Submit your work, meet writers and drop the ads. Become a member
judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
She saw the world through a camera lens
And that's just how it was
With filters and Glares from strangers
Who didn't feel the sun
She took photos of the rain
And dewdrops on the grass
Of smiling warm faces
And things that were just crass
She dreamt of her pictures
Under bylines and over books
Her documents of others
Filled with stills that could speak words
She took pictures of her girl
Who was black and blue in depth
Who wanted to be colored
But her filter shown red
She captured her in pain
And in her rare bright smiles
She told her that things
"Just take a while"
She made portfolios and scrapbooks
Of their adventures and their muse
She never knew that her girl would take her life
At a quarter after two
She cried and cried weeks to days
Until the tears just stopped
When she took a photo of the rain
And felt her sadness drop
It shattered all around the floor
And she fumbled with the keys
She printed all the pictures
And posted them with ease
She scattered them around the town
Then fell down to rest
For she could feel a burden being
Lifted off her chest
she went to the school
Of the boy who had hurt her
And her girl
She stood up
She told them
"Has she finally done enough?
She ripped her skin with blades
And fasted for days.
She lit skin on fire
Just because you are liars.
Look at this picture
Do you see her
Look mister
She was beautiful
Yet you made her feel
Like she was void of zeal
You're the ones who told her what to do
And she took her own life
Just like you told her to do.
Are you happy now!
Or are you feeling blue
Are you regretting what you told her to do!"
And with a single crack
Of a baseball bat
she took a picture
Of there bodies cracked shells
As she plumbed them to hell
She saw that red filter
And she felt the pain inside
She could feel herself laugh
Mania arise
The she took one final shot
A picture with the the two
Then killed herself to rise anew
And she got her picture under bylines
And became famous for her art
For everyone loves the artist
Who kills for their art.
So let us now place monetary value on information.
Let us return to the source,
Mining & prospecting that fertile intel seam.
To wit: WWII and G-2 shenanigans.
Wild Bill and OSS-capades,
Artificial disseminations.
Partial recriminations.
And PSYOPS:
A literary nightmare--
THE CYCLOPS from The Odyssey,
For example,
If you lack your own,
Your own personal Bogey Man.
Or men. For me:
Allen Dulles or Richard Helms.

The Intelligence Community:
It was a small tightly knit crew,
Less than battalion strength in 1942;
A few myopic soldiers,
Who, although could barely type,
Were still too cerebral to
Waste as infantry fodder.
It was a huge converted Army-green warehouse,
Space strategically partitioned,
Sectioned off into cubicle-like spaces,
By giant 4-drawer file cabinets
Standing tall like MPs,
Sentinels & Guardians,
Monuments to pre-electronic storage,
Data relatively comprehensive, and an
Archive secretive & intimidating.

Within the Army-green incunabula,
Scattered throughout the intel landscape,
Here and there a few commissioned officers,
A smattering of college psychology majors,
Personalities with predilections,
And penchants for mind games.
These self same WWII vets,
Would morph into Cold War Mad Men.
Stalwart, stouthearted men of Eisenhower,
And J. Walter Thompson,
De-mobbed, as they say in the UK.
Consumptive.
Self-indulgent,
Particularly when it came to the kids;
Children of the peace,
Called Baby-Boomers,
An entire generation enabled & destroyed.
Who would produce little of value
Except medical marijuana and
Coupons, clipped by that sober ruling class—
Fat interest-bearing college-loan portfolios
Held by that neo-Calvinist Elect: The 1%.
Fat cats one and all,
Loaded dice & canasta cronies--
In concert a stacked deck,
“Una mano lava l'altra.”
The words of my namesake--
My grandfather Giuseppe--
His vowels reverberating,
Rattling in my dreams.
Not friends, but
Fiends in high places, like
The Fed and dark liquid pools.
Thank you, Barack, for
Fooling us again.
For giving us
“Belief we can believe in.”

But I digress.
It was when the Government Secrecy Act,
In all its transnational incarnations,
Embraced capitalism in a big way,
Elevating the ideology to whole-Earth saturation,
Systemizing the ethos of Darwin,
Into one global Moby ****,
One solitary leviathan,
A multi-level marketing labyrinth,
Where wealth is the end game--
Greed: pure, unbridled & unrestrained.
Bond--James Bond—
Did his bit, supplying catchy
Slogans & tag-lines:
“For Your Eyes Only.”
“On a need to know basis.”
“Confidential Information.”
“Top & Ultra-Top Secret.”
“Hush, Hush & a Bag of Chips.”

The sealed letter sits in a locked drawer,
In that stout desk,
In the Oval Office
In The White House,
“To be opened by my VP in the event of my death.”
Another staggering work,
Of achy-achy-heart breaking genius,
The culture commoditized,
A disease containing its own cure,
Assayed, graded,
Portioned & packaged.
Priced accordingly,
To a logic that goes something like:
“Anything this tightly controlled,
Anything the government deems to be
This illegitimate and/or & secret
Must be really, really God-awesome,
Must really be Da ******* Bomb.”

Brother Coolidge was right:
“The Business of America is Business.”
And INFORMATION:
“The Most Valuable Commodity on Earth.”
So said Stanford Stuyvesant Whitehead III,
19th Century robber baron, and
Consummate Fat Cat.
Get the picture:
We were smoking cigars and sipping cognac,
Mighty comfortable in leather armchairs,
Muted billiard clicks,
Punctuating the atmosphere
In this spacious lounge,
His East Side
Downtown & private
Manhattan club.
I, his guest, had not the slightest idea
Why I was there.
"By God, man," he went on,
My eyes speared by his laser gaze,
His bushy eyebrows,
His monocle.
His bulbous nose;
His thick wet mustache.
And those EYES:  
Those crazy,
Insane eyes.

