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A pixie marching band took their show on the road.
17 tiny horn players and a drummer
with a button for a snare.
Across the water they walked,
regimented in three lines,
playing "Has The Day So Quickly Ended" to the rhythm of water splashing
on finely cobbled pixie shoes.
Tireless they moved forward
across an entire ocean
seeking comfort and solitude of Icelandic shores.
Unnoticed by the many captains of the many ships they slipped by, their music nothing more than crickets chirping or the ringing in their ears.

It was a long journey and they never stopped playing once.
Seven hundred and seventy-six songs in their repertoire
they played each one at least twice as days turned to night
and the cycle would need to be repeated
Every pixie musician in the band had every one of those songs memorized
you could call the tune
at any time
day or night
he would pick up his pixie instrument and play it note perfect.
Not a single mistake.

Legendary songs of pixie lore, like "Call The Wild Dogs to Anglicize", "Too Many Curtains" and "Fill Your Cup With Salty Seltzer".
Popular pixie songs all pixies knew, like "Bertha You're a Hard Act to Follow", "Dropped My Horn in the Bay of Pigs", "Livestock", "Ain't No One Answerin' the Phone" and "Drop Yer Pillow, Samuel".
Sacred pixie songs celebrated their common faith in the one true God, like "God, There Ain't No Other God", "Our God Sails the Seven Seas" and "God Help the Fool Who Fools His God".
Pixie drinking songs, "Bottoms Up", "Can You Hear the Weeping Warm Beer?", "1-2-3 Let's All Get Drunk", "Pixie Drinking Song" and "Hustle That Swill".

A lot of songs.
A lot of moods.
A lot of reasons to go  home to Iceland,
as if they needed any besides the food.

The pixie band was pushing three-quarters of the marching journey across the ocean
when Big Jim Pixie turned around and scolded Billy Joe the trombone player.

"Bill, you clumsy *******!" barked Big Jim. "You just about hit me in the back of the head with that ******* trombone slide! Do I have to tell you what I'm going to do to you if you actually graze me with that spit-drippin' thang?"

Billy Joe, typically soft spoken, was not having any of this.

"It was a flying fish that whisked up 'gainst the side of yer noggin, not my slide. If I was of a mind to bean you with this here slide you'd be rubbing the back of your head right now and you'd be so shook up you wouldn't even know it was me that done it."

"You sure do talk tough now, don't ye?" asked Big Jim, reluctantly realizing that it could well have been a flying fish but not yet willing to let the trombone player off the hook. "Don't make me turn around cuz if I do you are going to be in the market for a new trombone."

"That's a well may be, Jim-Jim, but the hand that holds the pen that signs the check that pays for it is going to be yours. Let that stand as a natural fact."

If there's one thing in the world Big Jim didn't like being called
it was Jim-Jim.
Billy Joe was always calling him Jim-Jim because he knew it bugged him.
The pixies in the company had all used variations on his name when referring to him in the past  
Jimbo Johnson,
Johnny Jimson,
Little Jim Big Jim,
Jimmy Jolson,
George Jimson,
Son James the Ham Chef,
Carl Jim Has Been,
King James Version Abridged,
James Wainright Teller,
Jim the Traitor,
Jim the Christ Killer,
Jim the Destroyer of the World,
Jim the Enemy of the Known Universe  
each one of these appellations rankled him but none so thoroughly as the simple
Jim Jim
that Billy Joe would call him.

"I ain't payin' a ******* cent, trombone player."

"Then you ain't breakin' my trombone, Jimmy Jack Jehosaphath."

"Don't test me, you may have to arrest me."

"I'll bring you a file so you can get out of jail, Jim Jim".

"Well that's mighty white of you, pixie. Now what are you gonna do if that spit valve was leakin' and you got some of your nasty ebola saliva on the back of m'neck? You gonna come visit me in the hospital?"

"I might. But then again I might just wait and come visit your grave when they put you down."

"Joe, if we weren't still marchin' I swear to almighty God I would turn around and beat you so bad they'll be countin' a man short when we finally get home."

"Jim Jim, them's fightin' words but you ain't never fought nothing no tougher than the urge to **** in public. You ain't gonna do no permanent damage to me nor my trombone here. So why don't you put your money where your mouth is or keep that mouth shut?"

Big Jim turned around
hit Little Joe hard square between the eyes.
He heard and felt bone crack.

Joe looked stunned.
He'd never call that mean ******* Jim Jim again.
No,
never again
because he hit the water hard and sank down as the band marched right over him,
most not even noticing.

Jim looked for as long as he could then turned around and proceeded to march the rest of the way to Iceland.

"Don't call me Jim Jim," he said, speaking only to himself.

Then he heard a voice in the back of his head.
It was loud enough to be heard over the
music
and
the waves
and
the ocean breeze.

It was HIS voice,
but he had no control over it whatsoever.

"Jim Jim."

"Jim Jim."

"Jim Jim."

...and so it was Big Jim, whose trumpet playing had practically defined the style of this particular pixie band, lost his mind, eventually taking up residence in a Reykjavik sanitarium screaming every night, keeping up the attendants and making things worse.

"Little Joe Jangly Hops! Come here you ******* I got a lollipop for ya."

"Joe Joe Deathgrip Toenail! I'm gonna light your mama on fire!"

"Little Joe Clamfry, somebody took a **** in your bed!"

On and on he went until the people in the kitchen stopped giving him bananas. Then he stopped for awhile.

But only for awhile.
RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
I just hit my trombone
Playing out the tune
For all the world to listen
On a summer day in June
I just hit my trombone
And let the music play
For all the crowds there
On that June summer day
copyright Chris Smith (Idea by Paula Swanson) 2010
a m a n d a Mar 2014
friday night
   a veritable heat wave
and i'm getting
  a trombone smack down
girl is tearing it up
on saxophone
  and i hear the rhythm
i've never heard
such a sensitive trumpet
seen such a true believer on bass
bring it
you crazy kids
bring it
legends of jazz
*i will listen
Mateuš Conrad Jan 2016
me and my drinking? no... in the next sandpit with christ saving all the retards so heath ledger can **** himself, because the best defence people have against their ****** escapades are a bunch of retards limbless, a crucifix, and the modern trend of premature depression with nothing accomplished and the torture of the immobile christ only trying to provide moloch babies ****** herders: while the rich worry about lip-gloss and gucci spectacles of torn shirts that cost a mammon's tonne but were lighter than an autumnal leaf: yeah, blame the retards on sane people's *** mistakes for saint ******. your choices obstruct my will: fated loathing is my compromise; and by god i hate to be a moraliser.*

