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when god lets my body be

from each brave eye shall sprout a tree
fruit that dangles therefrom

the purpled world will dance upon
between my lips which did sing

a rose shall beget the spring
that maidens whom passion wastes

will lay between their little *******
my strong fingers beneath the snow

into strenuous birds shall go
my love walking in the grass

their wings will touch with her face
and all the while shall my heart be
with the bulge and nuzzle of the sea
IV. TO HERMES (582 lines)

(ll. 1-29) Muse, sing of Hermes, the son of Zeus and Maia, lord
of Cyllene and Arcadia rich in flocks, the luck-bringing
messenger of the immortals whom Maia bare, the rich-tressed
nymph, when she was joined in love with Zeus, -- a shy goddess,
for she avoided the company of the blessed gods, and lived within
a deep, shady cave.  There the son of Cronos used to lie with the
rich-tressed nymph, unseen by deathless gods and mortal men, at
dead of night while sweet sleep should hold white-armed Hera
fast.  And when the purpose of great Zeus was fixed in heaven,
she was delivered and a notable thing was come to pass.  For then
she bare a son, of many shifts, blandly cunning, a robber, a
cattle driver, a bringer of dreams, a watcher by night, a thief
at the gates, one who was soon to show forth wonderful deeds
among the deathless gods.  Born with the dawning, at mid-day he
played on the lyre, and in the evening he stole the cattle of
far-shooting Apollo on the fourth day of the month; for on that
day queenly Maia bare him.  So soon as he had leaped from his
mother's heavenly womb, he lay not long waiting in his holy
cradle, but he sprang up and sought the oxen of Apollo.  But as
he stepped over the threshold of the high-roofed cave, he found a
tortoise there and gained endless delight.  For it was Hermes who
first made the tortoise a singer.  The creature fell in his way
at the courtyard gate, where it was feeding on the rich grass
before the dwelling, waddling along.  When be saw it, the luck-
bringing son of Zeus laughed and said:

(ll. 30-38) 'An omen of great luck for me so soon!  I do not
slight it.  Hail, comrade of the feast, lovely in shape, sounding
at the dance!  With joy I meet you!  Where got you that rich gaud
for covering, that spangled shell -- a tortoise living in the
mountains?  But I will take and carry you within: you shall help
me and I will do you no disgrace, though first of all you must
profit me.  It is better to be at home: harm may come out of
doors.  Living, you shall be a spell against mischievous
witchcraft (13); but if you die, then you shall make sweetest
song.

(ll. 39-61) Thus speaking, he took up the tortoise in both hands
and went back into the house carrying his charming toy.  Then he
cut off its limbs and scooped out the marrow of the mountain-
tortoise with a scoop of grey iron.  As a swift thought darts
through the heart of a man when thronging cares haunt him, or as
bright glances flash from the eye, so glorious Hermes planned
both thought and deed at once.  He cut stalks of reed to measure
and fixed them, fastening their ends across the back and through
the shell of the tortoise, and then stretched ox hide all over it
by his skill.  Also he put in the horns and fitted a cross-piece
upon the two of them, and stretched seven strings of sheep-gut.
But when he had made it he proved each string in turn with the
key, as he held the lovely thing.  At the touch of his hand it
sounded marvellously; and, as he tried it, the god sang sweet
random snatches, even as youths bandy taunts at festivals.  He
sang of Zeus the son of Cronos and neat-shod Maia, the converse
which they had before in the comradeship of love, telling all the
glorious tale of his own begetting.  He celebrated, too, the
handmaids of the nymph, and her bright home, and the tripods all
about the house, and the abundant cauldrons.

(ll. 62-67) But while he was singing of all these, his heart was
bent on other matters.  And he took the hollow lyre and laid it
in his sacred cradle, and sprang from the sweet-smelling hall to
a watch-place, pondering sheet trickery in his heart -- deeds
such as knavish folk pursue in the dark night-time; for he longed
to taste flesh.

(ll. 68-86) The Sun was going down beneath the earth towards
Ocean with his horses and chariot when Hermes came hurrying to
the shadowy mountains of Pieria, where the divine cattle of the
blessed gods had their steads and grazed the pleasant, unmown
meadows.  Of these the Son of Maia, the sharp-eyed slayer of
Argus then cut off from the herd fifty loud-lowing kine, and
drove them straggling-wise across a sandy place, turning their
hoof-prints aside.  Also, he bethought him of a crafty ruse and
reversed the marks of their hoofs, making the front behind and
the hind before, while he himself walked the other way (14).
Then he wove sandals with wicker-work by the sand of the sea,
wonderful things, unthought of, unimagined; for he mixed together
tamarisk and myrtle-twigs, fastening together an armful of their
fresh, young wood, and tied them, leaves and all securely under
his feet as light sandals.  The brushwood the glorious Slayer of
Argus plucked in Pieria as he was preparing for his journey,
making shift (15) as one making haste for a long journey.

(ll. 87-89) But an old man tilling his flowering vineyard saw him
as he was hurrying down the plain through grassy Onchestus.  So
the Son of Maia began and said to him:

(ll. 90-93) 'Old man, digging about your vines with bowed
shoulders, surely you shall have much wine when all these bear
fruit, if you obey me and strictly remember not to have seen what
you have seen, and not to have heard what you have heard, and to
keep silent when nothing of your own is harmed.'

(ll. 94-114) When he had said this much, he hurried the strong
cattle on together: through many shadowy mountains and echoing
gorges and flowery plains glorious Hermes drove them.  And now
the divine night, his dark ally, was mostly passed, and dawn that
sets folk to work was quickly coming on, while bright Selene,
daughter of the lord Pallas, Megamedes' son, had just climbed her
watch-post, when the strong Son of Zeus drove the wide-browed
cattle of Phoebus Apollo to the river Alpheus.  And they came
unwearied to the high-roofed byres and the drinking-troughs that
were before the noble meadow.  Then, after he had well-fed the
loud-bellowing cattle with fodder and driven them into the byre,
close-packed and chewing lotus and began to seek the art of fire.

He chose a stout laurel branch and trimmed it with the knife....
((LACUNA)) (16)
....held firmly in his hand: and the hot smoke rose up.  For it
was Hermes who first invented fire-sticks and fire.  Next he took
many dried sticks and piled them thick and plenty in a sunken
trench: and flame began to glow, spreading afar the blast of
fierce-burning fire.

(ll. 115-137) And while the strength of glorious Hephaestus was
beginning to kindle the fire, he dragged out two lowing, horned
cows close to the fire; for great strength was with him.  He
threw them both panting upon their backs on the ground, and
rolled them on their sides, bending their necks over (17), and
pierced their vital chord.  Then he went on from task to task:
first he cut up the rich, fatted meat, and pierced it with wooden
spits, and roasted flesh and the honourable chine and the paunch
full of dark blood all together.  He laid them there upon the
ground, and spread out the hides on a rugged rock: and so they
are still there many ages afterwards, a long, long time after all
this, and are continually (18).  Next glad-hearted Hermes dragged
the rich meats he had prepared and put them on a smooth, flat
stone, and divided them into twelve portions distributed by lot,
making each portion wholly honourable.  Then glorious Hermes
longed for the sacrificial meat, for the sweet savour wearied
him, god though he was; nevertheless his proud heart was not
prevailed upon to devour the flesh, although he greatly desired
(19).  But he put away the fat and all the flesh in the high-
roofed byre, placing them high up to be a token of his youthful
theft.  And after that he gathered dry sticks and utterly
destroyed with fire all the hoofs and all the heads.

(ll. 138-154) And when the god had duly finished all, he threw
his sandals into deep-eddying Alpheus, and quenched the embers,
covering the black ashes with sand, and so spent the night while
Selene's soft light shone down.  Then the god went straight back
again at dawn to the bright crests of Cyllene, and no one met him
on the long journey either of the blessed gods or mortal men, nor
did any dog bark.  And luck-bringing Hermes, the son of Zeus,
passed edgeways through the key-hole of the hall like the autumn
breeze, even as mist: straight through the cave he went and came
to the rich inner chamber, walking softly, and making no noise as
one might upon the floor.  Then glorious Hermes went hurriedly to
his cradle, wrapping his swaddling clothes about his shoulders as
though he were a feeble babe, and lay playing with the covering
about his knees; but at his left hand he kept close his sweet
lyre.