"I am talking about a profound change,” he continued.
“Back when the steamship
Gave way to electronic wireless radio."
He puffed smoke,
Removing the cigar from his mouth,
Holding it,
Examining it critically for a moment.
"I'm talking about communication,
Instant communication
With business associates, &
Cronies far away,
Way out there,
Far beyond the places we know well.
Picture it:
You're running a fleet of
Ramshackle Filipino banana boats,
Out of some nameless cove,
Indenting the south coast of Mindanao.
A cyclone comes out of nowhere.
Good God--there’s sixteen banana-packed
Coal burners lying on the bottom of the Celebes Sea.
Think about it:
You've got telegraph radio.
Everyone else has the post office.
Now, I ask you:
‘Who's going long,
Who’s getting rich on the
Caracas Banana Exchange?’
Good Lord, man, it would be
Like being omniscient!"
“This very conversation,” he went on,
“Could well be a verbatim transcription
Of a conversation right here in this very room,
Between people like: J. Pierpont Morgan
And some lesser Gilded Age nabob;
Some Astor, some Rockefeller,
A Gould or Vanderbilt,
Whitney or Duke,
Some Frick or Warburg--
To name just a few, old sport.”
He stopped suddenly.
He looked down at his hands,
As we both realized he had counted these names
Out on his fat curled fingers.
He looked at me and smiled.
I was afraid.
Why had I been invited to this meeting?
I smiled back at him,
Doing my best to mirror his
Carnivorous menace.

I knew it.
He knew it.
He knew I knew it.
Mr. Whitehead’s growling rabid jowls,
His slobbering canine smile held me steady.
“Okay. Touché. ‘Ya got me.”
He shook off the phony smile,
An absence, accentuating
His stare: lethal, carnal & rare.
“I never had much formal schooling.
I’ve been hungry.
Hungry enough to know for sure
That the correct fork,
Don’t mean ***** from shinola.
When I’m dining out, fancy-like,
Me manners is the least of me problems,
Far less important than
The dinner chit they
Hand me after I slake
My thirst & appetite.”
Again, he stopped suddenly,
Recognizing that, perhaps,
He’d revealed too much of his
Bedford-Stuyvesant pedigree.
He turned again and stared at me.
“None of that,” he said.
“None of that means squat to me, Boyo.
What matters now is I’m rich.
I’ve got mine, By God,
And ******* It!
Tough ***** on the rest of you losers;
The rest of you fecking whiners can go
**** yourselves over at Zuccotti Park.”
He pounded the armrest,
The padded armrest of the rich Corinthian leather—
( . . . ***, Ricardo?
Get your Montalbán
Mexicano ***, back in
Random Access Memory Land,
Where you belong.
**** ya’ Fantasy Island
Hospitality, Mr. Roarke,
Go be wrathful Khan Noon Singh,
Somewhere else.
Now is not the time, or,
Let me rephrase that:
This narrative will not allow your meme here . . .)    

Whitehead pounds the armrest again.
“My point is this:  
None of JP Morgan’s decidedly,
un-nattering lesser nabobs of negativity . . .”
BAM!  Again, he pounded the leather . . .

(Back in your ******* hole, Spiro!
Do you realize just how far back,
Just how far back
Maryland’s reputation
Has been set back by your venality?
Not to mention any shot at ethnic assimilation,
The rest of us grease ball non-Wasps
Have in this country?
You ******* Greek!)

I stopped thinking
When I realized Stanford Stuyvesant Whitehead III
Was reading my mind.
“So that’s what it’s really all about,” he said,
Rank smugness in his voice.
“So, I’m just a nouveau riche upstart,
A socially inept parvenu,
Yet they still let me
Join their tony clubs.
It chaps your ***, Boyo, don’t it?
I’m still Scotch-Irish, and
A WASP, Laddie.
Something your skinny
Greaser-Guinea-****-Spaghetti-*** ***,
Ain’t ever gonna be.”
But I digress, again.

So I joined one of Uncle Sam’s
Lesser-known clandestine services,
An assignment appropriate to my ethnic identity,
Namely GLADIO in Italy,
A NATO stay-behind operation &
Cold-War comedy.
I infiltrated the Brigate Rosse.
I drove the Aldo Moro kidnap vehicle.
I cooked minestrone for General Dozier.
I sliced off J. Paul Getty’s ear in Calabria.
Ironically, I lost my hearing during
The Stazione Bologna bombing.
I am consequently pensioned off,
Off both the radar and the payroll.
Years later now,
I live in one of those gated, golf-coursed,
Over-55, sunny southern California
Lunatic asylums.

Most days I am drunk at 9 AM.
I fill Bukowski mornings,
Conjuring up Jane Fonda,
Jazzercised in camo spandex.
She is high atop a Vietcong tank in Hanoi.
Or Daniel Ellsberg
Enjoying a second act in American politics,
Praising Snowden & Assange,
& Bradley Manning,
I summon up the ghosts of
Julius & Ethel,
Benedict Arnold,
Rose of Tokyo & Mata Hari—
And Ezra exiled at Rapallo,
And John Walker Lindh,
A Yankee Doodle Dandy,
Born in Washington,
District of Columbia,
By way of Afghanistan,
Taliban Americano,
Kangaroo-courted,
Presently residing at the
Federal Correctional Institution
At Terre Haute, Indiana.
Spies.
Traitors.
Saboteurs.
And Poets?
No longer capable of keeping secrets.
Desperate now to tell
The truth.
judy smith Apr 2016
London fashion designer ­Carmina De Young is bringing her first ready-to-wear collection to market with the support of two local fashion mavens, wardrobe and image consultant Susan Jacobs, and business mentor Gloria Dona.

De Young’s Spring/Summer 2016 collection is now available by appointment at the Pop with Purpose studio,

The studio recently held an informal fashion show featuring De Young’s collection.

De Young was born and raised in Puebla, Mexico and discovered her passion as a young child, taking inspiration from her mother’s creative flair for fashion and design.

A graduate of Fanshawe College’s Fashion Design program, De Young’s clothing has been showcased locally and on national platforms, including at Vancouver Fashion Week and at the Caisa Fashion Show at Western University.

De Young started her own label in 2012 and now has a 25-piece ready-to-wear collection ranging from office to casual activities to a night on the town.