i drink to excess when a populist
wants to speak,
and poetry becomes just
another art of the privileged
and i become simply ***,
god give me a life where i don't want
to write, a night without national socialism
and global capitalism:
where's the next competition, mars?!
i used to like playing silverchair's shade
with my guitar, my guitar became an acoustic
5 string rhythm which was hardly a bass...
so i stopped playing...
it's talk about moral darwinism when
a tsunami or a tornado has no darwinism involved:
force of nature, some theories had to fail.
i'm more accepting a retired drunk footballer in me
or an alex hurricane higgins in me that
i wish to delve into poetics:
when the next informal figure of speech
to buy an iron or a jumper? when? oh, never...
never?! ****.
***** acting killed off *** of the usual people,
i knew on the basis of numbering fake *******
that switched sides....
they call objectivity superior to subjectivity...
but in relation subjectivity comes from having
a talk about it, not automatons disposing it...
have talk about ******* and all you can think
of in your little nerd brain is the foreseeable pay-rise
of garbage men... hence?
subjectivity comes from overbearing certain objects
for rhetorical purposes...
and leaving other objects automatically based
like sewage...
objectivity says: this many objects exist
but i don't talk about most of them...
subjectivity says: this many subjects exist
but i dare not see most of them as related to
a specified object for argument that's nonetheless there:
acronym tangle of being relevant, otherwise not...
politics... in rhetorical terms there's a superiority of
one against the other...
i see a fern... can i explore it subjectively? no.
can i explore the fern objectively? yes....
there's a tree next to it...
how does that make feel? it makes me feel like:
i exist, i think, therefore i philosophise by faked doubting
like a woman faking ******... mind that:
men are more nautically optical when it comes to pleasure,
women close their eyes when *******,
they internalise what's otherwise exposed masculine
genitalia forced like a beauty hernia -
male eroticism is optic, female eroticism zeniths are
internalised for the bred fact of being both vaginal
and womb, so scary the eroticism dies when
the foetus replaces the post-virginity fancy of the phallus;
but still the ****** actresses that destroy marriages,
but none can destroy the joke:
lips got the treatment of balloon augmentation
and clitoral lips got islam: the former puffed up
and the latter got the snip-factor for less oral ***.
now will you please play me the arabic trombone?!
mannley collins Feb 2017
The body that I am incarnated in was born in the middle of the very rainy summer of 1939.
My vehicle for life.
All seeing-all smelling --all tasting--all touching--all speaking--all hearing --all sensing --perambulating -singing-dancing-cooking--drinking --painting--******* etc etc vehicle.
Born a few months before the Second World War,with all its nonsensical religiously patriotic and democratically oligarchic and liberally fascistic evil nonsense, started.
Makes me a Rider of the Storm eh?.
Eat yer heart out Jim Morrison!.
Slid out of my mothers womb in the upper room of a brand new house.
Situated on a new street somewhere on a new development on the edge of a 3000 years old walled city in 'gods' own country'--that's what they called it.
Yorkshire!.
First smell I remember,clearly,was rain soaked Lilac and Earth mixed together.
Their scent coming hrough the open bedroom window.
AAAAH rain soaked Lilac.
Second smell was Tobacco from downstairs where my father was anxiously chain smoking.
Then came my first taste.
He,my father,dipped the tip of his little finger into his glass of celebratory Whiskey and poked it into my mouth as I lay there,wrapped in swaddling clothes.
Irresponsibility!!.
Second taste was her warm rich creamy breast milk.
And so my days and nights started.
They told me the name that I was to answer to--as if it was the whole of me.
They told me my beliefs and attitudes and desires and limitations and skills etc etc.
They told me that what I have come to know was my conditioned identity was the real me---but it isn't!..
The lied to me --in innocent ignorance.
My sister taught me to read and write by the time I was 3 years old.
I grew up knowing,deep down, that I was something else.
Not the 'Something Else' that Ornette Coleman played,on his magnificent disc,either.
War raged elsewhere throughout my childhood--mainly across the seas far away.
I watched flight after flight of four engine bombers roar overhead every day ,on their way to drop bombs on children I would never meet.
There was a busy air base 2 miles away from the house I was born in.
Once an injured bomber,coming back from a raid,crashed in flames on two houses at the top of the street I lived in.
I found war to be a hellish and frightening experience.
And along the way I discovered that I couldnt explain to 'myself' who I was, exactly,either.
That my parenters gift of identity was misleading.
I asked 'myself' who or rather what was I?.
By the time I was 3 years I was a ******* from 'Osteomylitis'--or so they told me.
I couldn't walk with massive  left hip joint pain I suffered.
I spent the years from 3 to 6 in a traction bed in a couple of hospitals.
Gobbling down Cod liver oil and Malt for the vitamins--and it worked!!!.
At 6 I learned to walk--YES!!!.
All that pain was left behind.
Thank you Gautama.
My life was suffering but as you supposedly said.
Suffering can be overcome.
And I overcame it.
And I ran and jumped across streams and climbed trees and walked for miles and miles and danced the dance of life.
I foraged for blackberries and wild mushrooms and crabapples and horseradish roots and rosehips and other fruits of nature.
I fell in love with the song of the Yellowbeak--Blackbird to you.
Became enraptured by the smell of wild Roses in the hedgerows.
And I sang and sang and sang and danced and danced and danced.
And all the while I just knew that I wasn't the body that I was incarnated in.
Even though my parenters kept on insisting that I was that body.
And I knew that I wasn't who they had told me I was either.
I knew that I wasn't the conditioned identity of the body that they insisted I was..
At 9 years I passed an exam and won a free scholarship place at a fee paying 'public' school.
My education started in earnest.
Lain and French andAlgebra and Geometry and  expectations of University.
I fell in love for my very first time at around 12 years old.
Raymond was his name.
He taught me how bisexual I was.
I swallowed litres of his body fluids.
Oh how I loved him.
Then after 2 ecstatic years he rejected me because I was a different class to him.
AAAAARGH!.
Then around 14 years the monthly seizures started.
A regular dark descent into unconsciousness.
I experienced the small death of Julius Ceasar and Leonardo Da Vinci.
Back to waking consciousness after an hours out of the body trip into the Astral realms.
Waking with total total amnesia.
With no mind or conditioned identity but both came back within one hour of waking and took over again.
Along with a helluva headache.
But I woke as me--who or whatever that was.
I wasn't who they said I was.
I was me!.
Whatever that was.
Where did I come from?
My purpose in life became to find out what I was and what the source of my existence was.
Teenage life as a rock n roller started beckoned and I embraced party life.
I won cups of silver for dancing very energetically to Bill Haley and Chuck Berry.
I discovered the other half of my bisexuality.
I found girls.
Oh girls how I love you.
and love you and love you.
I started to play trombone at 18 years.
Then trumpet and drums then into my life walked MISS SAXOPHONE and I melted!!!!.
Alto alto wobbly lines of sound poured out from the bell of my alto sax.
I was 23 and toying with buddhism and social alcoholism and playing saxophone jazz(probably badly).
26 and I got married for the first time.
I was playing Free Jazz rather amateurishly by now.
In 1967 I moved to London--became a longhaired hippy--started my own band called BrainBloodVolume--took many doses(literally 1000s) of pure LSD and Mescaline and Psyllocybin and DMT--embraced diet reform--became ordained as a buddhist monk in 1966--played with Jimi Hendrix and John Lennon and the pink Floyd--went to live in the Balearic Islands--Mallorca,Ibiza,Formentera--started to do oil paintings--had a Master Class in Concert Flute playing from Roland Kirk in the dressing room at Ronnie Scotts Jazz Club in London.Became addicted to Macrobiotic Food and Spring Water and puffing Waccy Baccy(always through a Water Pipe..



Its been seventy seven years in this incarnation that I have been wandering the face of this big ball in space seeking the answer to the eternal questions of life.

What am I and where do I come from and what is my purpose?.

And here  is the answer--!!.

I am an individual isness formed solely from a small but equal independent and autonomous portion of the isness of the universe.

Each individual isness is an eternal, small but equal, independent, autonomous,nameless, formless,genderless,classless,casteless,non physical and unconditionally  loving portion of the isness of the universe.

The isness of the universe is the whole of the nature of reality and is the sole source of all existence and is eternal,nameless,formless, genderless,beingless and autonomous and unconditionally loving and is not a 'god' or a 'goddess' or any kind of being.

I live in the joyousness of shared unconditionally loving union with the isness of the universe.
Mateuš Conrad Jan 2020
.via ghana: i iz welcome the haiku poetic extractionz of the maxim: full-on potentiality of - few words maximum effortz! one wishes to almost die from feng shui minimalism! chinese geomancy and european chiromancy (reading balzac et al.) - but the sigh poetic of pepsi max effort iz wot iz the breaking of the camel bonk and backß... last time i heard from a kenyan bartender... all the timber comes from ghana... as does the wheat from ukraine and the salt from poland... coal is always "elsewhere"... or no coal... wind... the wind comes from: far far away... beyond the language of the seven vowels...

it took much of an effort to have to overcome
a reading of Stendhal...
esp. when you find him in your teens..
almost impossible...

it's enough to visit a brothel:
once a year... perhaps skipping a year...
and there's enough body,
and skin, and warmth...
to contrast... what i'm yet to read about...
otherwise have read, i.e.:

2010s through the 2020 summary...
lucy holden now 29...
sexting, dating apps, bisexual flings
flatmates with benefits...
millenial serial dater...

all the details are already known...
mine? that strip-clup in athens on a whim
with two strippers either arm
burrowing my face solving the mole
in their cleavage...
the goodmayes borthel with the romanians
that said a very bulgarian word, once...

and who can ever forget
the south african cocoon ****-accusation
of: not unde the bed-sheets and please
oil up rather than dry-******* me...
or the thai surprise picked up
in a park and that a little bit of heavyweight
beer and some jazz and a garden shed will allow...
the number of times i've had ***...
well... what are fingers for?

the black girl with a coccyx like an iron maiden
attempting to tattoo itself onto my pelvis...
2nd time round?
i heard she had a child and his daddy
would be bringing him home the morning to come...
and this other black woman,
oh i mean: full detail - woman...
two children sleeping on the bed...
get dragged off...
thrown to the bed...
and i'm there to **** an imitation ******
of... a tight fold of legs...

it's not exactly **** but even with that:
i'm not a best fitter...
so tell her: it's not going to happen...
we pretend to sleep or at least i do...
when this afro-fur-ball with a plucking sound
of a smooch is standing at the end of the bird...
he's naked i'm naked everyone's naked
i pick him up like i pick up maine *****
and lay him on my chest...
i can't allow a river of fingers through
his afro tangles... so i pat them down...
and he falls asleep...

