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Bamboo groves sing the symphony of winds
in their crackling I hear my heart
on the red lone summer road.

The village woman passes with her cow
she has no time for poetry
yet her radiance fills me to beg life
more..

O Death be a while away
I've taken root on this land.
On the village road, May 11 2018 2 pm
i have anxiety
undiagnosed.

sometimes it feels like my head is stuffed with crumpled ***** of paper: the things I never said, the things I should have never said, the things that someone never said to me.

all of these things are written on every piece of paper
there are so many right now that no more would be able to fit
yet i can't stop thinking things, i can't stop saying stupid things, i can't stop wishing things.

i sigh I reach up to my forehead and i grasp my bangs
with my shaky hands and pull

i'm hoping one day when i do this
the top of my head will yank open
all of these crumpled pieces of thoughts
will pour out in a pile
on the floor
i will kneel down
and uncrumple each and every piece
i will read each one
until my head fills up again.
 May 2018 Brother Jimmy
Onoma
we've been
mortally
wounded
by the need
to know.
we come
again and
again.
we die for it.
knowing
and not
knowing
are the same.
an impurity
inherent or invasive,
identity, purpose, all unresolved,
substantive, long-lived, minute sized,
flexible, formed, yet more,
clearly shapelessly, so well visible
we'll disguise it
to survive it

without passport, an émigré
illegally legal border invasive,
but somehow more knowledgable
of the unmapped byways within,
more than me - how can that be?

never motionless, indeed,
always hurried, even when energy gathering,
despite it's detailed timetable,
detailing plentiful stops and
interminable unexplained
screeching wailings,
it has no smooth gliding,
nor rumbling grumbling halting,
to a final destination imprinted

this impurity,
a beheaded brainy horseman
searching for what,
I'm not permissioned,
unquenchable questioning,
all I am allowed is
sensory
surceasingly, unseasonably seeking

the undresser,
the verisign
of veritas
eyes mirrored reversal internal,
you can't understand why finishing
this poem is so hard

because you don't want to
confess this
impious impurity,
no étranger, it is but
copious insecurity,
of the all of you,

the ecstasy of
the rushing,
the upsetting,
universal unique to us, you,
unholy, ecclesiastical, catholic,
that impurity is just
the heart pumping the
mottled blood of
life coursing through your words
and out your fingertips,
onto those
stained drumsticks
used
to play the keyboard alphabet
about an
out-of-tempo
impure ecstasy
for the Missouri Ma'am, a reminder, for the "show me" lady,
who should know better than
like a novice lawyer,
never ask a question,
the question,
you don't want to
know the answer to...

struggling for months to answer truly
your Aristotelian query,
from now over a year ago:

who the hell writes poems like this...?

the older early answers are writ in another place, three, four drafts,
by another's face, and another hand, curdled and burdensome,
none to ever see complete-shun

now I believe, those early answers provided are out of sync,
life is messy and stressy and my pre-pubescent, precipitously yet
carefully considered, visionary imaginary invisibles, naive,
now comes similar, like this piece, which sat down and wrote 
in a minute, charging myself a lot,
mostly the costly breathing the stupid from a failure stench,
whose face is locked into a grimace

without missing a heartbeat,
messy and stressy,
fully forged, seeing a head ahead,
breathing out the fire of the dying dragon who does not,
give no longer giveth a good *******

see the man on the street, the man,
lying on the street whose cardboard sign says:

for two bucks,
will write you a commemorative,
custom tailored for the occasion, name and season,
no waiting, done in five minutes

four lines $2
eight lines $4
(obits cost more)


who the hell writes poems like this...?

the sad angry ***** *** on the concrete,
who stinks from
overuse and misuse,
everybody's fave faun, now gone,
now writing *****
for a living dying

now, that's who writes poems like this!
ask him nothing, and he will rhyme it for you, child,
the prior life, previous name, the perchance poems, ah, who cares...
just don't ask a question, that you may not want to know
the answer
this old poet, one of the first, to see your wave,
when he was playing knick-knack paddy whack on his shoe,
the old poet then played two, and said,
yes, I will follow you

