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Mateuš Conrad Feb 2016
there's this common consensus among the irish
in england that they're the big fish,
the shark migrants, the ones who say
do to other migrants, rather than be, among us;
for example? they take poles to be (holy) fools;
oddly enough irish arithmetic doesn't really
spawn in other ethnicities too well,
unless of course it's an arithmetic for the
number of pints of Guinness you drink;
funny to reduce a civilisation to a pint of beer
as the civilisation's biggest input for the world
to see; walk into an irish pub donning a little
german flag on your arm and you're immediately
courted with a sing-along-song with the words:
i can't serve you: i've never seen a people
so adamantly proud to have been colonised
when uprooting others who were not:
a shamrock of honour no doubt.

christianity was adopted by the roman
empire, for the jews and the romans
shared an aquiline physiognomy,
in rude terms it's also called the Gaul Nose.

let's see... what else? ah, there's this problem
about the criticism of communism,
after all, western europe (inc. sweden...
huh? sweden?! sweden was neutral!)
was given the marshall plan bail out,
e.r.p. monopoly money...
eastern europe wasn't given that option,
it was given communism, a higher
bidder took offer, the jew said of the slav:
make him proud; of the german? not
so much proud but in a chicken house
of glass and cubicle, offices of paper lifting
mächtigmensch: in fifty years time,
having lost momentum of the industrial
revolution, exported everything to china
(unlike american national capitalism
china's national capitalism is subtler,
just a little tag on a shirt: MADE IN CHINA,
but... designed in caulifornia, the white brain
state), they'll be left with a recurring mid-life
crisis having to brand each life, sell it,
exhaust any chance of entering dialectics,
spewing out opinion after opinion after
even more opinion, basically taking out
a mortgage on an interesting life, and that'll
be the end of it... the advertising boys and girls,
by-products of a New Age Iconoclasm,
not with images, like St. Jerome hunched
or St. Francis of Assisi begging for birdsong
translations of the dove's descent
onto the head of John the Baptist...
New Age Iconoclasm, you see it everywhere:
usually with a trade-mark and a copyright...
New Age Iconoclasm examples?
Coca-Cola... Pepsi... MTv... Levis... Apple...
TM TM... COPYRIGHT FM....
the only damnable thing not ready for nostalgia
concerning former communist states...
well there was poland under the martial law...
a satellite state gearing up to either civil war
or the empire of the warsaw pact (z.s.s.r.)
1981 - 1983... terrible times... but not communist time...
now everyone wants socialism...
food banks in england, migrants in shanty towns
in france... germans being very courteous (hmm),
greeks throwing falafel into turkey,
spain the gem of south america frozen...
all in all, every european frightened of federalism
that cripples u.s.a., no european wants federalism,
no european wants to be bleached into speaking
*klar englisch
, centuries of differences done in
conglomerating over the course of a few decades?
madness! no one wants to be like the scots
or the irish or the welsh... who simply say...
aye, buts wee 'ave an accent...
indeed, all you have is a historic insinuation
to what your tongue used to speak,
before the great kabbalistic anatomists
told you to always speak with your eyes open,
rather than sometimes closing them, and speaking
using the kabbalah to see the mouth's anatomy
of the 20 and above organs, including the main one,
the tongue, the brain of the mouth.

p.s. there's only one aspect of kabbalah that
seems dumb from the start,
akin to being pulverised by too many
maxims from philosophy,
and thoughtlessness of the oriental aversion
to think anything that might create
a self in transit...
it's numerology... i've never understood
a point of it, from such a methodological
investigation of phonetics with the
scalpel that is the tetragrammaton,
in order that alpha bravo charlie dumb-dumb
could not exist to stress clarity of
pronunciation / so that bravado would
not be investigated using linguistic cryptology,
as noted via: bruh-vah-doh / brəˈvɑːdəʊ
to saying: a = 1, b = 2, c = 3...
and the words kept me going were represented
by 11 + 5 + 16 + 20, 13 + 5, 7 + 15 + 9 + 14 + 7
actually meant anything.
Mateuš Conrad Feb 2017
it's, well, it's a bit boring to be part of this sometimes... what with insomnia new york, london, whatever.... i feel not allegiance to give my ***** a sprout of waiting to be, a fully functioning human: nurtured into a fathomable presence, to be later ******-about like a ping-pong... if huamnity had a deserter, a Judas, i'd be him, i feel absolutely no allegiance to this: man = animal, i feel no existential threat, nor bias... i feel no basis to keep an argument, to be honest, the current argument just makes me express sentiments of acquiring the darwinism of dodo... i can't, just stage, a necessary continuum... it's not that i feel lost and want to continue... it's that i am lost, and don't want to! who the hell am i to suggest for implanting me with this ghost of apathy? me?! so i mastu-***** myself into feeling it? colonialism, right? i didn't cut off my *******, right?! i can't be bothered, i am vomitting on darwinistic arguments, because, well, i can't sorta feel them... and given the numbers, i don't really care that i see them... seeing a tapeworm would gratify me more than seeing some loon John Smith take out a load of garbage... as you do. no, not really... what's being described is hardly a prescription, i don't feel it, and i hardly want to live in it and be aged 70... what you said isn't, and never will be: a postcard... i will never want to live in this anglophone ****-pile of faked-hope... it's actually a shame that i live in this language-sphere, i'd be better off in Mongolia scribbling quasi-Mandarin... i literally have no impetus to compete... i must be a half-baked monkey... but you know... you watch enough Renaissance painters, and you watch enough ****... being given the beginning with a monkey's hairy ***... you sorta need to lose the plot, had there ever been one to begin with.*

i mean when the gensis of the senses being dimmed,
and the origin of thought...
   for the senses to reveal a moral cursor,
a moral dimension...
   before the big bang, what came into our world
most debilitating... thinking...
   a case for making choices, and a reality
of moral agency...
           it's beyond the big bang and darwinism
replicating boo boo skeletons equipped with
a middle-class wives...
            it's when our senses became so *******
blunt and ineffective that a "sixth sense"
had to be established, that we countered running
away from a tiger to playing football...
         and running from a tiger
  was nothing... nothing! compared to jogging...
   what's the date of that beginning?
oh right... no date...
the genesis of thought, and the moral agent,
begins with us experiencing less and less
sensually invigorating anti-ego tsunamis...
     given that we were, literally pulverised by
sensual stimuli for such a long time,
   that for such a long time our medium was
sensually based, biased,
  that we heard so much than we wanted to heart,
sore so much more than we wanted to see...
    and had no need for narrative,
or an internalised moral code,
or thought...
                  we are experiencing the exhausting
end, or the banality of thought,
personally: i think the existence of thought
is banal, it gave us god...
         thankfully we are exhausting thought,
thereby succumbing to populace atheism...
thereby returning to sensual gravity...
            pulverised by the 5, rather than a single,
establishing plateau sixth...
         i rather prefer thinking about
the theory concerning: first thought
rather than the big bang...
   ever hear a bang in vacuum?
so what the ****?!
   when we first started thinking, and went against
the brutality of nature...
           and became more brutal than nature...
    i don't believe in heaven, or in hell,
but as an emotionally biased being
i like to think of both...
before i translate either case as a thought
before encouraging: die groß schlaf.
    
origin:              

they make the grave
a fastinating place,
the crowd really does,
the crowd really  makes so much
of an insistence or d'uh or applause.,
      i mean, it really antagonises
the people...
like the time i thought i was: sprechen deutsche...
but wasn't, and it was cool,
because i was kinda Sax and anti Schwab...
and a bit like bot: hope you don't rememeber
the Holocaust..
so i became transgender,
and, also, trans-phobic,
                so said: pronoun neutral!
and yes:
       the grave,
it's a necrophilia i wish i had,
the cold of Februay,
you allow me misery, i allow
yours, you deny mine:
    i'm sorta alive against my wish,
       and i sorta wish i wasn't,
bound to spend 5 - 7 in a restaurant
with you...
  cos you're just cutting up
my blues...
          no, you're cool,
if i was in need of an ice-cube...
      so yeah, you're cool...
  a ******* iceberg of wanting clues....
  chat chat and the crush,
if i make it to the medium of crazy-speak
with you, and i don't **** you,
you're lucky...
            i mean: i wasn't as ****** up
as you wanted me to be...
                 i guess listening
to metallica leaves you ****** up
after a while...
so is there a need to compare?
   i don't think so.
        it just happens after a while,
you sorta hear the whale's groan
and strart to mimick the groan...
   cave and ocean...
           an echo in an ocean...
      vibrations in water,
vibrations signatured into metal...
     apparently it's only as fascinating
as it is, that we dare to ****
  beyond encouraging politics
   and a gravity leading toward social
stratas and concepts of class...
   my... find me a masturbator content
with his hand being a ****...
and i'll find you an oyster! quicker!
Mateuš Conrad Jun 2016
only today i felt this strange fear from boredom, i don't expect housewives to feel it, although i'm certain they do, brain-draining watching some Jurassic adaptation where man's imagination really did a runner - not into the fantastical but into the absurd - like in science fiction, did a runner, completely off the mark given chemists making shampoos and toothpastes and fertilisers... ethically-free science fiction - but this housebound fear from boredom, greater than a fear of death it seized me and rattled me, i had to go out to buy a few beers; just like it happens to really rich people, they make their homes into micro-units of what's out there, in society, a swimming pool when there's a communal one elsewhere, a massive library of unread books, when there are plenty of those elsewhere, home cinema, snooker table... it's the entire spectrum of social pastimes condensed into a single household... anyway, i got hot and bothered, i'm starting to think it was not a fear of boredom, but what to do with the piri-piri chicken i was marinating: tomato puree, 1tbsp balsamic vinegar, half a large lemon squeezed, 1sp sugar, 1tsp paprika, 1/2 tsp cajun pepper, 14g of parsley, mint, oil, 2 chillies, 2 tsp of garlic puree, salt to taste - whisked in a food processor; ~1kg of chicken - because i thought whether i should shove the chicken marinate in an oven bag and cook it for a while, or whether to take the chicken out from the marinate and place it on a baking tray... ****!

poems and book reviews these days, nothing more,
get someone else to do the legwork -
a thoroughly modern malaise -
social anthropology - titled *tribe
-
the pros and cons of modern life and our
search for tribal mythology -
the 8x more chance of depression and
other mental deviations in wealthier
societies than poorer ones -
once it was called adventure, now
it's called tourism - after a while you sort
of get bored of the naked ego
and the clothing range your thought
provides you - unless you keep thinking
out the same thing, over and over again,
dressed like Armani, all black, nothing else -
odd, isn't it? they're playing the cat game,
cat wakes up, same ****, different cover,
well, the same cover - same fur - can't
change - the paradox or parody of
the fashion industry, i.e. that the designers
wear the same thing over and over again
and insist people require a spring collection,
the latest autumn trend.... parody.
so back to this piri-piri chicken      n'ah, not really,
i was thinking about what we already did,
this anti-tribalism, to have given ourselves
the opportunity to experience the least
amount of pain, the anaesthetic, sleep inducing
on the butcher's table more or less -
but we also created another anaesthetic,
this anaesthetic is not so subtle - it concerns beauty -
ever see it? ever walk into Tate Modern and
think about Raphael or Michelangelo?
you could tell me i'm overly nostalgic -
but what i see in plain sight is an anaesthetic in place,
against beauty, esp. in architecture -
who'd think of building a new Coliseum or
a St. Paul's - the Tate Modern (as you might
or might not know) is inside a power station,
big massive chimney - would have worked
better in the Battersea (Pink Floyd's Animals
album sleeve), but then St. Paul's is right opposite
and what a staggering dichotomy it is -
i'm sure that's what you call an anaesthetic in art,
the sort of art you have to get or not get
because, frankly, admiring a tin-can of tomato soup
even by Warhol's standards isn't exactly appetising -
i know, conveyor belt necessity and all, once
artists painted on commission for some duke or
duchess, or king to be adorning lavish palaces,
but as according to Walter Benjamin - the work
of art in the age of mechanical reproduction
-
some could once claim the original to be worth
a stupendous amount of dosh, but with the above
mentioned essay, the original is worth diddly-squat,
because there is no actual original these days,
because artists don't necessarily have to invest
in raw materials - and the copying process is 100%
perfect, what with photocopying and all...
but **** me over once more, how am i going
to cook this piri-piri chicken?
the few beers took the problem off my hands,
i ended up marinating the chicken in a bag
but then shoved it into a baking tray
an covered with aluminium foil, forty odd
minutes and the chicken was tender - ~5 minutes
without the aluminium foil covering while
the oven was switched off and the temperature
was descending - the carbs? couscous -
alt. North African semolina - and extra cucumber
in tzatziki - a few hours later and i'm a little
buddha not thinking an ounce or a continent's worth
of suggestion... one of those rare albums
salmonella dub's  inside the dub plates,
i'm a real provincial with this album,
tumble **** here, tumble **** there,
never settling for a ****-garden -
i told you i'm just borrowing the language, in fact,
given my alcoholic and status as vermin among
the bulldog rigid British (Londoners can have
their little gay pride parade, whatever, they
better give me up for surgery to a veterinarian than
a human doctor, after all, i'm all ******* gerbil from
now on in, it doesn't take enough pacifists to turn
my attitude into a Neo-**** and bulldozer the Union
Jack into a shallow grave, i don't expect the Caribbeans
and the Pakistanis to usher words of: it's how it is,
a rite of passage, **** your cumin and your ****,
battle of Britain, who among the R.A.F. flew and spat fire?
us) i'm more Apache in a bigger zoo than the one in
Reagents Park, i'm in a conservation zoone -
i'm Aboriginal - shaman of the fire water -
i'll be as ******* ridiculous as i want - go chant
you little kirtan get together mantras going,
i'm sure you'll *****-fight-those-pigeons dead without
a single coo being ushered in - and your little yoga stints
asking questions about the flexibility of the skeleton
not pulverised by scientific eyes for a schematic and
a schooling rubric to domino up the cranium with mandible,
ulna and radius etc. -
but at least i know what sort of country i live in,
and what country is wandering into political apology that's
too late, in ratio 27:1, soon to be Turkey + the Yugoslavian
gape, Albanian and Macedonia by 2020 -
>30:1 - great Welsh ratio that is, oh ****, wait, Scotland too?
i never thought about it coming - there's my 2 cents
on the topic, and that England is becoming more American
by the day? that's good? really?! i thought the
aim of England was to inspire America rather than
vice versa... what a ****-storm these few days ended
up being; ol' McDonald didn't have a farm, but
had the slogan - *i'm lovin' it!
bleh Jan 2016
(not a poem i guess but eh)




Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.