***... oh no ***** word about it monsieur!
just this *******...
oh but i'm glad that some girl nearing
her 30s has made up her mind up...
only recently i've heard that my mother was
attempting to woo a married man
who was part of the Solidary movement
and probably waiting for a greencard...
i heard this... from my grandmother...

i'm still pampering on the sly for
a Mary Antoinette...
Ilona was wrong... i wouldn't become
a child strapped to a hellhole of a teenager's bedroom...
i'd become a leech hybrid...
as along as i have enough excuses
to return for "the word"... and never rap it...
i'm fine fine... best be on my optimal behaviour...
to never find myself in a baptists' church choir...

- there's also a quick fix procedure...
the match of the day is watched
with the mascots on screen...
the ben-hur's not making it to
prophetic status... yes the bread...
yes the circus... and all those cul de sac...
soap operas of parking scenes...

and there's always language...
best expressed when drunk...
never sober because is what delves into
the formality of: dear sir / madam,
kind regards...

the day when i stopped combing my fair
and peered at the beard...
uncombed hair: almost reminds
me of donning a pineapple on it...
an ancient buddhist balancing act...
like performing the act of gravity...
without copernican mathematics...
as simple as finding the CENTER on
a bicycle... or like finding
buoyancy in a swimming pool...
perhaps i am more water than flesh...
but i'm also a fraction of fat...

i can float on water if i can find
the balance... i don't need to play
the drunkard treading water surviving
to stay afloat.... i... relax...
then i float.... or bob-on-the-surface
teasing an unexpected shark-bite-attack...
although: swimming in a sea
is not my thing...
i very much appreciate seeing
the bottom i can dive down toward
and touch... the chernobyl stink of chlorine...
is almost a parisian perfumery...

heat breeds diseases it breeds...
insects...
i abhor the heat...
the zenith of winter is yet,
is yet to arrive... and for the help of god:
i can't arrive at... writing sober...
should "poo'etry" ever be written sober
to begin with?
i mind: that i don't mind...

i can find 8pm and 9pm quite:
which implores you to not quit - curb colt...
i was making a sponge apple stuffing
roulade...
after having made some biscuit
with brown sugar and diadems of hazelnuts...
and prior to some sausage rolls...
three fillings...
cranberries with some peppers and
chillies...
fennel seeds with apple...
and the third... the third...
i don't quiet remember...

my head was exploding with a brain being
towed and all was:
i am yet to grieve a passing,
a tax of death...
i am yet to be left half imbecile and half
of any other texas hold-up poker game...
i'm wishing for...
that quarter of a million of a bet
i placed on:
one team wins...
but both have to score...
ergo... catching a mosquito by the testciles
donning boxing gloves chance...
2 - 1 etc. victories...

i don't want to blame women...
the last one i was serious about...
she's on her 3rd marriage or whatever...
and i'm still in woad: in deep blue
coinciding with...
god's roulette...

as a testiment of man...
there's the ambition to find: the void...
to find nothing...
and from that... find the thinking thing...
res vanus: the emptiness
that can be fathomed with more or less
thinking, than a yawn's presence...
because...
descartes doesn't really exact ontological,
whatever...
i can't be and be:
when i churn out a day-dream and
a day-dream is all that is...

thankfuly i have nothing to "work"
with... most women only have boredom to begin
with....
at exactly 20 minutes to 1am...
i'm not so sure...
a mother can say: you stink...
then you go and buy something from
a convenience store...
and the cashier stresses how fresh you smell...
that's quiet something...
a woman likes the way to smell to her...
in between doing these *******
tribunals of sweating over
apple roulades...

and Stendhal... it's only my mother...
i just have to gnash my teeth
and apply the burden of sober...
this canvas... no other...
i drink for the 1 hour pleasure
of disorientation...
a shot in the head in some Ukranian
prison...
stiched to the next to be executed...
chikatilo...
i'm not exactly fond of the company...
but i'm pretty sure...
kurt cobain... and his shotgun antics...

and how the prolonged death appeal
of Christine Chubbuck lasted much longer...
Kafka said it right:
a stab at the heart...
**** colt and boyo... don't aim for the head!
that's how Ukranian convicts die...
shot in the back of the head...
in a cell... never in the open...
it's not like the brain delves into
the automated unconscious of the pump
that's the heart... how do you think
the urban myth of the cockroach that lived
for 2 weeks more was born?
the head didn't have a mouth to ingest
food with...

shot in the back of the head is an execution
that, done in an Ukranian prison cell...
is pretty much all of Dante not visiting
either heaven or a hell...
but two weeks with... in the presence
of death... the body starving...
that magic finger-pointing exercise
of seeing death in movies?

well thank god they did a movie about
Christine Chubbuck's (rage against the machine):
bullet in the 'ed!
i was lied to, no matter...
i'm here to hush and sweep the leftovers...
because why would you march
a man into a prison cell...
shoot him in the head and close the door
and wait... because no: in the open...
with a chance for rabid dogs to feast on...
in the darkened night just shy of Kiev
would ever matter...

Christine Chubbuck was left dying on
life-support machines after her half-high Kiev
attempt to pop the balloon...
psych- myth of the brain as source
of the sigma soul...
my left toe has more soul than this
rubric forever explained as forever to be explored
goose-fat sponge...
come to think of it...
after a haemorrhage that no one believes
beside me, some neurologist and a dementia
riddled grandfather who easily forgot...

what's this brain this brain this nought?!
**** it... kamikaze cockroach!
as ever oh but always so much when
someone has to mention...
has to mention: with no exacting details
of fancy...

also called the drought period when pakistani
gangs are up in Leeds and i'm strapped
to the outlier Loon'don culture:
as ever playing the obedient schizoid...
because that's, just fair game...
centuries behind what the youth
of Denmark have to offer...
the mutterzunge and the l'inglese of:
any future of tourism with Jack's flag...

heavy influences stemming from
st. andrew and all the worth of wordworth
with a tinge of punk...
but never a baron of lexicon coming from
just shy of 4 hours away from
the lisp of masovian warsaw...

what could possibly be wrong?
how about... stemming it down to the root
of... sober people and the lacklustre of
when writing: under no influence at all...
apparently "now" the high moral ground!
the sobers usher in the words
that we are abide by when the football hooligans
their casual Tuesday mundane,
their casual Tuesday mundane custard
splodge of oats in regurgitation...

i can almost but not quiet...
imagine myself being the cameo in this dear diary
of these "free" women of the western world...
give me a feral black woman pulling
two kids from her bed in order
to imitate a ****** by folding her legs to
pretend...

it's still a bullet in the back of the head
for some, minor or major
andrei "cain" chikatilo -
no... with a full crop of cranium of hair...
and a grandmother that says...
well... how busy your chin hairs are...
that you are able to lodge a pencil in there
and it doesn't fall out...
hair here and all other hair elsewhere...
chest and... where the antioch identifier
of achilles ought to be of a six in sixes
packaged...

since who is buddha... or a christ when...
an thích quang duc "oops" happens...
the people will never leave their unison...
their get-together "happening"...
but what's to be celebrated should...
the crucifix be turned into that "other"
torture ordeal of being: piked...
crucifixion the tsunami wave of history...
when one can expect the fate
of being piked by the more imaginative
sorts?
if only the antichrist was gay
and was sentenced to levitate on a pike...
passion and ecstasy via
the Walhalla doing ****... again:
sorry if the pike missed the **** baptism
of ecstasy... and instead aimed
at ripping apart the flesh and bone at:
whatever pivot was made available
to work from reverse ingestion:
beginning with the pelvis...

i'm just tired and cooking and shooing
shadows for the past month and i know that it's
just an exaggerate lounge period...
and all i want is an added arm...
and the serenity leg to take the step to return to...
footsteps... with a bulging echo to command...

it needs to be stressed that these women were black...
i call them ivory beauties of chocolate come
quicksilver moon glistening...
i can't remember... no... "you're" right...
i never managed to **** anything
of an ethno-centric "perspective"...
i'd be arrested for that...
as if starting a hitlerjungen movement or
some other random "****"...

i'd package myself with a mexican strapped into
alcatraz...
the Louis of the Aztecs and some
long lost St. Juan of the Mayans...
leash me... Russian or Prussian or...
what's that third otherwise power of influence
that this body was allowed to morph into?

perhaps i once was allowed to control these words...
but that's how drinking goes...
it's a homocodie when you **** someone
when under the influence of alcohol when driving
a car...
this is a sort of homocide...
i trully gave my hands away to the devil...
and the brain: oh forget that old fabble of a pickle...
what's in brine was always supposed
to be in brine and pickled...