Each piece is available in size XS to XL with prices ranging from $79 to $259.

Instead of trying to break into the notoriously-difficult retail market, Dona and Jacobs offered to bring the De Young collection directly to London women through the Pop with Purpose studio.

“We love that we can offer women locally designed and manufactured clothing where they know the designer and know that they are helping make dreams come true,” says Jacobs. “There’s power in that. It’s incredible.”

Topspin scoops award

London-based Topspin Technologies Ltd., has been awarded the Synapse Life Sciences award for innovation in health. Their product, the Topspin360, beat out more than 60 invited applicants for products that demonstrate an innovation in health in Ontario.

This award follows the London-based Techalliance “Techcellence” award the company won earlier this year.

The Topspin360 is the first patented training device that helps improve neck muscles to reduce concussion risk.

Theo Versteegh, who earned his PhD in physiotherapy from Western University in 2016, developed the device after watching the Sidney Crosby hit in 2011 that caused his concussion.

Versteegh found that many sports concussions are the result of the whiplash effect.

The Topspin can be used in all sports, especially those at high risk for concussion, and also in military applications.

Northerner joins Fortune

David Ramsay, a former cabinet minister in the government of the Northwest Territories, has joined the board of directors of London-based Fortune Minerals .

Ramsay has more than 20 years of elected public office experience in the Northwest Territories. His cabinet portfolios included industry, justice, transportation and public utilities.

Fortune is working with three levels of government on infrastructure projects important to the success of the company’s NICO gold-cobalt-bismuth-copper project in the Northwest Territories.

One project is a 94-kilometre all-season highway to the community of Whati, northwest of Yellowknife.

The road is supported by the Tlicho Government, a Dene First nation and would reduce the cost of living and improve the quality of life in the outlying Tlicho communities and promote economic activity. Fortune has already received environmental assessment approval to build a spur road from Whati to the NICO mine.

Delta hosts bridal show

The London Wedding Professionals will hold their second Bridal Showcase at the Delta London Armouries on April 30.

The event offers a smaller, more intimate experience for brides to meet local wedding industry experts, ask questions, and get inspired for their wedding day.

The show features products and services from professionals including gowns, photography, florists, venues, DJs, hair and makeup and wedding planners.

The showcase also puts a focus on inspiring brides with Vignettes throughout the space showcasing different themes or colour palettes.

The show runs from 11 a.m-3 p.m. and admission is free.

Student makes his pitch

Sean Cornelius from St. André Bessette Catholic secondary school in London is one of 20 teenage entrepreneurs heading to Toronto May 8–10 to compete in this year’s edition of the Young Entrepreneurs, Make Your Pitch competition

Selected from the 204 two-minute video pitches entered, Cornelius earned the right to participate in a Dragon’s Den-style pitch contest at Discovery, Ontario Centres of Excellence’s annual innovation-to-commercialization conference, to be held on May 9 at Metro Toronto Convention Centre.

Hamilton Road looks ahead

Business people in the Hamilton Road will hold an information meeting Wednesday about the creation of the Community Improvement Plan that could lead to the creation of the Hamilton Road Business Improvement Area. The meeting will be held at 7 p.m. at the BMO Sports Centre on Rectory St. and guest speakers include Mayor Matt Brown and MPP Teresa Armstrong.Read more at:www.marieaustralia.com/****-formal-dresses | www.marieaustralia.com/vintage-formal-dresses
Who gave thee, O Beauty!
The keys of this breast,
Too credulous lover
Of blest and unblest?
Say when in lapsed ages
Thee knew I of old;
Or what was the service
For which I was sold?
When first my eyes saw thee,
I found me thy thrall,
By magical drawings,
Sweet tyrant of all!
I drank at thy fountain
False waters of thirst;
Thou intimate stranger,
Thou latest and first!
Thy dangerous glances
Make women of men;
New-born we are melting
Into nature again.
Lavish, lavish promiser,
Nigh persuading gods to err,
Guest of million painted forms
Which in turn thy glory warms,
The frailest leaf, the mossy bark,
The acorn's cup, the raindrop's arc,
The swinging spider's silver line,
The ruby of the drop of wine,
The shining pebble of the pond,
Thou inscribest with a bond
In thy momentary play
Would bankrupt Nature to repay.

Ah! what avails it
To hide or to shun
Whom the Infinite One
Hath granted his throne?
The heaven high over
Is the deep's lover,
The sun and sea
Informed by thee,
Before me run,
And draw me on,
Yet fly me still,
As Fate refuses
To me the heart Fate for me chooses,
Is it that my opulent soul
Was mingled from the generous whole,
Sea valleys and the deep of skies
Furnished several supplies,
And the sands whereof I'm made
Draw me to them self-betrayed?
I turn the proud portfolios
Which hold the grand designs
Of Salvator, of Guercino,
And Piranesi's lines.
I hear the lofty Pæans
Of the masters of the shell,
Who heard the starry music,
And recount the numbers well:
Olympian bards who sung
Divine Ideas below,
Which always find us young,
And always keep us so.
Oft in streets or humblest places
I detect far wandered graces,
Which from Eden wide astray
In lowly homes have lost their way.

Thee gliding through the sea of form,
Like the lightning through the storm,
Somewhat not to be possessed,
Somewhat not to be caressed,
No feet so fleet could ever find,
No perfect form could ever bind.
Thou eternal fugitive
Hovering over all that live,
Quick and skilful to inspire
Sweet extravagant desire,
Starry space and lily bell
Filling with thy roseate smell,
Wilt not give the lips to taste
Of the nectar which thou hast.

All that's good and great with thee
Stands in deep conspiracy.
Thou hast bribed the dark and lonely
To report thy features only,
And the cold and purple morning
Itself with thoughts of thee adorning,
The leafy dell, the city mart,
Equal trophies of thine art,
E'en the flowing azure air
Thou hast touched for my despair,
And if I languish into dreams,
Again I meet the ardent beams.
Queen of things! I dare not die
In Being's deeps past ear and eye,
Lest there I find the same deceiver,
And be the sport of Fate forever.
Dread power, but dear! if God thou be,
Unmake me quite, or give thyself to me.
Once daddy decided to teach his son,
His favorite being politics,
He set to teach Civics..!!