'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'



I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.



We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.



The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'



We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.



'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.



It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.



'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  



'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'



We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.



‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’


‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’



We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.



The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.



A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  



I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries
Mateuš Conrad Feb 2016
i've become as lazy as composers
when writing titles,
example of tautology is as lazy
as beethoven's ninth symphony...
yeah, grand... but what a dull title!*

so i was reading this article
about bim adewunmi
about the singer laura mvula...
and you know how it goes...
leftist liberals tend to write
tautological spaghetti,
likened to bim's example:
'short-haired, dark-skinned
black girl', bim, we get it...
could have said rancid cinnamon
for all i care...
tautology is a logic of adding
more salt than the salt required
so it doesn't taste too salty when it
does... i could also proof-read
other journalists...
restaurant critics are the best laughs,
esp. when reshuffled like
a ****** cabinet of the labour party
to the opinion columns...
then it's not called opinions section
but table talk... a bit like saying:
do i woo the sea back into this oyster
before i gulp-down-the-hatch-it?
well what do you expect,
free democracy and subsequently
free journalism has a judas kiss /
brutus stab at everything,
why not laugh at it as a useless
get up in the morning read a newspaper
be pulverised by stories from kingdoms
far far away and opinions of people
who'd send ******* dubbed
soldiers off to the slaughter fields of Flanders
so they can keep erectile egos ready
for a salary readied...
journalists always divert the heat & fire
to the politicians... while
journalists get away with satirising themselves,
and i dare say, they are the clumsiest
satirists of themselves,
the most wonky ready to dismantle itself
noumenons in existence.
- journalist: huh?
- the public - (elvis') aha uh um (frolicking
without the stiff upper lip).
Mateuš Conrad Feb 2016
as was assured, leave our medium of
communication to images, for images
are more provocative and easily translated,
well sure... given that phonetics
has become so ugly you are reduced to
:) (smiley) and ;) (smiling with a wink of
assurance), and the acronyms by
the number: CUL8R (see  you later)...
no wonder then... defiling a mode
of communication so dear makes me wonder...
when will the era of abstraction
end, to end the splashes of colour
without definite contorts of
a visage cease to be?
take a dollop of **** and smear
it on canvas ought to be revolutionary,
by now, i'm sure... because it's just that;
it's like we're illiterate again,
first the clergy governed the literacy rates
and made people idiotic, maximising
on the electorate with Pope Erasmus,
now they're pulverising us with images
to sit, calm and comfortable with a pair of
underwear filled with ants...
pulverised by images we reduced phonetic
representation of writing letters to
no avail, instead shortening our acumen
to representation of being pulverised by images:
like c and see... sea... set sail...but there's no land ahoy!
Stanley Wilkin Nov 2015
I grieve for you in the cold quiet of winter
My absent child, my long lost son
Warming my hands over dying flames, frost covered smouldering clinker,
By the wood where icy streams run
Through the shrunken sedge, and barren fields
Stretching for miles, empty of meaning.
The landscape like a worn photograph yields
Your tremulous smile, then nothing.

Here, you ran with startled steps
Through the yielding sheaves, yelling with surprise,
Chasing indifferent spiders, and discomfited birds
With hatred in their pebble pool-dark eyes.
Querying awkwardly spoken words, small
Tenacious fingers that caress and clutch
Every passing object, loudly chuckling, wisely playing me for a fool
A silly father who loved too much.

On the anniversary of your leaving I required solitude
Partnered only by memory
Away from familiar crowds, the booming, barking fusillade
Of the present day commonplace urban itinerary,
Where only the crackle of snow
And the fleeting trajectory of birds
Distracts my slow
Marshalling of comforting thoughts.

The cottage where we lived haunts the shallow glade,
A shrouded ghost swaddled by the half-light,
Positioned squarely like an old man, its cladding beginning to fade,
White branches like dead-fingers that gleam in the night.
In the closet are your dust-sprinkled toys, a yellow plastic duck,
A cheap skateboard, ancient video games,
A guitar you never learnt to pluck
A chess board on which you pulverised my endgames.

In the preserved furnishings of your bedroom
Your school work gathered into stacks
Barely visible in the gloom,
Our life together in disorganised packs
Denoting year and level
Development and academic achievement,
If any, (but I mustn’t once again cavil)
Indicating, even in your earliest years, a specific bent.

Standing on the mantelpiece, propped up against the wall,
Are brightly coloured, polished pictures
Of you. Plump, blonde, agreeably small
Dancing, standing, jumping, grinning, absurdly wistful mixtures.
A bitter echo resonating from the shadows
A cold thought darkening into memory
The spectre of your voice disappearing in the meadows
Having left all of us! Having left me!
Mateuš Conrad Oct 2015
it’s not that i hate film literary film adaptations, but only one adaptation made me want to read the book: stendhal’s the scarlet and the black (starring ewan mcgregor and rachel weisz).*

i don’t in a respective romanic auditorium
with toga donning senators
walking to egyptian flutes from the cleopatra’s entourage
gleaming old fames as to prove the pyramids
and sphinxes were above in the hierarchy of awe
to the iodine and hod on papyrus,
to give these localities the respectable aura of re-,
i take to hammock’s kenotic and burial’s untrue:
the former feeds the northern feel of autumnal london
suburbia and the latter the southern quarter,
but never mind that, it’s already minded and eerie.
i watched the screenplay adaptation of empire of the sun today,
i have to say, i was jerking up the thought
of salty rain rather than acid rain on the environmental
perfusion surprise - so i ****** a jamaican fake on the hopscotch bonnet
mascaraed on the eyes, or the romantic tears of cutting an opinion,
but honesty... honesty! three scenes made me push my
manhood away from the stench of molten iron of the army:
the was the protagonist sang the song of the kamikaze
just after they downed a shot of koji and started singing
just after doing the flap-your-hands-in-the-air-like-you-just-don’t-care
salutations of encouraged nihilism.
it’s the editing part of the film, how the boy’s voice overpowers
everything else and becomes “monotone” against all other sounds,
the dignity of the boy’s enviousness and admiration
for the kamikaze... even in captivity! by god, what a scene!
the other scene that haunted me to near tear
was when the prisoners entered the cemetery of hoarded
valuables by the japanese upon invasion of shanghai
and taking from notables the jewellery chandeliers and cars
(pianos too): after seeing the prisoners familial in captivity
exchanging cabbage heads for cigarettes
proving what the world would be like without the existence of money...
i thought of the familial “humbling” of the people in captivity,
and the sheer haunt of the same prisoners returning
to a world they so dearly lost - in that each to his own
piano and mercedes benz, that neo-tribalism of earn earn spend
frivolity and self-interest that democracy prescribes
allocating us each a tomb of fancies (and sometimes the odd *****).
but the most striking thing became apparent - in these
japanese prisoner of war camps... the prisoners didn’t wear uniforms...
i can understand if those in power adorn uniforms,
but the oddity of the prisoners not having uniforms is quite
positively giggly sinister... given the fact that the other sinisterness
is when there’s a prison camp and those in power
wear uniforms and those imprisoned are also tailored for.
i see a major libra of power in all this,
for if the prisoners are not tailored for denoting their collectivisation
as in status of prisoners... then there’s a certain freedom in all of it,
like on the grander scale, in society, where the politicians,
the overseers only wear suits and the communities differentiate
themselves with hawaiian floral tattoos on t-shirts and tourist slogan ones too:
it’s almost as if the ultimate leniency of power was being exercised
not having to wear prisoner uniforms in the japanese pow camps,
unlike the pinstripe ones of auschwitz - as some collectivisation
of guilt within ideological framework rather than the opposite:
wrong place at the wrong time.
the last tear i got? well the music on the credits reel pulverised
by the images of a son re-recognising his mother by touchy touchy.
conclusively? better on your mother’s *** and able to cook too
than on the cooking *** of a wife and with two left hands preferring
the hot topic of takeaway or restaurants - hunter gatherer died -
me belly full of berry - how is it that **** sapiens is also called
**** perderus awhile the tortoises saturated achilles with peace and thought
and no chance of martian glory telling him of zeno’s paradox?
Mateuš Conrad Feb 2016
yes, i understand the politics, or so i thought,
that biology will never spawn a humanism,
that darwinism will only spawn generic attempts
via disregarding existentialism sweats.*

when was the thought ever conceived,
that dialectics needed a mediator?
why would a mediator be needed
when the only mediator
is a park bench in athens, and two people
speaking?

i get the foul animals' existence, i get the whole
wild heart, and shrinking eyesight,
i get that animals are given pristine materialism,
being incubated by overt-sensual impregnation,
i get that they're impregnated by pure sensuality
(over-use of adjectives is like quantifying things,
as many qualities to the legions of ants
as attributes of the sun, ending with deity
and beginning with geometry),
animals are plagued by sensuality,
they are overly given the pentagon,
while man is given the hexagon / star of david,
animals are overly sensing, man is overly thinking,
when the only phobia of wilderness animal
is huger... man's is spider, enclosure, open-spaces...
animal is pulverised by the senses and things
it roams among... man is pulverised by thought
and nothing, roaming ingenuity by the Libra
dimming sight with hearing for classical composition,
dimming hearing with sight for pablo picassos..
the wild animal in fright of hunger...
and man abounding in it to reflect clocked
chicken press of the laid eggs clucks a sudden diversion
rather than adding to a diversity...
change the poetic gimmick of rhyme...
don't end with synonymous spelling,
intertwine rhyming elsewhere, lie:
'a sudden diversion' and 'adding to diversity'
as engaging to lines without an a# a# end of both
to reveal a missing echo, after all echoing is like rhyming,
but pitiful rhyming, because it's written down
and never plotted to decipher plato's shadows
and candle in the cave entered...  defeated first-step
defeated to claim the colour of defeat, the page
that dangled in the odds of waving like a signature
digitalised... all in all... animals are overly sensual,
and man is overly abstract... hence man
mediates symbols and thinking... while
animals mediate onomatopoeias sounding a bit
like touch on wood, and the parameters of allowed
petting:
             we blink thrice and think we spotted
             a thing only once, when in fact thrice.
Mateuš Conrad Oct 2017
there is absolutely no hippocratic jurisdiction in psychiatry, i sometimes walked into the psychiatric offices, poked fun at psychiatrists for being callous sadistic *******, as one suggested: thinking out-loud in reverse: oh, he must have been abused as a child... psychiatry has strayed away from making a hippocratic oath... it actually doesn't have an oath to make: it has persisted with more harm than good, clinging to the notion that there is no summa totalis of the body, and medical psychiatry is to blame for this persistent infiltration of psychiatric lingo... you can't even begin to imagine how much it pissess of people who live in a secular society, to be strapped under an umbrella of "mental illness", while the jihadis are celebrated as completely "sane", psychiatry is the one branch of medicine that's persistently being undermined by the general public, for me, psychiatric materials are too readily available, is psychiatrists are the new priests of the secular age, i demand! i demand that psychiatry does what the church did once before, return to it being solely written in latin! too many ******* retards are abusing this branch of medicine, suddenly everyone is a ******* psychologists amateur, the jack-of-all-trades know how! ******* know ****! i'm this close | | to boiling point with respect to the degradation of psychiatry... reverse everything! start writing psychiatric works, solely in latin! give psychiatry some hippocratic credibility, sure, it's a hit & miss with the pharma side of things, but come on, give these people some ******* empathy, do what the churches undid, and write all psychiatric material in latin! the public doesn't have to know the complexities of this branch of medicine, because, clearly... it doesn't!