(ll. 155-161) But the god did not pass unseen by the goddess his
mother; but she said to him: 'How now, you rogue!  Whence come
you back so at night-time, you that wear shamelessness as a
garment?  And now I surely believe the son of Leto will soon have
you forth out of doors with unbreakable cords about your ribs, or
you will live a rogue's life in the glens robbing by whiles.  Go
to, then; your father got you to be a great worry to mortal men
and deathless gods.'

(ll. 162-181) Then Hermes answered her with crafty words:
'Mother, why do you seek to frighten me like a feeble child whose
heart knows few words of blame, a fearful babe that fears its
mother's scolding?  Nay, but I will try whatever plan is best,
and so feed myself and you continually.  We will not be content
to remain here, as you bid, alone of all the gods unfee'd with
offerings and prayers.  Better to live in fellowship with the
deathless gods continually, rich, wealthy, and enjoying stories
of grain, than to sit always in a gloomy cave: and, as regards
honour, I too will enter upon the rite that Apollo has.  If my
father will not give it to me, I will seek -- and I am able -- to
be a prince of robbers.  And if Leto's most glorious son shall
seek me out, I think another and a greater loss will befall him.
For I will go to Pytho to break into his great house, and will
plunder therefrom splendid tripods, and cauldrons, and gold, and
plenty of bright iron, and much apparel; and you shall see it if
you will.'

(ll. 182-189) With such words they spoke together, the son of
Zeus who holds the aegis, and the lady Maia.  Now Eros the early
born was rising from deep-flowing Ocean, bringing light to men,
when Apollo, as he went, came to Onchestus, the lovely grove and
sacred place of the loud-roaring Holder of the Earth.  There he
found an old man grazing his beast along the pathway from his
court-yard fence, and the all-glorious Son of Leto began and said
to him.

(ll. 190-200) 'Old man, weeder (20) of grassy Onchestus, I am
come here from Pieria seeking cattle, cows all of them, all with
curving horns, from my herd.  The black bull was grazing alone
away from the rest, but fierce-eyed hounds followed the cows,
four of them, all of one mind, like men.  These were left behind,
the dogs and the bull -- which is great marvel; but the cows
strayed out of the soft meadow, away from the pasture when the
sun was just going down.  Now tell me this, old man born long
ago: have you seen one passing along behind those cows?'

(ll. 201-211) Then the old man answered him and said: 'My son, it
is hard to tell all that one's eyes see; for many wayfarers pass
to and fro this way, some bent on much evil, and some on good: it
is difficult to know each one.  However, I was digging about my
plot of vineyard all day long until the sun went down, and I
thought, good sir, but I do not know for certain, that I marked a
child, whoever the child was, that followed long-horned cattle --
an infant who had a staff and kept walking from side to side: he
was driving them backwards way, with their heads toward him.'

(ll. 212-218) So said the old man.  And when Apollo heard this
report, he went yet more quickly on his way, and presently,
seeing a long-winged bird, he knew at once by that omen that
thief was the child of Zeus the son of Cronos.  So the lord
Apollo, son of Zeus, hurried on to goodly Pylos seeking his
shambling oxen, and he had his broad shoulders covered with a
dark cloud.  But when the Far-Shooter perceived the tracks, he
cried:

(ll. 219-226) 'Oh, oh!  Truly this is a great marvel that my eyes
behold!  These are indeed the tracks of straight-horned oxen, but
they are turned backwards towards the flowery meadow.  But these
others are not the footprints of man or woman or grey wolves or
bears or lions, nor do I think they are the tracks of a rough-
maned Centaur -- whoever it be that with swift feet makes such
monstrous footprints; wonderful are the tracks on this side of
the way, but yet more wonderfully are those on that.'

(ll. 227-234) When he had so said, the lord Apollo, the Son of
Zeus hastened on and came to the forest-clad mountain of Cyllene
and the deep-shadowed cave in the rock where the divine nymph
brought forth the child of Zeus who is the son of Cronos.  A
sweet odour spread over the lovely hill, and many thin-shanked
sheep were grazing on the grass.  Then far-shooting Apollo
himself stepped down in haste over the stone threshold into the
dusky cave.

(ll. 235-253) Now when the Son of Zeus and Maia saw Apollo in a
rage about his cattle, he snuggled down in his fragrant
swaddling-clothes; and as wood-ash covers over the deep embers of
tree-stumps, so Hermes cuddled himself up when he saw the Far-
Shooter.  He squeezed head and hands and feet together in a small
space, like a new born child seeking sweet sleep, though in truth
he was wide awake, and he kept his lyre under his armpit.  But
the Son of Leto was aware and failed not to perceive the
beautiful mountain-nymph and her dear son, albeit a little child
and swathed so craftily.  He peered in ever corner of the great
dwelling and, taking a bright key, he opened three closets full
of nectar and lovely ambrosia.  And much gold and silver was
stored in them, and many garments of the nymph, some purple and
some silvery white, such as are kept in the sacred houses of the
blessed gods.  Then, after the Son of Leto had searched out the
recesses of the great house, he spake to glorious Hermes:

(ll. 254-259) 'Child, lying in the cradle, make haste and tell me
of my cattle, or we two will soon fall out angrily.  For I will
take and cast you into dusty Tartarus and awful hopeless
darkness, and neither your mother nor your father shall free you
or bring you up again to the light, but you will wander under the
earth and be the leader amongst little folk.' (21)

(ll. 260-277) Then Hermes answered him with crafty words: 'Son of
Leto, what harsh words are these you have spoken?  And is it
cattle of the field you are come here to seek?  I have not seen
them: I have not heard of them: no one has told me of them.  I
cannot give news of them, nor win the reward for news.  Am I like
a cattle-liter, a stalwart person?  This is no task for me:
rather I care for other things: I care for sleep, and milk of my
mother's breast, and wrappings round my shoulders, and warm
baths.  Let no one hear the cause of this dispute; for this would
be a great marvel indeed among the deathless gods, that a child
newly born should pass in through the forepart of the house with
cattle of the field: herein you speak extravagantly.  I was born
yesterday, and my feet are soft and the ground beneath is rough;
nevertheless, if you will have it so, I will swear a great oath
by my father's head and vow that neither am I guilty myself,
neither have I seen any other who stole your cows -- whatever
cows may be; for I
Ah, doth swayeth the grass around the heavily-watered grounds, and even lilies are even busy in their pondering thoughts. Dim poetry is lighting up my insides, but still-canst not I, proceed on to my poetic writings, for I am committed to my dear dissertation-shamefully! Cannot even I enjoy watery sweets in front of my decent romantic candlelight-o, how destructible this serious nexus is!

