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We talk about the
past like it's a
movie we
watched together.
You liked the
cinematography.
I didn't care for the
cruelty of the
protagonist.

We disagree on the
theme, and every
scene holds different
aspects of
symbolism for us.
I'm not sure I want
there to be a sequel,
despite the good
acting.
https://www.youtube.com/watch?v=Gn9IAYo0wZE
Here is a link to my YouTube channel, where I read poetry from my latest book, Sleep Always Calls.  It's available on Amazon.  My two other books are also available.  Seedy Town Blues and It's Just a Hop, Skip, and a Jump to the Madhouse.
The chameleon swallowed hard.
Its tongue: hungry and burnt.
Feelings? A privilege of others.

Eyes wide open,
patiently waiting
for the flickering chance.

Who understands nature, unfiltered?
Too painful, without some sweet utopian IF
Nobody understands the vivid mortal chain.

What’s happening in his mind?
The heart - a precise mechanism
clicking down his time to the end.

Changing colors, matching seamlessly—
And what if the only help is calling?
No! Showing his tongue,
he just wants to catch a fly,
sticking her body to his hard palate.
Protein is so good for living.

But she? Her end makes sense
if we observe patterns.
Nobody notices – nobody’s fault.

Can we be a ripe orange
with green leaves untouched?
Or do we become a passing flavor
for other dining creatures chewing us,
without deeper reflection.
I’ll cry tomorrow
Today I have things to get done
Too many errands to run
Tears can’t unload this washing machine
Regret won’t make a house clean
Self-pity doesn’t get the kids fed
Falling apart won’t get them to bed
If you have something to say
Just please hold off for today
I have too much to do
To spend time worrying about you
So if it’s my heart you plan to break
Break it tomorrow
Not now, not today
I’ll cry tomorrow

© 2025 SincerelyJoanWrites. All rights reserved.
Most of these lines came to me as a song I made up while doing laundry. I attempted to explore the juxtaposition of emotional drama and the physical reality of daily chores that plays out in life, especially for primary caregivers.
Driven by red
riding hood,
wheels of eternity run
hot and cold
along the tracks
in her arm.

Around the bend
there are jigsaw
pieces of a puzzle,
scattered as destinations
once towns and villages,
now fodder for
the migrant beginner.

According to fable,
there's a wolf at the door,
home is no longer
a worthwhile rendezvous,
but a trap of origin.

Misery is a train ride,
a stray fantasy,
lingering in the wilderness
of her fractured mind.

She sells her gold bracelets,
for she needs
the dark coal,
she seeks
its deep freeze.

She can then
be many things
along the journey,
just never
a connection,
never a permanent signal.
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