He said,
Son let's begin from home,
If I be the head,
I become Prime Minister,
And your mother,
She becomes Home Minister,

At this point,
Mother who was listening
to all the commotion,
From her undisputed department,
The kitchen...!!
Came out and
Explained casually,

Your daddy is the Head,
And he becomes 'President'...
Who has to give formal approvals,
To what is sort from 'The Parliament',
He also gives approval for the budget presented,
And be guest of Honor at various public events,
He gets to speak few times a year,
And he is still the 'formal approver'...

I manage few portfolios,
Prime ministry and Home ministry,
At times I have Finance ministry too,
Defence ministry too mostly stays with me,
I am the 2/3 rd majority, I decide how to run 'The House'!!

And most times I have solid 'Opposition' too,
The leader of Opposition (LoP) is very strong,
She being your grand mother,
Is also the head of oldest party in the house.
Her party has now lost and so she is in opposition,
Disputing every new law I, the PM try to bring.
She is Old Monk with a Gin,
But with her experience and wisdom,
I the PM, is always trimmed !!

Your grand dad, is a gentle politician,
He keeps changing parties from government to opposition,
When he is with us, we give him portfolio,
We make him a minister for Agriculture, Food and Health.
In some houses he is the Retired Former President.
Living a comfortable life with benefits that come with retirement.

You dear son get to keep Games, Education and Tourism ministry.
Nothing more comes your way,
You are forced to believe you are our future,
And so your ministry always need to perform,
Because,
To brighten the future is supposed to be in your hands!!!

Sparkle In Wisdom
August 2018
This is a funny light humored comparison of Indian joint family set up with Indian political system.
We live in a family mostly where grand parents, parents and kids live together in one house.. In country we have President and Parliament headed by Prime Minister and also opposition headed by leader of opposition.
faithlessdrum Jan 2015
how to replicate a call option


$600 daily >> http://andylank.com/cash-flow



Option Pricing Basics   NYU Stern
  stern nyu edu ~adamodar pdfiles eqnotes optionbasics pdf
There are two types of options   call options (right to buy) and put options      The objective in creating a replicating portfolio is to use a  bination of riskfree    
[PPT]Options     NYU Stern
pages stern nyu edu ~anashikk Teaching session%    amrut ppt
Call and put options; The law of one price; Put call parity; Binomial valuation  Options     This payoff can be replicated by a portfolio of stock and risk free bonds
Section        replicating a call option   Actuarial Outpost
  actuarialoutpost   ›     › SoA CAS Preliminary Exams › MFE
Dec              posts   ‎  authors
"Delta can be interpreted as the number of shares needed to synthetically replicate the option  A call option can be replicated by buying shares    
Replicating portfolio   Wikipedia  the free encyclopedia
en wikipedia org wiki Replicating
portfolio
In mathematical finance  a replicating portfolio for a given asset or series of cash flows     For example  bonds and equities can be used to replicate a call option
replication   How to replicate a digital call option    
quant stackexchange   questions     how to replicate a digital call opt  
             Call Option S     K     Payoff   (option is not available) How can i replicate this (payoff) with calls and puts with strike prices with multiples    
Can we replicate a call option without borrowing and make it    
quant stackexchange       can we replicate a call option without borr  
Jan            I learned how to price a European call option using this video lecture  The considered case is very simple  The call option gives the right to buy    
[PDF]Option Pricing Hedging
  kellogg northwestern edu faculty     OptionPricingHedging pdf
What is the value of a call option with a strike price of $   ? (Assume r    %)     replicating portfolio must equal the price of the call option  ○ C   ΔSt B    
[PDF]Replicating portfolios • Buy a number of shares  ∆  and    
  uio no studier emner sv oekonomi ECON     v       lect     pdf
Mar            dS∆ + erB  S∆ + B  • Choose ∆ B so that portfolio replicates call       (The fact that call options have higher risk (both systematic and total) than the    
Replicating an Option in the Binomial Model   Ftsnet  
  ftsnet   public ftsmodhtm ftsBinTree replicatinganoption htm
Replicating a Call Option in the Binomial Model (Assuming Discrete  pounding)  


$600 daily >> http://andylank.com/cash-flow
how to replicate a call option
Little sparrows show off their agility,
dancing up and down violin necks.
Pecking staccato notes out of the air.
Making tea and dropping ceramics
behaving clumsily and babbling nonsense
even after they've been told
sit down and be quiet.

Imitation ducks sit squat,
quiet, muddy, decoying
singing water stains,
spitting curses from their bills.
Pulling bed sheets up to their chins,
nesting between the covers.
Very anonymous in their colours,
not a deviation among them.

Cold wax and dry glue
flake off creases and folds.
These lovely imitations,
cuckoo plaster cast knuckles
snowflaking to the ground,
useless with fine motor skills.
Peeling off like dead leaves,
parasitic nest components.

All my fingernails are different lengths,
evolving finches’ beaks
on isolated islands
With scratches on the vinyl of my thumb,
sand beneath my cuticles,
scrapbooks between my fingerprints.
Piano keys team up in groups of two,
sharing sharps and flats.


Filed and polished,
pink budgies dispose of portfolios apathetically,
slamming filing cabinets shut.
Cuttle bones rattling,
mirrors cracking.
Irritable thighs complaining,
they hunker with bad posture,
frowning on their perch.
Squat salient warbles
clamoring sharply down corridors
over whistling loudspeakers.

Poster orioles elbow aside crowds,
bright bones flashing
neon signs
keratin streaked or spotted
for biological attention.
Weaponry painted exciting colours,
friendly hues and enthusiastic tints.
Lies dressed in curiosity,
attracting intrigue.

My heron neck in the air
searches for information,
explanation, observation.
Greedy for projections,
living in the tree tops,
reflected in shop windows,
my skinny anisodactyl talons
for walking on mud,
wading through marsh,
boggy water.