Ah, and the temperatures' slender fits are but a new sensation to this melancholy surroundings. How my souls desire to be liberated-from this arduous work, and be staggered into the bifurcating melodies of the winds. O, but again-these final words are somehow required, how blatantly ungenerous! What a fine doomed environment the greenery out there hath duly changed into. White-dark stretches of tremor loom over every bald bush's horizon. O-what a dreadful, dreadful pic of sovereign menace! Not at all lyrical; much less gorgeous! Even the ultimate touches of serendipity have been broomed out of their localised regions. Broomed forcibly; that their weight and multitudes of collars whitened-and their innocent stomachs pulled systematically out. Ah, how dire-dire-dire; how perseveringly unbearable! A dawn at dusk, then-is a normal occurence and thus needeth t' be solitarily accepted. No more grains of sensitivity are left bare. Not even one-oh, no more! A tumultous slumber hinders everything, with a sense of original perplexity t'at haunts, and harms any of it t'at dares to pass by. O, what a disgrace t'at is secretly housed by t'is febrile nature! And o, t'is what happeneth when poets are left onto t'eir unstable hills of talents, with such a wild lagoon of inspirations about! Roam, roam as we doth-along the parked cars, all unread-and dolefully left untouched, like a moonlit baby straightening his face on top of the earth's liar *****. Ah, I knoweth t'is misery. A misery t'at is not only textual, but also virginal; but what I comprehendeth not is the unfairness of the preceding remark itself-if all miseries were crudely virginal, then wouldst it be unworthy of perceiving some others as personal? O, how t'is new confusion puzzles me, and vexes me all too badly! Beads of sweat are beginning to form on my humorous palms, with lines unabashed-and pictorial aggressions too unforgiving too resist. Ah, quiver doth I-as I am, now! O, thee-oh, mindful joyfulness and delight, descend once more onto me-and maketh my work once again thine-ah, and thy only, own vengeful blossom! And breathe onto my minds thy very own terrific seizure; maketh all the luring bright days no more an impediment and a cure; to every lavish thought clear-but hungrily unsure! Ah, as I knoweth it wouldst work-for thy seizure on my hand is gentle, ratifying, and safely classical. How I loveth thy little grasps-and shall always do! Like a moonlight, which had been carried along the stars' compulsive backs-until it truly screamed, while the bountiful morning retreated, and mounted its back. Mounted its back so that it could not see. Invasive are the stars-as thou knoweth, adorned with elaborations t'at humanity, and even the sincerest of gravities shall turn out. Ah, so 'tis how the moon's poor sailing soul is-like a chirping bird-trembled along the snowy night, but knocked back onto abysmal conclusions, soon as sunshine startled him and brought him back anew, to the pale hordes of mischievous, shadowy roses. Ah, all these routines are similar-but unsure, like thoughts circling-within a paper so impure. And when tragic love is bound, like the one I am having with 'im; everything shall crawl-and seem dearer than they seem; for nothing canst bind a heart which falls in love, until it darkeneth the rosiness of its own cheeks, and destroys its own kiss. Like how he hath impaired my heart; but I shall be a stone once more; abysses of my deliciously destroyed sapphire shall revive within the glades of my hand; and my massive tremors shall ever be concluded. O, love, o notion that I may not hate; bestow on my thy aberrant power-and free my tormented soul-o, my poor tormented soul, from the possible eternal slumber without tasting such a joy of thine once more! I am now trapped within a triangle I hated; I am no more of my precious self-my sublimity hath gone; hath attempted at disentangling himself so piercingly from me. I am no more terrific; I smell not like my own virginity-and much less, an ideal lady-t'at everyone shall so hysterically shout at, and pray for, ah, I hath been disinherited by the world.

Ah, shall I be a matter to your tasty thoughts, my love? For to thee I might hath been tentative, and not at all compulsory; I hath been disowned even, by my own poetry; my varied fate hath ignored and strayed me about. Ah, love, which danger shall I hate-and avoid? But should I, should I diverge from t'is homogeneous edge I so dreamily preached about? And canst thou but lecture me once more-on the distinctness between love and hate-in the foregoing-and the sometimes illusory truth of our inimical future? And for the love of this foreignness didst I revert to my first dreaded poetry-for the sake of t'is first sweetly-honeyed world. For the time being, it is perhaps unrighteous to think of thee; thou who firstly wert so sweet; thou who wert but too persuasive-and too magnanimous for every maiden's heart to bear. Thou who shone on me like an eternal fire-ah, sweet, but doth thou remember not-t'at thou art thyself immortal? Thou art but a disaster to any living creature-who has flesh and breath; for they diverge from life when time comes, and be defiled like a rusty old parish over one fretful stormy night. Ah, and here I present another confusion; should I reject my own faith therefrom? Ah, like the reader hath perhaps recognised, I am not an interactive poet; for I am egotistic and self-isolating. Ah, yet-I demand, sometimes, their possibly harshest criticism; to be fit into my undeniable authenticity and my other private authorial conventions. I admireth myself in my writing as much as I resolutely admireth thee; but shall we come, ever, into terms? Ah, thee, whose eyes are too crucial for my consciousness to look at. Ah, and yet-thou hath caused me simply far-too-adequate mounds of distress; their power tower over me, standing as a cold barrier between me and my own immaculate reality of discourse. Too much distress is, as the reader canst see, in my verse right now-and none is sufficiently consoling-all are unsweet, like a taste of scalding water and a tree of curses. Yes, that thou ought to believe just yet-t'at trees are bound to curses. Yester' I sheltered myself, under some bits of splitting clouds-and t'eir due mourning sways of rain, beneath a solid tree. With leaves giggling and roots unbecoming underneath-ah, t'eir shrieks were too selfish; ah, all terrible, and contained no positive merit at all-t'at they all became too vague and failed at t'eir venerable task of disorganising, and at the same time-stunning me. Ah, but t'eir yelling and gasping and choking were simply too ferociously disoriented, what a shame! Their art was too brutal, odd, and too thoroughly equanimious-and wouldst I have stood not t'ere for the entire three minutes or so-had such perks of abrupt thoughts of thee streamed onto my mind, and lightened up all the burdening whirls of mockery about me in just one second. O, so-but again, the sound melodies of rain were of a radical comfort to my ears-and t'at was the actual moment, when I realised t'at I truly loved him-and until today, the real horror in my heart saith t'at it is still him t'at I purely love-and shall always do. Though I may be no more of a pretty glimpse at the heart of his mirror, 'tis still his imagery I keepeth running into; and his vital reality. Ah, how with light steps I ran to him yester' morning; and caught him about his vigorous steps! All seemed ethereal, but the truthful width of the sun was still t'ere-and so was the lake's sparkling water; so benevolently encompassing us as we walked together onto our separated realms. And passing the cars, as we did, all t'at I absorbed and felt so neatly within my heart was the intuitive course; and the unavoidable beauty of falling in love. Ah, miracles, miracles, shalt thou ever cease to exist? Ah, bring but my Immortal back to me-as if I am still like I was back then, and of hating him before I am not guilty; make him mine now-even for just one night; make him hold my hands, and I shall free him from all his present melancholy and insipid trepidations. Ah, miracles; I doth love my Immortal more t'an I am permitted to do; and so if thou doth not-please doth trouble me once more; and grant, grant him to me-and clarify t'is tale of unbreathed love prettily, like never before.

As I have related above I may not be sufficient; I may not be fair-from a dark world doth I come, full not of royalty-but ambiguity, severed esteem, and gales-and gales, of unholy confidentiality. And 'tis He only, in His divine throne-t'at is worthy of every phrased gratitude, and thankful laughter; so t'is piece is just-though not artificial, a genuine reflection of what I feelest inside, about my yet unblessed love, and my doubtful pious feelings right now-and about which I am rather confused. Still, I am to be generous, and not to be by any chance, too brimming or hopeful; but I shall not be bashful about confessing t'is proposition of love-t'at I should hath realised from a good long time ago. Ah, I was but too arrogant within my pride-and even in my confessions of humility; I was too charmed by myself to revert to my extraordinary feelings. Ah, but again-thou art immortal, my love; so I should be afraid not-of ceasing to love thee; and as every brand-new day breathes life into its wheels-and is stirred to the living-once more, I know t'at the swells of nature; including all the crystallised shapes of th' universe-and the' faithful gardens of heaven, as well as all the aurochs, angels, and divinity above-and the skies' and oceans' satirical-but precious nymphs, are watching us, and shall forgive and purify us; I know t'at this is the sake of eternity we are fighting for. And for the first time in my life-I shall like to confess this bravely, selfishly, and publicly; so that wherever thou art-and I shall be, thou wilt know-and in the utmost certainty thou canst but shyly obtain, know with thy most honest sincerity; t'at I hath always loved thee, and shall forever love thee like this, Immortal.
The mountain pinnacles slumber; valleys, crags, and caves
are silent.

“LISTEN to me,” said the Demon, as he placed his hand
upon my head. “The region of which I speak is a dreary
region in Libya, by the borders of the river Zaeire. And
there is no quiet there, nor silence.

“The waters of the river have a saffron and sickly hue; and
they flow not onward to the sea, but palpitate forever and
forever beneath the red eye of the sun with a tumultuous and
convulsive motion. For many miles on either side of the
river’s oozy bed is a pale desert of gigantic water-lilies.
They sigh one unto the other in that solitude, and stretch
towards the heaven their long and ghastly necks, and nod to
and fro their everlasting heads. And there is an indistinct
murmur which cometh out from among them like the rushing of
subterrene water. And they sigh one unto the other.

