the dark heart of the Caspian
We revel in the artist's gaze.
See us, artist, we say.
Scale us in the geometry of your sight.
Objectify us, break us down
To our vital light,
The zero shade of being,
Our essential black and white.

But what if the figure becomes the ground?
Does the artist’s vision ever come to rest?
Does she halt the eye’s restless turning,
Instead hunger to be seen?  Fathomed?  Expressed
In basic hues, simplified, resolved,
Into the object deconstructed, the mystery solved?

Spotlight and camouflage,
Revelation and disguise:
The chiaroscuro of the artist’s eyes.
Then where does beauty reside?
In our eyes, beholders,
Invited in yet held outside?
Or in the starlight, sunlight,
Lamplight as it plays  
On the seer seen in beauty’s gaze?
You are the sweetest of my torments.
You're the tangible torture of citrus
The bite followed by the ****
Fresh and unbearable in the same instance

You're the lemon zest scent;
Sultry, as I quarter fruit
In my hot summer kitchen.
You're the juice in the cut
As the knife knicks my thumb;
The sweetness meeting the wild coppery tang
of blood in my mouth.

You're in the twist in my chest
That exists somewhere between my heart and my stomach
Both organs being wrenched apart...
When I see your picture
And remember that we haven't spoken in months.
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The arts and the sciences
the sciences and the arts
the arts of the sciences
and the sciences of the arts
competing in their parts
yet cohabiting in our hearts
I'm a refugee

in a world of
—unmotherly
words

rooted in fatherland
{ English is not my mother tongue. My father was an Italian poet }

by Luca Shivendra Om
© Luca Shivendra Om
121
Waiting for a ghost,
The psychic observation,
Vultures pluck dead flesh.
122
An Achilles heel,
Attempting to blow smoke rings,
Within the night air.
My hands on fire
—flaming wings
in a paper heaven
—burning quills
of some hell raven


I'm writing words
turning into ashes


My smoking corpse
is all remains
burned to bones
with no remorse
by Luca Shivendra Om
© Luca Shivendra Om
nebulous mercury, or old neb as friendly namesome, was a longtime salty marner.

one day he was seasonally easing along with the flotsam and jetsons

when there appeared before his worn and weary orbs a macabre confoundment,

the vastly ghastly countenance of a slithering slimy see servant,

a critter that rose from the sea and had to hunch over so as not to break the sky,

the kind of monstrosity you only see in miffs.

he began to wrap his protuberances and testicles around the clig as to make repast. 

ohh, dreadful tingers draggled forlorn! 

shunned and electrolytical he was, old neb, awash in gloombulches and grovel gullies.

but then old neb snapped to! "Not my chipper clig you don't!" he charged allowed as he fingled forth in fury!

the battle eschewed in the stub of legends. old neb will ever be memorial for what he did that day.

to this very day, indeed up to this very moment right now, even chipper cligs flying scallion bones cut him a big bertha,

such is the perspective they feel for him

no hobo, but a ****** chum.
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