- and what were the chances of me becoming
a sentimental drunk... listening to some
crowded house - weather with you?
the la's - the la's... no... not merely the 1990s
epitome of h'american tourism lodged in london
of myth... as any ******... that myth translated
itself into paris... there she goes...
i mean the whole album...

whale! whale! a beached whale!
Grindadráp...
and some want to go on the Hajj...
and die in a human stampede at the Mecca...
but... well... some want to...
of all of Europe...
Venice, Paris, Rome, Athens,
Amsterdam, perhaps Edinburgh
(wink-wink nudge-nudge)...
Barcelona...
or... Grindadráp of the Faroe Islands...

capture a polyphony in language that is hardly
ever going to be much more
than a chance to... to do that...
shove three fingers into your gob...
expect an elevated volume of sounds...
call the hounds! a mile away!
i was never allowed to learn that
whistling "trick"...
perhaps that's why i never managed
to play the trombone or the clarinet...
the ****-poor leftover guitar...
which is as much as having to read
braille!

reality: i live in england but i'm a ******...
i haven't ****** an english girl...
or a ****** girl...
i was close! a ****** girl licked my face
like a cow, once...
chin, lips, nose and forehead...
i was actually waiting for e.t. when that
happened...
the pakistanis have all the english girls...
sorry... it's sad...
but... the australia...
the fwench... the russian...
it's a decent rubric...
crude... nuanced...
so is buying fwesh meat at the butchers...
the perfect crime is less severe...
fiddling with a tombstone...
then towing it for 2 miles...
to bury the remains of your cat...
after your neighbour "accidently" killed him
when you were away...
and of course they deny it...

after all... i live in a society...
innocent until proven guilty...
said jimmy saville...
it's not the old... european "misunderstanding"..
of guilty until proven innocent...
if not a real story of Tomasz Komenda...
there's the Shawshank Redemption...
or there's... the Count de Monte Cristo...

if all are innocent until proven guilty...
what's that? the genesis story never happens...
it's hardly a moral deterent...
isn't it? people will do as any aleister crowley
would command them to do:
do what thou wilt shall be the whole of the law;
this is a naive presupposition of
fudge-packed jurisprudence...
what should have been egg-whites..
it merely some sugar dissolved in water...

statistical counts aside...
i would be more inclined to... fear...
being held guilty... to then be allowed "innocence"...
that to being held innocent...
to then be forced as a doubly-culprit!
how does the double jeopardy paradox arise...
from the high pillar of: innocent until
proven guilty?!
law is at one's own leisure...
should all be bound to an innocence...
revisions of the biblical metaphor...

if we can all be innocent...
wouldn't we at least all fathom an innocent
attempt to break some law?
for a matter of: testing the waters?
even if innocent until proven guilty is true...
there's no narrative of redemption...
why is it that the shawshank redemption
is such a popular movie?
since it adopts the continental motiff of:
guilty... until proven innocent...
it offers... redemption...
it's a popular movie because it's unfair
for the basis of a single individual...
not some amassing of victims of a jimmy saville
recount... that have... none... zilch...
no redemption!
their redemption: ist tod!

because if i were to be found guilty...
with no chance of defence...
i would exercise a double-think in relation to this...
rather than exercise this leisure into
grieving the orwellian zeitgeist monstrosity of
but the one novel...

i'm not convinced of the english model...
this... innocent until proven guilty...
this pontius pilate argument...
i'm not for it! this sinking to the core of my heart
and hopefuly, prevents me from a heartbeat...
perhaps so fewer examples of
the #metoo would come to the fore...
if... one were not so easily allowed
a ststus of innocence...
perhaps... guilty until proven innocent...
doesn't allow...
so readily accessed accusations...
perhaps this modern, english model of
jurisprudence...
is missing a medieval lisp?

as law abiding as would suggest...
i would be much more deterred from inacting
a grievance should i be found guilty...
without a benefit of a doubt of a jury...
than if i were to be given the a priori: innocent
status...

i don't like this: england and greenwich in tow
is the bellybutton of the world
demand of... all else is less than we...
no... did i come from Algiers?!
what has Algiers to do with it and Leeds
shouldn't?!

at least that's how a man sobers up...
while still drinking...
he might focus on sober demands...
of topics that only drunks should speak of...
and since neither of the two meet...

because i have stood as a witness
in a court...
and i was given a photograph to...
"compare" having identified him in a mugshot...
the photograph i was shown still
had a date imprinted on it...
and this was the ******* argument...
the photograph was years old...
i identified the culprit in the police mugshot...
but the case was "won"... for no apparent reason...
the witness said: i...
this photograph is years old...
i can grow a beard and hippy attire in a year's time...
of course i was the witness that said:
note down the registration plate
of the car this camel-jockey jumped out of
and grabbed m'ah fwends mobile...

i've seen how: innocent until proven guilty works...
i'm not conviced...
i can't be... there's something instinctual preventing
me from adhering to this english...
jurisprudent sensbility...
it's hardly a ******* charles dickens novel...
if it were... and i greatly underestimated
charles dickens... no... really...
i shouldn't have read any of dostoyevsky...
i should have read charlie ****'oh'ends...
believe me when i say that is hould have...
since... heidegger's ponderings VII - XI
will retain their shelf-status as... the book most
probably unread...

such is the sobering process...
am i, in no way, allowed to sacrifice my 'ed
on the premise that: innocent until
proven guilty is the right categorial imperstive
to buckle on... since...
the anglophonic world buckles on it...
like a spectacular breakdance feat of
a penguin on steroids...
doing the diving header tsunami
of chore: the crowd goes wild!
it's no operatic applause and being
"superficially" reminded as to how...
find your proper seat...
before the castrato peacock does his
singing bit...
apparently finding one's seat
when it's never going to be a maggot-pit
at a slipknot concert is all that's
about to happen...

come by the butcher's and let's attempt
in finding you some oysters
among the volume of red boisterous...
to replica your genital parts
and sordid caviar letfovers...

perhaps i could be angry...
but la ilah illa blah'lah...
i am... halway bound between
being simulation circumcised
and being castrated...
i never which is which...
notably, given...
circumcised men are not allowed
the impetus of taking up
web-cam Susan on promise of...
also pleasing themselves
without wanting to earn some money...

it's a real problem though:
innocent until proven guilty versus
guilty until proven innocent...
relish...
the english indiosyncratic
wishing they were scandinavian iceland...
no... honey too sweet tooth bear...
this is not how the GMP affair that exends
with its genesis in the jimmy saville affair
looks like...
this quest for: apparently "superior"
is not going to work on me...
kin of a kind-of luvvie dubby...
bon voyage!

the entire continent is listening...
individualistic rights...
innocent until proven guilty...
the more i reiterate these words...
the more i sober up...
because i can't see how...
i am: a thief...
until i am proved to be... a thief...
by having performed the act
of thieving...
or not even an "after"...

sorry... please expose your divine
rational intelligence and tell me
via a reiteration that 2 + 2 = 4...

i am not a thief,
but i am a thief...
only if the act of stealing is proved...
and if "the" act of stealing is not proved...
i'm way more than a thief...
i'm a thief with a baby driver!
this anglican logic *****...
if innocent until proven guilty...
is to sustain the individual flourishing...
i'd rather make theatre of the original,
biblical deterrent...
a queen of this sort of popish claims
and her duaghters of yorkshire because...
the pawns of justitia...

conventionality of continetal thinking...
there's not even a "what if" or
"it would be better" should... allow,
extended into:
guilty until proven innocent...
rather than... innocent until proven guilty...

i sometimes find myself chattering...
in the cold...
but i'm not chewing anything...
i'm pretending to pivot the piano on a ghost...
being played as some per se magician's
excavation of: whatever time...
thus it was spent...

i call it chattering chopin...
bite marks available... like the multitude
of signature most willing to be...
allocated a collection foreseeable...

the would the artichokes of arabia...
or the fennel roasted roots of Italy...
there's something to be had of a woman
sporting the "cherokee" leopard-skin prints
on something that's...
90% cotton and 10% lycra?!

and the reason why i visited a brothel
in the past ten years was because?
if i want to play poker...
i'll play poker...
easy ***? it's not so easy in the act
and you want to find a kiss and...
she tells you: it's against the laws
of this sort of nunnery...
but you still manage to slurp a lip or two
of a shy pluck of the tulips of the sea...
or however this thing that
language is works...
if it's not going to be a hammer and nail...
forever... this "excuse" to allow nothing
more than YA novels...
metaphors and... pedantry of elswhere
from punctuation?

herioglyphic assumptions of :) emoji?
wink barrel baron! oi!
non-responsive...
black also implies: ivory beauty...
i started to admire their teeth...
since mine were always going to be
custard yellow death grin...
like bone to the rot...