“But there is a boundary to their realm—the boundary
of the dark, horrible, lofty forest. There, like the waves
about the Hebrides, the low underwood is agitated
continually. But there is no wind throughout the heaven. And
the tall primeval trees rock eternally hither and thither
with a crashing and mighty sound. And from their high
summits, one by one, drop everlasting dews. And at the
roots, strange poisonous flowers lie writhing in perturbed
slumber. And overhead, with a rustling and loud noise, the
gray clouds rush westwardly forever until they roll, a
cataract, over the fiery wall of the horizon. But there is
no wind throughout the heaven. And by the shores of the
river Zaeire there is neither quiet nor silence.

“It was night, and the rain fell; and, falling, it was rain,
but, having fallen, it was blood. And I stood in the morass
among the tall lilies, and the rain fell upon my head—
and the lilies sighed one unto the other in the solemnity of
their desolation.

“And, all at once, the moon arose through the thin ghastly
mist, and was crimson in color. And mine eyes fell upon a
huge gray rock which stood by the shore of the river and was
lighted by the light of the moon. And the rock was gray and
ghastly, and tall,—and the rock was gray. Upon its
front were characters engraven in the stones; and I walked
through the morass of water-lilies, until I came close unto
the shore, that I might read the characters upon the stone.
But I could not decipher them. And I was going back into the
morass when the moon shone with a fuller red, and I turned
and looked again upon the rock and upon the
characters;—and the characters were DESOLATION.

“And I looked upwards, and there stood a man upon the summit
of the rock; and I hid myself among the water-lilies that I
might discover the action of the man. And the man was tall
and stately in form, and wrapped up from his shoulders to
his feet in the toga of old Rome. And the outlines of his
figure were indistinct—but his features were the
features of a deity; for the mantle of the night, and of the
mist, and of the moon, and of the dew, had left uncovered
the features of his face. And his brow was lofty with
thought, and his eye wild with care; and in the few furrows
upon his cheek, I read the fables of sorrow, and weariness,
and disgust with mankind, and a longing after solitude.

“And the man sat upon the rock, and leaned his head upon his
hand, and looked out upon the desolation. He looked down
into the low unquiet shrubbery, and up into the tall
primeval trees, and up higher at the rustling heaven, and
into the crimson moon. And I lay close within shelter of the
lilies, and observed the actions of the man. And the man
trembled in the solitude;—but the night waned, and he
sat upon the rock.

“And the man turned his attention from the heaven, and
looked out upon the dreary river Zaeire, and upon the yellow
ghastly waters, and upon the pale legions of the water-lilies.
And the man listened to the sighs of the water-lilies,
and to the murmur that came up from among them. And
I lay close within my covert and observed the actions of the
man. And the man trembled in the solitude;—but the
night waned, and he sat upon the rock.

“Then I went down into the recesses of the morass, and waded
afar in among the wilderness of the lilies, and called unto
the hippopotami which dwelt among the fens in the recesses
of the morass. And the hippopotami heard my call, and came,
with the behemoth, unto the foot of the rock, and roared
loudly and fearfully beneath the moon. And I lay close
within my covert and observed the actions of the man. And
the man trembled in the solitude;—but the night waned,
and he sat upon the rock.

“Then I cursed the elements with the curse of tumult; and a
frightful tempest gathered in the heaven, where before there
had been no wind. And the heaven became livid with the
violence of the tempest—and the rain beat upon the
head of the man—and the floods of the river came
down—and the river was tormented into foam—and
the water-lilies shrieked within their beds—and the
forest crumbled before the wind—and the thunder
rolled—and the lightning fell—and the rock
rocked to its foundation. And I lay close within my covert
and observed the actions of the man. And the man trembled in
the solitude;—but the night waned, and he sat upon the
rock.

“Then I grew angry and cursed, with the curse of silence,
the river, and the lilies, and the wind, and the forest, and
the heaven, and the thunder, and the sighs of the water-lilies.
And they became accursed, and were still. And
the moon ceased to totter up its pathway to heaven—and
the thunder died away—and the lightning did not
flash—and the clouds hung motionless—and the
waters sunk to their level and remained—and the trees
ceased to rock—and the water-lilies sighed no
more—and the murmur was heard no longer from among
them, nor any shadow of sound throughout the vast
illimitable desert. And I looked upon the characters of the
rock, and they were changed;—and the characters were
SILENCE.

“And mine eyes fell upon the countenance of the man, and his
countenance was wan with terror. And, hurriedly, he raised
his head from his hand, and stood forth upon the rock and
listened. But there was no voice throughout the vast
illimitable desert, and the characters upon the rock were
SILENCE. And the man shuddered, and turned his face away,
and fled afar off, in haste, so that I beheld him no more.”



Now there are fine tales in the volumes of the Magi—in
the iron-bound, melancholy volumes of the Magi. Therein, I
say, are glorious histories of the Heaven, and of the Earth,
and of the mighty Sea—and of the Genii that overruled
the sea, and the earth, and the lofty heaven. There was much
lore, too, in the sayings which were said by the sybils; and
holy, holy things were heard of old by the dim leaves that
trembled around Dodona—but, as Allah liveth, that
fable which the demon told me as he sat by my side in the
shadow of the tomb, I hold to be the most wonderful of all!
And as the Demon made an end of his story, he fell back
within the cavity of the tomb and laughed. And I could not
laugh with the Demon, and he cursed me because I could not
laugh. And the lynx which dwelleth forever in the tomb, came
out therefrom, and lay down at the feet of the Demon, and
looked at him steadily in the face.
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
Onoma Feb 2017
Pi~lated by Pontius to an undisclosed location--
we traded presence, as the fruits of labor.
Half-eaten...the ratty dark-lets of our pits--
eyed forms of survival.
You the better for, I the better for...with our
overgrown estates of separation--(spare us the
indignity)...never!
We were made for this, weren't we?
Who got in front of a beam of light first--you or I...
seems like something I would have done--nonetheless,
therefrom the race.
More naked than two millennia of winter...whoa,
aye--glory baby, glory!
Eye contacting eyes...in and out, out and in, sheets
bathed in volumes of water.
We tried to ****** one another in a fit of passion...
so what.
A passion that swore responsibility for whatever it
may, or may not do...so what.
I was the burning mascot of your dormitory for
three and a half years, illegally--sharing a single bed,
cultivating my poetry.
You Adam-ed me...I Eve-ed you--we watched the apple
go red, we both bit--chewing it to the core, mouth to mouth.
As our jaws tired, we noticed the poppies everywhere...
the poppies are everywhere, we cried!
Black, covetous mass, black--sleep bedding sleep, closing
skies--opening grounds.
The poppies are everywhere--we began to horde grace,
deadpan our burial grounds in plain view, something
went amiss.
We played with frames, instead of obliterating the de-vice...
for faces lost in time, adoration.
Where's the reserve to suffer this rich knowledge--everywhere
is your womb, all-seeing and blind!
The poppies are everywhere...I pose upon the ground--
offer tragic gestures, feel me!
No, it all must be exhausted--human genius must be bested,
made the fool--it must be so.
Air after air of convincibility booted--left, right and center stage.
Clay in cold light, natural of its own...that's what we should want
for one another, shouldn't it...how?
We wanting more, as someone we may never know--let alone
one another.
Take that light, and work it to forgiveness, that is possible I
believe...the poppies wink.
Funny thing though...one of the two shall work far less for that
forgiveness, nearly not at all--******* inequity!
No...the schema's perfect--karma's debt, as served, perfect.
Stay in that truth, but the Truth is too big...the poppies are everywhere.
My head wraps around it like a whirling dervish--though no planet
dizzies...this is no matter of intellect but Heart.
The butterfly that's pinned--becomes the pinhead...spare me!
If I am she, and she is me...as one and all, who spares who--from
what and why...the poppies pock affirmatively.
*First of a series of poems, as in that vein, under this title.
Even the bravest that are slain
  Shall not dissemble their surprise
On waking to find valor reign,
  Even as on earth, in paradise;
And where they sought without the sword
  Wide fields of asphodel fore’er,
To find that the utmost reward
  Of daring should be still to dare.