we live in an age where dialecticas is
not engaged with,
not even to the point where you can self-realize:
oh, right, i know absolutely nothing!
you can't do that these days,
you can't have that self-realisation -
that "demand" for a "consciousness" -
100 years ago people spoke of a *soul
-
that summa totalis of ****** mechanisations,
that eating some food and then
falling to sleep, and yet the organs working
their magic digesting the food...
yet people have replaced the soul
with a reinvented concept of
"consciousness"... the **** does that
even mean? a second awakening within
the first wake?
the brain is the only ***** that can't
truly experience itself unconsciously...
even when it is "unconscious" it still
poses the threat of dream theatre...
   i find that the summa totalis is
bordering on an a "soul" within this
membrane, in that:
  at least one aspect of our body can't
exactly become part of the summa totalis,
and become enclaved akin to
the heart during sleep...
or the stomach prior to falling asleep
while still managing to digest,
the brain can't be deemed completely
unconscious, otherwise how else would
you mind to state why light is trapped
and then projected, and we dream?
           dreaming, that "consciousness"
of the unconscious brain, and somehow
pulverised by the truth-bidding inflection
of the pentagram...
       god, i hate these sorts of poems,
i read a bit of heidegger and suddenly spiral
into this jargon...
  i abhor it...
           literally, it's about as enlightening
as turning on a lightbulb, minus the stereotypical
imagery surrounding an einstein moment...
more like that loony tunes moment when
the head turns into a donkey's head,
   or we see the dunce's hat appear...
elsewhere the capirotes march...
                     but then i think of mental illness
and the stories of the young,
and i'm genuinely worried -
   i was one of the first kids to own a nintendo
NES...
  yes, from the ages of 4 to 8,
my father was just a voice on the phone,
and the odd package of gifts from her majesty's
fair green land, notably the nintendo NES...
but being one of the kids, we still preferred
warm summer nights, hide & seek,
playing with marbles, walks into the woods,
picking strawberries coloured pale yellow
before being ripe, throwing potatoes into
fires, eating gooseberries, eating whole plates
of sunflower seeds,
                  i remember days when we had
neighbours, neighbourly women playing cards,
sitting till 11 talking outside the communist
concrete blocks...
that transition period, i.e. my childhood
has a knack of almost always reappearing...
   so i must be "mentally ill" for reading heidegger,
not many people do,
maybe i suggest something?
  learn biology / chemistry or physics to a degree
level before reading books like that...
it softens the blow of reading puritanical
humanism of, say, a novel...
        or poetry...
             and some people take holidays
to the caribbean, or take a cruise around
the norwegian fjords...
   or walk the great wall of ching ching...
   or ride a horse on the mongolian steppes into
the sunset, or ride the trans-siberian railway...
me? i take a "slingshot" back "home"...
get immersed in the native tongue,
  and finally! oh finally! manage to read a book
in the native tongue...
  i found that i'm a slow reader if i have
a book in polish, but can still hear english
on the television...
   back "home"? what a surprise it was for
my grandfather: he just threw bolesław prus'
book lalka into my lap one summer and said:
lap it up.
      and i lapped it up...
  point being, all these sights and sounds,
scents and exciting stories people have from abroad...
well... when i was in kenya,
i lounged, drank enough to fall asleep in
a hammock overnight and was not stolen by
the somali pirates, but someone did steal
my glass of cognac when i woke up the next morning,
then drank some more, and stayed in the shade,
played some ping-pong with a german,
chatted up these gorgeous ivory beauties of
the night, and chilled with macaque monkeys
on the balcony giving them nuts and sachets of
sugar, again, in the shade...
   i took one dip in the indian ocean and became
bored from the beach vendors pushing
****, drank some more, wrote a short story
for my grandfather about an elephant
           dunking its trunk into a bottle of whiskey...
drank some more, lazed in the shade,
read c. g. jung's western man in search
of a soul
- dedicated it, and gave it to one
of the german beauties, drank some more,
         laughed at a baboon with hemorrhoids
trying to sit on a roof once it raided the kitchen...
point being: what sightseeing i have when
i go back "home" is the language -
sometimes i read it, sometimes i might write,
but i definitely speak it,
  but reading it is like the tower of pisa
for me...
           this complete re-immersion of the 8 year
old kid that left kicks in...
        ooh, ant that -18ºC temp. of winters in poland...
to be honest, i never know why people
decide to go to tropical places on earth,
sunniest and what, in the middle of the winter
months, why?
      coming back must be a double ******...
why not go to somewhere where the winter
months are worse than from where you came from?
Mateuš Conrad Feb 2016
oh, and advertisement, καπριτσιολογια's natural ******* offspring works well with the perfectly pitched representation of the dynamism on the scales of cross-parallel social strata (i.e. "psychology" / social standardising en masse): a new york grid system: square square square, rectangle, square square square: shoeshine popsicle goldfish pig's trough.

i found the investments of psychology
all too unfathomably capricious,
where the ratio of theory
to full-extent concrete proofs is a solution:
in that when one theory fails
another two emerge, and so on and so forth,
in that great existential ******
of dream interpretation, the golden cockerel
of freud glees with anticipation
to sprout a gigantic volcano gush of microscopic
life to enter the great **** eye that
cannot peer into itself and consider
both being and nothingness, as the great
ego eye of man does from the fully formed foetus
nimble footed and thumbs on the ready
in the grand coliseum of life - just a great
fishing net where once the mighty fisherman
st. peter caught fish, now herr anti-sanctus freud
catches foetuses of frogs - the womb the water
of these paradoxical amphibian representations;
psychology, the study of dreams, the extinction
of soul - apparently even asthma is unaccounted
for, the way in which thinking becomes
what thinking always was: a malignant capricious
medium pulverised by five vectors, and
the sixth a form of two selves: the selfless and the
selfish... dragged down to the molecular
degeneracy of explanation using genes,
but not protons neutrons or electrons - that's
reserved for the sun, the planets and the cosmos.
indeed, if psychology is the study of breathing
and not the study of thinking: imagine
what a hot snarling and wet breath raising
a voice in anger does to a cosy psychologist sitting
in his office, surrounded by ******* figurines
and african voodoo masks... sends him running...
the inverse form of asthma, asthma with words,
the angry asthma, of uninhibited thinking,
pure vocalisation of emotion...
no, i think less and less of psychology...
i think i'll just call it *καπριτσιολογια
:
the study of caprices, the study of whims -
e.g. a guy walks into a McDonald's, orders
a big mac in the following way:
- yes, but no lettuce, no mayo, no cheese, no
  onions... just the bun the meat and ketchup.
Ghazal Feb 2014
How they flutter
through the air, those feet;
like a butterfly’s wings;


though it is said
in Science
an action so small as the flick
of butterfly wings
may cause a catastrophic disaster
half-way round the world,

were the newscaster to announce today
that an earthquake
has pulverised Tokyo,
or that another tsunami
is invading the Indonesian coast,
or that, so long now quiescent,
Mount St. Helen’s is spouting down
once more
on Washington,

for their beauty,
I could not wish
the quelling of their flight;
could order
no net cast over them,
not those feet
like a butterfly’s wings.
My depression is a transgression
against me, and mine.
I never asked to be contaminated
with this strife.

My depression is a possession
of evil, of illness.
I never thought I would be
rife with highs and lows.

My depression is a progression
of good and bad thoughts.
I never wanted to be
violated with cries and lies.

My depression is a weapon
against all who suffer its woes.
I hope the afterlife takes this repression
and nullifies it's effects.

My depression is mine but
suffered by many. We are pulverised,
neutralised and modified by our own
minds and medicated to keep sated.

My depression is Legion
a wickedness to the self.
A circle unending, unbending,
curving toward suppression of oneself.
© JLB
Mateuš Conrad Feb 2017
the more i stick to a routine
that might leave a few people in a mental
asylum,
    who would not welcome
frustration, doing the same thing,
over and over again,
   i.e. going to a supermarket and buying
whiskey and coke, becoming "too" friendly
with one of the shop assistants,
    knowing her name,
that's she's diabetic:
i'm only in here for the whiskey luv...
it's not that i mind,
  it's about as close i'll ever become
bewildered at life, in general...
      **** Jupiter and a moon-landing,
this bothers me more,
   i don't get the puppy-eyed look
of people embarking on a philosophical
odyssey -
i don't know why i should be prescribed
the Aristotelian: beginning with awe
  type of management of the subject,
or what Nietzsche predicted,
   and is currently known:
the narrative in the west,
alias: talking for the entire human species...
   that ****** uber-schnurrbart
really did see something...
   now i'm experiencing it,
  it's called 2 billions worth of China and India...
i'm actually, sometimes found,
listening to pointless youtube videos...
  i get it: it can get a little bit *****,
my bachelor status isn't exactly orientated
around diapers, although,
as Borat might have said:
that would be nice...
         you know they filmed that movie
in Romania, and not Kazakhstan?
              it's almost a bid sad to be around
poverty, and tribalism,
     can't make a joke out it,
couldn't make a mid-western gothic out
of it either... what with t.v. in your own company....
and yes, oddly enough...
   i have a bed, and i turn on the radio,
i never fall asleep watching the t.v.,
must be a western thing... you dig?
    1950s slang, more comprehensible than
anything i could ever hear from the slang
quarter of language these days...
   the latin quarter? busy...
literally... greece and italy backrupt...
    so, hey man, what's it like not able
to *** around the country doing factotum jobs?
    what's with that over-arching
castration concept of living with your parents?
ah, you know man,
   ****'s on the stove, and i hit a ****** note
with my saxophone...
sound very much like a wet ****...
you know, the **** you **** that almost feels
like ingesting carbonated water through your ****,
what's the word: trembling, frizzy?
    you know: do the motorboat with your lips...
i woke up today and didn't feel like living,
but the noose wasn't exactly an option...
my grandparent's neighbour?
hanged himself on a door-****,
i was visiting them when it happened...
****'s sake! on a door-****?
                      that's really desperate...
    i mean: i wish i was that guy...
but at least in the case of capital punishment:
when it was still active...
   you got the scaffold... and you dropped...
and your neck broke, and it was death in an instant...
   he had a gimp for an executioner...
   so yeah, life's cool,
i drank that wine i made in less than a week,
35 litres of it...
         i woke up today, thought:
give me the downhill... right now!
i thought i'd delay *******...
          built a quasi lego piece of the Eiffel tower,
then decided... i need to brush my teeth...
had a shower...
              then i cooked dinner...
  well... dinner two days in advance...
one sauce was a spaghetti bolognaise...
another a sauce for cottage (i.e. using beef,
not lamb) pie...
made some funky cool poh-ta-toes...
               for yesterday's roast beef,
left uncarved the previous day by being
left to get the thrill man gets
   ******* and jumping out of an ice bath...
so the juices condense, and you can almost
make out the pink flesh on the second day...
and some ménage à trois.... oh sorry...
too much Dell Boy Trotter in me at the moment:
gosh... the memories of watching that twichy
character on screen... mangetout...
and in between i took off the washing from
the washing lines in the garden...
             faked smoking sitting in the february
cold for a while...
   that's 2 meals in advance that is...
      and this really belongs to a creed that states:
if you can read... it's better to read about
something that doesn't have cars blowing up,
or avalanches... or dams bursting in northen
california... well: it's not exactly
   tolstoy's war and peace... but it's something
that allows for sensationalism of the news
and the odd chance of seeing a good movie...
    or i guess: the antidote to a good poem,
is the worst imaginable poem, actually...
saying that: people call poems bad when
they are rigid in using technique...
poetic technique... i prefer a stance on
spare of the moment / spontaneity than something
that might require a hammer of metaphor
and a nail of a pun...
           some call it innovation,
others can't say much because they're myopic...
and lo! yonder the savannah and the buckling
gazelle! right on the chin...
hoofs, no shoelaces, back legs made front legs
into spaghetti... and there... a plum on the chin...
boom... down onto the green...
          another consideration would be
a man in clown make-up crying,
    and a fat-cat billionaire laughing...
    or was that ever, not the case?
  it has to be idiosyncratic, this english "thing"
of calling laughter crying and crying laughter...
     it actually is a very english "thing",
when you get too much psychology,
about how keeping the word ego can complicate
merely saying i...
  and there's no other latin word in sight,
and you then get egoism, and egocentrism...
    i mean: what's up with that basis for a theory,
    evidently it's a case of the word becoming
too uncomfortable, since no one actually says
  ego cogito ergo ego sum... it suddenly drops off
and people who say the above end up only saying
cogito ergo sum... and is that why people
you can actually ascribe so much theory to the ****** word
that might rob people from having a narrative?
    rob the people of a narrative and you return them
into a state of being pulverised by 5 vectors,
the pentagon of the senses,
    and evidently they're unable to narrate their
day-to-day, because they're herded like wild
hysterical animals... even though they are
given the membrane of civilisation...
      it really is a case of somehow not embarking
into keeping the latin and the north barbarian
words... how can you keep up
with ego, i, self? how long will this italian
**** of bulimia and gluttony last?
     you want to keep spewing that *******
for another 100 years?
evidently there is no theory concerning i,
there's merely an ipod...
              sure sure, you could only derive a
theory if you said the unit wasn't i
(because that would be too personal to construct
a narrative) - but had to be
   the reflective ego, and the reflexive self...
i.e. that string of pronoun compounds known
as myself, itself, himself...
   and when given the scalpel... my self
   (which becomes a reflective stance on meditating
the words, rather than a reflexive pronoun
in its original... no huh? but thump!
on yer bike! go!).
   i call them for what they are...
        yes, and my parents are great,
cooked them dinner...
   just about now, when in the 1970s and 1980s...
when the first cold war was happening,
the americans / the west merely wanted
to feed stories into the soviet union,
if every spying was a c.v. joke, it happened
when ian flemming wrote his series...
   what ever happened to a campfire and telling
stories, or when we told horror stories to each other?
  spying: can you just imagine
what the job description would look like?
pst... it's a secret.
       but you know, the americans had this thing
of telling stories to the "enemy",
     false news...
                it's so obvious now, since everyone
seems to be onto it...
     well... it's happening in england, right now,
but it's not exactly an attack scenario...
it's self-mutilation, yes, a masochism...
  you reach a real dead-end when you tell lies
to yourself... and that's what england is sitting
on: an implosion of well... the n.h.s. in crisis...
the housing crisis...
                 you name it...
  i guess there were many people out there,
willing to sacrifice their sanity, by appropriating
the excesses of c.c.t.v. voyeurism,
mingled with the excesses of ***** that paved
the way to this massive delusion of the next
jain boond to swing on a rope into a gorilla
enclosure and beat the **** out of a 300kg gorilla,
Klitschko style! bang! bang boom!
    silverback gorilla on a torture rack!
job done.
       no, i get it... a girl got to kick-box and a girl
got to play footie... cos girl can...
     wait till she don't get a: fragile heart...
like mine, writing odes about
walking past a church when the church bells ring
eleven times, and there's the moon...
  it will become very very pointless writing
about hearts of porcelain in the future,
      but just as nietzsche pointed out:
imagine talking for the entire human race...
yes, i can, or should i say could? because i don't
have to...
   the western narrative is so up it's own
*** talking about species, while the Moldovians
are talking about Ukranians,
the Poles are talking about Germans,
   the Italians... they talk all the time,
so who cares?
                but it's this globalisation vocabulary
that's halting, and making me think:
the Genghis Khan tribe isn't exacrtly in
the news? they must have neighbours!
they must actually know the people living near them...
well...
   on my street... 6 houses in a row of
identical architecture, i.e. built in the 1940s...
   first house, sikhs...
    parents went to the daughter's wedding,
woman brought over some curry,
   i ended up making even better curry...
my cat is left in their care while i'm away
visiting my grandparents,
   i get this panic attack premonition
  that i need to be back home when i'm away...
   i come back home, the cat is dead...
   we rarely speak these days...
  he was on aspirins, and yes, cats take a ******
long time to die from kidney failure...
ever watch a cat ****? cats take a shorter amount
of time to take a **** than ****...
   watching a cat **** into the toilet it like
watching a person drinking a melchizedek sized
wine bottle...
   a cat could be a man
   as a man taking a **** as in the cat taking a ****
and reading a newspaper...
     seems we're parallel creatures,
  i exfoliate and massage my **** muscles
by taking extra time with them stretched open
once the bombs away passes...
    and i'm just sitting there:
  to vank?! or not to vank? or what i call:
the 3 in 1.
        well, you can't exactly think about
lighting scented candles and doing it in bed,
can you?
      you'd have to be a woman to do that,
and invest in a good ***** replica
of a man that would only tell her:
honey... tree bears.
    do i sometimes think about putting it into
a moist couch-like environment?
   yeah... but i guess ******* is a bit like
doing ****... **** the bone and those muscles man!
   ****? yeah... never did it...
biblical regulations...
              about the same time when
heterosexuals take over from the once famed
taboo provocateurs in the homosexual department...
haven't seen a worthwhile Oscar Wilde come from
that scene for years... maybe i wasn't looking,
ah yes, they're too busy being "normal" and starting
families... funs over... and so is the art.
no wait, all i wanted to say is that
what nietzsche said in the 19th century,
  the anglophone world is trapped in it's own
end product of globalisation, and this whole:
speaking for the entirety of humanity doesn't have
and local thrill to it, no local accent,
      it's scary, to be the only language willing
to speak for the entire human race,
  and, when travelling to other places in the world
realising that you were pretty much:
not thinking, and merely talking to your self...
    i have that taste for foreign cultures...
   you can hardly hear an existential argument
in the same vein as you might hear in england...
     basically... i just think that english is
over-streched...
     in the case of russian, it's stretched:
but contained with interlocking tribes of people...
if i want to hear english sprechen in the pacific
it's a 12 hour flight to australia...
               i can't imagine talking for
the entire human race... and given this
seemingly ancient german, i'm imagining it
as the counter-argument of the current narrative,
because i can't even state that i'm in awe of it,
but more or less apprehensive about it...
given the numbers... the total anglophone world
doesn't even number that of China...
and you know, infiltrating that place with
the complexity of the encoded sounds that are
later echoed back as Xin Ping...
    who lived in Beijing...
            you really have to address either silent,
or talking about something so complicated,
that it would equal the Chinese encoding system...
  otherwise it's falling through the holes...
oh look... q r o p a d b g...
  the best we can do is make silence complicated,
since what i'm hearing: isn't exactly complicated...
on youtube most noteworthy...
   oh right, almost forgot...
the other neighbours on my 6 house line
are a Jewish family... well... sorta...
   just a literal mad-house... we get on fine...
and after that: 3 houses, natives, so yeah, english...
all of them broken families...
   the neighbours next to mine are:
woman in her late 40s... man in his early 50s...
about to have a child...
       after that it's single mother and son,
and after that divorcee and... like... dunno...
     they thought the indians were savages
moving across the pond...
              i'm sitting here having a right old laugh...
and it's a malicious laugh for the laugh in itself...
        last time i remembered
  taking a mouse from the mouth of my cat
after he caught it, and then releasing the mouse
  into my neighbour's garden...
   or a fly... crawling over my forehead
     while i took a selfie to exfoliate my face
like that of an acne riddled moon.
Mateuš Conrad Jan 2016
i find looking at my library that reaches the ceiling
more entertaining that watching television,
to be honest i prefer watching inanimate things
more than those caught up in animation,
my memory becomes the film's director,
and my imagination the producer,
while many personae come on stage with my thought.*

