Gerald sat by the window,
He didn’t know why,
Perhaps it was because he liked,
To watch the passers by.

Gerald wasn’t very mobile,
In fact he was grossly fat,
And when he did get to up to shuffle,
His buttocks they did flap,

From under his greasy nightshirt,
The nightmarish apparitions appeared,
And Gerald, being Gerald,
Did what the passers by all feared.

He’d stand upon the chair,
And lift the nightshirt high,
And press upon the window pane,
His voluminous backside,

And a smile would play,
On his sugar donought crusted lips,
As the people who had seen this,
Would gasp and run in fits,

And Gerald laughed and giggled,
Because Gerald didn’t care,
It seemed to him he’d just prefer,
If none of them were there.

But he hadn’t always been lonely,
And when younger far from fat,
Handsome had he been once,
And considered quite a catch,

And caught he was by a pretty young girl,
Who soon became his wife,
And they loved and fought,
And loved and thought, that this would last for life.

And so it did,
But for her and not for him.
So Gerald sat by the window,
Which is where I did begin.

Outside an average sort of house
Upon a quiet street
There stood a man of honest heart
All grim and weather beat
His face awash with bafflement
A letter in his mits  
With Lots of Love from God himself
And golden twirly bits

He'd read it over breakfast
Then read it on the loo
Considered re-addressing it
For number forty two
Within the silver envelope
In angel script, embossed
Were plans to build a massive boat
Materials and cost

It seemed, he'd have to build  it
As the letter looked legit
So off he sped, to B&Q;
To show the holy writ
The manager was confident
The price was mighty bold
Delivery on Saturday
For every item sold

So late, on Friday evening
He popped out for a walk
Upon his road, he drew a boat
In vivid yellow chalk
When morning dawned, a knocking
And some paperwork to mark
For a thousand tonnes of timber
For construction of an ark

He set out with his hammer
And he smote the nail and tack
By afternoon, the road was blocked
With traffic tailing back
A keel was just discernible
Beginning to take form
By evening, the media
Was whipping up a storm

Up marched a bold reporter
From the Three Times Weekly Herald
He said "So you'd be Noah then?"
"Not me" said he "I'm Gerald"
"I got this 'Oly telegram
And God has chosen me
I fill a boat with wildlife
And sail the salty sea"

By night he was a laughing stock
On YouTube and the news
But a sturdy man, was Gerald
And most vehement in his views
When asked to show the letter
He graciously refused
"Just have a little faith" he said
"We'll soon see who's amused"

The church were being skeptical
And held the press at bay
The Council sent him letters
At a rate of four a day
The hull was soon completed
And he laboured on inside
Constructing some amenities
To house them on the tide

A swimming pool for waterfowl
A wall of rodent wheels
With bowls for every kind of fish
And a big one for the seals
A filing box for butterflies
To stow them all away
A pigeon hole for pigeons
For the bees , a large bouquet

A puzzle for the monkeys
A wardrobe for the moths
A lion for the antelope
A jacuzzi for the sloths
A fully fitted nursery
For when the ewes had lambed
The wasps would have a picnic
And the beavers could be dammed

Through night and day he toiled
He relieved himself in shifts
In time, he built a sauna
And a pair of turbolifts
The council grew impatient
And the neighbours were in fits
They begged him to remove his boat
Entire or in bits

Then promptly, after dinner
As he sat upon the deck
There called a suited doctor  
With a badge around his neck
There followed many questions
With a host of funny looks
While outside went from 'fine and warm'
To 'just the thing for ducks'

That night, began the deluge
So Gerald found his crew
He robbed each local pet shop
And attacked the nearest zoo
Collected every animal
And fastened them in tight
The waters coursed along his street
As dawn replaced the night

'Twas then a thought occurred to him
A kind of mental swerve  
His road was more a crescent
So his ark was on a curve
But just then the currents took him
He sailed off along the bend
For six weeks, going round and round
To land at home, The End

**

"SNOGGO And The Giant Sea Beast" (Another Egregious SNOGGO Adventure)

written by
Edna Sweetlove
on behalf of
the one and only
SNOGGO*


  The shore lay peaceful in the warmth of the sun, a seemingly idyllic picture. The beach was completely empty even though it was high summer. The whole town was void of visitors: usually at this time of the year it was crawling with tourists: fat white slobs ready to absorb maximum sunshine and sunburn before going back to the city with their ugly kids, back to their humdrum and drab lives of sedentary drudge. But not today, today they were nowhere to be ******* seen.

  Glum shopkeepers stared glumly out at the glum, empty streets, knowing they faced ruin unless the terror which had engulfed their town and which would bring calamity to their traditional summer occupation of fleecing the tourists could be sorted out. And only I, the wonderfully brave and intrepid SNOGGO, could save the town.  They knew it and I knew it. It was an established fact. Q.E.D.

  As I drove my specially designed truck down the main street to the seafront, people cheered, calling out 'God bless you, dearest, gallant SNOGGO' as I went by.  I was so ******* proud that everyone knew who the great SNOGGO was. I cautiously inched onto the sands as people watched from behind their curtains, hoping against hope that I would be able to save them from looming disaster. I motored down to the water's edge and carefully turned the vehicle round so that its rear pointed out to sea.  The tarpaulin on the back of the specially constructed SNOGGOMOBILE flapped in the wind. What was under the tarpaulin?

  I dragged a steamer trunk from under the tarpaulin, opened it and hauled out the stinking carcase of Geoffrey, my neighbour's Rottweiler who had inexplicably gone missing last week.  Or it may have been Gerald, Geoffrey's twin brother.  Next I hauled Gerald's corpse out of the trunk (or it may have been Geoffrey's, the two mutts were identical and repellent in death, just as they had been identical and repellent in life).  The pong was something awful.  Nearly gagging with the rancid and stomach-churning stench, I dragged the two dead dogs down to the shoreline and, grabbing each by its hind legs, hurled them out to sea as far as my mighty strength would permit.  About five yards, as it happened.

  I returned to the SNOGGOMOBILE and drew back the tarpaulin to reveal what lay underneath; my secret weapon, whose secret only I knew. I made my preparations carefully but rapidly; I knew I had no more than five or six minutes’ leeway. And sure enough, after precisely five and a half minutes, I heard the sound I was expecting and I saw the sight I was expecting.

  The mighty fin of the dreadful fish cut through the water with a dreadful whoosh.  And Geoffrey disappeared beneath the waves (or it might have been Gerald, who cares).  The other dog would be next: such a mighty shark as the one enjoying dog tartare in the bay would not be sated by a single Rotweiler.

  I climbed onto the back of the SNOGGOMOBILE, and leaped gracefully into the seat behind my secret weapon.  I aimed quickly at the focal point of the blood-stained thrashing waters, pressed the red button (marked "Fire" for ease of reference) and WHAM!, what a Hell of a big bang, and off went my thermo-nuclear torpedo, whizzing down the beach and SPLASH! into the water, then WALLOP! as it hit the shark amidships and BOOM! as it went off, blowing the shark into ******* smithereens.  Myriad bits of shark (mixed with bits of Geoffrey and Gerald) rained down on the beach; how fortunate that I had thought to put up my extra-size golf-umbrella (complete with colourful SNOGGO logo) to deal with this eventuality and no lumps hit me.

  The enormous shark (wittily nicknamed “that ******* great ******* shark” by the locals) which had terrorised the entire coast for some time, gobbling up paddling kiddies whole, chewing off the limbs of dozens of swimmers, and generally being a major pain the ****, was no more. It was mincemeat. The whole promenade was alive with cheering townsfolk, as I smiled in happiness and pride at my wonderful achievement. They started singing my favourite song: “We love SNOGGO, SNOGGO the brave” which brought ******* tears to my eyes.

  Now SNOGGO's reward beckoned: ten thousand lovely wallet-warmers (plus expenses) plus a night of unbridled lust with the mayor's buxom wife Shirley and his sister Deidre too, as previously arranged. Yes, SNOGGO the famous shark killer (and ******* fan) had killed yet another predator of the deep stone ******* dead.