The light of heaven falls whole and white
  And is not shattered into dyes,
The light forever is morning light;
  The hills are verdured pasture-wise;
The angle hosts with freshness go,
  And seek with laughter what to brave;—
And binding all is the hushed snow
  Of the far-distant breaking wave.

And from a cliff-top is proclaimed
  The gathering of the souls for birth,
The trial by existence named,
  The obscuration upon earth.
And the slant spirits trooping by
  In streams and cross- and counter-streams
Can but give ear to that sweet cry
  For its suggestion of what dreams!

And the more loitering are turned
  To view once more the sacrifice
Of those who for some good discerned
  Will gladly give up paradise.
And a white shimmering concourse rolls
  Toward the throne to witness there
The speeding of devoted souls
  Which God makes his especial care.

And none are taken but who will,
  Having first heard the life read out
That opens earthward, good and ill,
  Beyond the shadow of a doubt;
And very beautifully God limns,
  And tenderly, life’s little dream,
But naught extenuates or dims,
  Setting the thing that is supreme.

Nor is there wanting in the press
  Some spirit to stand simply forth,
Heroic in it nakedness,
  Against the uttermost of earth.
The tale of earth’s unhonored things
  Sounds nobler there than ’neath the sun;
And the mind whirls and the heart sings,
  And a shout greets the daring one.

But always God speaks at the end:
  ‘One thought in agony of strife
The bravest would have by for friend,
  The memory that he chose the life;
But the pure fate to which you go
  Admits no memory of choice,
Or the woe were not earthly woe
  To which you give the assenting voice.’

And so the choice must be again,
  But the last choice is still the same;
And the awe passes wonder then,
  And a hush falls for all acclaim.
And God has taken a flower of gold
  And broken it, and used therefrom
The mystic link to bind and hold
  Spirit to matter till death come.

’Tis of the essence of life here,
  Though we choose greatly, still to lack
The lasting memory at all clear,
  That life has for us on the wrack
Nothing but what we somehow chose;
  Thus are we wholly stipped of pride
In the pain that has but one close,
  Bearing it crushed and mystified.
180

As if some little Arctic flower
Upon the polar hem—
Went wandering down the Latitudes
Until it puzzled came
To continents of summer—
To firmaments of sun—
To strange, bright crowds of flowers—
And birds, of foreign tongue!
I say, As if this little flower
To Eden, wandered in—
What then? Why nothing,
Only, your inference therefrom!
JP Goss Aug 2014
Sweeten, let’s, a coast of dun
Therefrom which, the tides erode,
A castle to blind the mighty sun
Affront to that Poseidon, and others
On the beach.
***** the walls and battlements
Fair crystal arm the turrets
The audience of the hermit *****
Pay silent homage to the throne
Intricate are its libraries, etched
Our history inside the tomes.
Only grains of perfect stock
From which antiquity, in full credit,
Will revere the lot
And poetry of human might
Shaped and forged to kiss the day of light
Only  that may suffice.
In this endeavor, no ancients will tenet
Its salty beams but the children of the morn
For we shall build the universe
From when progenitors are born.

Before it began, we were dismayed
Our future, castle, by waves waylaid
Aspirations sink, now, from shape.
But, Gods, I curse you!
Let my destiny rise free!
Look now before you:
A stone in ocean of mediocrity!
All these that build up forts
Lack in that spirit to fight, retort
**** you, **** you, waters of my doubt
Turn false the shades of realism
Which I thought it all about
**** you, **** you sands of time
For now all that founds my dreams
Is erosion of the shoreline sand.
Thou hast nor youth nor age
      But as it were an after dinner sleep
      Dreaming of both.


Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.
                                        I an old man,
A dull head among windy spaces.

Signs are taken for wonders. “We would see a sign!”
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger

In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;

By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door.
    Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy ****.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

                    Tenants of the house,
Thoughts of a dry brain in a dry season.
‘Whenever I plunge my arm, like this,
In a basin of water, I never miss
The sweet sharp sense of a fugitive day
Fetched back from its thickening shroud of gray.
Hence the only prime
And real love-rhyme
That I know by heart,
And that leaves no smart,
Is the purl of a little valley fall
About three spans wide and two spans tall
Over a table of solid rock,
And into a scoop of the self-same block;
The purl of a runlet that never ceases
In stir of kingdoms, in wars, in peaces;
With a hollow boiling voice it speaks
And has spoken since hills were turfless peaks.’

‘And why gives this the only prime
Idea to you of a real love-rhyme?
And why does plunging your arm in a bowl
Full of spring water, bring throbs to your soul?’

‘Well, under the fall, in a crease of the stone,
Though precisely where none ever has known,
Jammed darkly, nothing to show how prized,
And by now with its smoothness opalized,
Is a grinking glass:
For, down that pass
My lover and I
Walked under a sky
Of blue with a leaf-wove awning of green,
In the burn of August, to paint the scene,
And we placed our basket of fruit and wine
By the runlet’s rim, where we sat to dine;
And when we had drunk from the glass together,
Arched by the oak-copse from the weather,
I held the vessel to rinse in the fall,
Where it slipped, and it sank, and was past recall,
Though we stooped and plumbed the little abyss
With long bared arms. There the glass still is.
And, as said, if I ****** my arm below
Cold water in a basin or bowl, a throe
From the past awakens a sense of that time,
And the glass we used, and the cascade’s rhyme.
The basin seems the pool, and its edge
The hard smooth face of the brook-side ledge,
And the leafy pattern of china-ware
The hanging plants that were bathing there.

‘By night, by day, when it shines or lours,
There lies intact that chalice of ours,
And its presence adds to the rhyme of love
Persistently sung by the fall above.
No lip has touched it since his and mine
In turns therefrom sipped lovers’ wine.’
MdAsadullah Dec 2015
In the name of Allah, Most Gracious, Most Merciful.
*********** *****
1. When the heaven is cleft asunder.
2. And when the stars have fallen and scattered;
3. And when the seas are burst forth;
4. And when the graves are turned upside down (and they bring out their contents)
5. (Then) a person will know what he has sent forward and (what he has) left behind (of good or bad deeds) .
6. O man! What has made you careless concerning your Lord, the Most Generous?
7. Who created you, fashioned you perfectly, and gave you due proportion;
8. In whatever form He willed, He put you together.
9. Nay! But you deny the Recompense (reward for good deeds and punishment for evil deeds) .
10. But verily, over you (are appointed angels in charge of mankind) to watch you,
11. Kiraman (honourable) Katibin writing down (your deeds) ,
12. They know all that you do.
13. Verily, the Abrar (pious and righteous) will be in delight (Paradise):
14. And verily, the Fujjar (the wicked, disbelievers, sinners and evil-doers) will be in the blazing Fire (Hell) ,
15. In which they will enter, and taste its burning flame on the Day of Recompense,
16. And they (Al-Fujjar) will not be absent therefrom (i.e. will not go out from the Hell) .
17. And what will make you know what the Day of Recompense is?
18. Again, what will make you know what the Day of Recompense is?
19. (It will be) the Day when no person shall have power (to do) anything for another, and the Decision, that Day, will be (wholly) with Allah.
Because our talk was of the cloud-control
And moon-track of the journeying face of Fate,
Her tremulous kisses faltered at love’s gate
And her eyes dreamed against a distant goal:
But soon, remembering her how brief the whole
Of joy, which its own hours annihilate,
Her set gaze gathered, thirstier than of late,
And as she kissed, her mouth became her soul.

Thence in what ways we wandered, and how strove
To build with fire-tried vows the piteous home
Which memory haunts and whither sleep may roam,—
They only know for whom the roof of Love
Is the still-seated secret of the grove,
Nor spire may rise nor bell be heard therefrom.
Aisha Zahrah Dec 2013
And now emerges white bits of sunshine;
Eyes urged to wake, and tongues to pray;
To Lord of the worlds and of nights and days;
That we be pure in the heart and mind;

Feet saileth lower amongst one another;
With such admiration that lasts forever;
Faithful heads bow and touch the pious floor;
Pearls of rewards doubling behind the door.