woke up lazy, usual me, unusual me
when i think about it,
going to a catholic school we had to adorn
catholic school uniform,
blazer, tie, polished shoes, trousers,
white shirt...
i liked it back then: i have one specific sunrise
in winter to remember, having just
discovered jethro tull's aqualung album
when the mojo music magazine was still
in print and they listed the top 50 prog rock albums,
obviously the no. 1 spot was reserved for
pink floyd's dark side of the moon,
don't know why king crimson didn't win,
i guess the complexity of the matter didn't have the appeal,
but it was good, wearing school uniform,
having two / three days of your own clothes days
once you coughed up a quid or two for charity,
the point being... you can't tell rich from poor
if there's a specified attire... plus there's less clingy
exceptions to be made, less imagination involved,
less care for having to pick your next attire the previous
day to impress someone, less discrimination altogether,
as those non-uniform days proved:
a maths teacher said i looked like a lumberjack once,
mr. crickmore, ex-trader on the f.t.s.e. floor,
turned maths teacher, supporter of manchester city,
so i was wearing a three coloured chequered shirt
(blue, red and white), jeans (obviously blue)
and red converse... lumberjack he said... fair enough,
but the dim truth of it all is that reality is dull
off the catwalk, less creativity of cloth, it's more about
comfort, as i found when i decided to do a fox fur trick:
become like those inanimate things just a little,
be more peculiar and attentive when something changes,
starting from the digit 1, and then expanding into
a sequence we call phenomena - so i liked wearing
school uniform, i was, after all, enlisted into an army of
jesuit youth... although i rebelled having read a book
about heresy (mainly the gnostics) and didn't want to be
confirmed, and wasn't; but there's less discriminatory
behaviour if everyone wears the same all year round
and there's no peacock days involved -
and subsequently the days of my prime schooling
are remembered with less regret, and less adults
exploiting a semi-fact of how **** it was and moaning
and moaning about it just in order to sell it to gullible youth.
but today?
woke up, lazy as hell, the c.d. i put on to fall asleep to
was obviously finished, turned the radio on,
classic f.m., had to hear something breezy and airy
without larynx that the violins are, not to mention
the woodwinds, and the news, had to hear that,
the toilet was too far away (not really),
two bottles of coca cola, one almost empty,
urinated into it, ******* the cap, fell back to bed,
lay there for about half an hour, news came, heard it,
got up... made cinnamon coffee smoked a few in between
my "tuberculosis" coughs (it's minus 4 degrees in the nights,
i drink a few bottle of beer on the trot, hence the coughing),
had about 3/4 of a bottle of whiskey left,
went back and turned on a few compact disks (
i know, i was born too late to collect black vinyl 12", oh well,
80s silver craze), poured 1/4 of the whiskey over ice,
and instead of pouring the other coca cola's bottle content,
i didn't realise i was pouring something in
that, upon opening didn't fizz... AH ****!
yep, mixed 1/4 of whiskey with my own ****...
had to pour it away... but what a waste!
after that it was all downhill... made a tikka masala curry,
adding sweet mango chutney to a list of ingredients
too long to remember...
and upon my usual walk for ***** a strange thing
happened in the supermarket...
a gorgeous late 40s woman cashier inquired about my hands,
the longbow man's V to the french bandaged,
and whether my hands were cold... something
about buying muttons...
you see, i once wrote that the most ****** part of a woman's
body are her hands... ... ...
she was ****** flirting with me!
in my head a few minutes after it sounded like:
put your cold cold hands onto the warmest parts of my body...
as i said also, once: when a woman becomes erotically
pulverised the temp. in her mouth drops,
and the temp. in her... ahem... increases; juices flowing.
Srishti Mundhra Jun 2018
Under the dim setting of,
A forbidden dwelling of pleasure,
He sat and stared hard at her,
Brushing off other exotic dancers.
Her amber skin shined,
Her golden curls waltzed,
While she tantalised,
The men with gold-filled vaults.
He sought her attention,
In pain and rage,
Desired to seize his possession,
And to get her out of their cage.
Sensing his fiery gaze,
She turned towards him,
Leaving behind her forced play,
To end his unceasing whim.
“I am in misery, let me go,
I am not worth you, let me go,
You deserve better, let me go”
Her words hit him with a strong blow.
He shuddered, broken into pieces,
His world collapsed in front of him,
Dominant hues of blackness,
Sadistically smothered him.
Unable to see him pulverised,
She leaned in closer,
To savour his lips one last time,
And secure closure.
He delved deep into her mouth,
Demanded every inch of her soul,
But the timeless fire spoke out loud,
T’is the last kiss their destiny doled.
"The Last Kiss" poem is about the yearning for love in a place with no hope for love
Mateuš Conrad Jan 2017
found in Styron's darkness visible... he survived auschwitz... but said adieu to life: by throwing himself down a flight of stairs.

millennial, generation y, huh?!
    also called the:
bearable heaviness of non-being...
   say: survivors of auschwitz,
and apart from Kundera,
i'm fudged into this stealth-culprit
     hangover...
   and when i speak the native tongue
i use double emphasis...
everything suddenly becomes italic...
    gówno... or ****... teutonic: gavron, ja,
ich habbe schtabbe ga ga, magpie on
              a licky-sticky schtaisse:
vroom bog-tie boom boom...
   everntually language is just that:
   magnifique sounds, mein herr,
    be that a cello i hear?
                      nada... mindlessly i too
  feigned a farting brigadier, farting into
       a brass horn: worth a gingerbread /
pumpernickle        marching rhythm.
yes, double emphasis in the native...
kosz (koš)... bin...
    trza błagać... błagać!
        o śmierć... beg for death...
             but hetman cossak said *smerc
... and it
sounded altogether better.
   a household argument,
   after prawn-pasta was cooked throughout
an afternoon of general bewilderment:
        a heap of pebbles makes more sense
than the Orion constelation...
              given the mathematical approach
to the situation, and subsequent mapping...
   because they really did drop a bomb on
Hiroshima and Nagasaki...
                and that's why 21st creativity
is trapped in a hamster's routine...
    karaoke is standard...
                         this insissting plagiaristic zeitgeist!
so i said: you really think you conquered
yapan?            jesus, je suis, zeus, yesus, jamaican
                              jah jah *** buck...
      rasta root mon, rasta root.
    battered and bruised...
               someohow this whole dating scene
passed me by...
                     and what happened to me aged
21... is strangely becoming the norm
                       of giving the circumstance:
  i can't remember being of any age, particular.
  the quicker argument would coincide with:
    give me a machinegun, and march me into
a Latvian forest...
                   because, right now, it's
a scenario of being coerced into donning a leash
   or more like a leech,
                         and an afternoon spent
pulverised by a pneumatic tsunami
                     of adverts... calling it a job done,
with a siberian brew: cow juice in
                       tea...
                     liquid werther's original.
Mateuš Conrad Sep 2015
i’m such a terrible artist,
i hardly use my imagination,
i figured: we’re already pulverised by
too much advertisement
and copyrighting words
as if they were images.
i’m such a terrible artist because of this,
i write from experience,
and because my experiences would be
taken for mundane by the millionth sheep in the snooze
i write disorderly purposively,
and in the night, i roam the house admiring
the moon changing everything into werewolf diet krypton (i.e. Ag),
talking to god by talking to my hand,
warming my fear of shadows laughing at my own with kant,
boxing my liver then thinking about my bladder.
those socks worn for two days straight really
gave my bedroom a proper scenting i wish i was without.
Mateuš Conrad Aug 2016
usually a 19th century poem does the impromptu suggestion for my own verse, the groundbreaking stuff of the 20th century is already done, you could see the frustration over the later poems with the 20th poetry - i guess the 21st has conversationalist overtones, necessary for what came at 20th century's closure - meaning? i could let you imagine that i might have a faulty self-esteem writing, using the internet... but i write like i talk over a pint in a pub, obviously sometimes there's some magic in the conversation, the sort of magic that gets you barred from pubs with the lie of throwing a glass across the room... esp. if the pub caters for the losers in society, i guess a barmaid or -tender can have a moment to shine, feel superior, overhear atypical drunkard talking... god forbid if an oliver reed type of fella walks in with a tongue like a foil or an épée (fencing blades) - while everyone talks as if possessing a kebab-knife.

i.