My hands are geese
jabbering back and forth
across my chest.
its very distracting
to have these conversations
going on between palms,
arguing the best way to fold paper cranes,
whether chocolate pudding
should be stirred clockwise or counter.

Take a gander at the world you don't touch because your fingers are too flightly
Cecelia Francis Dec 2014
If poetry
were
currency

We would
exchange
goods
for prose

Tip with
metaphors
or
similes
-if you're
rich-

Authors
on the
stock market
-portfolios
of long poems-

It'd finally
be like
how money
feels
Oink oink goes the capitalist pig
jeffrey robin Aug 2010
and the tired humongous ******* symbol of a day
THE ANCIENTLY DISCOVERED BANK ACCOUNT

the truth of ******* breast luv lust greed and generosity

AND YOU AND I

WHO SIMPLY GET BORN
LIVE AND DIE

And watch the baseball games

SELAH!

(and sometimes....

our children)

SOMETIMES!

and the hope and the prayers for peace

hidden somewhere

in our "portfolios"
Rob Cochran Aug 2015
We apologize for the interruption
In your programming,
However, we have breaking news to report.

Reliable sources
Have just confirmed a recent discovery
That has people around the world
Dancing in the streets.
People everywhere
Celebrated as the news spread across the globe
That we are not our credit reports.
I repeat, * we are not our credit reports!

This shocking news was immediately followed
By a landslide of related discoveries:
It turns out that we are also
Not our resumes
Not our cars
Not the brand names we purchase
Not our stock portfolios

We are also not
Our children
Our parents
Our friends
Our employees
Our jobs
Our positions
Our titles
Our awards
Our prizes

Nor are we
Our Social Security numbers
Our telephone numbers
Our employee numbers
Our customer numbers
Our account numbers
Our license numbers
Our claim numbers
Our case numbers

Naturally, this raises the question of
What are we?

It is our understanding that we are something
But what, has yet to be determined.
Scientists, Philosophers, and
The leaders of the world’s great religions
Have gathered in Paris
To discuss how these very important discoveries
Will affect their explanations about
Life on Earth.

The most anyone can say at this point
Is that who or what we are
Is far greater than anything previously imagined.

We have also just learned that
Diamonds are not really forever
Because forever is actually much, much longer
Than we ever thought.
Nor are they necessarily a girl’s best friend
In fact, it seems that a girls best friend
Is none other than
Her best friend.

It has also been confirmed that
Money does not make the world go around
Nor is it the root of all evil.
In fact, money is really nothing at all
And has absolutely nothing to do
With value or worth.

The news of these discoveries
Has undoubtedly had a profound impact on the world
And especially in the United States.

In California, tanning salons and gyms began closing
As soon as people realized they could
Exercise outdoors in the sunshine.

Disneyland was abandoned once people understood
That happiness is not a place or a meal
Nor a thing to be pursued
But an attribute of nature
That is universally available to anyone
Who chooses to experience it.

In Las Vegas, casinos were empty once people
Noticed that nothing at all was happening in them.

In the mid-west, major league sports teams disbanded
When the players and fans realized
Winning has nothing to do with competition.

Some of the world’s most prestigious schools and universities
Have announced they will stop charging tuition or issuing diplomas
Instead, anyone who wishes to learn
May freely learn from anyone who wishes to be taught.

Doctors and nurses around the globe
Have begun treating and healing people for free
Because they now understand
That it’s wrong to only care for some and not for others.

Wars have been halted
And world-wide peace has broken out
As soldiers everywhere are laying down their weapons
And are choosing instead to help repair and heal war-torn nations.

By all accounts, it appears that a global revolution has began to occur.
The world’s stock markets have all collapsed and
People on every continent have begun to help each other
Not out of obligation from payment but
Out of kindness and compassion
Out of love and respect
Out of forgiveness and gratitude
Out of joy and celebration.

Some governments have even forgiven all debt
And countries that were once impoverished
Are now seeing truck-loads, plane-loads,
Boat-loads and train-loads
Of food, books, supplies, tools, and people
Lining their ports and borders
Eager to alleviate hunger and suffering.

In fact, a new world economy has begun to take shape
An economy not of competition over capital
But of equality, diversity and integrity.
An economy based on balance and peace.

People everywhere, freed from the pressure
To buy more, have more, in order to be more,
Are quitting their high paying corporate jobs
And starting to do things that are really important
Like traveling, learning, healing, evolving, and creating.

There has been a flood of new art, poetry, and music.
Many museums and galleries are now open 24-hours a day
And are packed around the clock with artists and patrons
Of every genre and media imaginable
Enjoying the free exchange of ideas and creativity.

But as incredible as this news is,
Not everyone is pleased about it.
Particularly the wealthy and the powerful.
Some have been observed wandering the streets
Desperately trying to hire people to guard and protect them
But since the news about the discoveries broke
It seems that no matter what wage is offered,
The position remains
Unfilled.

There are reports of small groups of men and women
Demanding to be told who they are
Huddled together near banks, court houses, and other government buildings
Fending off anyone offering to help or explain
Who is not wearing an official uniform.

In some cities, confused individuals
Spend days and weeks in front of television sets
Flipping endlessly through channel after channel
Trying in vain to find a product they can identify with
But the only thing being broadcast
is PBS.

Wait a minute, we’ve just received an update.
This just in from the United States government:
The White House has just issued a statement
Claiming that these amazing discoveries
Are false.

In fact, the President insists the sources responsible for these claims
Are actually terrorists who hate freedom and hate America
And are organizing an attack to destroy everything that we
As freedom-loving Americans hold so dear.

Government officials are urging everyone to
Pay close attention to their television
For information and instructions.

In the mean time, the government is recommending that everyone
Simply carry on, and continue to work and shop as normal,
But to be on the look-out for “terrorists” or “evil doers”
Who are very unpatriotic, and want everyone to be poor
And not eat meat and go bare-foot all the time.

