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 Nov 2016 b for short
August
I like a man with fire in his bones
And where his head should be,
There is a home.

And I wax and wane like the moon
If you turn away you might miss me,
I'll be gone soon.
© Amara Pendergraft

I'm gone with the morning.
a new poem will pass,
that haha, no one will read

but nonetheless, arguing among his several selves,
better to be more fulfilled by the emptying of himself
upon padded cell of paper, of his staining,
the piece of him now
un-chambered & un-containered
thru magma fissures, steaming & cleaning,
providing a penny's penance
for his disparate gloomy idiocies

the gray ladies always smile at him,
always so nice and gentlemanly like, that poet,
underneath his cowardly disdain,
against his pretense's  grain,
contempt for old grey ladies
with old lady odors emanating

is this who you are, is this how you write?

with raggedy old words, that splinter our delight?
While the heavens wept
I gasped for air beneath the
Waters where I lay
 Oct 2016 b for short
Lauren R
Chloroform rag between my teeth,
just to get me to shut up,
"I miss you."
Feels a lot like cotton mouth, huh?
Feels a lot like scared kid,
like bruised back, shoulder blades,
like walking 10 miles for acid,
just so you can see things like
you're not supposed to.
But that's over.
Sweet like honey dew melon,
like honey drizzled so gently on toast, gold, it's all gold:
gold sunsets, gold hair, gold eyes, gold teeth, shining like the gold ring dad "lost" down the drain. Gold, stay gold, nothing gold can stay, gold.
Nothing gold can stay.
That's what I told myself.
And then the sunset came,
and came again,
and came 30 times
before I saw your face again.
Gold sticks to my hands like cellophane.
I watch my hair melt into a gold puddle,
waiting to freeze underneath your feet.
Hey, nothing gold can stay but
can you try?
 Oct 2016 b for short
Sarah Spang
He told her she was pottery; a vase with grooves and cracks.
The patterns of the history she hid behind her back.

Within his words he layered in- like thread upon a loom-
The sweetest undercurrent to illuminate that gloom.

In certain cultures, he decreed, when pottery is cracked
They aggrandize them with gleaming gold to bring their splendor back

For they believe, with certainty, once damage has been wrought
Those tiny cracks, now filled with light, hold truths that can't be taught.
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