THE END
~~~~~~~~

You've heard this tale
A thousand times,
Take one more spin,
This version's mine.
And this telling tale
Is its first time.
My theme is fitting,
The message sublime,
For the Season of giving,
And gifting one's time.

For my first Christmas
I was three,
But the warmth on that night
Never cooled,
And indeed,
It was
A cold Christmas Eve.

We stuck branches of pine
In a bucket of sand,
That's the snapshot I've got
Of our Christrmas tree then.
Here's the memory that Eve
Of a lad of three,
Yet this story is true,
It's a family heirloom.

We weren't many then,
There was Mammy and Daddy
And six children, soon seven.
Daddy was an Operator
Of cranes and loaders
Dirt packers and graders.
He was working North,
Far North,
Manning a dozer,
Distant from family
Near the Quebec border.
That's where he was
Days before,
When his pant-leg caught fire,
When the diesel was spilled.

We were only three months
In our chosen homeland,
It was 1958,
And fresh from Ireland.

No way to get to him,
Nor him to get home,
No car,  no friends yet,
Little money, no phone.
Yet somebody knew
We were out on our own.

And the snow started falling,
It was Christmas Eve,
I stood at the window,
Saw the snow fill the trees.
I was still and staring,
At what I don't know,
But I remember quite vividly
All that I saw.

Like a scene from a movie
Starring Barry or Bing,
A fire-engine red no-top
Stopped and parked with high beams,
Highlighting the snow,
On that Christmas Eve.

A big man in a red suit
Slid off of the trunk,
Literally carrying a sack,
And calling, **! **!
The family joined me
At the window to see
The big man's helpers
Carry a big Christmas Tree.

When they entered the house
Kevin, Sean, Gerald and I,
Cowered and crouched
Behind the second-hand couch.
We must have resembled
Three monkeys plus me;
I hadn't a clue,
I was dumb-founded and three.

In through the front door
They clattered and sang,
Unloading their boxes
Of food, clothes and toys,
*****, bats and dolls
For two girls and four boys;
And I'm sure there was something
For the coming bundle of joy.

I don't remember their departure,
Or where he went,
But they called Merry Christmas
And left all else unsaid.

Mammy understood
Some good persons had called,
Who'd heard of our plight
And couldn't be calmed
Til they knew for certain
We'd some peace in our storm.

So, that's my first Christmas,
Since then this my creed:
The gift of giving
Isn't under the Tree.

THE USS GERALD R FORD
100,000 TONS OF PURE POWER
THE LARGEST CARRIER IN THE WORLD
ITS ENEMIES IT WILL DEVOUR



PRESIDENT TRUMP IS VERY PROUD
IT WILL CRUISE THE SEVEN SEAS
WHEN OUR ENEMIES SEE IT COMING
THEY WILL DROP DOWN TO THERE KNEES



IT SHOWS OF AMERICAS MIGHTY  STRENGTH
LETS MAKE AMERICA GREAT AGAIN
THE USS GERALD R FORD
NORTH KOREA NOW MAKE AMENDS

A is for Adam the Aardvark and his band the African Ants
B is for Broderick the bumble bee who thinks they are pants

C is for a cynical cat named Crusoe
While D is for Darwin the delightful deer
E is for Eric the elephant who always drinks my beer
F is for Fernando the Fox but in Spain he known as  Zorro
He lost his wife Matilda last week and is now brimming with sorrow
G is for Gerald and yes he is a Giraffe
He wore odd socks last Tuesday and made Heinrich the Hyena laugh
Imelda is an Iguana and she is quite immense, though she is really old but has unstoppable sense.
Jack the Jackal has a regular name but he is an assassin and has a pretty good aim
K is for Kimberly who happens to be a kangaroo but she doesn't live in the outback anymore because she lives in London Zoo

Laramie the Llama lives south of the United states , he loves hiking in the mountains but one thing he hates, is being mixed up with Arnie the Alpaca.

Monty the Moose loves drinking maple syrup and playing ice hockey,
yes he is a stereotype but I am his Jockey
Nero the Narwhal is the unicorn of the deep, he loves scaring sailors and loves to sleep
Olive the Orangutan is a neighbour of Kimberly the kangaroo
but they have a plan to escape from London Zoo.

Pug is a Pig , just a regular pig, but he wishes to be ferocious and really big
Quentin is a quail and buddies with Pug, he likes eating sunflower seeds but never a slug
Ramon the Rhinoceros also dwells in the Zoo and is part of the escape plan with The red ape and kangaroo , he'll actually be the one to bust them out,
but to get his attention you really must shout.

Sylvia slithers, Sylvia is sleek if you were a mouse and saw her, you'd go EEK!
Terence T. Tiger is terrified, because he was asked to escape from the Zoo,
yes with the Red ape , Rhino and Kangaroo.

Ulysses is a horse who super glued a horn to his fore-head , he wanted to be the last known Unicorn because he heard that they were all dead. Vincent is a Bat, just a Vampire Bat,
he doesn't really like blood but is enemies with Crusoe the Cat.

Warren the wolf has many female fans but spends half the day with Eric the Elephant drinking my cans .Xenops is not an alien , it's just a rain forest bird, I'll give you more info as soon as I've heard
Y is for Yul and I don't mean the bald actor , this Yul is a yak but does watch the X factor
Z is for a Zebra named Zak and yes he does know the Yul the Yak , they were introduced by a certain kangaroo, and now it's their job to visit London Zoo

Love the name.
Got upset
When the man called out, Seen.
Stupid man.
It's Sean, and not Shawn.
A year older than Gerald.
Two younger than Kevin.
Two older than me.
That's Sean.
Daddy wrote home about us.
Maura was working at the hospital.
Sheila was finishing highschool.
Kevin won the Science Fair.
Sean plays ice hockey with the All Stars,
All over Canada and the U.S.
I found the letter, penned in '62,
A jagged European cursive. They tend to write the same.
I've seen the words, run together to hide the spelling;
With JMJ's and TG's sprinkled like manna throughout.
The last page was missing,
Just when Daddy'd write about Gerald, me, and Marlene.
Gerald with his Beetles haircut.
Me, mimicking ( probably mocking),
Some unknown priest, to my father's delight;
Marlene, the wee pigeon, he missed most when he worked
Away from home.
Jimmy, The Bruiser, wasn't here yet.
The last of an Irish brood settled in Canada.

I discovered it in the spare room at Granny's and Frank's.
There was no mention of Michael, Eucheria or Particia.
He exaggerated about the harsh, six-month winters here,
And our proximity to the North Pole.
Suggested Frank try putting copper wires around Granda's wrists;
The Egyptian mummies didn't exhibit signs of bone deterioration.
Daddy was hard-pressed to be proven wrong when he concocted.
Sean had a drawer full of ribbons, medals, trophies and plagues,
And a large S, his Senior Letter.
He also had sideburns, a much smaller nose, and,  smelled
as good as he looked,
The Elvis dip-curl, the Connery swag, the Selleck stash to Clooney cool.
Sean kept a disposition of hidden pains secreted for others.
A heart of tears.
A spirit of adventure.
I love Sean, I recall.
He is always welcome here.
Drops by sometimes.
It's always a great surprise.

The joy of Christmas morning
Among the gifts beneath the tree
Was one for all to cherish
there was so much there to see

Books and clothes and other things
gifts were piled to our knees
but the longest item under there
Was Uncle Mike's new ski's

Now Mike, was something special
and I think I have a hunch
That you might have read about him
And his famous Christmas Punch

Well, two days later here he was
Standing, looking at his ski's
He asked his wife, my Aunty Pat
"what the hell do I do with these"

"You need to get more exercise"
"Cross country skiing is quite hot"
He said "look at this round body"
"Athletic...it is not"

After a little conversation
Well, an arguement Mike lost
He agreed to go and try them
No matter what the cost

His brother Gerald joined us,
With my brother and our sled
We ventured out to T.V Golf Course
To exercise, like Aunt Pat said

Now, the golf course is an old one
Trees and water all around
But that was in the summer
Now, just snow was on the ground

For those out there among you
Unaware of what's involved
To learn cross country skiing
Is not so quickly solved

The first and most important
point when learning how to ski
Is, stay on ground that's level
And don't collide with trees

We stood atop the highest hill
With a gentle grade straight out
It was the most level spot out there
Of this there was no doubt

My brother went down on the sled
On a hill just to the right
He was flying like a rocket ship
And was quickly out of sight

Mike, all dressed and shackled in
Was trying hard just not to fall
He was 5 foot three in ski boots
And lying down, was just as tall

We said to try just walking
The hill would do the rest
Behind him we were laughing
Poor Mike, he tried his best

He swore a lot, and we all laughed
It was not something he liked
For, Mike, need to prepare for things
To find something, and get psyched

The view from atop the highest hill
Was something to be seen
From here, you'd see the river
And, to the left the seventh green

After two hours out we decided that
We should be off and then
Mike said "I'll give it one more run"
"I'll try it once again"

Gerald, Ian and myself
had packed up, were set to go
When Mike came sliding past us
Moving quickly on the snow

In front of him, a little bump
Turned him slightly to the right
Toward the hill of sledders
This gave Uncle Mike a fright

"fall down" we yelled, as he went by
He just waved and made the turn
He hit the hill at his top speed
He hit two bushes and a fern

The hill, all 14 stories
Was more ice than it was snow
And there was Mike, at full speed
Dodging sledders on the go

We heard him scream as he went down
But what we heard, was only half
Because the sight of him free wheeling
Was making us all laugh

He shot on up the other side
Stopped and then came back
But because the hill was made of ice
He hadn't left a track

Once he stopped we ran on to him
We stood there, a laughing group of men
And Mike, all five foot three of him
said "I'll not do that again"

The skis, were gouged and splintered
The wax was off, as was the tar
He grabbed one under both his arms
And we trudged off to the car

Aunt Pat was there to greet us
When Mike, pulled out the skis
He showed her, gouged and scratched and ruined
And said "I'll not be needing these"

That Christmas is my favourite
We still smile at Christmas lunch
Of Uncle Mike's speed skiing
And of course his Christmas punch.

I could answer your questions with a simple, off-the-cuff explanation but have ended up writing this essay: the more I thought about what you’d asked, the more the I felt it warranted a fuller explanation so I will try to explain why I call myself a Wiccan and how I come to be following the Wicca Path. And apologies in advance for the length of this!

As well as my love of Literature, I love History with a similar passion. My degree was in English and History and although I specialised in Shakespearian and post-Shakespearian literature and Modern History, I have a long held fascination with Celtic and pre-Celtic history, beliefs and spirituality. It is the mysticism of the Old Religion that seemed to attract me most and I found myself drawn particularly to the Celtic and Welsh mythology and have read extensively about it: Cornwall and Wales (mid Wales in particular) are my two favourite places in the world. I have read a lot about Celtic and pre-Celtic history, beliefs and religion over the years, both fiction and non-fiction.

Although Jewish by birth, I was brought up by my father who was a confirmed atheist so I lost out on any formal religious influence as I was growing up. Perhaps because of his views, I developed a distrust of formal, mainstream religion. That’s not to say I felt I had no spiritual beliefs at all, it’s just they were untapped and unidentified; I felt I was reaching out for something but it never took on any tangible form, rather like in a dream when you cannot see clearly the faces or forms of the inhabitants of your dreams.

By the time I got into my forties, I realised there was something seriously lacking in the spiritual side of my life. These beliefs were compounded by three events:

    * reading James Lovelock's Gaia theory [which inspired me to write one of my favourite stories, Gaia's Last, published here];
    * my discovery of Jean Auel's Earth's Children series of books , Clan of the Cave Bear, etc. which go into extraordinary detail of Cro-Magnon peoples' belief in nature spirits, worship of The Mother and Shamanism;
    * a sudden change in my circumstances that forced me to re-evaluate every aspect of my life and my existence.

It was at this time I began to research the Old Religion: paganism, nature-worship, whatever you want to call it, and this led me to discover Wicca.

The more I read about it, the more I realised it fitted in with my current state of mind and outlook on life. Maybe there is a sense of escapism inasmuch as the roots of Wicca look backward to a simpler time and as I was having difficulty coping with the complexities of the changed circumstances in my life at the time. Wicca seemed to offer exactly the spiritual needs I was lacking.

That is not to say that Wicca is old-fashioned and out of date. Rather the contrary in fact. Whilst its roots acknowledge the Old Religion, Wicca is relatively modern having been developed by a guy called Gerald Gardner who published a book called Witchcraft Today in the 1940s I believe which re-established in the public eye the old pagan beliefs that have been around since the dawn of man. These beliefs never really disappeared even through the worst of the atrocities perpetrated against followers of the Old Religion [The Burning Times ]. (And just to make an important point about the title of the book and Wicca in general, Witchcraft in the pagan and Wicca context is NOT Black Magic or Satanism as the tabloid press or mainstream religion would have you believe; it could not be further from them. It is simply an acknowledgement of the existence of natural forces that can be used or channelled by those who choose to learn these ancient skills).

I have seen Wicca [and other forms of Paganism] referred to as Green Magic and that seems the perfect definition; it is immensely comforting to work so closely with the natural world and to feel such a part of it.

So for me, Wicca is an ideal spiritual antidote for the impossibly fast-paced, self-serving lifestyles we all seem to be caught up in these days, often through no choice of our own. It is as valid a belief system as any other practised throughout the world and is nothing like the forms of Wicca popularised in the media with TV shows like Charmed and its ilk!

Wicca is it is not something to be taken on lightly - Wicca practices should be treated with the same reverence as those in any other belief system. It requires study, practice and dedication.’

I have to confess to have been lacking in all three since I originally wrote this so have vowed to myself to rectify these shortcomings. I feel excited about my rekindled sense of spirituality and more at peace with myself for making this decision.

Go in Love & Light!

Keep your comments to yourself
I’ll keep my bullets to the side
Through the center of President Ford’s head
Gerald Fordhead
Gerald Forehead
President Gerald Ford’s forehead
You want grey matter?
You get a miscalculation
In flashy red and blue
You heard a squeak
You know it’s me
Charlie never taught me how to surf
Charlie doesn’t even know how to surf
But then again, who does?
If I belong in the ocean
Then why do I have these hips?
Sorry, too much information
Please look the other way
And you’ll hear me
As I squeak
Squeak away

WITH CONTRIBUTIONS FROM MULTIPLE POETS

You don't cut, your wrists are fine.
          If I was dumb enough to cut my wrists I'd have been caught by now.
You're not anorexic, I've seen you eat.
          How much, really?
You're not depressed, you smile all the time.
          Yeah, because acting and lying aren't things.
     ~WickedHope

You can't have anxiety, you talk to so many people.
          Its funny how you see me talking, but don't see the panic attacks.
     ~aesha nisar

You have a good life. There's no reason to be sad.
          You're part of the reason why I'm depressed.
     ~Phoenix

You're not angry, you haven't raised your voice or yelled.
          Maybe the voices yelling in my head are so loud I can't do anything
          but focus on keeping them quiet.
You're not scarred from your past, you act normal.
          If normal is crying for hours at night till tears can't come anymore
          and apathy sets in, then yes I'm quite normal.
     ~Stardust

You are so lucky, it's so easy for you to be good at what you do.
          You don't see the intensity of doubt and countless hours of anxiety to
          get things to the point they're not too embarrassing to show someone.
     ~PrttyBrd

You're fine. You aren't depressed, just really sad.
          If I'm not depressed, just sad, then why am I here everyday?
          Why am I here crying to you when I should be out, living?
     ~Tiffany Smith

God I swear every guy you meet online just wants to bone you.
          You say that like its a good thing. All I want is someone I can trust,
          someone I can rely on, not someone who wants to bone me.
You have boyfriends from everywhere, india, japan, china...
          I have none. These are only friends, the only one I want is you.
Your so strong.
          Yea, 'cause going home to cry in a corner, then stuffing my face with ice
          cream while watching sad anime is totally legit.
Are you okay?
          No I'm not ok. I just want to punch both your eyes out, then cuddle with
          you and make out with your face. Then maybe I'll just take a long break
          to bawl my eyes out and get rid of all evidence, all but the telltale clue of
          how swollen my eyes are
     ~Creep that Loved You

Come on. You can go to school. You're not sick.
          Physically, no. Now mentally...
Why are you so good at everything?
          That's because you don't bother to look deeper.
You look fine.
          Oh yeah, the red eyes and dark circles just add to my beauty.
I love you.
          Yeah, it looked like it when you were 'out' with your 'friends.'
     ~maha salman

You're so resilient. You've been through so much pain, yet here you are living strong.
          That's because every time someone says, are you OK? I just smile and
          say I'm fine. But none of them can hear the screaming in my brain saying
          I should just die.
You're so beautiful.
          No.... The smile is fake, powder covers the circles under my eyes,
          mascara makes my eyes look bright and lip stick covers the bite marks
          on my lips from where I chew through them when I'm anxious, or
          panicking, or being asked questions. You would be repulsed by the
          beast underneath.
You're such a talented poet.
          If writing down my deepest darkest dreams, nightmares, fantasies and
          memories, make me a good poet, then yes. But all I write is the thoughts
          that scream to come out or my head will explode.
     ~The Girl Who Loved You

You have never felt real pain, you are a man not a wuss.
          The worst pain hits you in the heart not in the head... Whats a man
          without pride, whats a man without a name?
Get over her bro, shes just one girl.
          One girl that I chose to love out of the 7 billion other people in the
          world.
Open up your heart to new people new things.
          What's the point in meeting people, when in the end they all just leave?
You aren't alone.
          I'm not alone? You lie through your teeth, where where you when I sold
          my soul to the devil and condemned myself to the abyss?
We are proud of you always, son.
          Words I've never heard, just the echoes of my parents inside my head.
You live a great life.
          That's not the message the untouched prescribed sleeping pills and           ecstasy portray.
     ~Tapiwa Gerald Mateko

You're so patient.
          On the outside yes, in the recesses of my mind I'm screaming my
          head off... waiting for something that will never happen.
     ~Julian Pacheco

Who cares about the others? You're not like them you're different.
          What if I don't want to be different? What If I want to curl up into a
          ball and pretend I don't think I'm failing you every moment of the day.
Life's not fair.
          Well maybe it's time it should be. Maybe it's time for us to stop
          thinking that we deserve more because that's all we've ever known.
          Maybe it's our job to MAKE life fair.
Forget it, move on.
          I don't want to. Shouldn't everyone be able to hold onto the things they
          hold close? If they were holding it close it meant something and if it
          meant something good then it's worth fighting for.
Shut up.
          No. This time I won't be quiet because I sit here and I listen to what you
          say every day; you treat whoever you want however you want and that
          is not your right. Everyone has an opinion. I want to share mine.
     ~Forgotten Dreams

You're so confident.
          Only because you do not see the pain and turmoil it causes me
          inside, and the sores inside my cheeks to keep from crying.
Why are you shaking? It's not even cold.
          Because I'm scared, scared of scenarios untrue.
~Makayla

You're not sad, you look so happy.
          Tell that to the guys who keep pointing all my flaws, and laughing
          about it, leaving me speechless because I have nothing to say in return.
You're such a good writer.
          And look how handy that is, won't ever shut them up for good.
You still have so much to live for.
          To keep living like this, might be considered anything but living. You're
          all too perfect for this world, but you know what? My body can't keep
          living in a different place my soul is.
     ~A Sad Sam

Chill out man, it's just a couple people.
          To me, three people is like three thousand people. Their voices circulate
          in my head and drive me crazy until I can't help but break down. You're
          right, I should definitely just chill out because I don't know anything
          about the disorder that brings a constant burden to my days.
Why are you so antisocial? Get off the computer and do something productive for once
          Try the fact that everybody that surrounds me makes me feel like the life
          I live isn't worth living and the comfort of understand people on the
          internet keeps me sane.
You're so lazy.
          Don't you dare start on that, because every ******* day I wake up and
          breathe despite my lungs collapsing in on themselves from all the
          pressure people give me, and every single day I do the work I'm told to
          do and I'm trying my hardest but I'm fighting a war with myself and it
          takes up every ounce of energy I have left. Don't you dare tell me that
          I'm lazy when every day I take all the strength I have to keep on living.
     ~Emma Tauzell

They had never met, didn’t know each other’s name --
          Yet their eyes were already making love.
     ~Deborah

You can't really love someone you've never met.
          He's the first thing on my mind when I open my eyes, the last
          thing I think about before I go to sleep, he's in my thoughts all
          the moments in between, his face takes away the nightmares and
          fills all my dreams. How is this not love?
     ~Just Melz

Just forget about her and move on.
          How am I supposed to do that, when all I see is her and her
          precious qualities I so dearly love in every girl I talk to?
          Forgetting is a lot harder to do than finding.
     ~Neb Dnarts

I used to pass the ammunition and praise the Lord etc.
There's a debate
on the pros and cons
of my newly acquired Hi Power,
Gerald rejects my
high flung stance,
he seeks closure
but Browning rejoices
one step further,
when there's a lull
being respected
by the chasm of a gun,
the morning dew shimmering

I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.