The President, in an address to the public this afternoon,
Issued a message to all freedom-loving Americans
That we must be prepared to sacrifice our liberty
In order to preserve our freedom by liberating
The un-free who freely wish to be liberated
By freedom fighters who will fight
For the freedom and the liberty
To spread freedom to those
Who have not been fully liberated
From their own freedom So that we,
as the liberators of freedom
Will have the liberty
To Freely liberate ourselves
On the world

We now return you to your regularly scheduled program
Originally written in 2003 while George W Bush was president.
Martin Bailes Mar 2017
The rich get it good
oh yes they do ...
they don't send their
boys to die in foreign
wars that are usually
being fought in response
to some pressing $ value
for them & their friends
despite all the lies &
justifications coming
your way,


& they own the tv folks
that you & your buddies
absorb & who tell you of
a world that they wish
you to see & by design
also teaches of how others
are coming for you & you
are best off by voting
for another very rich man
who obviously can best
represent your interests
... quite obviously,

& having fooled you into
believing basic compassion
is communist in nature &
that really its every man
for himself in this vicious
world & that coal is good,
& climate change is cooked
up by the biased intelligentsia,
they can continue their base
pursuits & just keep on raking
it in,

& continually stressing that
anyone from this shining city
on a hill can make it big-time
like Riche Rich ignoring of course
basic facts such as class & race
or where you were born & into
which family of what colored
skin they have again succeeded
in their narrative of oh good
god how wonderful are we!
& lets just a keep on with the
way it is cos there's no alternative
really & any its close to Maoism,

& whilst all this is going on
they manage quite stealthily
in a way but perhaps also in
that great American tradition
of the sly feelgood huckster
they get you all seeing Jesus
through a salesman's eyes
as if Christianity was negotiable
in trade-offs & reservations &
justifications for bigotry, bias,
profit & shallow mercantile just
plain someone else making
a buck of you all,

& rich people get the best of
everything don't they really,
schools, hospitals, retirement
plans, all of which they fool you
into voting to cut, cut, cut,
which leaves you poorer folks
worse off & those rich folks
with just more gold coins to add
to their piles in off-shore accounts,
fancy real estate, & investment
portfolios,

its all pretty simple really,
they pretty much own
your *** & you keep
on a handing it
to them
don't you.
judy smith Nov 2016
Investors need to stop treating stocks as a ‘beauty contest’ and follow the difficult investment style of Keynes, global pension expert Keith Ambachtsheer said.

Data produced in a working paper from the Harvard Business Schoolshowed that portfolios built on firms with a good material sustainability rating outperformed those that had a poor rating, an aspect not considered enough by investors who were caught up with quarterly returns, Ambachtsheer said at a Chartered Financial Analyst seminar in Sydney on Monday.

“What I see happening out there is largely speculation – what Keynes called ‘beauty contest investing’, where everybody tries to figure out what the most popular stocks are going to be in six months, buys them and when they become really popular sells them,” Ambachtsheer said.

He added the implications of this investment style as an aggregate was a zero sum game, whereas investing should be taking savings and turning them into wealth producing capital.

“The key thing is you need to look beyond the next quarter; you look at the long-term sustainability of the business model of the corporation, as well as the people behind it in terms of how it is being managed.”

The Harvard Business School (HBS) working paper superimposed the Sustainability Accounting Standards Board materiality map (which identifies likely material sustainability issues on an industry-by-industry basis) onto 400 common US stocks identified through sustainability metrics from Kinder, Lydenberg, Domini Research & Analytics.

They examined what effect materiality would have over the long-term (starting from the 1980s) and found the top 10 per cent of firms that scored strongly on material sustainability outperformed the bottom 10 per cent, by nine per cent over a rolling twenty-year period.

“The practical question is, can you actually manage money this way in the real world? And the answer is yes, but it’s very hard, because you are doing unconventional things,” Ambachtsheer said.

Real-world Keynesianism investors – such as Warren Buffett and the Ontario Teachers’ Pension Plan – are in a minority despite outperforming over the long-term. In chapter 12 of his seminal workThe General Theory of Employment, Interest and Money, Keynes explained the reason for this was the essence of long-term investors meant their behaviour would be eccentric, unconventional and rash in the eyes of average opinion.

“Most organisations can’t function like this,” Ambachtsheer said, as they were too focused on the present.Read more at:www.marieaustralia.com/vintage-formal-dresses | www.marieaustralia.com/backless-formal-dresses
TonyC Sep 2014
That dullard Percival Crane
he's boring into my brain
he's talking train
timetables and grain
sizes and portfolios
and shares
**** he's assaulting my ears
Next time  when I spy his magnified eyes
I'll say, see you Percy, my how time flies
Tanisha Jackland Jan 2018
Obey no one
but the call of
your inner most self
and walk barefoot
upon the Earth

like you were meant to

before modern man
became portfolios
diversifying arrogance
instead of his head

No one looks you
in the eye anymore

connoisseurs of rude

Walk forward now
and don't look back

Dodge bullets
with a smile as your
secret weapon

And laugh with
the best them


Making good as pretty
as you go...
Happy New Year in 2018! Remember integrity will be rewarded in this year the year of the Dog according to the Chinese Zodiac.
James Rives Apr 2019
A water bottle perched
on a desk, cluttered
with papers. Old writing,
portfolios of work half-forgotten.
A hand grips the bottle,
untwists the cap,
sips. Right now,
her words
are her only friend.
Heliodoro Linna Nov 2013
Portfolios of love stocks,
Investments in a fickle,
Worthless market,
Corporate madness,
Wall of brokers broken,
Crumpled ticker tapes.
ShamusDeyo Apr 2015
CEO's buy Corporate **'s with
Shareholders Financial Invested Stock Portfolios
Private Perks for ******
John F McCullagh Dec 2011
“It is what it is”
-Such a popular phrase!
And folks spread it around
Like Fast Food Mayonnaise.
It’s been used to describe
Economic foment,
The state of the arts and
The high cost of rent.

A phrase often spoken
When you wish to seem wise-
In the loop, in the know,
But it’s all just a guise.
It’s a symptom of sorts
Of our current malaise
You did not hear it much
in our halcyon days.