no... i'm pretty sure tonight ends
here; now;
the prodigy - destroy...
given how... keith flint...
and that horse... and it was never a tale
of the stormy badger...
and how the fox is my aid and will
never make it to...
transcend the red coat hunting parties...
because... just because.
I'll tell you the story of Cloony the Clown
Who worked in a circus that came through town.
His shoes were too big and his hat was too small,
But he just wasn't, just wasn't funny at all.
He had a trombone to play loud silly tunes,
He had a green dog and a thousand balloons.
He was floppy and sloppy and skinny and tall,
But he just wasn't, just wasn't funny at all.
And every time he did a trick,
Everyone felt a little sick.
And every time he told a joke,
Folks sighed as if their hearts were broke.
And every time he lost a shoe,
Everyone looked awfully blue.
And every time he stood on his head,
Everyone screamed, "Go back to bed!"
And every time he made a leap,
Everybody fell asleep.
And every time he ate his tie,
Everyone began to cry.
And Cloony could not make any money
Simply because he was not funny.
One day he said, "I'll tell this town
How it feels to be an unfunny clown."
And he told them all why he looked so sad,
And he told them all why he felt so bad.
He told of Pain and Rain and Cold,
He told of Darkness in his soul,
And after he finished his tale of woe,
Did everyone cry? Oh no, no, no,
They laughed until they shook the trees
With "Hah-Hah-Hahs" and "Hee-Hee-Hees."
They laughed with howls and yowls and shrieks,
They laughed all day, they laughed all week,
They laughed until they had a fit,
They laughed until their jackets split.
The laughter spread for miles around
To every city, every town,
Over mountains, 'cross the sea,
From Saint Tropez to Mun San Nee.
And soon the whole world rang with laughter,
Lasting till forever after,
While Cloony stood in the circus tent,
With his head drooped low and his shoulders bent.
And he said,"THAT IS NOT WHAT I MEANT -
I'M FUNNY JUST BY ACCIDENT."
And while the world laughed outside.
Cloony the Clown sat down and cried.
'I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity,
Come dance with me in Ireland.'

One man, one man alone
In that outlandish gear,
One solitary man
Of all that rambled there
Had turned his stately head.
That is a long way off,
And time runs on,' he said,
'And the night grows rough.'

'I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'

'The fiddlers are all thumbs,
Or the fiddle-string accursed,
The drums and the kettledrums
And the trumpets all are burst,
And the trombone,' cried he,
'The trumpet and trombone,'
And cocked a malicious eye,
'But time runs on, runs on.'

I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
"Come out of charity
And dance with me in Ireland.'
RAJ NANDY Aug 2017
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
Trombone bones
don't make a poem
Funny that you ask

I wonder what or why
made you the cry
Now I have to ask

"The bones are bleached
then laid bare
upon the Sands of time"

"We hang by threads
until we cut
the rope of life that binds"

Then the funeral proceeds
down the street
Clairenets , trumpets
and trombones

Life is chance
a game of dice
Won't you roll the bones
IT'S a jazz affair, drum crashes and cornet razzes
The trombone pony neighs and the tuba ******* snorts.
The banjo tickles and titters too awful.
The chippies talk about the funnies in the papers.
  The cartoonists weep in their beer.
  Ship riveters talk with their feet
  To the feet of floozies under the tables.
A quartet of white hopes mourn with interspersed snickers:
    "I got the blues.
    I got the blues.
    I got the blues."
And ... as we said earlier:
  The cartoonists weep in their beer.
Kemy Sep 2018
Can I write you a love song
I’ll sing it softy in your ear all night long
Blow gently without words on my saxophone
Diamond and Pearls behind the throne
A beautiful ensemble meant for only you
As I give credence too
Take my hand
Cross this journey with me as I sing about faraway lands
Past Egypt pyramids shifting Morocco sands
Lay back my love, allow your mind to silently drift
Feel the enchantment of my piano keys as it spiritual uplifts

I’ll sing love songs of old
A cappella chorus echoed from deep within my enlighten soul
I’ll sing to you about the blues, society’s injustice, and elements of darken storms
Keep your heart warm, while playing my French Horn
Enrapture foretold from this dedicated symphonic poem
A music sheet of percussion, woodwind, brass, keyboard, and strings
Harmony carrying the mind away as the joy of coming spring
I’ll hum your favorite beats, can you feel the crescendo now
Fiddle from the heart by the sweat of one’s brow

Submerge your cerebral cortex, lose yourself in the sultry tunes
Harp sounds bathe of light kissed from the illuminating moon
Destiny overcasts in the lyrics
Fate floating stratospheric
Karma of others handled in the eyes of satiric
Opera, I give you so grand in its grace
French Creole dialect murmured among silk and lace
Sounds of my flute resonant to face
Allowing my Cello sounds to thoroughly embrace

Can I write you a love song
Body and soul serenading soprano to keep you standing strong
My guitar stringing your philosophies along
An equal equation, one plus one equals two
Emotions, feelings, sentiments, its tenor expressed only for you
No compass to my heart, my seasonal love found in hidden melodies
Trombone guiding back and forth breathless as it please

Orchestra sounds
Ascending minds, bodies, souls, pass the opening clouds, divine and profound
The last note sung by me as we gradually come down
Beautiful music embraced, needs never to make a sound
Shh, close your eyes
Meditate on the music for a little while

Hush sweet baby don’t say a word
My heart softly tweets to a mockingbird
If that mockingbird don’t sing
Can I write you a love song created only for your being
As minds are sightseeing
Hearts fleeing
Timpani drums guaranteeing
Entwined of our divine wellbeing
Emotions freeing
Crooning of bodies heard as the day is long
Can I write you a love song
Love songs are one of the great essences of life, the only thing that's lasting.

George Benson
Mateuš Conrad Oct 2015
i am abel’s fiery tongue upon this earth,
cannibalistic in the raw sense of things,
i spoil my kittens like i might a human being,
which does not mean philosophy meets status quo
whereupon no thought is doubted or thought doubted
equates a sensual realism, for the stalemate, this no man’s land
of lettering suggested we go one step further -
i can peer into hell and only see personal misery,
and in all that i see heaven as a collectivisation of misery
of the parched lips riddling the desert sands -
without asking whether thought is truly doubt
or a moral compass we decided upon, that the senses be doubted
and thought proclaimed freer than our allowances consider utilised
or without utility essentially kept (it’s what’s
called congregating on the word reality without a congregation
on the word thought that speaks to western society the most),
for i can allow one thing but not the other -
i too claim the cartesian mechanisation of the senses
by the double inversion of thought: a. doubt thinking to provide existence
without thinking - automation,
b1. doubt the doubting thought and enclose zoologically
further in, to stress the coordinates of preplanned execution doubtless,
b2. doubt reality to undue the method of doubting thought that encompasses
the prime realism of things without thought,
b3. doubt the existence of things to think - keith lemon saying the word... tragic.
but the revisionary trick came when the cartesian model imploded
and said: thought proves being! thought proves existence!
hence no doubt was allowed, a bit fahrenheit 451 to be honest:
i.e. read any book you like... but don’t doubt its content,
think it through, think it out, elevates you into the agglomerate inclusion
with favoured numbering - keeps the “idiots” out, steady on
the beef in the banquet **** of bulimic excesses... steady...
rein in the oesophagus octopi - or like cancer and lobster in italy said:
death by numbers - bulging weight of the nuns chuckling a cha cha cha.
so why did post-cartesian thought engage with heidegger, why
did thinking suddenly uncouple itself from doubting to provide
the “perfect” existential parameter of undoubted sight
given that doubting passed from the realm of thought and into the realm of being?
‘i doubt i was there, i doubt it, i thought about it, but thinking about it
was truly discouraging to be here, so i thought i was there,
and that mediated the equation perfectly: i doubted i was here
but thought i was there, in the end i was here and therefore couldn’t doubt it,
but thinking about being here bored me, so i was “there” doubting
hopefully - rather than doubtfully hopeful of not being there and thinking
that being "there" was me being there would justify thought and doubting ease erasing, i came to the conclusion that being the lambs for the slaughter was enough, so i was here and thought... dasein! in the rally of relays i was "here" disclosing what thought was supposed to be when usurped from doubt and made surprisingly moral. posterior interior pumped suffocating by the toilet rim signalling blitzkrieg ***** and goosebumps on the guillotine ready to pluck a goose for broth instead of flight!’
sage of the black forest has spoken, shush: all the rat skeletons will now
be used for a xylophone symphony.
well it was once called mathematical akin to grammatical,
but so much was lost in the forgotten art of teaching grammar -
adjectives were used to allow timing, adverbs for spacing -
and a lot of emoticons replaced ****** features used once - like an itchy nose
or a half brow of sympathy stretched into an expression of surprise -
but so much was lost, the arts became post-cubism exact in
lacking all inspirational overtones enraging a schooled expression to canvas
a pope might admire, least the randomised passerby.
It was a restless night denuded of sleep
So since it was warm and windless
I hit the streets

Walking under ancient oaks draped in Spanish moss
My path inevitably led to where
Everything was at a complete loss

Crescent Moon Memorial Cemetery
For the dead
Where all lie below earthly care
Was where my feet had somehow led