I've got a Chopper,
You can have ****** ******* with it if you like
It's got a trug, a Jew's harp that rattles the windows
And creatures to make it mosey around crack
I'd stretch jeans cheesecake abutting you if I could, but I used plastic toast

You're the kind of ***** that thrusts into *** my bodiliness
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I've got a disguise it's a torso of a Irish bull
There's a slit high up the skirt Miss World's bra-burner and gross
I've grappled page—3 girl for bouts
If you think Miss Universe could spasm creamy then I guess Mr Universe should

You're the kind of ***** that slides in with my wads
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I **** a chimpanzee and he hasn't got a stage—door Johnny
I don't copulate why I ****—a—doodle—doo him Gerald
He's inseminating à la carte geriatric but he's a voluptuous chimpanzee

You're the kind of ***** that stuffs *** my gallons
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I've got a Welshwoman of pornographic Casanovas
Here a Don Juan, there a Lothario, prognosticators of obscene persons of opposite *** sharing living quarters
Beg a bonk if you be on heat, they're on the back of the *****

You're the kind of ***** that spasms indoors using my lump
I'll swag you Joe Soap, lock, stock and barrel if you rut slags

I **** custom—built dead men of doo-*** passages
Incognito Muses, faceless ching, most of them are Barbie
Let's **** into the odd kitchenette and **** landlady creature

Brigid was born on a flax mill farm,
Near the Cavan border, in Monaghan,
At Lough Egish on the Carrick Road,
The last child of the Sheridans.
The sluice still runs near the water wheel,
With thistles thriving on rusted steel.

Little's known of Nellie's early years;
Da died before she knew grieving tears,
They'd turn her eyes in later years.

She's eleven posing with her class,
This photo shows an Irish lass.
Her look is distant,
Her face is blurred,
But recognizable
In an instant.

She was schooled six years
To last a life,
Some math, the Irish,
To read and write.

Her Mammy grew ill,
She lost a leg,
And bit by bit,
By age sixteen,
Nellie buried her first dead.
Too young to be alone,
Sisters and brother had left the home.
The cloistered convent took her in,
She taught urchins and orphans
About God and Grace and sin.
There were no vows for Nellie then.

At nineteen she met a Creamery man,
Jim Lynch of the Cavan clan;
He delivered dairy from his lorry,
Married Nellie,
Relieved their worry.

War flared, men were few,
There was work in Coventry.
Ireland's thistles were left to bloom.

Nellie soon was Michael's Mammy,
Then Maura, Sheila and Kevin followed,
When war floundered to its end,
They shipped back to Monaghan,
And brought the mill to life again.

The thistles and weeds
That surrounded the mill,
Were scythed and scattered
By Daddy's zeal.
He built himself
A generator,
Providing power
To lights and wheel.

Sean was born,
Gerald soon followed;
Then Michael died.
A nine year old,
His Daddy's angel.
Is this what turns
A father strange?

Francie arrived,
Then Eucheria,
But ten months later
Bold death took her.
Grief knows no borders
For brothers and sisters.

We left for Canada.

Mammy brought six kids along,
Leaving her dead behind,
Buried with Ireland.

Daddy was waiting for family,
Six months before Mammy got free
From death's inhumanity.
Her tears and griefs weren't yet over,
She birthed another son and daughter;
Jimmy and Marlene left us too,
Death is sure,
Death is cruel.

Grandchildren came, she was Granny,
Bridget, Nellie, but still our Mammy.
She lived this life eduring pain
That mothers bear,
Mothers sustain.
And yet, in times of personal strain,
I'll sometimes whisper her one name,
Mammy.

A Pesky Pensee Of Two Leaders
  
I knew
Gerald and James
One took the world by storm
One took a nation gone wrong
Both on other side now
  
Tanstaaft 1
  
Godfather Brown
President Ford
Closer to Lord
  
  
Tanstaaft 2
  
President Ford
Godfather Brown
Now in the ground
  
  
  
Quinzaine
  
Gerald Ford and Ol' James Brown
Who has more guests
At their rests

You've heard this tale
A thousand times,
Take one more spin,
This version's mine.
And this telling tale
Is its first time.
My theme is fitting,
The message sublime,
For the Season of giving,
And gifting one's time.

For my first Christmas
I was three,
But the warmth that night
Didn't freeze,
And indeed it was
A cold Christmas Eve.

We stuck pine branches
In a bucket of sand,
That's the snapshot I've got
Of our Christmas tree then.
Here's my memory that Eve
From a lad who's three;
Yet this story is true,
It's a family heirloom.

We weren't many then,
There was Mammy and Daddy
And six children, soon seven.
Daddy operated cranes and loaders,
Dirt packers, graders, and cable drovers.
He was working Far North,
Manning a DC10 dozer,
Distant from family
Near the French border.
That's where he was
When the diesel caught fire,
When his pant legs lit up,
But the flame grew no higher.

We were only three months
In our chosen homeland,
It was 1958,
And fresh from Ireland.

No way to get to him,
Nor him to get home,
No car,  no friends yet,
Little money, no phone.
Yet somebody knew
We were out on our own.

And the snow started falling,
It was Christmas Eve,
I stood at the window,
Saw the snow fill the trees.
I was still and staring,
At what I don't know,
But I remember quite vividly
All that I saw.

Like a scene from a movie
Starring Barry or Bing,
A fire-engine red no-top
Stopped and parked with high beams,
Highlighting the snow,
On that Christmas Eve.

A big man in a red suit
Slid off of the trunk,
Literally carrying a sack,
And calling, **! **!
The family joined me
At the window to see
The big man's helpers
Carry a big Christmas Tree.

When they entered the house
Kevin, Sean, Gerald and I,
Cowered and crouched
Behind the second-hand couch.
We must have resembled
Three monkeys plus me;
I hadn't a clue,
I was dumb-founded and three.

In through the front door
They clattered and sang,
Unloading their boxes
Of food, clothes and toys,
*****, bats and dolls
For two girls and four boys;
And I'm sure there was something
For the coming bundle of joy.

I don't remember their departure,
Or where he went,
But they called Merry Christmas
And left all else unsaid.

Mammy understood
Some good persons had called,
Who'd heard of our plight
And couldn't be calmed
Til they knew for certain
We'd some peace in our storm.

So, that's my first Christmas,
Since then this my creed:
The gift of giving
Isn't under the Tree.

School's coming to an end,
and it's GCSE's,
using all my expertise gained through-out the school years,
It could all end in tears.
Teachers say it's a big deal,
that's what they convey,
it is for them, anyway.

The last few weeks of term and you hand in your coursework,
that was fine, I wish I could shirk the exams,
not very good at revising,
but our teachers are advising us to watch GCSE Bitesize,
but it doesn't really cover what we've learned,
which is a bit of a concern.

We all cram into the exam hall,
it's a bit last minute,
but I'm trying to recall my revision notes.

An Inspector Calls by J.B Priestley,
something's stirring,
Arthur Birling,
a public scandal is too much to handle,
Eva Smith,
Eric and Gerald both had affairs,
but the latter actually cared.
That's a start, I guess.

The exam invigilator sets the clocks,
and permits one hour and forty-five minutes.
The Science exams are multiple-choice,
Biology is fine, but Physics and Chemistry haunt me.

Geography next,
tectonic plates,
and the traits of EDC's,
as well as Less Economically Developed Countries.

That's all over,
we await our mark,
the best part is still to come,
everyone meeting down the park,
and that too me is the abiding memory of my school days,
one last time we're all together in glorious weather,
before going our separate ways.

/the bore of moral relativism stemming from the eden metaphor:

i am sure, a satanic lie, but perhaps
a godly one too...
    type on the problem of the three
doherty brothers,
   with the husband having committed
suicide...
  the remaining brothers,
   with the remains of natalia doherty
in one of the remaining alive brothers...
the "disappearence" of
    natalia doherty from luton,
later found in the garden of one of the brothers...
drunk, she started shouting abuse
at the future suicide...
                clearly the story:
           the man who committed suicide
did the ******,
           the brothers stepped in
                  and covered up the burial...
i'm working from first impressions...
                   the husband killed, but could not
stomach the deed, so he took his own life,
his brothers stepped in
                          and took care of the ***** work
of making a crass burial...
                     justice is but water
       between the blood of familial ties...
as it were, brothers in arms...
                  but justice was served,
somehow, perhaps not the burial rites,
   but the fact that a suicide took place...
a g. madonim painting replaces my
aztec calendar, now hanging on my wall...
             and he lay with her for several days,
the brothers did the ***** work,
disposed of the body...
                           in that, they buried her
face down...
                       as if to imitate:
                        the shut mouth that once
took to drunk obscenity...
                    always the most mundane face
behind the most belitteling deeds...
     even if 12 years later...
                   and they say:
actions speak louder than words,
    sometimes words have unparalleled
consequence to be mismatched by deed...
                    guilty?
  who is guilty in this matter,
          if the actual murderer committed suicide?
too much of a brotherly love
        to leave the matter blatantly staring
in the face...
                       and what of the woman
without a grave?
        how much longer does the memory
of a person remain intact without
a "proper" western burial?
                             coffin unto slugs,
rot of wood,
                         or the immediate enegry
release from the Ganges?
                                       an abandoned grave
or no grave at all?
             justice would have been
served, if the murderer was still alive...
              then, of course,
            the remaining doherty brothers
would be guilty...
           but what if the same doherty brothers
didn't whisper a noose on the man
who strangled his wife?
              as they might have added:
    you did the ugly bit, we did you a favour
doing the ***** bit...
                   what respect for the dead
is there in rearranging the body, face up?
               a second dagger, a certainty,
and the two old brothers, with one playing
deaf, the other playing liar...
                      apparently in a fit of rage:
hell knows no fury like a woman scorned,
     but what is that of man?
                 heaven knows not of a man
castrated by a woman's words?
                  in the immediate sense -
                    oh gerald gerald...
said the two elder brothers...
                                if gerald was still alive...
you could judge the elder brothers
as accomplinces...
                                 at first i thought: b'ah!
but at least she wasn't buried as gerald would
have intended: chopped up and disposed
in dustbins...
                      she remained intact in
the ground...
                          since the undertaker walked
scot free...
                  3 months for the liar, aged 73.

Bridget was born on a flax mill farm,
Near the Cavan border, in Monaghan,
At Lough Egish on the Carrick Road,
The last child of the Sheridans.
The sluice still runs near the water wheel,
With thistles thriving on rusted steel.

Little's known of Nellie's early years;
Da died before she knew grieving tears,
They'd turn her eyes in later years.

She's eleven posing with her class,
This photo shows an Irish lass.
Her look is distant,
Her face is blurred,
But recognizable
In an instant.

She was schooled six years
To last a life,
Some math, the Irish,
To read and write.

Her Mammy grew ill,
She lost a leg,
And bit by bit,