And His beauty is deeper than solace;
More luminous than desire and grace;
He asks for love, chastity, and firm abstinence;
He longs for faith, modesty, and true penitence.

Praises and glory are floated to Allah;
Mouths recite and phrase la ilaha illallah.
And claim their very peace upon beloved Muhammad;
With dear respect from the deepest roots of hearts.

Winds might blow and grass might be green;
But we fear still, the restless Might of the Unseen;
He who watches and renders all our affairs;
He who breathes our blood and strands of our hair;

And do fear Him and seek His Abode;
For we shall cease and retreat to our Lord;
As this earth fades, where His end starts therefrom;
And sees our deeds since we dwelled in mothers' wombs;

But Allah is ever fair, filial, and loving;
He is the Keenest, and the Most Heroic king;
He rules perfectly the East and the West;
He listens to what flows within every chest;

And He is All-Forgiving and ever Merciful;
He is swift to both the living and the dead;
He relieves tears of the believing souls;
He lives and sparks, within our very breath.

And He is but ecstatic like the rainbow;
Nothing is more countable than His tomorrow;
His Warm Hands are what we all rush for;
His Words are a poem, like never before.
Ayad Gharbawi Dec 2009
I HAVE A RENDEZVOUZ WITH DEATH



Ayad Gharbawi

To the many needing comfort, needing advice, needing passions sincere, to whom do they turn to?

To whom can they turn to?

The days unmask the increasing emptiness between all of us, and the need for revolt is always there. The urge to be solitary as a reflection of one’s disgust with the hollowness of human beings, is always an attraction for some.
The urge to speak one’s mind to all people, to shatter the idiotic niceties and protocol that separates all of us and represses our genuine needs and desires and ardent wishes in life, is always an attraction for some.

The need to transcend the humdrum of our lives daily is there, and yet we feel that somehow little can be truthfully done. That is such a prevalent feeling – that as an individual I can do very little to change my life, so one submits to apathy wearying.

The society of individuals increasingly down cast and alone while at the same time people may increase their social contacts – but, there are no positive results to be gained therefrom, for the ‘human’ is crumbling as a sovereign entity into frightened fragments, self-doubt and confusion.

Ask yourselves, what is the net emotional result of all your socialising? For when the certain hour arrives and you witness that accusatory feeling of ‘What have I done?’ your horrifying reply will be that you have done nothing to fulfil your needs and desires and passions.

The hour does ask you: ‘What do you feel at the end of it all?’ and your emotions search vainly for meaning and fulfilment, for in essence there never existed any meaning and fulfilment in your lives in the first place.

Your life style, your socialising has merely succeeded to varying degrees and extents in covering up your real needs and desires.
Thus, in essence, you are merely ignoring, avoiding and repressing your true feelings; the ‘successful’ day is when you do not feel the urge to express your needs; in other words you have successfully been able to distract yourself from your real self.
However, ones innate needs and desires return to haunt us because they are our essence existentially.

Repression of one’s needs and desires and hopes results in disastrous consequences of the self. We are not being true to our selves. We are masks, we are afraid of ourselves because if we were to face ourselves, then that would entail changing our lifestyles and our frame of mind.

The humans around you are not ‘real’.

They are not what they are pretending to be.

The humans around you are living in sorrow hidden by niceties and good manners and protocol and a million other worthless distraction. The humans around you are losing their humanity, their creativity, their needs and passions while they go about the routines of their various lives predictable.

Man is dying in himself, willingly wistfully to accept his/her resignation from life; echoes of Seeger’s poem, ‘Rendezvous’ can hardly be ignored:


‘But I’ve a rendezvous with Death
At midnight in some flaming town
When spring trips north again this year
And I to my pledged word am true,
I shall not fail that rendezvous.’


           Ayad Gharbawi -
Onoma Sep 2012
Spaces distance themselves--
to isolate the purpose of longing.
A depth where memory forgets
itself...spaces backwashed
lucidly.
Genuine seeing sets in--as if a
searchlight disconnected from
its lighthouse...swimming toward
the horizon's conclusion.
Longingly, as it is to bleed and
be bled for...the exchange of the
heart's chalice.
Eyes are lit by the asking of
salvation...so many eyes...tenderly
placed for their hapless duration.
Spaces distance themselves--to
isolate the purpose of longing...it
is therefrom a genuine seeing sets
in.
How else may emotion unfold...how
else may this temple stand amidst
the wilderness?
A temple destined to die into life...
as life is irreducible from a genuine
seeing.
Onoma Dec 2016
Breath is never
baited, its sea has
already parted.
In its place a mountain
stands, a man lain across
its peak.
There exposed, what bone
may box a breast,  O dear Mother--
never off kilter.
Therefrom a thread so gold, marrow
met skin, up and away...
a steady pull by the tail end
of an angel.
Relative as the bent forefront of love's law,
where all reunion leaves no remnant.
To find a faith so becoming, space leaves
room for space verging on itself.
How blue the pearl, how circular
the sky of its sea...how golden grows
the thread that breaks with every breath.
WendyStarry Eyes May 2015
And the God of gods seperated a Spirit from Himself and created in it beauty.
He gave to it the lightness of the breeze at dawn an the fragrance of the flowers of the field and the softness of moonlight.
Then He gave to it a cup of joy, saying:
"You shall drink and of it except that you forget the Past and heed not the Future."
And He gave to it a cup of sadness, saying: "You shall drink and know therefrom the meaning of life's rejoicing."
Then He put therein a Love that would foresake it with the first sigh of satisfaction; and Sweetness that would go out therefrom with the first word uttered.
And He caused to descend upon it knowledge fron the heaven's  to guide it in the way of Truth.
And plantedin its depths Sight, that it might see the unseen.
Therein He created Feeling to flow with images and phantom forms;
And clothed it with a garment of Yearning woven by angels from rainbow strands.
In it He did put the darkness of Confusion, which is Light's image.
And the God took fire from Wrath's furnace, and a Wind from the deseert of Ignorance, and Sand from the saeashore of Selfishness, and Earth from beneath the feet of the ages, and He created man.
He gave to him unseeing Force to rise up in fury with madness and subside before lust.
And God of gods smiled and wept and knew a Love boundless and without limit, and He mated Man with his Spirit.
I'm posting this honor of my Mama, who handed down to me all her Kahlil Gibran books. Beautiful writtings. As I typed this I took notice of the words and the one's he chose to capitalize.  My Mama is the best Mama!!!
Onoma Feb 2017
Why are you looking at me like that?
'So one day this tenebrous look will repeat on you as an
unsheathed star, and in the aftermath of that
luminous wound all the angels of my intent
will leak therefrom.'
'Having seen--your heart will assume that wound,
and my music will come out of your eyes!'
A music whose movements constrict, a time-lame
twine only a serpent may undo--you knew!
How went the all, how went its nothing...that diabolical tune?
I hear it through feeling, it's so haunting I look over shoulders
I never knew I had.
You left panning cameras half-blind, live with feed, to every
nuanced detail.
Your minute release of messianic trailers doomed to never premiere,
neglecting to bow your head, and proclaim: It Is Finished...)))
It was more than the lay of the land, such was your art of survival,
hence war.
It's messier than they story--when two human beings come together,
what's gospel cross references  googleplexes...all but to betray a lack
of designation...human, being?
The poppies are everywhere, I stuff their dreams!
I see hearts skewering hearts--lights out, lights in...their
truest sutra: "form is emptiness, emptiness is form."
Our decline was so steady, you said you saw the beauty in ugly...
so now we're both transfixed in near catatonia.
The poppies are everywhere...I see you chopping off your locks
at odd angles, listening to Tori Amos--hoping they won't follow
you cursedly...your face waxed in eye-melt.
So erriely sentient, surfacing glimmers of nonlocal breaks of news.
You roared down that Kansas highway, one foot on gas, the other on
dashboard...that flat, unending highway where we saw the eastern
sun set, catching our dust-black wind as detracted distance.
Where: "kyrie elieison, down the road we must travel" sooth-said through the radio...ahead, the poppy-pigmented end of the line,
warning the last of the sun sets west.
That night when we retired to that Kansas motel, we were never
more parched in our lives.
Yes, and like the pickled western crawlers you can purchase in some
gas stations...the devil was in the details, a poppy between his teeth.