Row upon row of forgotten names
In all of their endeavors
Have been eased of their earthly pains

And now as I trudged by at a quarter to three
A low chorus and chords of music
Through the mists came floating to me

It startled and intrigued
What now is this ?
So I had to go see for myself
And I silently crept to where came the origins of bliss

In a circle of bench seats and monument stones
The strangest thing I saw , that of the unborn
Ghosts and skeletons playing with bones and singing in moans

A see through piano , trombone , bass , saxophone and a silver cornet
And one wailing guitar completed the set

On the translucent petal bass drum
Was the name of the ethereal band
And to a catchy tune I began to hum

Crescent Moon Memorial Buried Blues Band
The epitaph on the vaporous drum stated
And I soon found myself a loyal fan

What seem like a lifetime they continued to play
Quaint rthyms and lyrics now made my day . . . and night !
As the sounds drifted across the river out onto the bay

But far off I heard the mornings ****'s call
Then phiff . . . vanished all into the fog
Not a trace as if covered by an invisible pall

And then a ray caught the gleam in my eye
And I knew that when the time comes
Here's where I want to be placed after I die
Marshall Gass Nov 2014
musical walls of throbbing
meaning
makeshift footsteps
escaping tendons
lashing tongues
notes of splendour
****** in my trombone-chills

whats the wizardry
in those piano fingers
belting blues
rainbow ecstasies
oozing ****** gyrations
three minute *******
splitting night into slivers
for tomorrows takings

lets dance
jam together
touch each others souls
with promise.

© Marshall Gass. All rights reserved, a month ago
Iraira Cedillo Mar 2014
The poorest juggler ever seen
Was clumsy Clara cleech,
Who juggled a bean, a nectarine,
A pumpkin, and a peach.

She juggled a stone , a slide trombone,
A celery stalk, a stick,
A seeded roll, a salad bowl,
A bagel, a boot, a brick.

With relative ease she juggled a cheese ,
She juggled a lock,  lime,
Yes, clara juggled all of these
. . . But just one at a time
Bardo Jul 2020
Out of a **** he made Great Art
It was no ordinary **** no!
It was straight from the heart, that
   ****
It had lain too long in the dark
Now was it's time to start
To make its bid for freedom... and for stardom.

It flew like a dart that **** from the
   heart
Like an arrow strung from Cupids
   bow
Little did it know how luminous it'd
   glow
Becoming one of the Greats in the
   Farting Canon.

It was probably the greatest **** poem
   ever written
In my own humble opinion
It was very daring and it smelt of
   onion
It was certainly the fairest fartiest
   poem I ever seen
If it was one of the three Musketeers
It would have to have been
   D'artagoine.

It inflated like a balloon, blew up like
   a great glass bubble
Then it popped and headed off
   toward England
Flying further afield than any ****
   had ever flown
It touched people's hearts, bewitched
   every nation
Resounded around the world
Yea! was heard in every Kingdom.

It flew long, it rounded the Horn
Like a Lark, that ****, it soared and
   sung
It was no boring old ****
It was far fartier and fruiter than that
It was a King of Farts
Way above the fartiest of farters and
   all the farting Arthurs
It was the real King Arthur
The King Arthur of all farts and
   Farters.

A real Belter was that **** that came
   from the heart
That had all the Angels singing in
   their cloisters,
A real work of Art just like Mozart
Or remember... remember your
   Shakespeare
"Hark! A ****, a ****! Whereforth art ?
    Thou ****"
It played its part, that ****, yea! it
   wielded its Excalibur.

O! there's nothing I'd rather do than lie here blowing sweet bubbles next
   to you
You! on your little flutey flute flute and
   Me! on my big Bass Trombone.
This is the sequel to my other **** poem "Music a la Toilette". A bit of silliness/ fun.
Fel Apr 2016
Music maker, trombone player
Master-to-be of all instruments
   For my passion
   an educator in the making
Those notes that live within
Their stave homes on the aged paper
   Are composed of the very things
   that run through these well-played veins
They are the building blocks of my being
That brought me to world-class stages

Music maker, trombone player

I am a future Great
This is for a project in my English class to help us better understand kennings, and their use in Beowulf. I thought my kenning poem was pretty good, and decided to post it on here since I haven't been very active on this site. Enjoy!
lyrical rhymes, beats in epic time
dance around ten times the dime
that's beats per minute, 100 plus
wonderful noises reminiscent of us
dark poets sing of ravens and owls
while I sing of roars and howls
serenades in escalades, roll down the powershades
Dubstep beat-drops, guitar string heart-throbs
all of them blast through my Skullcandy's
dance the dance of wine and brandy
drunken and wild and not so mild
spark animal instincts, to hunt and mate
mangled sheets and broken beds
lie below the newlyweds
as the saxophone and trombone
softly sweep around their home
Deadmau5, Skrillex and Nero
party hard to Guitar Hero
while I slave over my laptop
listening to the beat drop.
David Nelson Oct 2013
*** Wee Hunt

he carries his trombone
everywhere he goes
blows with puffy lips
right below his nose
they say that it's the jazz
that makes him strut and prance
whatever you might call it
seems more like a dance
he was born in Ohio
and also played the banjo
even had his own band
and sometimes played a tango
he did the 12th street rag
it made number 1 on the chart
he played until he could no more
he played with his heart

Gomer LePoet ....
jazz player from back in the day
Mateuš Conrad Sep 2016
warm-up.*

yep, and i turned a trombone into an elephant
trunk... and i didn't even touch anything,
i just looked at one thing, then looked at
the other thing, and then, boom! a synonymous
equation.

like i once said: at the quasi-end of capitalism
the far left will encourage everyone to have an artistic
expression, all the madmen also have art sessions
in asylums... art and the healing process...
please tell me when left politics begins to get
serious, the right would say: you want to escape
a job as a cashier? take l.s.d., forgot about the need
to "express yourself"... more harm than good...
but the prescription by a joke of leftist politics
is just that: become a closet artist,
or become a closet intellectual by simply donning
the groovy look of a beard and some chequered
shirt and ripped jeans and Converse sneakers,
or something, making you fit the profile of
an atypical Camden High Street shopper...

you see what i mean about art these days?
they said the same thing back when it was oil on canvas
or Dürer's carvings - people will spend millions
on paintings, that's how they understand the worth
of art, they invest in objects that the artist invested in also,
meaning buying and selling dynamics:
paint and canvases and brushes and renting messy
studios...

the modern artist overshadows all other artistic efforts,
the cheap stuff, poetry is cheap ****,
pennies from heaven... what? that's the reality...
i wish i could say: taking interest in poetry,
liking poetry, and other such statements are equivalent
to in-secret liking some pop song... given that
the pop song is actually psychologically crafted to
the make you an automaton in appreciating it.

so it's called art, the Turner Prize 2005 winner...
turned a "shed" (take a look at it,
that's a shed? how big is your garden?
looks more like a storage house on some Caribbean
island where pirates roamed in the 17th century,
given the size) into a boat, sailed it down a river,
then rebuilt the boat into a shed...

are we laughing now? no one these days can compete
with artists, there's no classical
notion of painting, or writing, engulfed by advertising:
advertisers use rhyming - the old notion of art
has become engulfed by advertising -
however good you are,
you have to be a carpenter or a sculptor of some sort,
the rest is nothing; so this leftist prescription of keeping a
creative side when living in the mundane world is sickening...
all the jobs went to Asia, a bankruptcy of production...
if they only allowed us to have meaningful jobs
we wouldn't have to hear the ******* of being prescribed
possessing a creative side...
                                                  in the quasi-end of
capitalism we're all artists... all of us...
                                                                    am i desperate
about this state of affairs? should i be?
                           i have my trombone turned into an elephant
artwork - all the best to Simon Starling,
i'd be too lazy to do something like that...
           what seems difficult to gulp down is how far
removed the 20th century is from today,
about how people appreciating art are primarily concerned
with large open spaces...
                          the idea of art these days fits perfectly
with the modern notion of claustrophobia...
it's supposed to be mingling with agoraphobia -
well, that's how i see it, who can tell if i'm right or wrong
if no opinion can actually be sustained by a prodding
conversation to deal with an opinion further?
well, we already know the end result of dialectics:
i know nothing - that's how the antique mouth of
Socrates changed, back when he invented it
i know nothing was a presupposition... leaving the
art barren, we know how it's going to end, which is why
we like strutting the peacock with sponge-like brains
of opinions.

i just look at the size of these art exhibitions -
massive open space rooms, a large piece of art, you
enter such a space and you attempt to mingle
the claustrophobia of a large crowd - and with such
a piece of artwork, notably it's size, you get the impression
of having a much larger reference in this world,
that you are more important than the world deems you to be,
well.. agoraphobia is a form of claustrophobia,
some phobias are synonymous,
                                                       a large open space, inside
a large piece of artwork...
                                             i feel big...
i live in a few square miles and don't really venture out...
well, that's apparently called life...
                 tiers of the many platitudes...
       or as i say?
keeping Shakespeare, for all his greatness is just about
making traffic... we're queuing - nothing more...
          it's not even about holding to the dear life -
it's holding to the life that passed and will never return -
making our contemporary interpretation of life
                                    a hush, when their's revived is a roar -
great trick... keep them with us long enough
so we get scared then the lions roar -
                  then watch them enter the classics domain
and become entertaining to a dozen people...
everything just seems to have a: u.b.d. (use by date)
and b.b.s. (best before date).
Cunning Linguist Oct 2014
Gimme just the slightest touch
Surely bout to bust a nut
Sock in hand,
my **** erupts
Triumphant
Reidums D rock em
with that 3-Hole punch!