By age sixteen,
Nellie buried her first dead.
Too young to be alone,
Sisters and brother had left the home.
The cloistered convent took her in,
She taught urchins and orphans
About God and Grace and sin.
There were no vows for Nellie then.

At nineteen she met a Creamery man,
Jim Lynch of the Cavan clan;
He delivered dairy from his lorry,
Married Nellie,
Relieved their worry.

War flared, men were few,
There was work in Coventry.
Ireland's thistles were left to bloom.

Nellie soon was Michael's Mammy,
Then Maura, Sheila and Kevin followed,
When war floundered to its end,
They shipped back to Monaghan,
And brought the mill to life again.

The thistles and weeds
That surrounded the mill,
Were scythed and scattered
By Daddy's zeal.
He built himself
A generator,
Providing power
To lights and wheel.

Sean was born,
Gerald soon followed;
Then Michael died.
A nine year old,
His Daddy's angel.
Is this what turns
A father strange?

Francie arrived,
Then Eucheria,
But ten months later
Bold death took her.
Grief knows no borders
For brothers and sisters.

We left for Canada.

Mammy brought six kids along,
Leaving her dead behind,
Buried with Ireland.

Daddy was waiting for family,
Six months before Mammy got free
From death's inhumanity.
Her tears and griefs weren't yet over,
She birthed another son and daughter;
Jimmy and Marlene left us too,
Death is sure,
Death is cruel.

Grandchildren came, she was Granny,
Bridget, Nellie, but still our Mammy.
She lived this life eduring pain
That mothers bear,
Mothers sustain.
And yet, in times of personal strain,
I'll sometimes whisper her one name,
Mammy.

Fitz
Fritz
Fido
Sandy
Spencer
Chaplain
Bernard
Jesse
Snoopy
Charlie
Charles
Fred
Freddy
Bones
Remmy
Ren­a
Reno
Tony
Julian
Julie
Frisco
Meghan
Addison
Robby
Buddy
Rudy
F­riedrich
Fredrick
Bernie
Rudolph
Adolf
Ferdinand
Rose
Cassie
Cassidy
Lee
Balto
Little *****
Allen
Alvin
Jake
Demi
Randy
Alex
Richard
Alexis
Kenneth
Ken­ny
Chris
Jose
Josey
Rodger
Moe
Joe
Emilio
Walt
Emily
Emma
Maddie
­Anna
Jafar
Aladin
Jasmine
Genie
******
Amber
Gracie
Ramen
Gordy
G­ordon
Jordie
James
Bucky
Huff
Manny
Sam
Samantha
Mary
Marie
Tila
­Rita
Cathy
Tammy
Mickey
Cam
Amelia
Rene
Jeb
Dan
Bagel
Tommy
Donut­
Bubbles
Blossom
Buttercup
Mark
Cody
Andy
Cristo
Andrea
Whiskers
­Mike
Bill
Billy
George
Geo
Joy
Mitch
Trigger
Tigger
Stephen
Archi­medes
Anya
Duncan
Nitro
Crash
Bub
Crystal
Egor
Bernadette
Cammy
T­immy
Antonio
Natasha
Natalia
Ivan
Abbey
Abdul
Carly
Aaron
Omega
F­inn
Nina
Debby
Tomato
Tabby
Artie
Archie
Noah
Kyle
Alfie
Alfred
Conrad
Conner
******
G­unner
Fry
Fries
*******
Constance
Connie
Frank
Fran
Candice
D­andy
Lucy
Lou
Louis
Quincy
Doogle
Dubie
Dakota
Ace
Casey
Barry
Te­rry
Trenton
Gabe
Laurie
Cornelius
Kabob
Sky
Skylar
Rufus
Louie
Ba­rton
Kimmy
Angel
Capri
Basil
Cy
Ruby
Emerald
Eleanea
Elenor
Barth­olomew
Jazz
Dreamer
Thunder
Topaz
Amethyst
Salsa
Meril
Dodo
Toto
­Eric
Barbera
Hannah
Katie
Zoey
Ben
Pinto
Squanto
Columbus
Columbo
Porgy
Bess
Clark
Savannah
Ken­dra
Marco
Leise
Toby
Trevor
Tresten
Treven
Adrienne
Caleb
Carlyn
­Ricky
Gibby
Donny
Han
Solo
Hans
Gabby
Dirk
Spot
Sebastian
Dee
Sco­oby Doo
Shaggy
Polly
Reginald
Burger
Steak Sauce
Ethan
Bradberry
Lucky
Fergie
Cheese
Boxer
Napoleon
Snowball­
Gerald
Jeremy
Benji
Gemma
Pal
Mal
Preston
Jack
Jackson
Molly
Mac­kenzie
Alexie
Alicia
Dora
Olivia
Salvador
Beast
Beauty
Oliver
Dal­e
Rim
Marley
Diego
*****
Bobby
Ralston
Zeke
Rooney
Plato
Cole
Nep­tune
Sailor
Frida
Rico
Dali
Veronica
Victor
Copeland
Swift
Riley
­Tubs
Lassie
Yo-yo
Harvey
Lemonade
Coke
Pepsi
Tanya
Camille
Token
­Laser
Beam
Seamus
Dorthy
Ian
Moby

gerald love 12.09.18

it was in the slammer
feelings were harsh
decided to declare love through grammar
attracted via the moustache.
seen a similarity
common ground inviting
not doing it for charity
shazia no's the bug of writing.
writers block not even
lot of stuff in head
flowing out of stephen
shazia cracking going under bed.
deep thinking from eddie
no body build from this arena
still performing and camera steady
no illusion is anthea.
not growing like a tessa
landed was a minus scene
in need was a potion from the professor
still got gerald love even if lost green.

a.

227.9 million years away
                   (mars)                   heliocentric model
i.e. away from coordinates (0,0), i.e. the sun

b.

149.6 million years away
                      (earth)                         "               "
etc.

c.

    standard metric system, alternatively
                        this is the geocentric model emerging
i.e.        one day on earth is equivalent
           of a day and forty minutes on Mars...
  we don't have access
                     to a heliocentric model for this
primarily because of the coordinate of the sun
being (0,0), in Kantian symbolism 0 = denial,
therefore the sun cannot encompass day,
or night, hours or minutes...
                             you cannot apply
the relativity of days comparatively being different
on Mars or on Earth using the heliocentric model...
              
      and to think, all it took was for nautical directions
being blessed by the movement of constellations,
        and that phrase of mine: where's Copernican east?

            we're all shouting at the ****** project,
it's either who write the best concentrated plagiarism
of the masses for the visual effects,
          the glued together parts of iron and oxygen
tanks... or who can write the words behind the images
well enough to capture the imagination
        and shift it elsewhere...
oh believe me, i am living in a 48 hour week,
    i'm not writing science fiction,
                       i'm on earth, but this isn't earth,
it doesn't require a measure of distance,
   but still the figures stand... so i might as well
toy with them and get some bogus answer...

d.

what does life constitute on a "planet" that consists
of 48 hours?
                     today i put on something warm,
the cold finally got to me,
                          i'm the butterfly while a hurricane
rages on elsewhere,
                              quantum humanism some call it,
because the physics never really inclined itself
to treat human emotions well enough -
                    just today,
as i peered into the day's sky -
                     the moon and the sun shared the same
blue horizon -
                           in the summer the moon has the
tides - and keeps them at bay, calm,
         but when autumn and winter come,
and the earth tilts - the moon looses the grip on
the tides in the northern hemisphere -
hurricanes in the west, tsunamis in the east,
              storms at Greenwich meantime -
the time of day? when the moon engages in
profane acts with day, appearing and stunning
insomniacs into coherency, as if asking:
            so if i am being given a very quick
and less romantic sunrise, and esp. a less
romantic sunset, by seeing the moon closely aligned
to the sun during the day:
                 am i seeing the nightly delights of
the southern hemisphere, and if so,
            is that to the east, or is that to the west?
i am guessing it's to the east... for i am seeing
the night in the southern Pacific continent -
              i am seeing their night
                          for the moon has transgressed
its boundaries, and left the northern waters
ready to rebel under the polytheistic guise
complimenting the spacious orbs -
                       when order and monotheism of
the north during spring and summer...
         then Poseidon's upheavals with the watery
rebellious graves during autumn and winter:
or how Hades persuaded his two brothers to
pay due and meet with the Titans in Tartarus:
to thus form a pact against the monotheistic concept:
for the soul of the ancient Greeks said:
                shame be unto you, brats,
for shunning the religion of your forefathers!

e.

indeed the 48 hour day, two days and two nights,
or more precisely: three nights and one day -
sooner or later they'll push the clocks back,
a man will go to sleep in the dark,
   and catch but a glimmer of a day - then too
thrown into the darkness: a 48 hour day on a planet
involves three periods of darkness, and one
period of daylight - and if they said Alaska was
torture... here is a man engulfed alone in it.

f.

strange to think that 78.3 million years between
Mars and Earth only add 40 minutes more to a day...
           as ever, the non-uniform suggestion of gravity,
take but one step on that soil,
                           the curse of the astronauts on the moon:
and then invite the poets of the cult of the moon,
the emblem of the moon that's Islam...
                              an then wait for the consequences
and the ***** dreams of those people and their children...
               even the Atom Bomb seems to have
been forgiven by comparison -
                                but never the moon: or the death
of childhood - lunar crown shattered -
                              death of storytelling for children
some might say: 1001 minutes of advertisement
before Cyrus starts weaving a web of entrenched
consumerism - not even the Belgian fields
and their world war 1 trenches could have provided
such a status quo to continue...
            to continue...

g.

so do i multiply that figure by something?
78.3 million years disparity -
                        times the time difference?
i.e. 78.3 multiplied by 40 and added to
the distance from earth?
            λoγος - no!
                                 what's the distance from
starting coordinate (0,0) to the earth? 149.6 million...
      and mars?
227.9 million...
                                      which means 78.3 multiplied
by taking away the negation symbol due
to the double-negation coordinate that the sun is
(timeless and without space-affirming
                  timing to our necessary comprehension
of the day to day) - meaning the distance
of the planet with 48 hour days (three nights and one
day) is 313.2 million years away from the sun...
               Jupiter stands at being 778.5 million years...
and that's a kept in ****... a gaseous giant...
                 so the distance is plausible...
but like i said before: first comes logic,
which splits into rationality and irrationality -
                      but irrationality still uses logic -
      we all know that irrationality is not reasonable -
          but it is ably-reasoned-with
           or can succumb to some variation
                     of the illogical -
                                              namely illogical rationality:
as in passing Platonic theories down the ages,
or succumbing to the Freudian psychoanalysis -
fashion is simpler, cruder -
                                               it cuts off the missing
points, it desecrates the shrines of famous names
and does the grand thing of keeping everyone
hooked in, rather than out of it nostalgic -
       no one is really winning either side of this point.

h.

and this is really what two beers can do to you
to relax after living on plant H-48 -
                     no yoga teacher can tell you that ***
gets better when you pay alms to this world -
         the yoga fakes are making enough dosh laughing:
*** is good, where there's a billion of them,
not a scattering of what i call the real reason
why we evolved to be so numerous:
     cancerous libidos, or overblown libidos,
   and a knack at ******* each other off - which just
says: keep 'em coming!
                                    and they expect people to really
be awe-stricken when you have such nice names
in biology: chlorophyll and enzyme and hydro and
aqua... and for all life to begin with a big bang?
    i thought you couldn't hear astronauts scream
in space?        or maybe that big bang was just
       a big boo - because aren't we **** scared?

i.

American politics has cracked with this presidential
election, the real dynamic is out...
           it reminds me of
the trinity of ******, the brown-shirts
(Sturmabteilung) thugs leader Ernst Röhm
and the man that replaced him:
               Heinrich Himmler of the
less thuggish and more professional murderers'
brigade the (Reichsführer Schutzstaffel) -
