Five smooth stones David culled from Elah’s brook,
Shepherd knowing  dense ones to fit sling’s crook.

He released the first on Goliath’s shright
the giant falling back dead with the smite.

Goliath gazing into David’s eyes
felt his blade render head for David’s prize.

Head held high, high and tight, in David’s hand
Goliath gawked at where his body land.

He cursed David ’til his progeny’s end
and Scopus  Crusaders in next revenge,

slung fiery stones onto his holy grain,
his children inheriting Sauls migraines,

Absalom, Absalom! their refrain roars
as they smooth more stones with nuclear cores.

Notes:

The Scopus Crusaders are credited with the invention of the first catapult—really a giant slingshot, that launched fiery boulders at the walls of their enemies.

Saul was the first King of Israel.  He suffered from migraines that made him attack others.  One of his aides was David who suffered brutally when Saul was having one of his migraine headaches.  David later, succeeded Saul as King of Israel.

Absalom, Absalom was the cry of grief David shouted when he learned that his first son, Absalom had accidentally died in the branches of a tree he was traveling under.

The core of a nuclear bomb is about the size of the smooth stone that David slung to **** Goliath.

Footballs always dazzled me,
composed boxes on the shelf,
like pigskin half moons and suns
needing tees from toppling down,
a kick or a toss to send them
hurling to human planets.

The long run, perfect spiral
is inherent in its form,
as is carnage, grace, error.
Its life is moving forward
in the give-take of the game
and the frenzied need to score.

In the flash of flight my dreams
ran thoughts of the gridiron:
the quick release, the jute fake,
the deer stride to the end zone,
the soft jump over the safety
for the champion touchdown—

existed in perfection
on the lined green schoolyard turf
until the surest pass ever thrown
slipped like butter through my hands,
the handoff fumbled down, down…
I was born… to be a fan.

The rear view mirror showed the car on fire.
Metal no protection for burning flesh—
burning down to the color of the night—
a bright reversal reflected in white.
Maybe charred bone? Not hell. Neither heaven.
Police, EMTs too late to save the
tissues smelling like pan steak, fatty pork—
blood emitting its metallic compounds—
the burnt liver of organs— spinal gel    
a musky, sweet perfume less offensive
than wires, plastic, alloys, the circuitry
melting down every(all)things to its base.
He (it) never saw, tasted, felt the crash
coming from the back/front/side. But I did.

The virus news carries me from room to room.
A Verdi aria breaks the solemn
chant of the rising death tolls in my brain
as Italians sing to the sick below,
voice to voice forming a single line of hope,
that filters down to the lonely windows,
my electric screen, all the world’s tablets.  
The music spreads over the mournful lulls,
penetrates through the hemagglutinin,
nucleoproteins singed by joyous noise.
The alarms of Corollas join the chorus,
even the rain ululates with applause.
The gift of every note dotes on the glass.
The ventilated sick duet with their eyes,
pale hands conducting the voices above.
The voices background the daily briefing,
the drone of Trump, and the doctors after him.
I switch to another song, more mellow-
Sitting on the Dock of the Bay, something
in the same tempo, in unison, that allows
my small cautious soul to match their big notes.

She is the way they left her:
silent, shuttered, composed
amidst disarray,
the waiting chair unmoved,
her body draped in final coverings,
spider rays webbing the room,
the overhead light unused,
the bed sagging forever
in the center after this,
the sun fighting
with the weight of shadows
on her bedspread.
The corners of her room are dusty
crying from the lack of human nicety.
A tattered pain lives in the motes
that float to the floor,
bruises
of the past
that cannot heal in the present.
My hands are cut by the sharp edges
of a future I’m blind and deaf too.
I can only grasp futilely as the sun floats
away in the shadow play.
A faint trace of her voice
saying Jon, Jon, Jon
follows me out as I
struggle to lock the door.

The rose has thorns because
it cares not to be touched.
Its color is a warning
for animals to stay away.
Its scent is a scream and
not a delight for us to own.
It exists in ****** stillness
bending only for the sun.
The scientist knows this
having heard its sub audible
howl with delicate machines
that probe its roots.
The poet plucks the bloom
unaware of the pain that
created that beauty,
the aroma that shouts
its death to its vegetable kind.

The world is full of missing images and sounds.
In heaven the blind and deaf will meet:
one will show the other the pictures never seen,
the other will share the songs they never heard.
That is why, what and where, are part of
the essential questions every one asks.