Please
imaging-imaging that old poet with a glanceable cursory,
a small smile whispered, with entourage of a nod and a wink,
stands, knowing he is in the delivery room, a witness,
to first steps of a babe starting a new life
marvelous miracle by touching a button, a new line written,
not crossed but connecting by pressing "Follow"
with a finger from a hand, a human fringe,
attached to a breathing mind and a thinking heart,
the first to follow you, a ceremonial gesture of
innovation magic incantation, a new moon blessing,
a living person believing, remembering, the longest ago,
his first own graceful acknowledgement and eyes speak,

yes, I will follow you

the new poet, astonished at this induction to the smallest
Hall of Fame that they alone own the only key, study that
number, that number 1, the first to follow, kinda looking over
their shoulder to make sure the old poet still there on the morrow,
sure enough there are now two, safe in the back pocket,
a tabulation of humans who speak volumes of trust, saying,
yes, I will follow you

the old poet, imaging-imaging the babe, dancing round
the room, invigorated, challenged and the faucets pouring,
can't write it down as fast as the trains arriving disgorging,
words unique in new combinations and the rush of blood
from heart to head to those newly literary fingers bleeding
happy creatures of creation as if they are Noah
setting sail to save us with verbs and adjectives
two by two all for now species unheard of

the old poet wants to send cautionary notes, the path strewn
with frustrations of no inspiration ditches and inescapable cliches
that sound fresh but just aren't, the disappearing satisfaction,
the inability to get it just perfect, and so many obstacles
to be prophesied,
but he does not, these things must be self taught,
today let it suffice the initiation, the first crowning of
**yes, I will follow you
for this the way of the poet

10/16/17 5:09pm
what an honorific terrific
to be the first to follow
“My poems are often wiser than me, lean into a more keen universe of understanding.” Joy Harjo

<•>

instant recognition moment, Joy, your words,
(despite the kitchen cooking clanging chatter next door),
spilling into the quiet space of my thanksgiving brain

my wiser poems are insights inscribed inside,
exposed and released all in their own good time,
they, always blogging, leaning out to escape,
asking the Governor for clemency, early release

poems that are my self-defensive explicit explanations,
excuses, convoluted ratinocations, prosecutorial accusations, leveled by my disbelieving, revealing, sworn to silence
not-to-be-trusted-confessor-me against the indefensible

nobody likes a wise guy,  
but out they come, under the covers, dem poems  
of nighttime darkness, spilling beans and silent screams,
asking you if we remember that time when we...

yes, we.

but writ in the first person personal,
in words summoned from his own ****** deep darkness?

better in plain english when sharing shadings of universal,
and you leaning in on me from within,
presence of pressure, a plaintive palliative wailing,
ejecting an ******* of joy

when “please release us” is honored with our
collective wisdom

<•>
11/24/17
9:07am
reaching the back of you

not sure I could.      not sure i would.
       scent of the crime uncommitted uncovered

the meandering is the man demigod demagogue taking
time
         pleasured mercy
                                         the remaindered searchingly
                                                                ­                                 suffices

you don’t speak plain english the only tongue i got
insert the coin in your slot commencing researching the
way in and
don’t think i want to find the way out to the
back of you hiding in the inside learning the way you visualize


playing amy winehouse as an overlaying graph to the autoroute
to the south of france, sur-la-mer, why ever leave and you come
in my mouth poems new each time

no exit. no back of you.  stuck in a longingly heaven

this house is my home and I know the sun brightest
when i put my coin in the slot of play and press the
new tune button at 4:10AM
thanks for the quirky comments for this quirky poem.  Not my normal style. Inspired by a poet here who writes quirky poems, many of which, I fail too, to fully comprehend. The only way I could hope to understand them was to  "insert the coin in your slot commencing researching the way in and  don’t think i want to find the way out to the back of you, hiding in the inside learning the way you visualize...no exit. no back of you.  stuck in a longingly heaven" and getting stuck, unsure if I want to reach...
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