Today, I fell into a dead stare on the sun, (unblinking) as I write this
the pen emerges from a neon-green orb, blotting letters.
As this sight settles...I will like to tell you how I saw the
sun rattle its rim, and flicker its pregnant bulges in messages,
that cradle ripples to havens of purity.
Today, here--now, the sun will set east nor west...with love, nor
hate.
The sun has set...the poppies pause for a moment of magnanimity.
As though the breeze would carry
Her words across the sea
Right from within this cosy bower
To some far away places
And be heard also in the palace
Of the Queen of England,
When she whispered to me--my grand--
Delightful dame, in the raw:
"Art thou a one-trick pony
In play, my stallion honey?"
"Nay!" quipped I with guffaw.
I can mount fore and aft,
Thy fount, as it's apt.
Then did I turn on the shower--
The showers of blessing on her with care
From the station she did to me declare.
And therefrom I did hence perspire,
Besides, in deference to her soul's desire.
It takes on deaths horrible form thereunto,
Breaching the seas pensively askew;
Spun brutally from troubling winds of false accord,
Ignored by expression but surely explored.

O 'tis madness, voices beat savagely in my head,
Upon quiet of night as insanely they wilfully imbed.
Through mortal fear I am awakened,
There's nowhere pleasant to run 'tis my chastened.

Of life's despairs nor demons wrathful hold,
Hast thereof nightmares foretold.
In the chilling air, killing heedful wisdoms impaired,
Had I faltered, I'd been sadly unprepared.

Pressed onwards I could only dream,
With care it'd be a future supreme.
Deep in my bleeding thoughts I tried to grasp it,
Yet every brutal bound 'twas likely unfit.

Ah, let evil echo through my disrupting mind,
The faces, that blushed mostly unkind.
A hideous desire inexplicable, entombed from within,
Hastily it beckons thereunto an original sin.

The voices, whose horrid duty I deplore,
Of the old vast despairs it will implore.
But alone I am 'tis surely surpassing a realm of rage,
And all I seen, mattered naught offstage.

Regrettably in the valley of despair I have always lived,
Therefrom I am truly a weltered child deprived.
Onto the rough cobble stones bloodied and quite torn,
That tragic wind, caught in hells uproar forlorn.

A sea of red, kept in an eternal twinge,
Through to agonies I'd impinge.
Ah how they weep, the mystic fools they weep,
In fake smiles these too rustle forth and reap.

Though I'm stirred I cannot follow,
O'er endless toil I as wallow.
Unto violent passions, soaring in tempting extremes,
Of pastures buried, a life in poor redeems.

For nothing concerted I came thereafter seeking,
Every question asked it begged a haggard beseeching.
Thus in a dim labyrinth of lies I found some solace,
Here in the direst valley of despair it's my disgrace.
Hoover Feb 2012
„...my men in moleskin caps and generally envested in the kind of shabby paramilitary fashion in which one pictures the advance guard at Teruel. Upon proceeding inland, we encountered teams of what I declared native-cannibal-warriors, who, despite being outwardly quite docile, were clearly displeased with the unannounced invasion of their little isle. I began pointing my finger at the savages and emitting ‘pow’ noises, causing the natives to rather cooperatively collapse to the ground by heaps. Having cleared the beachhead, I then realised my love for our apparent guide to this strange paradise, an ermine-like species without any name that comes to memory. I held her close for perhaps five minutes, stroking her luscious, snow-white pelt and ignoring the jealous glances of my subordinates. An anxious look told me she had something to tell me. I bent my ear close, only to receive a sudden impact of her delicate, immaculately carven jaw. Shocked, I relinquished my hold, and she immediately bounded to a low-lying tree behind me, pawing the fruit dangling therefrom with a feline relish“
Onoma Jun 2018
an unmade bed

captures an out of body

experience.

the marbled habit of

Bernini's: The Ecstasy of Saint Teresa of Avila.

whether in a lover's arms, ones own arms--

are the arms of sleep...held by the only Lover.

pillow case, bed sheet and blanket...

crease an inescapable faith--where you

for all the world, and all the world for you...

disappear.

faster than peopled dreams, losing their mark

and place...off they-you go in dreamlessness.

therefrom to rise at your fixed height, warm in

the cold light of day--looking down at an unmade

bed.

parallel and perpendicular rungs stripped

clean with a stretch.
Ayad Gharbawi Dec 2009
BIRTH OF SORROW

1995

From my life
I gave in

Surrendering to
A sudden
Realisation

Of such
Serious Sorrow

That so wrecked
My once
Secure life

And therefrom
I did
Suffer.
JP Goss Jan 2015
—To me, a dream, in which she came: Mistwalker
—And I, a vessel, rose in her womb, bear this, to me, a dream.

Say, on this, untoward, the spiced breezes with salt
Came, if all, the light enkindled like whetted steel
Morning star through the mournful faces above
Rejected, yes, by their mothers, of past and now,
A cold came ashore, ancient besieged accounts
Wilted the pregnant vines of yesterday, sure to
The next, as gods turn to myths, stories to the dying young.

She stared, of memorials in print
Off into the terrible morning, gossamer filament
Swaddled at the breast, a tight form slack
In the great divorce of sea and sky,
Standing, contemplative, shouts and echoes crack
Unheard, discarded: sweets to the profane
Sedately, to that dark curve: a canvas was lain
Adrift on aether, drowned bones of Atlas,
Emerge on drift of the everlasting, there at world’s end
In curved states between:
Hell broods in the burgs of ice, Providence
Forsaken of she who becks on the entombing sands.
Thus, prayers come whetted
With none to brush the stray hairs from those astray
Men conceiving valleys, their mountains,
Structures, are we, to eternally pass the course of solitude
Under cross-borne tuitions, marbled elders’ auspice
Embossed of the very tongue spoken
Once in high infant chambers, Omnis Ipse?

I, too, was born beneath the hero’s breath,
Taken by the glimmering sheath and steeds
To the awful wiles of merciful truth,
She to the enemy of standing beyond, within.

If ever a summer had kissed the city where cold descends
Or snow reminisced stars in the eve,
I, I—she hurts in the mists—have only tasted, bitter,
Sketches, between them, the finitude of their light,
That of warmth, of compassion
Man fall distracted from, therefrom grace,
A beast shed of its other back, hubris of its wing—
Am I the maiden of its song? But it’s maiden?—
One season, ever-aged, harbinger of this isolation
What is the ****** ewe years of searching for I,
Is sacrifice, thus becomes the phantom, the slave
Of that distant black, the sullied mark, consumptive
Unremitting arms of purpose, of man’s calling.

These hands are spelled, veined by charcoal dust
Adversarial oaths kept close, of myself, in idle play
Where what I will, wills but a will
Where none are to come, but the mast of a hero
Whom she is tied, of those winds
Seminal of her words—I shall be the breath
The cusp of every storm which blights the high waves,
The knife of sheer walls of stone,
Moments of oblivion which rend the heroes, ill-stayed.

Eyes burned holes for the starlight of awe
Pouring o’er the wastes of her paper skin
But, that she overturns the rueful words
Again, again, again, cycled in the oceans,
Where gardens of kelp revile the current
Strands, becoming of the arms she wishes to hold—
To write myself out of comprehension
Is to risk the very marrow has I obeisant,
These lusts of the greater body, those of the Mother
Clad in jewels and customs, as wave desires sky;
A journal I’ve become.

Mist came, froth, the spiral of wars inside the heart
They inveigled her, to my dismay, to the blind air
No longer, the sweet tine of imperfection of voice,
Inspired of spoken word, recent memory took leave,
Ambivalent joys came raining on a pen,
Reluctant to write homage to freedom,
Caught in the morphless air, calcified transformations
Odes to let go. But.
JP Goss Sep 2014
Dream a dream in leather-bound
Sheets as white as wedding gowns
Trace endless streets as riverrun
On alleys, veins back and down

Cigarette mornings, sun’s crown is passed
Onward! To destinations!
Calmly, into nothing goes on the last
And ever on so fast.

