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If I could turn back time
I would hit Backspace all day,
Id put on Caps Lock
and SHOUT what I say.

I'd use the whole Alphabet
To tell you hello,
Press seven Numbers
Til you picked up the phone.

I'd Tab through the comments
I didn't want to hear,
And use the Arrow Keys
To drag your body near.

I would Delete the harsh words
I didn't mean to speak,
And Insert the "I love yous"
I before couldn't leak.

I would use Ctrl to
Keep reigns over my heart,
And I would Escape lies
That tore us apart.

I'd Print out your photo
And kiss it goodnight,
Use the Calculator
To check that we were right.

I'd Paint you a picture
of us, you and me,
Then I'd hit Enter
Just so you would see.

Those are the things
I would do in my strife,
If only Backspace
worked in real life.
This is the first poem (that I have a copy of) i wrote that I actually thought was good. I was in seventh grade, twelve years old, and I wrote it for a newspaper competition. I knew it was really great but I didn't think I would beat all other applicants in the state in my age group. So you can imagine my surprise I'm sure when I DID win! That is the first time I was proud of my writing. So this one has a lot of special sentimental value. Thanks for reading.
II.

there’s a boy kissing your neck in his car in your driveway

and everything is warm.

you told yourself to never do this again, yet here you are, and all you feel are his hands brushing your hair away.

the sprinklers in your front yard keep turning on and pummeling the windows with water, and

your mother is on the other side of the front door

and your breath is heating up the windows.

it is summer. you’re twenty and irresponsible, wild and reckless. you’re hanging off the cliff by the tips of your teeth and you keep on losing the moon.

there isn’t much time to think past split-second decisions and sometimes you find yourself

curled up on the kitchen floor in the early hours of the morning: clothes rumpled, makeup smudged, shame wrapped around your shoulders

like an old blanket, like a machine you hope could fix something.

the clock on the stove is frozen and blinking, green light casting strange shadows in the room

and you’re so tired, and you’re wondering how you could ever make him understand.
part 2/7
 Apr 2017 Braxton Reid
September
I sprinkle the salt of sadness over the steak of my life
because salt brings out the flavor
salt brings out the flavor
i am at fault.
kissing pinot grigio,
i am at fault.
 Apr 2017 Braxton Reid
September
my friends do not believe me
that love can, yes, truly, begin with a black eye.
 Mar 2016 Braxton Reid
September
you told me you loved
red, blue, and geometry—
and the next morning
i found red
lines on my back
and blue
circles on my neck.
i know you've read
the things i've written.
i know you know
the things i've done.
we share a secret within
the line of our vision.
we never spoke about it.




we never spoke about it.
January?
 Mar 2016 Braxton Reid
RJC
There is no black and white. There is only grey.
There are no good and bad people, only grey.
There is outstanding and extraordinary,
and they are grey too.

There is her and there is him.
Nobody, no bodies. Bodies grooved, bodies removed.
Nobody but you, and you.
And us and them. And me and him.
Everyone else is mute. Everyone else is grey.
The rest of the world is grey.

The corridors of your mind are mottled with
beauty and truth, and distance and death.

But in the end, there is only grey.
letting loose old chains
you and your wry laughter
defeated by the day old machines
of life and their constant clogging

time's hands tear into spring
nail first, peeling off the light constricting canopy
twisting barbwire off delicate skin
strangling you on a couch from hell

wake up to the smell of bourbon
and dead roses - so pretty
your lashes creating the shadows
on your gaunt cheekbones,
and your name is Soul
i struggle a ton with full length poems but thank you all for reading

edit: thank you, sexywiggle, for lighting this poem up
Wine comes in at the mouth
And love comes in at the eye;
That's all we shall know for truth
Before we grow old and die.
I lift the glass to my mouth,
I look at you, and I sigh.
I sit and look out upon all the sorrows of the world, and upon all
    oppression and shame;
I hear secret convulsive sobs from young men, at anguish with
    themselves, remorseful after deeds done;
I see, in low life, the mother misused by her children, dying,
    neglected, gaunt, desperate;
I see the wife misused by her husband—I see the treacherous seducer
    of young women;
I mark the ranklings of jealousy and unrequited love, attempted to be
    hid—I see these sights on the earth;
I see the workings of battle, pestilence, tyranny—I see martyrs and
    prisoners;
I observe a famine at sea—I observe the sailors casting lots who
    shall be ****’d, to preserve the lives of the rest;
I observe the slights and degradations cast by arrogant persons upon
    laborers, the poor, and upon negroes, and the like;
All these—All the meanness and agony without end, I sitting, look out
    upon,
See, hear, and am silent.
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
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