Elephant in the room,
Drunk and bumbling through and through
Lord knows I'll bulldoze her Womb-2-Tomb
On the threshold
& Ready to rumble,
I hustle the bustling
cos she like it rough nomsaying

Prepare for trouble
Enough's enough,
I'm the cunning linguist call my bluff
Doubleplusmuch I munch the ****
I like my busdowns over-stuffed
The t-t-truthfulness,
It's just unscrupulous,
When I lace up the gloves
& upthrust the ******~

I've lost all sensibility
That's a possibility,
but just a moment
Here's a bonus, take my component
Check it's divisibility between your legs,
and if you can find the quotient
This train got no brakes
Slam-dunk on they punk *** parading my game
Simply planting the seed to fertilize your eggs
**** that bunk ****
~Yes, I'm surfing on that funk wave~

Madly ****-spelunking;
tap-tap flowertrap blossoms, unfurling
Clobber em something awesome
Girls roll over and play opossum

My command in speaking ****
Makes other fools illiterate
***** I ******* wrote that ****
The preposterous architect
of epic proportions

The catalyst, becoming a deviant
The mischievous gent'
Debriefing through false pretenses
Though my ******* is magnus
My ***** are brass & my ding-a-ling's massive
them hoes be coming too
Professional minuteman with a plan
Confessing I'd really only need
a fraction to fashion that action

Line up shots, food for thot
I'd even ménage à trois with a
couple nuns inside a confessional box
Doesn't have to be consensual,
it's a holey trinity

Bona fide thief,
An affinity for robbing virginities
in my nearest vicinity
Still your hostility;
I'm battin' down the hatches
Call me the ***** snatcher,
the ****** catcher
****** Ketchum, I smash

Double-whammy in the ham basket

Go for broke
until you choke,
stroking and blowing me
like a trombone,
my ***** is about to explode -
no thrombosis

I am the chosen one
The smoking gun
Rail me to the dome
Or inhale my vapors through a rose
Experience total sensory: overload

Overboard with no remorse;
Dub me FUPA-King,
The bulbous ***** overlord
If I want lip I'll waive my **** at you

A little fizzle cos I make that ***** pop and drizzle
A lesbian ******* crack-fiend
only cares about rock, paper, and *******
Nothing dies, it bursts to birth
Before the requiem is half done,
Before the suitable tears are shed
Or the mourning of the underbred
Nags out its course, the death is dead.

The sighs shoot into the long trombone
It blows so hard it shakes the earth.
The flowers in a breathless rush break through;
If one has collapsed, then out spring two,
Insatiable for things to do.

It is unnecessary to atone
For sin: he is the losing one;
With all his conjuror's cheap disguise
No geese fly north because of his lies
No cause is lost, and nothing dies.
Mateuš Conrad Nov 2016
it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.


it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.

   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.


- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a
Katrina Maria Aug 2012
It's been used on the street.
Used outside of the medical
profession.
Y'know, it's an altogether
new thing.

It can be even more important
than reading the bible.
Children as young as nine
are enlighted with ritual
consumption.
Student priests. Brainchildren.

A moshing chapel, a bouncing
church.
Holy orders have volunteered.
Five groups of four. Four groups of men.

With his eyes, he asked for
water, as deep as wells.
Brain unrooted, profound psyche.

What matters now? Dawns on me.
An experiment, an experiment.

What comes back? What expands?
Everyone that you meet.
The man, the man, the man.
Your duty is not over.

The surprise is:
the cross is the drug.

Sitar sounds and biting.
Chewing and *******.
Swiss lips and big trips.
Explosions and headlines.

Brighter colours, paisley skies.
Giggling teens and sighs.
Spare ribs unite, yellow sweets.

All to do with round.
Monochromatic world turns to
dreaming and doing it all.
Everything, I can do it.

But It's all too much.
So many ties and looking to
your eyes.
Love shines and trombone slides.
Social liberations, my friend.

Feminism, it's for the doers.
Taxes, real worlds, living on it.
Escape is far worse.
Easy actions and breaking
through windows.

Use it proactively not as
recreation.
Same effect as a man getting it.
He feels it going.
Terribly uncomfortable, alone.

Escape is suicide. Lies, lies,
Exagerration, laws, again lies.
Too many idiots, not enough cooks,
Too many chefs, not enough books.

News is what has given particular
concerns with the true risks.

Mr. Illicit tells us the risks.
Accidents and Supermen and flies.
Don't believe in the invisible
trains and cars.

Mental Breakdowns are wonderful
only when it's dependant
upon the setting. Too much again.

Vortex of fear, darker sides.
Rolling and sadness.
Initially the experience was
as advertised. Ancient fossils live.

A new green, a new blue
New sunlight. A new shape.
Terrifying proportions if you
camp in the wrong field.

Lethargic pigs sliced and green.
Cartoon kinda monsters.
Hahahahahahahha, we've GOT YOU!
Negative, feelings, never again.

Secrets of the mind, they chase.
It's the mis-use. It's the bad.
It's the guilt, it's the right way
Only without respect.

The larger group,
it ruins everything for
everyone responsible. Why?
Why cant't you just ******* make
drinks illegal?
Why not cancer sticks? Sickening.

Leave love alone.
Afraid that there is more to
our doors, that haven't been opened.
Out of control? You are out of control.
Michael DeVoe Oct 2012
I want to live on a beautiful island
Where it's warm all the time
And on this island I want it to snow
Three months a year
And I want those three months to be
November, December, and March
And when it snows I need it to be seventy seven degrees
And I want the snow to stick
Here I imagine Jack Johnson, Jason Mraz, and Zach Gil will sit around playing music
They'll play from noon to around ten
That's when Kwali the local pool boy ends his shift keeping the oil out of the ocean
Kwali he plays the Ukulele and sings about beaches no one's ever been to until around midnight
When the perpetually burning bon fire dies down and the island falls asleep
As for the rest of the music here on the island
Every morning there's this old steel guitarist
He's from just south of New Orleans
A place called Under Pressure
Really it's just the hull of the broken fishing boat he was born on
But he calls it home all the same
And a kid who used to play trombone for the high school jazz band
But he picked up the harmonica after he found out chicks don't dig trombones
And the two of them sort of play old dixie
With a steel drummer who never seems to find his shirt in the morning
But you never really mind that
And on Sunday mornings this really old woman
Ssays her mom was Harriet Tubman
Which we all know is a lie
But she's got scars from head to toe so you might as well believe something
Man she wails
For two straight hours
She wails
Wails to God, to the heavens, to Jesus, Georgia and the first row of church
And when she wails her tears are a lost language from the tower of babble and we all understand it
And on Wednesday
Wednesdays
We waltz
We waltz to really old records
That we play on the only turntable on the island
That Mr. Lee drags all the way from his house to the community center with no walls
And the whole island shows up in summer dresses and Matthew Mcconaughey shirts
Even the one we call grandma
And her husband who everyone calls Uncle for some reason
Come dressed to dance
And we all leave our slippers at the door this place doesn't have
And the sand warms our feet while we waltz
Sometimes it's the Tennessee Waltz
And sometimes it's the Viennese Waltz
But most of the time it's just the waltz we all learned in eighth grade
Either way
Every Wednesday there is a beautiful girl
She's five five, maybe, five eight I don't know
I've been lying on my drivers' license since I was sixteen so I don't know how tall people really are
She's got south pacific features
But with my track record by the time I actually make it to my island she'll probably be a red head
We waltz
We waltz until the records skip
And our legs turn to Jello and all we can do is collapse in each other's arms
While the ocean tickles our toes
Our finger tips tickle each other's palms
And we let that guy in the moon do the rest
So when you see me set sail
If you can catch me you can climb on board
And if you can't
Then
Wave goodbye
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
Abrina Say May 2013
I'm working I tell my mom
staying up late at night as she thinks I'm doing homework
while I actually waste time on youtube and 9gag.com
search cultures, and histories, and groups
wanting to belong
and be a part of
a community, a group, find myself
and then I feel so selfish sitting in my room starting to pity those who don't have food
when the pity turns on my for having no sense of culture nor community
I go to school everyday wanting to learn about everything that I don't hear
about space and stars, histories, wars, and of people who belonged with friends in proximity
I can't work, I try to but I can't
I search up how to look more pretty and attract my crush
and then how we shouldn't care about looks from someone who loves to rant
I listen to punk rock, ska punk, celtic punk, and rock because I can't work
I play my trombone because I can't work but I can do music homework
I read books about history and stars because I can't work but I can learn
You can't go anywhere without good grades they say
so if only i was marked on things I wanted to learn
things I wanted to present for things I wanted to earn
I'm only 15 and don't know where this is going
and now I'm resisting the temptation to erase this whole non-poem that I'm to and froing
with info about my life that only I care about
while I procrastinate like most kids do my age
when I hear my mom shout
telling me to not stay up too late and that she's proud of me working
when I'm actually wasting my time and her dreams
so I'll get back to my can't working
ending this not-a-poem with something it's not doing- flowing
Silence
inside a train
is the only sound
of life outside.