on note, regarding the *épée
and the foil -
as you get older (perhaps as i, exponentially)
you notice little quirks in things -
the Olympics, last night's fencing foil final -
but it's not about that as such,
all the pop culture sports are at the Olympics too,
but when they show you all the other sports
god... these pop sports seem so so bland...
it must be the monetary discrepancy -
football... boring... basketball... boring...
tennis... boring... i'd never thought i'd say this:
i'm in on the fencing, table tennis...
ARCHERY... you never get that much variety
in the four years between, which i count on
the list of travesties - when you get pulverised
by sports without providing a variety
you get the end result: hooliganism, borne
from a narrow mindset, a quasi-religiousness
and that pseudo-patriotism - not enough
variety in society, which also means more
money for the professionals... yeah, like
the Icelandic team at the Euros this year:
quarter finals - managed by a dentist.

ii.

and what do you think the clientele in the afternoon
in a town looks like?
many old people, the majority women,
the odd grandad wheezing on a bench,
the cripples, the weirdos and children from school
on their summer holiday... a complete male
Armageddon - i could always feel awkward
not being the "hard working man", the
"i have two kids and my wife works night shifts",
the "i have to get that mortgage", or the
"i really want that Caribbean cruise" -
all those things... then a funeral entourage
pulls into town with a stiff - the dead's parade
of the town, everyone must know, a reminder,
to fall back in line... it's not quiet the death in
the afternoon of a shot of absinthe in a flute of
champagne like old Ernest used to do it -
it's just a bottle of Heineken for me - i like
these sorts of parades of mourning, my sense
of humour kinda jumps up into the outer
hemisphere - well, i did laugh at my great-grandmother's
funeral, something about the priest talking
mumbo-jumbo - felt all a bit like a penny arcade
of a 99 pence shop - i swear that's where they
really rob you, at funerals, they sort of package
you into a dogmatic consolidation of some heaven -
no room for improvement with that.

iii.

it was bound to come to this...
a complete revelation, happened only once to me,
it usually involves a brothel and my drunk,
giving a ******* an ****** is one thing
(she's actually more ashamed than anything...
because she's enjoying her work for once,
and she did say ow realising it, kiss on the hand
bye girl)
but giving her a kiss on the lips is another...
by my count 2... and this little was got so giddy like
a schoolgirl in the cuddle... (just because i drink
doesn't mean i'm a fiend, told you, SEDATIVE &
UN-INHIBITION tonic, potion, whatever)...
but the revelation is bound to *******...
this one elder ******* didn't do what i usually do,
she didn't pull it back... (my version of circumcision,
***** movies do actually teach you a lot -
given there's only a circumcised variety on show...
what? it's like watching a pig in a slaughterhouse);
so it got me thinking, there she is, a fine specimen
of aged prostitution and she's not pulling the *******
back... so men who have foreskins don't pull it back?
that drool of skin is still keeping the cliche metaphor
sheaved? **** me! i mean, if you pull it back
so it looks like it's circumcised you put pressure
with the skin and, as it happened to me once,
leave after an hour having paid £110 (she wouldn't
have lied an ****** for that much) without
having *******... to another one's dejection -
how many? let me think, from a choice of about nine...
7? i became a familiar face at one point...
and when i was almost £2000 quid overdraft on
a student bank account overdraft limit, you know why -
added to the fact that i was experiencing a
Madonna-***** complex feeling in the general
dating, dating app (never had one) part of society,
that Freudian theory is spot on... and it's
a feminine aspect, nothing masculine about it,
so i'm off the hook... i don't know how women balance
the two... but my **** knows (2 in 1 -
you can't tell me that urinating without *******
is pleasurable, no, you can't)...
                                                       at the brothel, no problem,
in life outside this domain... let's just say...
not enough encouraging actions... too many words...
too much talking... *******, sexting, role-play...
the list is endless... so few words are said where everything
feels like a vanilla liquor and smells like bourbon perfume.
CJ M Apr 2015
IDK
Insanity is doing the same thing and expecting different results, right? So what should I call it if I do this one more time and get the different answers? Someone forgot to factor in the unpredictability rate of females.
But I didn't.
I recognize how you do, what you do, so please don't underestimate the things done to or by any of us.
We are the angels of heaven, the gods of rome, the royals of England. Shall I go on? It seems needless if you get the points I'm making.
SO to start off, how are you today? Sure, I see you everyday, but that's the point. I wanna give you your deserved space, so when I stay at my table as you walk passed, don't think I'm ignoring you, I'm just trying to give you the space you are due, for I want to preserve this romance like strawberries in the winter.We
are what you seek, but I believe you seek more. WHat is it? Please, be straight with me, my heart cannot bare another user nor another usery. DO you see what I see when we lock eyes in class? Do you understand the concept of MY love? For my love, regardless of long or short, is different in comparison.
I know I've spit this before, I know you're tired of the same words to describe a different game. This isn't me anymore, it's us. This isn't courtship anymore, it's love. Actual love, I've never felt it before, never had it's taste on my tongue nor it's thought in my head.
But you've put it there. The chance for a real relationship!!! Am I really ready? Are you? then get ready, get set, let's go!!!!!!! The race is on, now I realize what the true effect you have on me is.
Now I can tell you how much I love you and how much I care for you, even if it's just a telepathic wish, you will feel the presence of it in  your forethought.
You make me want to overdose on love music, chillin on the bed in complete darkness, just marinating on the words and anylising there meanings, yes you, my heart and soul, sold to me by an unlikely vender, your soul.
So we traded, bartered actually. your heart for mine, a likely trade. But what are the expected drawbacks? No, I'm no skeptic, but I am real, so what are the real intentions of so magnificent a spirit?
I will be yours, for you are mine, but don't hurt me, please. I stay on my knees in prayer of an unbroken heart, yet so often it is. Alas, you are the one, so will my heart be safe? So often I asked that, so often it was answered with the same words, same attitude, yet at first chance they pulverised me as if I were a stone on a stone crusher, so all I ask is for you not to do that to me, my love.

Fool me once, shame on you, fool me twice, it's all on me. Why try to fool me again? My heart's already withering...
another piece I concocted in a teenink thread :)
Lb Jul 2014
I've never felt so alone before
A room full of friends but strangers

Breathe in it'll all be fine

The breath burns like a menthol hitting my chest

That little glimpse of hope that just kinda gets pulverised by reality
Social anxiety
Mateuš Conrad Sep 2017
oi! macaque! shut your gob! if you leave it open long enough, some bird might actually imitate a hole-in-one dropping a **** into it! or? the wind my change direction, and you'll be stuck with your gob, agape permanently.

one merely asks for a media sabbath,
in plain sight,
of how journalism has totally disengaged
people from writing a history...
heidegger wrote of this -
in the 1930s...
    but only now, the prophecy has
culminated in the advent of the prediction...
we have seized to live in historical
times, perhaps only in england,
where the 2nd elizabethan era comes
to a close...
         **** it... once upon the shoulders
of giants: now?
   on the hunchbacks of nearing death
queens... aphorism XXVI,
of ponderings VI...
       it is not the *west
that will fall:
  merely that its history is threatened
with oblivion...
  where there was once nostalgia,
there is now amnesia...
     what was once a pleasant sensation
of the past bound to nostalgia,
we are not living a gold-fish cruise through
days,
     what was one nostalgia, has now
become nostalgia, and journalism?
the prime culprit...
       there is no history worth reciting,
inviting, writing down,
  the mechanisation automaton of history
that's journalism, has robbed us of
a single: truly, identifiable day worth
both day, month & year...
   i see none...
   what has been most memorable for me
in the past week?
  wales vs. austria...
   the unison song by the welsh crowd that
inspired a young welsh player,
playing his debut, and scoring a formidable
first impression as good as you'll ever get...
ben woodburn...
and... that's about it...
    i can't remember the rest,
  not that i can't be bothered, not that it wasn't
memorable, but journalism in the form
it's at now, cannot allow history to
"happen", i.e. settle in the dust, solidify
itself to become a permanence it deserves,
at least for a century...
  that's not happening!
    and as heidegger suggested:
   mechanisation - automation - exponential
growth with a the base of a common user,
being given as much as: a cognitive wheelchair;
but we're talking germany,
in the 1930s for god's sake!
              and that much was said!
for one thing, journalism has no high
opinion about itself,
    as one journalist once said:
     journalism, that literary butterfly,
worth 2 minutes' "worth" of interest,
and then the more easily discarded...
   shame, i was hoping it could morph back
into silk toiletpaper...
    there's only one reason people are
not reading books... journalism dumbed down
literature, and it eradicated meaningful
nostalgia moments of interest...
the last? nu-metal, or grunge...
    but after that? i lost the plot,
simply because i was given too many plots;
to actually write a "history" is beyond
the "necessity" of "keeping up",
but that's what history is these days:
"keeping up" with the most bogus if not basic
events of non-history...
  for journalism is just that,
it would be orthodox journalism,
if the newspapers didn't excavate further from
the major points of worth attention,
if there were less leisure activities in newspapers,
less belgian waffle, and more german
engineering...
can there be a newspaper exist that
cites what happened within a dasein framework,
(being there), and less about
          "hier"-sein? i.e. inside a head of
a restaurant critique?
         it's plain obvious, all it would take to
resolve the course of history, would be to enforce
a media sabbath...
       a monday... much about monday,
mondays always provide the anorexic newspaper...
one day! just one! and we could somehow
begin writing history again!
   but given this pulverising strobe-light
of the always-present journalism makes
us shun not only history, but books!
          and isn't it true, that we can't even switch
off in sleep, being pulverised by ******* dreams?
me... i somehow managed to cut down
on dreaming, i found the whole idea a bit,
a tad bit... *******...
     we're not even writing what we think we're
writing,
   from what i can remember:
   the past 2001 through to 2017... 16 years?
groundhog day... america aghast...
     it's becoming so ******* boring,
that i can't even stomach the next 16 with a hopeful
smile on the horizon.
Mateuš Conrad Mar 2016
oh man, abba is like
prog rock made simple;
and there's so much
cheese too... i could
start a factory producing
edible shoe laces - but
then the hot flush butterfly
of puffed up cheeks of smiling...
and what, today'***** single will
not get the same treatment?
we don't remember cavemen
and dinosaurs these days,
we're stuck remembering the
20th century, as the fashion
industry makes a testament of
on a catwalk of designing
a wardrobe no one would wear...
art-house tedium with skeletons
in an open closet...
they mind the logos, so people
say Versace! Dolce & Gabbana!
they really look out for those
signature stilettos and handbags...
the poor ***** just get the
logo printed on their shirts
so people can learn reading once more,
gimme gimme sweden's weather at
midnight so i can chase those Nike
blues away... the new signature of the
illiterate, once the X, now the tick;
tick tick tick... clocking into
a system of being educated to decipher a - z
like a cabdriver,
then pulverised by images to buy spend buy
and become dyslexic when oiled up ***** ****
became a slogan of trademark & copyright of
a certain style of writing C in *****-in-cockle-doodle; cola.
A silent trap ensnared my life,
my head felt pulverised,
a stolen voice and lifeless limbs,
left me perplexed and paralysed.

I sat in frightened endless wait
confused and petrified.
I could not shout nor dial
for help
I simply lay and cried.

I woke, still broke, to a familiar
call,
with sense and rhyme inverted.
No indicators flashed this change,
life's path strangely diverted.

But this was not a yellow wood,
For I never had a choice.
If I had, I'd have called their names,
rather than mouth in silent voice.

They looked at me confused and shocked,
a mother disconnected.
No thoughts, could escape this shell
with mind still unaffected.

Shuttled there in flashing blue
hospitalised intervention,
with medicated urgency,
testing a failing comprehension.

But I'd lain long in darkened time,
and missed that magic hour,
the minutes gone forever,
tick-tocked in rescinded valor.

My symmetry from right to left,
had left muscle withered fading.
I felt their gentle massaged touch
too late for caressed salvation.

I've seen their hurt at losing me
or that part of me that mattered.
My life has been frozen still,
but theirs has sadly shattered

I lie here, long night and drawn out day,
moving, unfortunately assisted,
my internal struggle to communicate
leaves doubts I once existed.

The years this stroke has stolen
and drip-dried a mother's tear,
has wounded deeply, this mortal coil,
filled my tomorrows with shades of fear.

A silent trap ensnared my life,
no one could interfere,
but when you visit, please talk to me,
lest you forget, I'm still in here.
A poem about my mother-in-law who suffered a stroke
Anna Levine Apr 2014
oh, no
the weight she bear is not that of the entire world
but that of her own
everyone carries the weight of their world on their shoulders
well
most
we can share our weight with others
but both have to wish for it or the weight of one's burden may crush the other
if one can see the weight of another beginning to crush them
they will not worsen their burden by dumping their own on top
her surroundings are so fragile
everyone around her could be pulverised by just one more pound
so she keeps it to herself
shuts her mouth
puts her sorrows deep inside
inside the safe
under lock and key
so that no one ever has to bear her
weight
Mateuš Conrad Feb 2019
. i love being (the) third party iniciative... i romance the... romance of: i do not remember... it's almost like... life... limited to having to stage, being, pulverised... became limbo-staged for my peruse of; necrophylia-esque.

the american accent...
sim
not ***
michael...
and i start "thinking"
of...
       ha ha!
       twinky!
because i came to
boor you
with an alligned
circumstance
of 'floyd....
  what?
  pwetty pick'ah piq-
toor?
oh... right...
i too hate being
reintstated
by someone not
being boxed
for a haemorrhage's
worth...
oh...
did i forget to tongue
slip the part
of licking the postage
stamp?
i did?
oh...
   well... to recompase...
'ere's my shadow...
happy
'oo 'p' eeeeee!

oh but i want,
michael...
   like...
exotica...
   ***** name...
marph... thew!
    i too was a golden
'aired
boy waiting for
a ******* hamster!
no?
not good the wait?
good...
i like a screaming
quasi suffocating
*****;
like any ukranian
ought to want...

i suspect that...
the people...
who tease...
become
the most ridicule ridden
middle-people
of a worth of
an escapade for the
worth of adventure:
they will never have...

you are...
my most...
anticipated...
feeble.