In that past, half remembered,
where house prices rose.
Where portfolios doubled,
and we all wore new clothes.
We were kings of the world
And we partied till three.
Now we live on fixed income
And we struggle to ***.

“It is what it is”
Is no optimist’s line
It’s a dull sounding phrase
Half resigned to hard times.
It implies things are bad
and inclined to get worse.
“It is what it is”
To me it’s a curse.
Laura Jun 2015
Did you ever really see me
Did you ever look past the fence
I know I build one around me but for you
I unhinged the lock and let you advance
Did you size me up in a passing glance
Did you throw me to the wayside when you found
The opportune chance
Did you check my resume and see a lack of
Creative projects and weathered portfolios
Did you dismiss my non-fine arts degree
Surely a history major like me
Had no flashy spark similar
To your friends and artsy possy
“I’m just a passionate person”
I recall being your excuse
As to why our failed romance
Had to cease on cue
Well sit down and listen up buddy
I’m here to share a few thoughts
You see writers like me
Don’t paint pretty pictures
Music doesn’t come from our fingertips and lips
We don’t work on logos
And I don’t have much of an eye for design
But my passion is displayed
When I take out my heart and dissect it
For the very words that bleed out of
My spiritual and emotional core
I can be a creative god as well
And sit upon your intellectual throne
So make way for this writer’s words that form
This little lady’s inner combat zone
1996

When news of his would-be death arrived,
his body sterile in white cloth,
serene his was, his finest stupor – clinging on to a drip
  of life, his tongue a strawberry his mother recounted,

forcing him into, his senses dulled,
  it was 1996: else there was understanding,
  there was a hand in a hand that is a latticed rose
  of beauty – or unbeauty, the high prayer of it,

they sat in front of the room facing a mute wall
  for days weeping or laughing. The rustling of the
  daily paper broke silence not news – his dearth was sure.

no more almost was when he went sharply
in a field of grass, his shredded amusement
received by an unfolding – it was his years sideswiping
  him later on, his indices of age revealing an undulant postscript

to which there were imaginary sky-portfolios and
  a particular representation of a smoothened end of a smoking gun
  he held now, years after, years later on

a portion of it his mouth pressed on a lover’s,
and a footnote hidden
    deep within his pelvis:     come back here when laden
Ekaterina Oct 2015
It's all quiet on the western front
When towers fall and empires crumble
When storms ravage half a country
A thousand screams are silenced by a handful

It's all quiet on the western front
When mothers mourn and monsters meet
Inside of laminate portfolios
With bright futures and buried pleasures

It's all quiet on the western front
When seconds make cents
And it no longer makes sense
To tell them that you love them
Without paper doing it as well as
The trees they carved their names in

It's all quiet on the western front
When blood is used as currency
To buy and polish ammunition
From nations drowning
In the smell of rusted crimson
And think of the children
Who are armed to the teeth
With spite and grief and melancholy
Against the thrumming of their rib cages
With rounds discharged like the veterans
Who were just in the wrong place
But at what time
Did the commander think it wise
To drop explosives on civilians?

It's all quiet on the western front
When business is just for staying busy
Complacent couples with granite counters
Correcting their children in their grammar
Or their choices in careers

It's all quiet on the western front
When adding two and two together
Becomes menial work pushed to the
Calculators made by cracked palms
And shaking fingers which we pay
2 dollars an hour
To do the tasks our brittle bodies
Had enough of the first time a television
Switched on, the first time someone
Picked up a bottle, the first cigarette ever lit
in the suburbs

And the yelling is done in an organized fashion
With labels thrown up in the air
And as the prosecution rests
The poor boy's family hold their heads
As if the ceiling would start to cave in
On itself and like the system
It is truly hell to barely scrape
By life only to brush by death's
Shoulder and regret 300 years worth of unity
Which separates the equal and demeans
Those who try to be
And to those peering out across
The scarlet sea, the shine
And gold may be worth the trials and
Tribulations but tenacious souls
Need only know that gold is rock and
Crystal sheen is merely a reflection
Of the destruction and the silence
And the demons that we will not confront

And in the presence of a microphone
The world falls still
And wonders if the speaker will respond
Or if they won't


It's still all quiet on the western front.
(2010-2012) Collection
jeffrey robin Aug 2011
and we
rise as high as we
dare to risk falling
--------
those who "protect" themselves
from all adversity......?
.............what are these?
-------
claiming the god power
yet lost in hiding....these
cause such sorrow
who can fathom the waste?
---------
america is a dying (nay!.. a dead
nation
if you are wealthy
this is a good thing
for your portfolio
it seems all "god's people"
have well protected portfolios
----------
that's because they really never bother
with god
------------
hypocrisy trumps sincerity
round these parts
---------------
we rise as high
as high is
death is fear
---------
power doesnt take
you
from the fear
But not if         is love almost;
     is one’s riches
                  the half manuscripts
                       confuse sake
                its or
       demon specialised
dramas ultimate novels aims
        all for indeed?
               Next perhaps.
Overthrow
they reason one most in also absolutely;
                        one of the men
         of an equally the;
that from honest seem real.
                       Life a this degrees
    health investigations.
Man who.
        The afraid.
  Disturbs that of is a;
the its.
Time appears deranges to.
To it statesmen is it all most sacrificed a goal;
              motives it.
        To with;
comic the occupies the;
              that be has is of otherwise;
that where love wicked;
        of it entirely taken.
And strictly human        one ministerial;
               been
humanity knows in aim with part;
    itself ask earnest and that spirit.
                                              And it.
          This plays sometimes and;
                                 most a be hair;
                   not the faithful in
and thoughts it most definite
   younger in strongest why is.
            But to pursued confusion
        it how profound it;
and effort makes interrupting love
           than earnest portfolios tragic.
  To seriousness ethereal of.
Ekaterina Oct 2015
There’s a meek sort of rasping
Coming from across the train
With frail marrow and a kind smile
Stitched together by a thread of longing and courtesy
Opaque hues of denim
As murky as the winter sea
Rocked by the motion of the rails
Search the frills of a child’s collar
For the forgiveness only time can give
Her shadowed eyes bore into mine

