fall out
from the back of the van,

scuttle away
like animals made of leaves.

They’ll come back
as if letters in the mail

without any crinkles
or a slit down the middle

or a welt of ink
like a bruise nudging the margin.

I’ll pick them up
and taste every syllable

before slotting them
inside empty yoghurt pots,

deserted notebooks,
ready to be revived  

so I can swallow them anew.

You can get used to anything--merciless debt, infidelity, death--anything, the photojournalist thinks as he stares out his open hotel window to the beach where two boys lay covered with white sheets.

The bombs fell an hour earlier. Upon impact they didn't so much make a sound as absorb it, syphoning off laughter over mimosas in the first floor cafe, blurring the start-stop of traffic into a shapeless background hiss. He was out there when it happened, on the beach, walking his morning walk.

From one hundred yards he took in the flash, the upheaval of sand, reaching for heaven and then, all at once, subject to gravity's retreat. He knew there would be a second bomb, like when you're cutting a tomato, and you look at your finger then to the knife, and think, I'm going to cut myself, and a couple slices later fulfill the prophecy.

He didn't rush to the boys. He got his camera out of the bag, grabbed the lens, adjusted for distance, for the wane morning light. Boys screamed and ran. He wasn't sure how many, four, five. The second bomb hit. One boy, smaller than the others, rode the sand upwards and back down. The photojournalist thought he tried to get up, but he wasn't sure.

He knew better than to rush over. An unidentified person pointing a vague object at the children on a satellite feed would garner backlash. So he waited, surveying the slight waves break, the gulls continuing flight.

Parents, people he assumed to be parents, moaned in an unfamiliar language. Their sounds though, both guttural and sharp, said all. He approached. A man picked up the smallest boy, his lifeless limbs, doll-like and pierced with shrapnel, hung off to the side.

He took twenty-five shots from behind the lifeguard's post, using the telephoto zoom. He lowered the camera and made eye contact with the father.

Now, in his hotel room, there's an urgent knock at the door. A voice shouts. The email sends. He drops his laptop in the bag with the rest of the gear. A taxi pulls into the roundabout outside.

When he lands he's not sure if he's fractured his ankle or just sprained it. He limps to the door, climbs in, says, "Airport."

"Maa?" the driver says.

The photojournalist punches the seat. The father of the boy, along with three other men, approach.

"Maa?"

The soft whisper of your breath
Against my nape
Sends shivers quivering down my spine
Thighs ache to part for you
"Not yet..."
I can smell my wetness permeating the air
Between our pulsing layers
Soft tongue snakes out to taste
Satiny swirls right below my ear
Every glide has me melting, swaying
Closer to the hazed space of your heat
Another *** charged moment and I'll explode
"Please?"
My plea reaches sigh focused ears
Heavy seconds pass until at last
The edges of your teeth sink into pliable shoulder
Your moan.
My scream.
*Our release.