...
      and i...
squint eyed,
and...
oh so many variants....
and...
prior to a ******,
a psychology...

          to ingest a
replica feast of intelligence
for...
      ich...
   schattenkind...
ich:
     wollen zu töten...

it's when there's a narrative
readily available...
that...
   things... become...
"apparent"...
i have forgotten being
a res cogitans...
like the observation
of Kant..
i am a res per se...
with a hiccup of
an undertaking of
Berlioz...

               ich
   bin die
        dieselbe
                     blondkind
  
                                     ja...
ich heben
die ketzere'
                     zu töten
wie...
                              w'rden
               ­    z' 'eben...

i almost wish...
what if Michael
was not Matthew?

dead-end...
buying vinyl.
Mateuš Conrad Oct 2017
i've been carrying this napkin with a scribble on it
since yesterday -
  obviously in the heimatspreschen -
chcem stanąć przed sędzią, który może
osądzić sędziów
- i.e.
    i want to stand before the judge, who can
pass judgement on all judges -
and a lesson for a few:
   e. e. cummings does not even tickle
orthography...
   noMatter howOrWhy you write so so,
and the not so... that's not orthography...
you don't get teach people orthography
with a language that has no diacritical
aesthetic... orthography goes hand in hand with
the application of diacritical marks,
and, since english has none: i consider
the interpretation of e. e. cummings'
works as: on the sly orthographic: absolute
diatribe.
        you want to know what orthography
looks like?
exhibit (a)
  chcem stanąć przed sędzią, który może
osądzić sędziów
- correct - orthodox -
exhibit (b)
hcem stanąć przed sędzią, ktury morze
osądzić sędziuw

esp. on the może (maybe)
  and morze (sea)...
                    that's orthography!
take your ****** little e. e. cummings
                                   ******* and... *******!

so much for an intro...
today i found myself in possession of a 6 zone
travel card...
   little essex boy went sightseeing into
london, his adventure would end at
alexandra palace, wood green,
  the piccadilly line, zone 3,
  so off little essex boy went,
got on the train from lil' market town into
liverpool st., started walking on the platform
thinking: thank **** no owls and quarters
and hidden passageways into & through
brick walls...
      as any wordsmith will tell you:
once you enter the urban environment proper,
you start to realise, well, a permanent
insignificance of your effort dawns on you,
how you're overshadowed by all the clogs
in the machinery of the civilised world...
   awe? far from it... i was barraged,
pulverised by the ant in an ant-topia -
or should i say: a utopia is a place where
there's a seemingly infinite demand for work,
not necessarily a seemingly infinite
supply for work, but certainly a demand for
work...
             the most ******* job has to exist
to accommodate the people -
  it doesn't have to, but is has to exist in
order to be a bit like housing space.
so i passed them, the train operators,
the ticket inspectors, the men on the tracks
improvising improvements from ilford to
stratford (manor park, forest gate, maryland
etc.) -
  it really didn't matter whether one worked
and two snoozed on the job -
  the idea perpetuated itself:
  if not actually doing anything:
**** it, act, look busy, or look perplexed
by some "unfathomable" obstacle,
most notably thought.
            oh you better believe me that i have
great respect for even the most menial
professions -
    or as i like to call them: flip flop hopping just
shy of heaven -
the daydreamers' jobs -
   ******'s on that till telling train tickets,
ever so often waking up by an imaginary
coconut falling on his head when
a new customer arrives and wakes the
**** up.
                      london... ah, what a place...
someone once said you're never a meter away
from a rat on these streets...
   no ****, and half a meter from a rat with wings
and probably an eager tourist feeding these
"penguins"...
                    but i took the trip because
i thought i'd feel inspired, change of environment,
like: i honestly can't remember the last
time i sat on a bus, or a train, or the tube...
       me in a sitting position,
inside a belly of some mechanical diesel
caterpillar...
                       just for the occasion i thought i'd
dress up, put on a pair of socks and a pair of jeans...
well, i thought: these londoners can't suspect me
coming from the home counties...
gotta look the part, in some remote way...
fat face attire all, from the waist up;
                      but the people in their number
and disorientation hit be like a saharan gust
of wind, remnants of a hurricane -
                 everywhere i turned at liverpool st.
there was either a zombie apocalypse,
or some crack-******* ***** late for a train...
          i got some fine red wine prior to
the expedition...
               and so i headed to alexandra palace...
why? well... it looked mighty fine 11 years ago
from the rooftop of the scottish widows h.q.
near st. pauls...
         sitting pretty on top of a hill...
  so i got there, ensuring i let the arsenal fans
get the first two trains from st. pancreas to
pass me by, extending my wait for about 10 minutes...
    who was arsenal playing today?
tottenham? the punters on the train said:
2 - nil.
           don't know the score.
             so i got to wood green...
no one actually said there was a hill to climb!
  **** it, i climbed it, and when i got to the top...
to be honest, alexandra palace looks more
spectacular from a distance akin to st. paul's
on the 19th floor...
        it actually looks bigger from that sort of
distance...
          but i reached the top, and still had my wine,
and i even brought with myself a glass...
so i opened the bottle and began to forget
the initial: the **** am i doing next to
alexandra palace?!
            shouldn't i be sitting comfortably finishing
the second season of versailles at home?!
ah... never mind... so i drank the wine and
became shocked at the horizon before me...
as a connoisseur of drinking partners -
yes, you might have suspected all along,
i was drinking the wine alone... aha! but i wasn't:
i was drinking a bottle of wine, with, the view;
on the up side, the view from alexandra palace
is so much better than the view from
primrose hill - sure, maybe st. paul's isn't
visible, and you get to see much more of
the ferris wheel by the thames -
      but when it comes to a drinking buddy -
the view from alexandra palace is so much
better than the view from primrose hill.
           - and as ever, a highlight from the voyage,
helping god disguised as an old lady in
a hindi shawl with her shopping -
   in one of those wheely bags... down
the escalator, onto the tube, then off the tube...
  why did i imply god disguised as an old lady,
she said she's 70, i compliment her that she
looks 60... and believe me... that bag of hers
weighed about 30 / 40 kg...
                       and then back to romford,
for a quick pint of guinness on romford high st.,
aah... home... home with the "****"...
with the sort of people that make sense -
                  born and bred and sooner or later
to be dead...
                     at least this apparent
"*******" is not as much a farce as the entirety of
london put together...
            i can feel at home here,
mind you, a pint of guinness costs 3.15 over here,
which isn't exactly extortion down by
liverpool st. at 5 quid a pop.
           london used to make sense once,
even for me, but these days -
     it's just a ouroboros -
                  it's in its own stratosphere of "busy",
******* jobs, ******* rent,
        and as much as any noah's arc translated
into a city state as you can think of,
with only rats on board...
           but when you stand on either primrose
hill, or next to alexandra palace,
with a bottle of wine and your drinking
buddy that's the view -
            you can only start citing bilbo baggins:
i feel thin, sort of stretched, like butter
  scraped over too much bread;
   because that's what london is: superficial -
which is why i immediately known what
i'm going to get when i step onto
the romford high street...
        sooner or later it's all going to turn
into superficiality central, the mimic cities
of l.a. (and thank ****, that i can only imagine
this to be the case of said imitation).
Mateuš Conrad Jun 2017
what's with this anglophone puritanical *** guilt surrounding the pleasure from the actual act? it feels like being a cow, bothered by a hundred flies. this **** can't be even blamed on catholicism... catholics? with what, 5 kids? they're the ones who are *** shy? yeah... must be true... let's just compete over genital sizes for un-emotional drunken & disorderly... ****! i need that turmeric infused egg-fried rice!

i have a vague suspicion that
                                                            ­   the genius
                      of the film ex-machina has
some feminist overtones
     in it...
         like it's some anti-prostitution
gimmick...
clearly, you haven't been
                                            to a brothel...
had you, you'd find almost
none of the prostitutes would
bite your phallus off when
                                giving you *******...
           it doesn't work like that,
it's not about ***-bots...
                             but clearly ex-machina
    is a propaganda movie about:
the "evils" of prostitution...
great soundtrack... ****** backdrop...
you lived in england where
the women abuse darwinism
and enforce this whole idea of:
fox & the hare?
         that there's some sort of
chase, or hunting involved?
       who the **** wants to engage
with that?
             divorcees?
   can't we just say, **** it... let's dance!
why is darwin the priest that marries
us off to living 40 years together?
based on what, the curriculum
of a ******* savannah?
      these times require crude language,
the english equivalent of
the latin *vulgate
, like the first world
war and the need for zeppelins...
yes yes, and yes, i brushed my teeth,
        i could kiss you on the ready...
          but what? no...
      i'm done with the finicky game...
and i thought pick-up-artists had a horrid
strategy...
                    to know a woman's
psychology, with have jane austen...
        celibate and hopefully a face on
the back of a fiver...
        it's either that or jerking off...
why do these english women think
they're oh so special?
      ready meals?
     buying **** in supermarkets with
wet hair and wearing pyjamas?
     **** me, i'll cook my own curry,
i'll make my own burger... mmm...
   turkish pickled chillies,
sweet pickled gherkins,
  salad,        cheese,
      toasted buns,   argentinian beef,
      spanish (mild) onions...
            an accent of mayo,
                            burger sauce...
             tomatoes...
         if i missed something, let me know,
english ***** just drags out the need for
take-away...
  you can't even lick your fingers
these days, in a chicken-house when
finishing spicy wings... because there's
some freudian element to...
    ****... i need a napkin...
        she's the queen of the crop?
the crème de la crème?
                               the cherry on top?
as i said, once, already: *****, please!
   a madonna in cheshire...
                         a ***** in mallorca...
now i'm sitting with my legs crossed
thinking...
                that turmeric infused rice
that's yellow... oh **** me...
   egg fry it... add some cherry tomatoes,
some fresh coriander...
            some cumin...
       and then finish it all off with what
i countered the asians with...
   no... not sweet & sour...
    sweet & salty... yep.... honey... and soy souce...
    why do people have to be so ******
annoying... go to amsterdam...
       village bicycles on the ready...
and no one's moaning...
       it's ex_machina two-point-oh...
        imagine the ******* rubbing against
tight *******...
    which is a bit like you
     being pulverised by constantly seeing
****... she gets wet all the time with
the rub rub against the satin...
      and you're thinking: i better cure myself
with some l.s.d., and also give some
to my cat to become herr frankenstein
while i'm at it.            
   alternatively? drink some ***, write some
****, and cook something blasted into outer space.
Mateuš Conrad Oct 2017
i have them, i wake up the next day,
fiddle about with it, and realise
in an instant: i'll not honeysuckle
anything out of it -
yet another day in the sahara -
    you only really experience a writer's
block once you've written a lot...
and yes, the mediocre moments
in a "career" do happen,
   but as any stepping-stone moment -
******, better hop from stone
to stone, until that one perfect moment
arrives, and steals you away,
on something akin to travelling to the giza
pyramids...
    mind you: it's unbelievable that only
the eiffel tower overshadowed the giza
pyramids, so many centuries later...
  staggering.
        that aside, it's no wonder that
poets always extend their ambition into
writing the prosaic -
   the would be proselytes -
  who, in most instances:
  do not have the stomach to churn out
mundane narratives -
   and senseless dialogues -
the problem with poetry:
   the expectation to always write something
profound;
i'll never write a novel,
simply because it's not that i aim
at writing something profound every
single sentence...
  it's that i cannot write the piece of meat
of mundane narrative in the medium
of the in-between of finally considering
a profound citation point...
so much of novel writing is idle
chit-chat... so much is filled with the in-between
of said effort,
    not that great poetry always says
great things, but when i look at virgil,
or homer, i find that poetry was: once
upon a time - driven by a narrative...
modern poetry? a complete lack of, narrative,
then again the technicality bewilders me
to never adhere to it...
          did i visit a psychiatrist for jokes?
i sure did...
   i once even managed a stealthy glance
at the notes referred to a g.p.,
what did they reveal?
      a) biting your nails
     b) keeping eye-contact
and
       c) fidgety feet, not imitating drumming...
that's it!
   psychiatry is still oh so barbaric
compared to other branches of medicine...
most people do not believe in
psyche-cogito complex in that: they do not
believe in a soul, but i dare you to ask anyone
who has experienced the osmosis: trickling
of a soul into anima via psychosis...
      notably those who managed
to contain the experience...
             few people emerge from having
experienced psychosis without an
institutionalised backdrop of events,
  even fewer make it out the quixotic windmill...
me? look at me, unscatched -
                regretful? perhaps...
               resentful... every chance i get i
manage to usher in a laugh...
        once more, heidegger...
      the talk of travel, of experiencing
the totality of the world, the - orbis totalis -
  for these people so hungry to experience
the totality of this world...
    i have four words for them -
  the sage of königsberg...
           i'm becoming a hermit of essex
by the looks of it,
          my ambition to live a life like
sunday traffic, to live the life least unpredictable
is starting to sink into my bones,
to even animate them...
        i don't know why people never choose
the predictable life, given that death is
an event that's inevitable -
  merging two inevitabilities can create
the most random experience of events -
     that said: your thinking will never be
predictably *****-likened,
       it will end up as an embodiment of
the antithesis to the sisyphus toil -
   unless some cerberus is watching over
poor sisyphus, the man will eventually stop
rolling the stone up the hill,
   he'll eventually stop rolling it,
look at it, and become a minotaur in his own
cognitive labyrinth...
and in such a labyrinth, sure, there
are are no sphinxes, or pyramids of giza,
but beside these predictable sights,
   the sisyphus-minotaur will see unseen prior to
sights of his own ingenious invention.
like heidegger said:
  ordinary thinking is pulverised by
the presumption that the more "lived experiences"
a human being has, the more certainty he
has in assuring being and what he is
to "become" -
   perhaps, suppose that the more you see,
and the more you "experience" the more complete
example of humanity you will become...
  only to
a) have all the more regrets prior to
     the relief of succumbing to death,
b) the "foreboding" of: never again...
  c) the nostalgia,
   d)  contra nostalgia: the deepest vilest form
  of emotion: the regrets of never being disposed
to fathom any said experience (cf. point a))-
e) if you don't have what you like,
    like what you have...
i hardly think there's a need for a complete
human experience with all the provisions
secured...
  there's only a human experience,
          there never will be a complete human
experience, other than in the guise
of a spectator,
    the only brimful "lived experience" is in
the guise of the being, that's a spectator...
sure, there's a fancy, a day-dream of
being a protagonist of some sort,
   but as the old sayings goes,
if everyone were to take their shoes off,
and throw them into a heap,
  they'd still take from the heap their own
pair: for walking with one's own problems
is always more bearable,
  than experiencing the kampf of others...
  ich kampf - and i love that phrasing -
it's not mine, in that it is mine:
but it's not a definite struggle - rather a
continuing venture into the very mundane
of every other yesterday, or every other tomorrow.
i've met more humanity in those who
chose the theatre of the mind,
           than the theatre of the west-end...
   i've met enough humanity who have
experienced less, but nonetheless live more,
than those tourists, who "experienced" more,
but nonetheless lived less...
          to make oneself encrusted in the local
environment, to stand rigid & proud as
a domineering sight of a mountain...
                        to feel a lesser need to known
the world, and a pressure toward a need to
know oneself...
    to extract the reflective notion of the otherwise
reflexive word structures:
   i.e. yourself: your self,
    oneself: one's self,
               myself: my self...
         and standing these un-noodling compounds
  before the one mirror that a philosophical
narcissus could perplex his self over:
                    the mirror of itself -
              or: die es und der selbst -
                                       the it and the self;
das? that's like a doubled-up definite article...
i swear to god, only the germans
have more definite articles than any other
language - the poles only have two
(last time i checked), i.e. to & tamto -
  which is distinguished by distance -
  to is closer, while tamto is further away...
honestly, the fun really starts when
you stop synthesising language,
   and begin analysing it...
      but i recommend synthesising (mimic)
a language for at least 20 years,
    and then spontaneously "revising" it -
never minding the idea that you might fall
into any linguistically orthodox pitfall.