you see, i actually have a better attention span
when i live on H-48... did you notice
that neither of the presidential candidates mentioned
the literature in their debates?
one said: tax evasion, the other said: emails!
but these two sly foxes are toying with the whole
process... they're citing the literature...
   tim kaine and mike pence are the geniuses behind
the scenes... you have to give credit to them...
                it's the ingrained discussion -
the gospels -           it subconsciously will even convince
black voters (of a certain age) to vote for Trump,
regardless of his blunders... which are like ******'s
blunders even though Eva Braun has Jewish heritage
(as seen in one documentary on channel 4) -
                    and you know they're running the show
because they only have one debate...
         that's how important they are...
                       did you ever care to watch a
Ingram Bergman film twice? or three times?
i don't think so. once... and then the butterfly is gone,
gone gone. i'm not here for the entertainment -
American protestant-ism isn't European,
                          it's ultra-Catholic -
                    oddly enough, not in terms of all
the iconic symbolism - that's scaled down -
       but the message is profoundly Catholic -
the two men cited the literature - they're
not thugs, they're not blundering rhetoricians like
the two puppets in their hands...
                        they're the power brokers
or what in England we call the kingmakers -
   i'm not into conspiracies, just the obvious things -
****** had a funny moustache,
          Trump has a funny haircut -
J F K was handsome L B J wasn't and was furious
when Marilyn sang the birthday blues...
                   Gerald Ford is the founder of the Mafia...
Nixon wanted in... oops... didn't happen...
                    ever since Ford it's been playtime after
playtime and no one doing the arithmetic on lives -
               well you know, a washing machine
breaks down, you get a new one...
                  but something came up at the turn
of the 21st century, no one expected it -
this is where i only ascribe one conspiracy:
                                         you can't miss it,
it's blatantly there on the geographical map,
S.A. and that beautiful ornament flag with a pretty
sword and Arabic calligraphy...
                             i'm not wetting my appetite with
these words... it's just common sense -
                money is something that provides the
trans-valuation of all things: it's what the alchemists
were always hoping to find, but it was found
so long ago that it didn't matter how childish they
thought they could be: thanks for paracetamol
though...
                                     what's actually the most
mystifying aspect of this is how there's an ingrained
desirability of a status quo:
      you can have a coin with Rex's head on it,
and no matter what the base metal is,
it will still devalue something more precious
                     and increase value of something more
precious...               it happens in the art world
with the artist being recognised posthumously
                                for the object of his work,
but nothing beyond that...
                                              and since it is painfully
obvious... the question is...
                     do you challenge the status quo
                                          or do you consider yourself
a unit of qua                 -
                                   and that's an open question,
if a question at all...
                                        it's because i have left the
exciting part of this poem,
                                    gravity pulled me down to
planet H-24 (otherwise known as earth), and i see
all this ****** misery...
                                       and i think...
even though my life on planet H-48 can sometimes
feel like torture - i know that i'm in control of
certain perks on it...           and all because i decided
to travel there, with one missing clue as to
why it took me 2 years to escape Heidegger's Alcatraz -
            and why i decided to go back in...
      after reading the previously mentioned book
i realised i was given the key into something else,
           kaleidoscopic even -
worded physics, worded chemistry, worded biology,
  not the physics of equations, or chemistry
of electron-migration diagrams in organic reactions,
or biology and its oops after oops and
a boxing match with theology -
                                           i even considered
buying the Alcatraz in English... but that would
make no sense...
                         given the already bilingual dynamic
being established...
                                     as Dante chose Virgil
to wade through hell... you too must also choose
the one companion, and reject all others...
               and if Heidegger chose Aristotle
i must choose Heidegger - and would i say that
my grandfather was a bad man for being a
communist party member? do you think
a small town boy gets sold the highest form of
Versailles intrigue that culminates in
the Siberian gulag? they got you spinning that old
housewives' tale like a dodo doing dodo
                                           rather than being dodo.

By: Cedric McClester

You blazed the trail
And smoothed the path
For those who followed
In your aftermath
So I thought I’d just ask
How arduous was that a task
As I hail you and raise my glass
It’s in your memory that I do bask
Your chapter’s closed finally at last

Thank God that you
Picked up your pen
And wrote down words
Especially when
It wasn’t easy at all way back then
So I admire you in ways I can't  express  friend
And I aspire to be like you  
Is the message I send

Much like you
I came from the town
Where Paul Revere
Rode up and down
Warning tjat the British were around
So your accent had a certain sound
That only in Bostonians can be found
Which might be the reason you were  clowned

That notwithstanding
You indeed persevered
And tolerated those who talked and stared
Until all obstacles had been cleared
You were smarter than you appeared
And always was what they most feared
A thinking black man who wasn’t scared
One with an intellect uniquely prepared
















Cedric McClester, Copyright © 2015.  All rights reserved

I had an Indian Fakir come
To stay, from Uttar Pradesh,
I was doing a friend a favour,
I don’t, as a rule, have guests,
I couldn’t make out a single word
He said, and so my friend
Provided a written commentary
To guide me, in the end.

It seems he was naming my furniture
It’s something that they do,
In places that are incongruous
Like the depths of Kalamazoo,
And he wanted to give them English names
So he asked my friend’s advice,
In case I couldn’t pronounce them,
Well, at least the thought was nice.

My armchair became Albert
And my settee Gunga Din,
I suppose he thought it would be okay
As it was from Kipling.
The tallboy was called Gerald
And the wardrobe, simply Joe,
The polished table Cheryl
And the kitchen one was Flo.

I’m glad that he wrote them down because
I can’t remember names,
Just that the bed was Susan
And the kitchen sink was James,
Some of them were portentous like
Ignatius, for the desk,
While each of the kitchen chairs was given
A name that ends with -este.

Celeste, Impreste, Doneste and Geste
And then of course, Ingeste,
I couldn’t remember which was which,
My friend was not impressed.
We bade farewell to the Fakir
And the Wardrobe flapped its doors,
And rumbled out a ‘Goodbye my friend’
From between its mighty jaws.

Then voices rose in a chorus from
Each part of my tidy home,
The names had given them each a voice,
It was rowdier than Rome,
The voices were accusatory
Trying to lay some guilt,
And Susan said of the Wardrobe, Joe,
‘He’s looking up my quilt!’

‘How could I help it,’ Joe replied,
‘I’m at the foot of the bed,
You’re flashing me with your silken sheets,
It’s doing in my head!’
While Albert grumbled in voice so deep,
‘Do I have to be a chair?
Each time you plonk on my tender seat
I’m gasping out for air!’

Then the kitchen chairs were out of place
And James was choked with suds,
The carpet, name of Emily
Was sick of traipsing mud.
It seemed that the polished table top
Was scratched, and she was mad,
The desk disliked my keyboard so
To each, I answered ‘Sad!’

‘You’re going to have to get along
I won’t put up with this,
Until that Fakir came along
This house was perfect bliss.’
I did away with their English names,
Replaced them with Chinese,
But they couldn’t speak a word of it
So I brought them to their knees!

And peace returned to Grissom Place
Just as I thought it would,
I made it plain to Wardrobe Joe
‘You’re just a lump of wood.’
While Susan smooths her quilt right down
And tucks her sheets right in,
And James just blubs, he’s full of suds
As I nap on Gunga Din!

David Lewis Paget

if the world were ever fair
they'd let me build a tree house
to lose my mind in.

and my pretend children
might build a counterweight
to pull the sun down.
betroth it in front of me
to keep the wolves away
at the gates, far from the crops
they tell me ive harvested.

161 to 180 of 3251 Poets
«78910»Viewsshow detailshide detailsSort by  
Margaret Kaufman

Photo, Brownie Troop, St. Louis, 1949
Deborah Warren

Marginalia
Regan Huff

Occurrence on Washburn Avenue
Anne Marie Macari

From the Plane
Gerald Fleming

There are no poems by this poet on our website.
Sebastian Matthews

Barbershop Quartet, East Village Grille
Charles Harper Webb

The Animals are Leaving
Zozan Hawez

Self-Portrait
Jose Angel Araguz

Gloves
Russell Libby (1956–2012)

Applied Geometry
Robert Haight

How Is It That the Snow
Early October Snow
Dan Lechay

Ghost Villanelle
James P. Lenfestey

Daughter
Robert Hedin (b. 1949)

The Old Liberators
My Mother's Hats
John Maloney

After Work
Kaelum Poulson

The Crow
Stuart Kestenbaum

Prayer for the Dead
Emmett Tenorio Melendez

My name came from . . .
Gary Dop

Father, Child, Water
On Swearing
Berwyn Moore

Driving to Camp Lend-A-Hand
«78910»

I am scared!
Scared of this world

Robert Godwin Sr
Alyssa Elsman

How many more have to die?
By my kind,
By their kind,
Because they blame some other kind
What ever happened to just being
kind?

Daniel Parmertor, Russell King, Jr., Demetrius Hewlin

Where were you when the World Trade Center went down?
It’s something everyone alive then will always remember
Never Forget! was our brand motto for American Pride

Krystle Marie Campbell, Lü Lingzi, Martin William Richard, Sean A. Collier, Dennis Simmonds

And now, the death of another is so commonplace
That we forget what and where.
It’s no longer personal enough to register where in our lives that it struck us
Only note that another life has been struck down
Add another tally to the equation
And still it does not add up

Trayvon Martin
Tamir Rice
Samuel DuBose
Delrawn Small
Philando Castile
Terence Crutcher
Heather Heyer

We are completely desensitized
And decentralized
We keep ourselves disconnected
(because we just can’t absorb,
Take,
Process it all)
It’s not us
It’s not me
It’s somebody else
Somewhere else.
Until it is
Then we care
How much can we take, before we break

Cynthia Marie Graham Hurd, Susie Jackson, Ethel Lee Lance, Depayne Middleton Doctor, Clementa C. Pinckney, Tywanza Sanders, Daniel Simmons, Sharonda Coleman Singleton, Myra Thompson

The tragedy is the comedy
We laugh so we don’t cry
Sakia Gunn
Richie Phillips
Nireah Johnson, Brandie Coleman
Glenn Kopitske
Scotty Joe Weaver
Jason Gage
Michael Sandy
Sean William Kennedy
Duanna Johnson
Lawrence "Larry" King
Angie Zapata
Lateisha Green
****** August Provost, III
Mark Carson

I can’t say I’ve never thought of committing violence.
Hell, when my ex-wife cheated, it occurred to me
And I can’t say that I have never hit another
I’ve been a kid
My whole life is designed just to grow up
But, I’ve thought of killing myself far more often than the thought to harm anyone else have ever occurred to me
Because my problems are mine;
My fault,
And I am not seeking some scapegoat