Along a road
a melody grows
flirting
with the countryside.

The river
wide and turgid
flows
to a relentless rhythm.

Sometimes
a flute plays
between rays of sunshine
and whispering winds.

Clouds swell
in a darkening sky
to the groans
of a sombre trombone.

Inside
listen to the rain
watch it slash
at the window panes.
Mateuš Conrad Oct 2015
that’s the thing with those trophy wife types,
never really mandible in *** like a jaw ought to be,
too stiff, too anorexic model type:
pooch pooch a handbag full of duck quack pouts of the lips.
i like mandible women, scary scarred women,
the types that will grow into fond babushkas
and cook you a broth.
ah all this crap with daddy longlegs walking into a paparazzi
web of flashes is ruining the red carpet,
i was about to frizz it up into cushion afro softness
that would be quicksand for high heels.
i need blotches i need survival skills that hold the skin together,
every wrinkle, every passing jest of “irrelevance,”
every amulet glow of feeling through the kaleidoscope of depression,
jet-lag i call it, although i rather call it trombone,
with the numbers it was bound to happen, leaving the mammalian
kingdom and entering the insect kingdom, it was bound to happen,
the lost identity tiling the earth, ploughing the eardrum for symphonies,
it was just waiting... just waiting... like a spider waiting
with the flies of the urbanisation of green & green...
can’t change my mind... blotches on skin and bulges of missing protein
on the hips... perfect girth for child rearing...
i don’t like perfect... it’s supposed to have an aesthetic aura of an art
gallery... instead it has an aesthetic aura of hygiene of a hospital;
i arrested all the beauticians while talking to the paediatricians
painting my nails with u.v. liquorice in this hospital of hygienic looks
but unhygienic romping pompoms that swayed man to chlamydia.
Robert C Howard May 2016
Sinbad’s sea-battered ship was
poised on the edge of annihilation,
The Sultan's brow furrowed with curiosity,
then without warning
Scheherazade stilled her narrative
and lived to see the morning sun.

When the moon and stars next owned the sky,
Sinbad was snatched from the jaws of death
then the saga of Prince Kalandar
seized the king's soul with wonder
but Scheherazade left the tale unfinished
and sang with the birds at dawn.

Rimsky-Korsakoff  turned the pages at his desk -
consumed by Scheherazade’s charms
then etched his pen across the waiting staves:
The violin must weave her spell once more
and bassoon and oboe take the prince’s part.

Trombone and trumpet led the martial call
and all the rest enlisted for the cause.
Russian bravura fused with the seductive allure
of exotic tunes born of the dust on the silken road.

A sonic whirlwind filled Saint Paul Church,
as winds and tremolos grew to cyclonic force.
A wall of brass completed Kalandar’s tale.
capped by an exuberant clash of cymbal plates.

The silence yielded to tender violins
chanting a hymn to the princess in all her grace.
Tambourine and winds wove a tapestry
of her debonaire and most virtuous prince.

As the final pizzicato chord faded, the Sultan
turned to Scheherazade with tear-filled eyes
and beheld his immortal princess
and she her valiant and eternal prince
and so it would be as long as night preceded dawn.

She kissed away his tears of joy and whispered in his ear,
“My beloved husband, I will tell you stories forever.
Tomorrow you shall learn of the Feast at Baghdad.”
Another site I have posted on, Poetfreak.com is shutting down so I am moving some the poems here. More refugees will follow.
martin Oct 2012
( To the tune of Jailhouse Rock )

Party night came to the hp site
Singing and dancing till late at night
Friends dropping by said count us in
Man you shoulda seen them poets swing
     Let's rock
     Everybody let's rock
     They all got together in a flock
     Rockin at the hp hop
Well I didn't know you played the saxophone
Frank Zappa Davis on the slide trombone
Along came Embers with a whole brass band
Man that thing was getting out of hand
       Let's rock
       Everybody let's rock
       We were rockin and we couldn't stop
        Boppin at the hp hop
Music getting louder as the night wore on
Hands clap feet tap sing that song
Grab hold o' somethin just to play a tune
If you don't play the piano play the wooden spoon
          Let's rock
          Everybody let's rock
          We were givin it all we'd got
          Boppin at the hp hop
Someone made a speech, said we're all friends here
We all shed a happy little single tear
Then she said oh for goodness sakes
I love everybody in the whole **** place
            Let's rock
            Everybody let's rock
            Keep it up y'all don't stop
            Boppin at the hp hop
JR Rhine Jun 2016
Thomas, Tommy baby,
you are both hot,
and sweet.

Tom Cat you’re red hot--
when I catch you in your Tom Cat Strut,
sauntering across campus,
strolling like it ain’t no thing,

cuz it don’t meant a thing
if it ain’t got that swing baby.

So dig this, Tommy Gun,
you groove with the best of ‘em
when I spot you strollin’—

Your head, teetering left and right like a seesaw, boppin’ baby,
arms hangin’ loosely, swinging freely, wildly, go! go!
legs scooping forward in boisterous trombone slides--
Groooooove Tommy baby!

You’re Louis’s best blows--
ten feet from the mic and the Fives baby,
you’re hot, red hot,
any closer and I'll burn up!
Go!

But you’re cool, real cool,
and oh so sweet.
Super sweet--

in your beard like a pepper and salt shaker tossed across the table,
I look to see those rosy lips part,
and peep those pearly whites shinin' like the bell of Louis’s cornet
brandished in the air, under those ballroom lights--
you’re screamin’ Tommy!

Let me hear that laugh that shakes the room,
punches like Blakey’s bass drum,
thumps like Mingus--

T-Bird you’ve got that hard bop in your soul,
you’re gonna bop to the top TB,
into the third heaven where the angels fall in line to your swing,
that incessant strut that keeps the devil at bay,
Blow! Blow! Blow!

And I see you now Tom Cat,
up there in the clouds,
digging your way across eternity,
bopping and jiving, swinging and blowing,

in your faded khaki pants and worn tennis shoes,
loosely buttoned collared shirt,
tight rectangular glasses that glistened the bell of your eyes even more--
I gotta stand twenty feet away Tommy baby!

You glance down at me and wink,
rearing your head back to let loose that Mingus and Blakey
bottom-end laugh,
guffaw guffaw guffaw!!!

--so hearty and rich,
the backbone of every nervous first-year classroom,
and the sniggering seniors you continued to befuddle and dazzle
with your mysterious ways
and insatiable swing.

So blow, Tommy Gun, blow!
Go Tom Cat go!
Dig T-Bird dig!
Let loose Tommy boy!

Swing for us, swing swing swing--
Hot and Sweet, Tommy baby,
hot and sweet.
For my professor, mentor, and dear friend, Thomas Barrett. You're hot and sweet Tommy baby, rest easy. Keep boppin. Thanks for everything.
Carmen Ray Oct 2012
I miss having the entire upstairs.
I miss sitting on the futon on the landing outside of my room and writing.
I miss having three closets.
I miss the old fashioned doors I had upstairs.
I miss climbing outside of my window onto the roof at night.
I miss the outdated pink-ish red carpet.
I miss the 70’s wallpaper and how the wall by my bed was different.
I miss the silence.
I miss the sound of the train going right by.
I miss going out to the barn to practice trombone and play pool.
I miss summers there.
I miss walking home from school to the house.
I miss how close town was, yet it had a special seclusion.
I miss riding my bike to the cemetery.
I miss the long gravel road behind the barn.
I miss the willow tree.
I miss the neighbors. Even “keep off my lawn” Mike.
I miss the feeling I got pulling up to the house.
I miss being 13.
I miss the parties.
I miss my brother and sister sharing friends.
I miss living on Finn Street.

— The End —