p.s. ah right, the masculine / feminine brigade:
ten: direct article for he (close)
  ta: the direct article for she (close)
   tamten: direct article for he (far away)
  tamta: the direct article for she (far away),
to: gender neutral direct article (close)
  tamto: gender neutral direct article (far away);

and still the sahara of the indirect article
in german: eine schmein ein schmeine eins ein
11 elves ate a wolf in dresden -
             which made up 36 observable curiosities.
Mateuš Conrad Oct 2020
let us want linear narratives -
by the current standard of: narratives -
let us all want parallel linearalities
and then: on some odd
occasion: forced to mesh-into
focus point -
                       when we were somehow
young and england
was a place at a time
when the handover of hong kong
happened -
what subsequently happened:
custard and fudge brain
crayon squiggly: attached to a fridge:
with a magnet...

here's to: i'm out to lunch...
toying with poker and... altruism...
solipsism, "atheism" and
albinos for autism...
rather: nothing will elevate
this circus -
          
   oculus per oculus -
     eye for an eye...
      skin for stretch... belts and leather...
and i hope: non-kosher shoes...
whitey brightey almost the: "almighty"...
but god! chugging along
with all these bachelor lepers -

i want to earn honour as a yack
herder in mongolia -
chequers: not chess -
because i need to go back
to m'ah rootz... my caucasian -
caspian sea - mongrel mongol
and of turkic or hOOn!

talent: "talent": a hot topic for
the imagery of phallus -
          a talent for a porceil girl of
toy-kyo...
           with a rabbit sized
bouquet of fleshy pwetty pwetty
pet-als!

  or... that it once happened...
the steve colberT show...
  the blind stevie minor...
        keeping up appearances...
a mrs. bucket that stressed!
it's: mrs. bou-kay... i.e. bouquet...
beau! literally! beau-*****-full!

stefan col-bear -
                stephen coal-b'err...
              it's tragic... a mrs. buckeT
sort of tragic...
         it's not as much fun when...
there might be people
who joke around "illiteracy" of those
who didn't used the proper
orthography...
that english isn't stress-laden
with orthography - but can be deviated
with and back into:
to speak is one thing: to write:
another...

  mrs. bouquet / alias bucket -
or a stephen colberT...
         alias: col-ber...
coal-bear...
                     coe-bare...
           it's like elevating a status
symbol: yeah... i too wish
i had a surname like: VIN-D'SOR...
or win-win-d'sour...
or windsor...
                
windy, sir?
            it's not like there will ever be:
something to play with in english
that might arrive at: suspense!
  it's the bare enlisted minimum -
i too have reached my cul de sac
of ingenuity -
perhaps i invented a light-bulb -
perhaps i have confronted
a river with a bridge -
        there's no second "eureka":
there's only a devolved "word salad":
or an attempt at a Prokofiev linear -
even with all the flurry of
decapitated sounds
running around like...
                    decapitated "sounds"...

i still come to the conclusion:
this was never going to be a language
that could be extracted
and used in a formal manner...
paint me a practical picture:
preferably a schematic used in
engineering: when looking at a Kandinsky...

now look at these words:
there's a rigidity of spelling -
a kept grammar?
well... to know blue is to also...
settle for the hue that might tease
either green or yell-ow...

               but is it a venture: prim formal?
i hope to find grave and bed come
11pm... and my legs come 6am
tomorrow... and at least 3 hours
of walking... till the point that
my underwear will rub so much
on my inner-thighs that
i will have to smear savlon cream
on what will become oyster flesh
tenderness from all the rubbing...

go full commando or wear a thong?
it's impossible to walk these parts
naked...

statures of man being childless -
this full-embodiment of a self-to-act-upon:
that there's nothing selfess about
the endeavour of clogging the thoughtlessness
of aether and the frictionless
eternal dynamism of heliocentrism -

sum up! there's that call for verbiage!
people often want,
instructions - the verb that does
the verb and some other bidding...
i have yet to read a philosophy book
that allowed itself:
grammatical peacocking -
that grammar is somehow only
ever pure instruction:
it can never be deviated from:

lesson no. 1: how you speak is:
the passable grammar lesson you will
ever hear...
get fudge: thrown into the deep
end and told to: tread water...
head above the floating mantel piece!
****** don't stink it up
with drowning!

       ergo: the great yawning sea...
and all the ghosts and myriads
and sentinetls and gargantuan: failed...
prodigies that come with it:
adding of course... a looting of
spanish armanda or some...
**** u-boat tricklet...

            god... when evil was fun...
when evil was tinged with:
a german plight of competition with
the french and the english and
the spanish and the russians:
this strange: by god... this very strange
inferiority complex...
you simply can't stage a formidable presence
with all that technological
advances on a whim:
when shuffling along with
some decanting'ant: k?

               of the little people that
england has somehow incubated:
where's my bombast?!
where's my: i'm here, i'm now...
i'm thoroughly fire-proof!
where is that... maybe not allowing
myself a presence nibbling at
crumbs from the tablature of London...
go back to Edinburgh?
get lost in Vales?
         yes... way over "there":
in way way over in les country...
a go-get-to-Lesley brittle...

             - which wasn't much of a sunday...
a tired body a welcoming
bed: the part of life where
every 34 year old might
finally settle for: get busy dying -
or vegetating or... basking
in the suns of former glories -

these ample three-sometimes-four
worded junctions
for all the biped beasts that:
prance or dance or run spectacular
migrations of fake:
in their marathons -
  
i have truly managed to assert that:
the world can happen by myself -
beside... on some distant reservoir
of thirsty new lives and:
vitality pomps -
    for their vitality i have a submergence
into a vitriol i dare not exercise -
that's of course:
they have been incubated by a lie...
any lie in the framework of
the already unshakeable complex
of pedagogy -
   it would have been better to have...
beside crushing me...
not given me this leisure of
education...
              to stand organic and proper...
to appeal to the thespian monotony
of customer service roles
where: the customer is always right...

it was foolish to educate a man
beyond the age of 16... all the guys who
dropped out of school come 16
are now either mortgage shackled...
definitely with wife and most certainly
with child in tow...
i'm hardly my own making...

tone death: blair -
again... is it a solipsistic statement,
that... famous mea culpa?
      it's my fault for most certainly it is...
but at what point did
other people stop existing...
at what point can i blame fortune
on myself?
this sunday was depressing because...
i made a bet...
on 8 football matches...
a bet on a win... and a bet on...
both teams scoring...
16 matches to choose from...
but this is why i abhor gambling...
it's this stupendous suspency
akin to reading a thriller...
which i have never...
but you get the idea should
such results as: 6 - 1 tottenham hostpurs
vs. man united /
   7 - 2 aston villa vs. liverpool...
ever... degrade your least
chosen of avenues of "hope"...

               - somehow a "little known" nuance...
albion is a chalk-faced
grinning monstrosity of lime, scaling
up to no ends meet: and meat...
of course... the kosher furore
surrounding the omnivorous
tacticians of: one rice patty
per village: sq. a dozen heads...

i too want linear pursuits of language!
hey! over 'ere!
i want to take it upon myself
to be native and be get-given
the wings of flight!
looks like i'm nowhere going...
looks like i'm going nowhere:
but i'm still somehow: a here...
in this heliocentric ferriswheel
post-scientific darwinism this: pop cull-the-truants!
i am somehow hier...
herr sir-farce-a-****-to-borrow...
and a lot...

to have to escape the russians
and the polacks and the germans
and all these subsequently not-listed
cretins of the european pervesion...
of: self-mutilating yodle yo...
barracks up-right and standing...
congregating around
the mafia proposal of the:
       vain-ticky-tic-toc-bataclan...

dog collars of priest simply ooze:
satisfaction with:
a missing status of believbility...
but do not fret!
the hougenots are the last rats
to bail... of a sinking ship...
and there's all this night's worth
to want to exploit with
the burdens of sleep!

that we are pulverised dead-end-knottings...
insomnia provoked...
it's no matter...
the people without attache
verbiage... with strict cohesive
conducts are all ablaze...
i want these skimmies for
detailing scoop of fat over fat:
leaving little of beliebvable bone
to be a miscarriage of... ahem...
"reality";

i have been accused of
missing an ego a clog in the jargon
of the: "ex machina":
a reality without a deity
is almost like...
            a flaking of a skin...
that must be associated with
an invitation to possessing a self.
Mateuš Conrad Sep 2020
it's not exactly cymande's dove -
    it's mytho's dreamlab (1975) -
  a dedication to wernher von braun -
on the odd occasion
the youtube algorithm feeds
me a nostalgia of suggestions
like it used to: and i forage for
new music...
nucleus' alleycat from the same year...
well:
i'm no bukowski and this is not
one of those moments to
test my strengths of patience
for mahler's: how i will die
with this deafness -
    i know what's lacking in my life
is having listened to the oeuvre...
or have read melville's moby ****...
somehow horizons of
new complete: upon a arrival with
a nudge from charon -
i will come against myself:
rather than upon myself...
by chance...
  that this is not high-brow literature
by any stretch of the imagination:
but i believe myself to be
endowed within the confines
of the democratic process -
a quiver a trembling...
i had to do several impossible
things today...
i laughed from conjuring
a memory while
painting some "chess board"
darkened oak of a makeshift
for the climbing rose to aspire to
with a cling...
i scratched my teeth -
i pretended to play
a violin by fiddling
with my beard:
no exactly de profundis:
but god... how i miss my chin...
i patted myself on the head
while pretending to vortex
imitation over my tummy -
this new man needs to
imagine the process of
caricature of insemination -
i am not the same willing
***** that gave me: you...
   pronoun baggage -
it's so tender in this english:
all english that can be
completely missing in: mutterzunge...
miles davis' ******* brew...
a composition
to imitate the crashing of
piano...
        as i drink i keep a tally...
once i fed an rainbow trout's eye
to a cat...
once i fed a female mosquito to
a cat...
once i had a dog and...
i couldn't possibly rob myself
of a memory of childhood by owning
a dog now...
i am quasi-jealous of people
who have dogs...
it's enough that i tow along
a shadow when i "expatriate"
beyond my day-to-day
trajectory - when
i want to experience an automatic
thinking - pointless memory
weathering -
i sometimes want this completeness
of the incomplete...
no higher sentiments...
new music: not something that
could cradle youth and
the stadium anthem -
something -
even now: one can become
tired of drinking and the occasional
smoke...
           i wouldn't want
to find myself returning to
a paragraph or a novel -
when reading: yes...
    but i couldn't stand the agony
of... not without this impromptu...
sedated into a comfort
looking upon the oeuvre of
jack spicer...
   my grandfather owns
the whole lot of alexander dumas...
i'm petrified of this
microcosm of a forest stashed
on a shelf...
         grand baron apostrophe in
english is so amazing...
i mean: the pedant's treat:
a pedantic treat -
            you can be allowed so many
deviations from orthodoxy -
you can almost wriggle your
way into an imitation jonah -
anglophile i am:
but i see no london burning -
teasing from the outskirts -
flute come to the party...
accent of impressionism -
   diacritical markers -
         i know that i am not writing
for money for excavating purposes:
i can make these little purposes
of fail all the time...
i want to own this language
as if i were born within its confines:
such that i am: "late" arrival:
thrown into the deep end come
me ate: eight - better - eating...