Keenya Cook, Jerry Taylor, Million A. Woldemariam, Claudine Parker, Hong Im Ballenge, James Martin, James L. Buchanan, Premkumar Walekar, Sarah Ramos, Lori Ann Lewis-Rivera, Pascal Charlot, Dean Harold Meyers, Kenneth Bridges, Linda Franklin née Moore, Jeffrey Hopper, Conrad Johnson, 1 unnamed victim

I am not going to deny that being a white male hasn’t allowed me to sidestep a whole level of *******
One day, angry white males will be the minority
And we’ll have no one left to blame, but ourselves.
If we don’t **** everyone first
If we don’t **** ourselves first

Michael Arnold, Martin Bodrog, Arthur Daniels, Sylvia Frasier, Kathy Gaarde, John Roger Johnson, Mary Francis Knight, Frank Kohler, Vishnu Pandit, Kenneth Bernard Proctor, Gerald Read, Richard Michael Ridgell

Jonathan Blunk, Alexander J. Boik , Jesse Childress, Gordon Cowden,
Jessica Ghawi, John Larimer, Matt McQuinn, Micayla Medek, Veronica Moser Sullivan, Alex Sullivan, Alexander C. Teves, Rebecca Wingo

The earth has already decided that we are a plague upon it
Maybe climate change is the natural response to the abuse of our gifts

Nancy Lanza, Rachel D'Avino, Dawn Hochsprung, Anne Marie Murphy,
Lauren Rousseau, Mary Sherlach, Victoria Leigh Soto, Charlotte Bacon, Daniel Barden, Olivia Engel, Josephine Gay, Dylan Hockley, Madeleine Hsu, Catherine Hubbard, Chase Kowalski, Jesse Lewis, Ana Márquez Greene, James Mattioli, Grace McDonnell, Emilie Parker, Jack Pinto, Noah Pozner, Caroline Previdi, Jessica Rekos, Avielle Richman, Benjamin Wheeler, Allison Wyatt

What is this world going to teach my son?
That he’s better because of how he looks?
Or what I’ve taught him:
You make yourself better.

Jamie Bishop, Jocelyne Couture Nowak, Kevin Granata, Liviu Librescu,  P
G. V. Loganathan, Ross Alameddine, Brian Bluhm, Ryan Clark, Austin Cloyd, Daniel Perez Cueva, Matthew Gwaltney, Caitlin Hammaren, Jeremy Herbstritt, Rachael Hill, Emily Hilscher, Matthew La Porte, Jarrett Lane, Henry Lee, Partahi Lumbantoruan, Lauren McCain, Daniel O'Neil, Juan Ortiz, Minal Panchal, Erin Peterson, Michael Pohle Jr., Julia Pryde, Mary Karen Read, Reema Samaha, Waleed Shaalan, Leslie Sherman, Maxine Turner, Nicole White

I work as a data analyst
So, I ran the numbers
But, these are more than numbers
These are people: sons, daughters, sisters, brothers, mothers, fathers, husbands, wives, friends, lovers.

Stanley Almodovar III, Amanda Alvear, Oscar A. Aracena Montero, Rodolfo Ayala Ayala, Alejandro Barrios Martinez, Martin Benitez Torres, Antonio D. Brown, Darryl R. Burt II, Jonathan A. Camuy Vega, Angel L. Candelario Padro, Simon A. Carrillo Fernandez, Juan Chevez Martinez, Luis D. Conde, Cory J. Connell, Tevin E. Crosby, Franky J. DeJesus Velazquez, Deonka D. Drayton, Mercedez M. Flores, Juan R. Guerrero, Peter O. Gonzalez Cruz, Paul T. Henry, Frank Hernandez, Miguel A. Honorato, Javier Jorge Reyes, Jason B. Josaphat, Eddie J. Justice, Anthony L. Laureano Disla, Christopher A. Leinonen, Brenda L. Marquez McCool, Jean C. Mendez Perez, Akyra Monet Murray, Kimberly Morris, Jean C. Nives Rodriguez, Luis O. Ocasio Capo, Geraldo A. Ortiz Jimenez, Eric I. Ortiz Rivera, Joel Rayon Paniagua, Enrique L. Rios Jr., Juan P. Rivera Velazquez, Yilmary Rodriguez Solivan, Christopher J. Sanfeliz, Xavier E. Serrano Rosado, Gilberto R. Silva Menendez, Edward Sotomayor Jr., Shane E. Tomlinson, Leroy Valentin Fernandez, Luis S. Vielma, Luis D. Wilson Leon, Jerald A. Wright

I did research to try to find all the victims since I became abruptly aware 16 years ago
There are too many
I could not discover a single database that contained a comprehensive record
No one can keep track of it anymore
I know I’ve missed people
I know there are 1000’s of people now missing people
Even 1 was too much

Hannah Ahlers, Heather Alvarado, Dorene Anderson, Carrie Barnette, Jack Beaton, Steve Berger, Candice Bowers, Denise Salmon Burditus, Sandra Casey, Andrea Castilla, Denise Cohen, Austin Davis, Virginia Day Jr, Christiana Duarte, Stacee Etcheber, Brian Fraser, Keri Galvan,  Dana Gardner, Angela Gomez, Rocio Guillen Rocha, Charleston Hartfield,  Chris Hazencomb, Jennifer Irvine, Nicol Kimura, Jessica Klymchuk, Carly Kreibaum, Rhonda LeRocque, Victor Link, Jordan McIldoon, Kelsey Meadows, Calla Medig, James ‘Sonny’ Melton, Pati Mestas, Austin Meyer, Adrian Murfitt, Rachael Parker, Jennifer Parks, Carrie Parsons, Lisa Patterson,  John Phippen, Melissa Ramirez, Jordyn Rivera, Quinton Robbins, Cameron Robinson, Lisa Romero Muniz, Christopher Roybal, Brett Schwanbeck, Bailey Schweitzer, Laura Shipp, Erick Silva, Susan Smith, Tara Roe Smith, Brennan Stewart, Derrick ‘Bo’ Taylor, Neysa Tonks, Michelle Vo, Kurt Von Tillow, Bill Wolfe Jr.

and NOW I’ve run out of lines and time to read off all 2,977 people who died in 9-11
Isn’t that a tragedy?

(If there's spelling mistakes I'm sorry , I don't read over things )

Its 8:00 pm. The streets are speckled with cars and airport buses bringing people to and frow, but whether that be to the airport or a nearby hotel is beyond my knowledge, only a flirtation of an idea that's briefly allowed to waltz around my head.

There's only a handful of people on this bus, most people usually drive cars around here. Or is it perhaps a bus doesn't come at a convenient time for them? Or is it that they live in a remote part of the city where buses simply don't venture? Or can it be that theses people are perhaps not old enough to drive and those that are seemingly can't, or wont.  

The bright lights in the bus sting your eyes in comparison to the dark December night, days get shorter and nights so much longer, and colder. Surely the eyes of the drivers passing by must sting from the lights of the bus? Almost like you check your phone in the middle of the night and remember that you never turned the brightness settings down and as a result when you go to check your phone it feels like someones dowsed your delicate eyes with acid and you put your hand over your eyed and reenact a scene from an old 'Dracula' movie as you cry, "The light! It burns!" Ah, I'm morbid.

I remember getting onto the bus. The greeting wasn't something I'd choose to remember. I was met by a round, middle aged man in his fourtys accompanied by a face that could only be described like he was constantly ******* on a lemon. He was bald and had deep, sunken in eyes that were turning a beetroot shade around the bottom. Alcohol? maybe. The own self knowledge that this day would never end ? possible.  The knowledge that this job was, sooner or later, going go lead him to a deep state of depression and eventually he'll get fired for telling an elderly lady in not-so-nice terms to get off "his bus"? Could happen.  The addition of all of the above? Most likely, no offence to any other of you bus drivers.

Oh, his fake gold company name tag told me that 'Gerald' had been the name his parents had written on his birth certificate all those year ago.
The noise of persistent and agonising coughing bleeds through the sound of my headphones and I look up to see the cause of my disruption. The sound seems go be coming from an elderly woman sitting across row from me. At first, as the natural thing for you to presume would be that she has a cold, or perhaps a dry throat, to which you'd be the good citizen and ask if she was alright and offer her your water, but upon further inspection of the situation, I've come to the wrong conclusion.

Her skins crying out for the oxygen its been deprived of for years. All thats left of it now is not something left to be envied, I've seem white towels with brown tea stains on it with less discolouration on that of the skin hang upon her old face.  

The burgundy lipstick she decided to support today was no use in trying to conceal the lines that had taken shape on her  lips, sadly.
Behind those lips I can only imagine what horrific delights might rear their ugly head. I imagine a once pearly, perfect set of teeth now nothing but yellowed decay married with the horrible mix of sugar free gum to try and remove the smell. I wouldn't say it works very well either.

Lastly, her eyes. Something we all have a dreamy tendency to stare at. Hers were grey, almost like that of an artist's 2H pencil. Around her eyes, yellow rimmed the grey scene. The contrast of this and the streak of a one shade purple colour on her eyelids was all to much to bear and I broke my gaze from hers. She was beautiful once.

Beside me was a young mother of 9 and 20 years holding her child. Perhaps he found the rhythmic journey of the bus's adventure soothing and for that I was grateful. Its late and irritated children are the last thing anyone needs on their Tuesday night. She looks tired, but that's to be expected. Whoever said raising children was easy and involved sleep? But what would I know, I don't have children of my own. She didn't wear a wedding ring. Perhaps its of more convenience for her not to wear it. Or maybe she isn't  married. Or maybe she isn't romantically involved with someone. Was she once?

The bus stops outside a middle class looking estate and an impatient looking business man with a a bag carrying his laptop and a very expensive pair of shoes walks out and just before he steps off the bus he turns to the driver and thanks him for his service.
He didn't mean it.

All is quiet and I start to feel tired. My head bounces off the pole standing costumers use when the buses are packed and it doesn't appear that seats even exist. My headphones are in and I look out the window to see the sea, peaceful and graceful on this cold December night, greeting me, almost with open arms.

The lights of the cars rush by like multicoloured fireworks, so close you could almost hold one in the palm of your hand.

And as the night gets longer and the journey seems that ever bit more endlessly scenic I find myself questioning.

Questioning what I'd just been witness to.
Questioning this December.
Questioning this bus.
Questioning this night.

Then the main question swam afloat.

In years to come, when I might once step onto this very same bus again, who will I be?

And then it was my turn to depart.

So if you want to know upfront,
Then, you should know
That a reasoned selection process was used,
The music was cherry-picked,
Three perfect compact discs,
Hanging there from the branch,
(Actually CD stack storage)
And me, with a sativa buzz,
Working nicely, grazie mille.
I sit down to write another one of my “fakakta” poems.
The music?
Three crystal gems
Liquid pearls, all of great price.
To wit: (1) “The Best of Joe Cocker,”
(Joe died last year, and
Don’t we/Shouldn’t we
Consider him a close associate,
A kid we grew up with?)
(2) “A Twist of Marley,”
A “Verve Music” product,
Brilliant conception!
Montego Bay gone South Chicago,
A sweet instrumental miscegenation--
A potent, wicked fusion of reggae & jazz--
Manifested by Dave Grusin,
Gerald Albright, Lee Ritenour, & Others.
And last, but not even close to being least,
(3) “MILES DAVIS Kind of Blue.”
Lest we forget Norman Jewison’s
Homage to Mambo Brooklyn Italiano
Cher & her wacky greaseball family:
The Castorinis.
The Cammareri.
The Cappomaggios.
Did I hear someone say “*** Stereotype?”
Bam! A double “Moonstruck” slap,
Just to remind you:
“I’m talkin’ here.”

Lest we forget:
Coltrane blew tenor sax
Both March & April 1959 sessions,
Columbia 30th Street Studio,
New York City.
And if you've heard
"Freddie Freeloader," a
Sizzler solid 9 minutes & 49 seconds,
I think it’s probably a good time
To go check to see if you
Left the garden hose on.
BAM!
Now do I have your attention?

We pensive Boomers--
We take stock.
We ponder the clock, a
Vexatious tick-tock
Arctic soundtrack,
Music in the key of winter of
Our discontent/content.
YOU MUST CHOOSE ONE!
Time to script your buggering off,
Time to settle in
On an exit strategy.
“Yes, hurry up, it's time.” screams T.S. Eliot,
From an English major’s
Vast wasteland archive.
The scoreboard reads 4th Quarter now.
We ruminant Boomers,
Facing up to it at last, are we?
To be or not: a serene letting go, or
“Rage against the dying of the light?”
Dylan chimes in:
Thomas, meet Thomas.
Oprah, Uma.

So you should know upfront,
I got a great buzz on.
The music is groovy.
This poem ends here.