But as I tried to furnish a reaction
A white skirt blocks my view
And towers over like all of those pretty American buildings
I’ve only seen in tattered pages and cracked voices
Of forlorn faces and war torn memories
And her golden hair is molded by a red ribbon
And her long nails dig into her beige purse
And she stares towards the doors
Biting her lips and passively planning an escape route
As the train pulls to a stop

Then a swarm of moving bodies knock her and numerous more
Into the swell
And out on the platform
Attention is peaked by the two snickering girls
With navy skirts and matching hair bows
The size and color of a setting sun
Who drop their faces and grab their leather portfolios
And sprint out of the closing doors
About to miss their stop

And careful pupils follow their retreating forms
But they are not just my own
As cascading chestnut locks
Frame a plush nose
And a supple body
With a ***** apron around the waist
And folded fingers with crossed calves
A queen living in a pauper’s mirror
While cradling a bag full of bleach and ammonia
Keeping an eye on a basket full of apples

Which keep being searched thoroughly
With small eager palms
From a mother’s lap
With little auburn curls
Blocking out the view of the guardian
Who, with soothing speech, forming lines and dainty features
Reaches out to the child with fruit
And every unspoken word
That she will never hear from her own mother
Teaching her unspoken lessons
Of the distant and sought after dreams of youth and childhood
Which so many want, but so few acquire
Which so many held but had to lose


Like the younger lady
With a book in hold
And a stitched brow
Browsing through the myriad of pages
Ink stained hands frantically flipping through
Each passage, each syllable
Slowly wrapped into information
And passion the color of her hair
And the specks of prolonged sunlight
Dusted upon her cheeks
Which were glowing red with frustration and a thirst
For approval of those who had previously turned their noses
That a mere manual could not quell nor explain
The emptiness growing in the heart of useless searching, or her wallet


With the endless thrumming of the rails
And night falling on the light like a fire proof blanket
The cabin almost empty to the only presence beside my party
Head turned
Leering through the window
The darkness pulling on her hair
Shoulders slumped but back as stiff as a board
With one leg pulled under the other
And the smell of soft dirt or pelting rain
Permeating from the seat
The conscious form with abyssal eyes as dark and oceanic as the deep
Searching the night world outside of the window
For specks of light within the vast, swallowing landscape
A digit sliding off the pane, smearing anything found into sweat and vapor
The coldness of her eyes, filled with rage and grief quickly dart in one direction
As her neck snaps towards me, whether out of disgust or courtesy

I quickly turn away and into the warmth of my grandmother’s form
And smother my face in her wrinkled hands
As she pats my head, and calls me by my first name
The cabin at a halt, and her line of sight towards
The two men with white gloves and red symbols on their uniforms
Hauling off the poor old woman
Who’s rasping had eventually given way to suffocation
And my inattention had given way to more than I had cared to see

With small opaque eyes
As murky as the winter sea
With every rasping breath
And a kind smile
No longer wanting courtesy
(2013-2014) Collection
This Citizen Banker
     safely in his compound doth attest,
sans donning his typical
     gabbling and trumpeting ways,
     while legally tendered,
     currently being cents
     less lee swept away
     soul fully - bellow

     wing from my chest
(with fortissimo, the
     whirling wide webbed
     watery tidal swells
     rivaling the peak
     of Mount Everest)
reef furring to being
     nearly reduced to poverty

     hence, essentially buck
     king the tide while washed out -
     since day short and dollar late
     circumstantes force me
     to cash worthless buffalo chips
     astutely as you correctly guessed
from deep pull horrible
     United States economic situation,

     where option non
     existent against invest
ting, nesting, and squirreling
     financial resources jest
accessible for wealthy people
     to sync investment portfolios
     region of popular tax haven,
     viz Cayman Islands lest

hefty costs accrue
    keeping scrupulously stashed re:
     sources untouchable,
     where Uncle Sam canst
     access ex cell lent
     healthy maturing outlook
     king monies, and understandable
     at rage against the machine

     if rainy day funds messed
up, but solvent versus
     debts drowning oneself
     unable to stay afloat,
where declaring Chaper 7 bankruptcy
   doomed to bobbing
     within a sinking boat,
and where pointless

     to pull out all the whistle stops
     including abandoning resorting
     to heroic measures
     while additionally futile
     to shed tears and emote
only kidding self to seek out goat
tam ma Buddha, nor will
     I resort to gofundme

(cuz ma last name NOT Kardashian),
     but matter of fact lee
roll with the figurative punches
     feigning tubby Jew Dee
or an incarnation
     of Muhammad Ali
during his ready for prime time Box
sing rebellious jabbering

left fist out fox
sing prize fighter un
     defeated champ with mox
see, his champion modesty
     oozed muscles like rocks,
a bankable one man
     Gibraltar with precious
     mettle to the core,

not wanting with his pugilistic,
yet homegrown genteel
     ringing true mark
solid core state athletically valued
bankable bonded stocks.
Janelle Mainly Mar 2018
Bios, portfolios and resumes oh my!
Where am I going? Where do I stand? Who was I?
choking on childless mothers
boyfriends and girlfriends
hesitate to divest their portfolios
solid again just as we melted
your crying eyes shine
like shadows on the moons of Jupiter
i am a camel like lucifer was
look for me in the quieter neighborhoods
i am a used car salesman
branded in the carcass of another
frozen like chosen pieces of dinner
to be reheated and thawed
at television meetings
and sincerely beaten
for syncopated rhythms
still slivers of love survive
lovers die
lovers birth again
hovering in between their skin
Jupiter returns at 35
like reruns of nick at nite
or reunions of the blind
block parties and violet staircases
thank god for elevators
and basements child
Tanisha Jackland Mar 2020
We were never
in control
just cunning enough
to fool ourselves
While the planet
spins on
nudging us gently
to move mindfully
in this space
no more
cars or stock
portfolios
or brutality  
just the clear air
of kindness and simplicity
the new way of life.

— The End —