         gladly... because i arrived to it...
it wasn't dictated from "above"
like german or russian might have...
even though: ich muss necken
           alt vater:
              deutschespreschen...
for posterity... ahem... glum looking
joke...
not because i want to champion
the affair of: ****** the private individual...
beside the stage and oration:
yes... clearly he wasn't cut for painting...
i need to fail on writing
this nibbling from the exterior
with an ulterior purpose of tao -

zen my ****'s last worth...
conundrum: a really decent bicycle or...
two hours in a brothel...
hell... perhaps three...
but the bicycle and the return to
the days of drooling over
traffic and nibbling at essex...
i know that i don't know this
over-sexing is me being caged...

well... if you're going to be over-sexed:
pulverised toward status: neuter -
i sometimes mind: not minding...
the genetic argument doesn't really work
on me... given...
i could pass on... hardly the usain bolt
genes...
i could really pass on the most
severe indignation:
i like to call this...
the self-realisation that those
gene-power-proof german doctors
of the ***** had some sense:
in staging such grotesque arguments...

    for the purpose of a pleasure that
i can exhaust...
i don't even need to summon
frankenstein's monster argument:
it's not pivotal -
  when the hormones raged -
fair enough...
                   i can exhaust the argument
with all the readily available *******
and: i will not have to look out
for...                 the trojan dye-d'oh...
or...        ms. dill, ms. dough...

                       from the mother tongue
i couldn't possibly write such
nuances of sounds...
i would be left ******* with crisp cut...
orthographical measures -
   i'd be arguing over: pedantic subject
matters... none of this "poetry" /
graffiti...

                     scratching something vinyl:
elongating some liquorice...
detailing the zenith of england
prior to the dissolution
of the empire...
                  
   in all god given honesty i feel inclined
to be... living here...
it's supposedly not much
but i sense a becoming warmth
as to how...
   it would sometimes take
great care for me to not put on
my "sociopathic" chameleon disguise
of burdening accents:
from the original take:
we're all gammon and himalayan
salt indistinguishable sometimes...

but the affairs of the copperskins...
the camel jockeys, the choccies...
well... at least i'm not colour blind...
i forget to see white...
i forget to nudge some black...
black? you mean: cardamom
with that smokiness -
or nigella seeds?
                 that's black... coal is black...
frank zappa's ****** hair is
black... ***** likewise...
i forgot to be colour blind...

     give me hues!
          give be bold bulging gargoyle-esque
****** features to scare the demons
away...
no?
it has to be a variation
on a new sort of: "racism"...
if we're going to survive the basic lesson...
leave me in the grey humpty-dumpty
area of omelette...
            this be here: the dozen
of eggs that became...
a feast for serpents that didn't become
leather boots... or purses...

leave me to this little cul de sac
of imitation jazz...
  
        synchronised: coincidentally -
but more: a sigma purpose:
  an in totalis - a variation of polyphony -
new jargon - elevated new jargon...
an australian concept of
a savoury-esque dessert -
a beetroot ice-cream...

   pause: syllable cutter:
    not co-in-cidentally -
               a... variation of: ex similis:
but not simultaneously -
too many ******* vowels!
hear it one way: write another...
english is as bad as fwench...
grr...

           well yeah: i'm doing something
more than my supposed democratic
obligation:
i am not voting because i will
write for: the purpose of writing...
english democracy is looked upon
by russian strategists as something
that extends to allow transvestites
and other magpie exotica...

         this current life: this private
adventure...
      would i gladly summon these letters
in such a manner that i...
oh don't bother:
gladly "expatriate": gladly exile...
come to think of it...
if i were to argue about orthography
for so much time as i were
to be alive in...
        english adjusts and makes
pardonable the nuances of grammar...

little can be said: of the already
little given...
                      i want to jump high...
the caged ******* sonnet...
i planned sleep prior to writing this...
that's about it...
once... no... now:
i want to rekindle a fetish for
toying with going full commando
in denim...
  and... to twist the plot...
a ******* will always be nibbled
by the zipper...

it's: the evening i discovered ian carr's nucleus...
the original title simply read as: it's...
then some grandiosity appeared
with a mountain being towed...
and a fairytale...

this grand composure of
the bass routine... ***-ar...
drums on one side...
and solo projects on the other...
something so pristine without
lyrics - which is something i hoped
to exploit... not necessarily make synch...
i'm not a beat poet and i will
not read my words over a jazz:
as some refrigerator humming:
dulling these already pronounced
accents of sound:

a moth twice the size of my thumb
makes attempts to posit a selfie
with its: my eyes' scrutiny:

the jazz quintet is hardly an orchestral
testament of polyphony -
but... teasing at an earl grey in
inconveniences of "lacking"...

a dull moth the size of two thumbs
pressing against each other:
my little loitering project of future:
in eternity from bypassing:
on the the behalf of over punctuation:
as that clarity in the future of words...
or a lack of it...
with etymology...

******* into the sink...
simultaneously flushing the toilet
while washing your hands:
new age of multitasking...

by way of talking to cats:
herr mimic something akin to: ćć..
which is not the english CH - tugging along
the tetragrammaton...
or the full crown of the czech: caron...
                            č...
it's more slush-puppy piquant...
the sort of "thing" that defies
imitation with ny borrow of
meow or bark...

on my bookshelf:
madame bovary in a single tomme -
and... that opening line
of tolstoy's anna...
that misery is unique: particular -
to borrow the old greek dichotomy -
while happiness is ubiquitous -
generic -
             therefore universal...
indistinguishable from
a buddha to a screwdriver
from a jesus christ or a christening
of the next new plotline of
psychopathy...

           halves the hour: in that such
an album is half an hour's worth...
sooner a route relay
with the royal mile and cow gate
towing for any tourist come
edinburgh...

             beside myself:
i will not ever... torture myself
with a novel or a paragraph...
it either comes... or it doesn't...
it's not exactly courting a used to:
coherency...
and you are the reader...
club of exclusivity -
i have written by never bothered
to read back what it is
that i spewed out...

okokamona from roots (1973)...
cow bell... teasing nazareth's:
hair of a dog...
led zeppelin's dyer maker: "jamaica"...
yes... *****'s heaving
a son...
                     some variation of
abortions galore -
that i eat plenty of them in a poultry
feast come morning -
that i'm later scratching
the least of a possible pride:

white gold rubric:
michael pfeiffer...
sharon stone...
              a grizzly with a snub
at an alias: Tobias...
         next leftover project of expansive
"thinking": this little detail of moi too...
come again?
come again?
   *** ah'dzin: eh? gin...
it's not a giggle: it's not a girdle...
it's mr. dzin / jinn... tow the tonics
yourself..
some variation of fripp
is nothing near a hendrix -
some variation is all we heave
to have to topple...

lazy whitey jazz like some
interlude in rainy towing
scaffolds of seattle -
   settled peaches or... thereby plums
to the pulp of the excavations
made mad by pristine...
this feeble work-around
of flesh... in fruit or via
pork with offal... sequences
of bible bashing and that up-kept year
of langid promise echoes...

oh ******* of the most pristine
bluebottle types of flies
congregating:
there's no pawn broker of
klansman in sight...
to wed bed-sheets to a scrutiny of
ghosts...
that such a word
is still scrutinised with a hyphen
"interlude" and that it
can't be... classically: deutsche...
compounded into
a juggling act of syllables?
m'eh!

it has to be a variation of elitism...
   not because it actually is...
but that there's a necessary niche biped
wanting:
to have this kept sacrificial
lamb and a sacrilege of it's purpose
to make grief (grieve, slightly)
(of) a lack of demands
for the impossible task...
english can't be consolidated:
england can be bent to forward
a cosmopolitan rot of an idea...
england can be anything the rodney plonkers
want it to: Clapham want it to
burrow...

english and the universal rubrics
of grammar...
yes no right yore sire...
my missing sir... my drum solo project...
my mobias **** -
my amore amore amore! dulce primo:
linguo - kaff et normandy: genesis...

for the exertion of a patience...
that could never come bu was nonetheless
expected:
by dog races in the abandoned
stadium: of a looted womfowd tool fow
exhauted torn...
  maybe vels - or velsh...
or really? this is not scripted teasing
dubliner gaelic?!
shreya khosla Jul 2016
Her faith was his rejection
She shared her mysteries with him
He exposed her in front of the world
She showed her dreams with a hope to achieve them
He pulverised those dreams and proved her life to be untrue  
She only wanted her identity with dignity
He wanted to dishonor her integrity
Her faith was his rejection
stranger Jan 2023
lips embered
sizzling awaitance
where are you when i seek to soothe
ache
?
skin splintered
time speaks to me incredulous
i quiver
do you want to watch
?
this lustrous mist
this autumnal whisper
i transpose it on my body.
tighs a thundering wind gust, back arched to catch the rain.
it hurts when im not my own, it hurts when  no-one can hold
this pulverised alienation.
trade me some patience.
you would,
wouldn't you
?
this world does not exist beyond our conscious perception
lay your head down onto this wishbone heart, onto this carbonised solar plexus.
don't you crave this silence?
don't you?
Mateuš Conrad May 2018
/the late 20th century scorn of art as: ars pro se - for itself... thank god celebrity culture took off, the vanguard too to the trenches... remained in the trenches... and died from a wound inflicted by their own shadow touching their bodies... imagine Narcissus talking to his reflection... post-scriptum of the selfie... fame and celebrity as a perpetuating implosion of parasitical exhaustion... the parasite of the parasite: atomised vogue whims and the five winds... at least ars pro se is a depiction of movement, an inheritance abbreviation... thanks to celebrity "culture" / membrane... we can at least fathom, the complete picture, of an imploding cube geometry... happenstance, or hypered-instance? to vote Michael Faraday as the modern Prometheus, who stole the lightning bolt from, Olypmus? up in the air, like you just don't care, etc.

post-colonial inheritance
tax... or, legacy...
                when the pride
was being infringed upon,
one *******
was nibbling at the Ottoman
postscriptum
   not exactly bothered
by Helga the Valkrye's
                           chastity
            investment bouncing
payroll guarantee...
              once you hear a Bulgarian
******* giggle...
    you hear a giddy schoolgirl,
giggle...
             and the rest rests,
all eternally, sealed inconclusively
upon an: amen.
           no Holocaust has happened
and still I find myself lodged
in a language without
a contemporary to talk crass
bullshitting with extra skid marks'
worth of carcass whipping:
       American Beauty is,
beyond a film, the summary of the 20th,
harbinger of the 21st century,
a take on Tora! Tora! Tora!
                    suddenly 10 years
within a century elongate
beyond the confines of
a century within a millenium...
          and there, really is,
enough time crafted in the vain
hope importune unearthing:
to feel less obliged to stress
a comfort, in a body that might
resemble a well-worn sofa
    ****-stink...
                    yet I still don't know
what I'm not supposed to align myself
to when some ****** will
not even bother to cite me
Herbie Hancock...
                rap took to the clothing
line, and dried,
     like some obscurity of youth,
and the once savvy toolkit
of slang, lost, reminiscent,
                  bothered by acronyms
that never and would not catch on...
funny, talking to WHITE...
  immune to a colonial past...
              a bit like talking to a Russian,
or a Beethoven in his prime...
   comes in 'un 'ere,
  'n' 'uickly leaves via the ò'very...
    baba watunga, neß pàs?

widely or rather wildly exaggerated:
post-colonial stress disorder,
conscripted? anyone who isn't or can't
be, veteran material...
    counter-thesis of growing mushrooms...
namely pulverised,
by excesses of information...
namely?
    21st propaganda is not exactly
the content, of, said, detergent advertisement...
but... pulverising non-(s)top...
      insomniac mushrooms...

modern Japan and F. D. Roosevelt's America
are synonyms...
Mongolia never makes it into
the conglomerate mafiosos' newsreel...
     sleeping people are
compensated by not engaging
in this... game that only leads
into a pit, of farcical exhaustion....
               each year, that supposed
"holy" land,
     becomes a variant of the same
pile of rubble...
           the odd olive, and the odd
lemon tree...
          and then an attempt to
rekindle the concept of the fireplace,
with the already static
     fringe buzz of t.v.,

Americans and their ******* acronyms...
romeo alpha mammoth Sistine
       elephant: and a cherub in a *******
pantry...

           how glad I am,
able to tell the diffrence between
a Nigerian and a Kenyan...
              perhaps...
the opportune moment will come...
hell...
   by then I'll be far gone,
entrenched in a thought labyrinth
spanning the hearth of Siberia...

    the mind: simultaneously
a prison, and an escape plan.

— The End —