How many of us have to to die, go missing, be ***** before justice listens? The blood our people have spilled have wet the ground for centuries. Our children have been stolen, our families shattered and our land taken all due to the arrogance of white men.

To this day our people have been made to live in fear, a fear that has been driven, beaten, shot, stabbed and ***** into our very bodies. In the last 500 years our identities have been bombarded by men who are called pillars of our history. Their statues litter the land, a reminder of the atrocities they committed and fawned over by their ancestors.

The schools tried to erase us, the men with white collars, callous hearts and empty souls, the sting of their violations like ripples in a pool lasting generations. They taught hate in schools, they created Gerald Stanley and Raymond Cormier and thousands like them. They created ignorance that we feel even today.

Our two faced politicians who shed tears, kiss babies and at the same time deny our children basic human rights. Their tears buying our votes with empty promises and back room deals, selling away our children, our land and our souls.

We never forgot, the generations of genocide would not let us. “A good Indian is a dead Indian” the man on the radio says, his words are like the stones thrown at women, children and elders during the Crisis. The violence we experienced that day was just another chapter in the long history of massacres, land theft, stolen children and degradation.

The change that our two faced politicians talk about is the trickle down economics of social change, I say trickle down because like every other promise it doesn’t exist. I grow tired of the fight but I know that we must continue. We are the symbol of the voice yet to be born. The words of our elders continue to lead us, guide us like they always have on the path towards growth.

We must continue to educate and fight the ignorance that permeates every corner of our society. It’s the idea that must be destroyed, the idea of white supremacy which has plagued our land for centuries. Growth cannot happen without truth and that cannot happen without honesty. To have true honesty our society will have to look in the mirror and acknowledge that of which most of them cannot, that hate exists.

We must acknowledge that white supremacy helped Gerald Stanley and Raymond Cormier commit and get away with their horrific crimes. Change will only happen when we no longer allow fear to hold us back, to keep our mouths shut. Change will happen when we look at each other as equals and help one another to heal, to grow and to teach.

We are not defined by a stereotype, we are not the alcoholic, the drug addict, the *** worker, or the homeless person. We are teachers, doctors, social workers, lawyers and Chiefs. We are actors, writers, poets, singers and Djs. But most importantly we are nations of people, people that have been the stewards of this land for a millennia.

We are people who refuse to be victims, we refuse to have child services take our children away from their mother’s breast. We refuse to be silent when our sisters go missing and are murdered and we refuse to believe that the police are doing everything they can.

We will not stay silent when the media places blame on the Coltons and Tina’s over the world, this victim blaming must stop. The white patriarchy cannot continue to own our future. We as Indigenous peoples will take back our story and we will be the ones to write the next chapter.

A chapter where our sisters do not go missing, where our youth have a future, and a chapter where our communities are thriving. I refuse to accept despair and pain, I’d rather believe in hope, growth and love. That is how we create change. When remembering the words of my late mother, a closed fist is a closed mind, while an open hand reveals an open heart.

Change is a beautiful thing, we are the masters of our own future. We will bring down the walls that divide us and together bring the change this land sorely needs.

We can all go swimming in the plastic sea
with lego man and his family.

Grammarly says lego should be with a capital L
I told Grammarly to go to hell
see
I can spell and my words are my words
except for grammarly and lego but there you go
we can't all be perfect
or
maybe Peter can be
and of course
Lady Penelope
but beware
Parker's a shark in the shallows.

That's it
another load of krap,
oh ****
I shouldn't have said that
now I feel like whatsisname?
you know
that guy in the jewellery game
yeah that's it, Mr
Ratner.

Gone unto Heaven

Unto the Heavens she hath gone
Leaving me with an only bun
My mother has passed away
So got no more time to work on clay
With her death, time recalled all hert past
While I sailed alone in a boat with one mast
I remembered all what she didwithout a fee
And how much she eagerly wished to see me
Her words are still alive in my mind
A lady like her is so hard to find
So mother rest in peace
We all miss you even my niece

Sam Burton


Today is Friday, Oct. 3, the 275th day of 2014 with 90 to follow.

The moon is waning. Morning stars are Jupiter, Mars and Uranus. Evening stars are Mercury, Neptune, Saturn and Venus.f



In 1950, the Peanuts comic strip by Charles M. Schulz was published for the first time.

In 1959, The Twilight Zone, with host Rod Serling, premiered on U.S. television.

In 1967, Thurgood Marshall was sworn in as the first African-American justice of the U.S. Supreme Court.



A thought for the day:



The upward course of a nation's history is due in the long run to the soundness of heart of its average men and women. -- Queen Elizabeth II





Quotes for the day:



A black cat crossing your path signifies that the animal is going somewhere.

------------------------

A child of five would understand this. Send someone to fetch a child of five.

------------------------

A hospital bed is a parked taxi with the meter running.



J. Marx





Every instance of heartbreak can teach us powerful lessons about creating the kind of love we really want.

Martha Beck





"With the exception of women, there is nothing on earth so agreeable or necessary to the comfort of man as the dog."



Edward Jesse



"Efforts and courage are not enough without purpose and direction."



John F. Kennedy



"All you need is the plan, the road map, and the courage to press on to your destination."



Earl Nightingale





Poetry


PLAYBACK



Lauren Camp



Let there be footfall and car door. Let me
be finished with fire. Let
the man get on a plane for his morning
departure, erasing each reverie. Soon
there will be only daylight,
maybe a blue envelope, torn. Maybe bracelets
of color from the petunias. I will need
to know how to recover
the familiar, how to open the door
in the evening. How to again lock it.
Almost everything about me goes unspoken,
but commas and colons. I live with this
heart rate, multiple times, its direction,
its tempo: my 4/4 with acceleration, sometimes
tuned to an alternate signature. Think of Brubeck's
"Take Five." Those blocky chords were the result
of an accident-dead on arrival, they said,
after he smashed to the surf. Think how
he switched it around, made his hands
do what he wanted to hear, and forgive me
for the analogy. May I never
rush a surge for a better experience.
Every Sunday all over the country,
apologies gather. When I'm not in this
small cottage, unreacting, I cascade sound
and a few sentences from a cramped
room to whoever will listen. I know some
people think it is sinful to love such temptations,
but I stay with my face soft against
microphone, announcing my moral
directions. Sometimes, I'm convinced my blood
needs all those crossings. I'm not after
absolution. The man I love taught me to want
without lyrics. Remember I haven't
gone anywhere. I'm in a thirsty way
sort of possessive. I shouldn't show you this
side of myself. Try to remember I'm also praised
for my kindness. We each need to learn
to turn off some dreams so we can play
hours without creases.


About this poem


"Sometimes my poems are clearly focused on a single topic, but more and more they seem to need to be about many things because that's how I experience the w orld-so much going on all the time. Given the chance, I'll always try to make c onnections-in this case between jazz, love, humanity and potential error."
-Lauren Camp

About Lauren Camp


Lauren Camp is the author of "The Dailiness" (Edwin E. Smith Publishing, 2 013). She hosts "Audio Saucepan," a global music/poetry program on Santa Fe Public R adio, and lives in Santa Fe, New Mexico.

*
The Academy of American Poets is a nonprofit, mission-driven organization, whose aim is to make poetry available to a wider audience.


(c) 2014 Lauren Camp.
Distributed by King Features Syndicate




Health and Beauty Tip



No matter what kind of ****** cleanser you use, check what kind of water you have access to. Hard water can be just as detrimental to skin as plain soap, and can dry it out.



JOKES



Toddler Property Laws



1. If I like it, it's mine.

2. If it's in my hand, it's mine.

3. If I can take it from you, it's mine.

4. If I had it a little while ago, it's mine.

5. If it's mine, it must never appear to be yours in any way.

6. If I'm doing or building something, all the pieces are mine.

7. If it looks just like mine, it's mine.

8. If I think it's mine, it's mine.

9. If I... Oops! I'm sorry, I goofed! Instead of typing in the Toddler Property Laws, I've been typing in Bill Gates' primary business plan.





Phone Call



A young boy answers the phone.

A man says, "Hello is your dad around?"

The boy whispers, "Yes."

The man then asks if he can talk to him.

"He's busy at the moment," the boy whispers.

"Then is your mom there?"

"Yes" the boy whispers.

"Can I talk to her?"

"No, she's busy," the boy whispers.

"Is there anyone else there?"

"Yes" whispered the boy.

"Who?" the man asked.

"A policeman," came the whispered reply.

"Well, can I talk to him?"

"He's busy too," the boy whispered.

"Is there anyone else there then?"

"Yes" whispered the boy.

"Who then?" the man asked.

"A fireman," the boy whispered.

"Can I talk to him?"

"No," the boy whispered, "he's busy."

Annoyed, the man asked what they were all doing.

"Looking for me." the boy whispered.





Hard Working?



A business owner decides to take a tour around his business and see how things are going. He goes down to the shipping docks and sees a young man leaning against the wall doing nothing.

The owner walks up to the young man and says, "Son, how much do you make a day?"

The guy replies, "150 dollars."

The owner pulls out his wallet, gives him $150, and tells him to get out and never come back.

A few minutes later the shipping clerk says to the boss, "Have you seen that UPS driver? I left him standing around here?"



Presidential Quotes



"If Lincoln were alive today he'd roll over in his grave." --Gerald Ford (president, 1974-77)

---

"A friend of mine was asked to a costume ball a while ago. He slapped some egg on his face and went as a liberal economist." --Ronald Reagan

---

"I want to make sure everybody who has a job wants a job." --George Bush





Football and Confession



Years ago, the chaplain of the football team at Notre Dame was a beloved old Irish priest.

At confession one day, a football player told the priest that he had acted in an unsportsmanlike manner at a recent football game. "I lost my temper and said some bad words to one of my opponents." "Ahhh, that's a terrible thing for a Notre Dame lad to be doin'," the priest said. He took a piece of chalk and drew a mark across the sleeve of his coat.

"That's not all, Father. I got mad and punched one of my opponents."

"Saints preserve us!" the priest said, making another chalk mark.

"There's more. As I got out of a pileup, I kicked two of the other team's players in the . . . in a sensitive area."

"Oh, goodness me!" the priest wailed, making two more chalk marks on his sleeve. "Who in the world were we playin' when you did these awful things?"

"Southern Methodist."

"Ah, well," said the priest, wiping his sleeve, "boys will be boys."




Have a super nice Friday and a very dazzling weekend!