Steam does lift off the shadows cast
Off the blinding sky, perfect, pale-skin white
From my empty room Troy-maiden appeared
Verse tattooed on belly white, limbs so lithe.

Ere long, the throbbing thing, the pen
Passed and rent the soul to send
My crafted love in the sallow morn
The devils therefrom that are born

Knows not best torture  me
With outright attacks and battery
But that time and brooding are
Whips and chains—evoke his dignity
All it took to collapse his frame.
Onoma May 2018
as an earthworm touched

by a twig, a string curling

wildly to refuse the knot.

raw and sensate, dotted

with bits of soil like ellipses

of motion.

the same light's kept on in

the darkened ends of its

tunnel.

as your own.

a pulse in the earth, enriched

by a blackness that contains

immovability.

to surface therefrom, putting

the best of nakedness to shame--

streaming the gravity of

enlightening experiences.

turned continually over, as

if to freefall to the sky.
Leo Jan 2020
Please stop.

There are two sides to every painting

Only one of them

Is blank.
Inspired by a conversation that a friend instigated with a stranger at a restaurant.
Onoma Feb 2016
With baffling reticence these limbs pour--
were they the scream of their creation...
space would about-face.
A clarion call issued them as stars to
constellate a soul.
Secure a God's temperament--and of the
mind given them, what to derive therefrom?
Their wound is not wide from their reticence,
the presentiment of their journey is a steady
creeping...the inching forth of termless conscription.
As pastoral confines bled out the lamb by the
Hand of necessity, these limbs have so
gathered to impart their sacrifice.
A single push of an unfathomable nature sees
them thus and thus.
What center they contrive's amiss...one
cannot take hold the Agony and Ecstasy
handed by One so great.
JP Goss Oct 2014
There is something, a more perfect flame
Born of the cold of its self-destructive Same
As all fire in every iteration.
Why does it consume, a being therefrom
Ash, budding in envy and infantile,
Itself? Where shall it return? Tragedies
In waves and yet I’m so affixed
To those weeping, weeping lost
Amidst themselves, wanting completeness
Or one leaf to survive them
Through the Spring. Here, amidst
The tragedies, red-eyed, disheveled
And hoping for rebirth.
I will stand here, bury it in earth.
Onoma Nov 2020
a void can be felt akin to

a spherical ice sculpture,

suspended by space--but

where space cannot follow.

its surface teems with fly-like

suns, where apathy melts and

falls into blackened mouths.

that utter far more torturous

things than thirst, one being:

goodnight...with no relief.

an end as sight, seeing therefrom.
DET Oct 2018
A joyless tale
Turn into appearance
To this vitality...
That lipped to mouth the letters
"Wait.... we'll come across once more"
The era's peel of the skin...
Till it turn into a ossein
By season to season...
Therefrom... nevermore reunited
Hence, one relinquish life...
Not allowing us to embrace once more...
That joyless tale
This poet mouth's that letter's.... one by one....
Is mine.... joyless tale
That came into vitality....
Sometimes being a poet allows you to mourn for someone. I personally would like to share this poem to all of those whom have gone through the same.

Copyright © 2018 D.E.T All Rights Reserved
Dr Peter Lim Nov 2019
The pursuit is in vain
the journey a fantasy
to my inner sanctum I should return
where resides the true me-

everywhere is the clamour
'  this is the true philosophy
   do not walk in error
   this will set you free'

  the public well is poisonous
  drinking therefrom leads to malady
  give me the pure rain-water
   it will keep me healthy--

   alone in the deepest silence of night
   untainted by the voice of rude humanity
   with the moon and stars as company
   I am content and blessed in my serenity.
Babatunde Raimi Oct 2020
You came into my world and ignited my thunder.
You are the salt that sweetens my day and the moon that brightens my night.

The fire you ignited burns like a candle and the glow therefrom shakes the rubble in my heart.

Call me by my name and let me unleash the catalogue of emotions I have consecrated for you over the years.

I might not be your first everything, but please let me be your last everything waxing strong in love till fade.
Babatunde Raimi May 2020
Bewaji "Omo Jogunomi"
"Omo Odua, Omoluabi"
Your simplicity intrigues me
Your six "Shuku" braids
Adorned with petals of royalty
Fit for a royalty like you
Represents all Oodua enclaves

In a fortnight, I shall bring you gifts
From the evil forests no man dares
Therefrom, I shall bring you "Ori Kiniun"
In your name shall I conquer territories
And name them after "Eni bi Okan mi yan"
I am the "Ogboju Ode Inu Irumole"
The only man fit for a goddess like you

Bewaji oh!
I shall call forth fire upon your foes
Even without a degree in water engineering
I will I pave a way from the stream to your house
Build you a fortress as high as Jericho
Because you Bewaji are my treasure
"Eledumare''s" greatest mortal creation

Don't cry for me if I die in this cause
You can put it on love so deep, so true
I strongly desire and adore you my "Bewaji"
My World who wakes up with beauty
Give me a shot from your *******
And my life will not remain the same ever again
Now, tell me, who is your "Bewaji?"
Eleete j Muir Mar 2023
Therefrom the manichaeism wormhole of the
Trivalency of Heaven, Earth and Hell,
A space built ''into space''- The Cinvat Bridge;
The obscure by the still more obscure,
The past and the future, matter and anti-matter
Collide between the two annhilation properties of Srosh and
Vizarsh; provoked over a magian sciomancy thistle,
A spirit indestructable in thought, word and deed,
A most lovely triumvir soul of As Above, So Below, Alike on Earth
Whose transference shadow never grows less for the *****,
That crosses the sky united in the dark whilst life
Reverberates grave requitable impious impunity beyond its
Negative Mass so that All Souls may rise shining
Into the paradise light-land at the final all encompassing
Purgation of the ''Nethermost Hell''.






ELEETE J MUIR
Babatunde Raimi Sep 2019
My father; my hero
My mother; my Angel
My Guardian my friend
For your centuries of support
Thank you

For centuries of love
Self denial and support
That i be educated
In a crazily literate world
And be liberated from oppression
Thank you

For years
I ran your race
Successfully with laurels
Thought to make you proud
Especially amongst your friends
That you be proud
But within, unfufilment brewed

I 'A'ced my courses
Accolades poured on you
As parents of the best student"
Even though it earned me a place
As a valedictorian
I was dead within

Crowded in the hall
Many saw the smiles
The media went frenzy
An academia was born
But behind the smile
Lies a lonely soul
For i was dead within

You never asked who i was
Never exploited my gifts
The reason God created me
You turned me to a machine
"La cram", "La pour"
Then with honours i graduated

I love you Dad
I adore you Mum
For programing my life
That you may be happy
I hated you with passion
I loved you, then i hated you

Tired of the statusquo
My best friend too is
Victims of circumstances
We made to satisfy you
That we may embark
On a journey to self discovery
And truly find fulfillment

As i make to receive my scroll
It is a gift i owe you
Receive it in peace and joy
That i may be free
Free to pursue my course
And take responsibility therefrom

The scales are fallen
Awash with sea salt
Surely i will fail
But in failure i will learn
It is a condiment for success
For surely
Every balloon can fly
If we can just try

My son is a Doctor
My daughter is a Lawyer
I want you to be a Pilot
She will make a great Accountant
The Porters plan you distorted
But HE awaits you
Your time in judgement you'll have
For every was created for a purpose

On the part of self-discovery
Many destinies are tired to mine
Therefore i must manifest
On land the Cheetah reigns
The Sailfish dominates the sea
While the Eagle rules the sky
Each operating in their timezone and space

If you are in my shoes
You have a voiceless voice
Don't worry
Your time will come
Even if they pretend all is well
Play the fool and breast the tape
It will all end in praise

This torment is but for a while
Then you can gift it to them
Your certificates and laurels
Only then can follow your path
Like a Bird iniquitously caged
And fly to the sky
Where creativity and talent reigns supreme

— The End —