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Winterhawk Nevin Feb 2020
Welcome to suicide city. Where the first nations population dies quickly. Let me be your tour guide for this deep dive about suicide through aboriginal eyes. The youth, grown up in abuse, turn to drugs or a noose. Bruised, *****, used with no escape in view. So they try to run but succumb to the world's weight and numb themselves to just live another day. At last, atlas could take a break, because our children now hold the world's weight. As the parents lay near by, needles riddled near them and beer bottles laid beside. Too weak to stand, to protect or provide, The proper care for their youth so they some coincide with disgrace as the kids stare and face what fate may lay.

Five times more than normal do native men die. Crushed by the world, by the weight of the skies. They are tough on the exterior but broken on the inside. Not taught to talk so they take their own lives.

Young women perish about 8 times quicker. With a voice of her own but no one will hear her. Abused she endures so she drowns herself in liquor. She succumbs to darkness, to the thoughts that no one would miss her.

Our suicide rates are higher than any other. Tear stricken parents burying their sons and daughters. So many are to blame but the true culprits are our mothers and fathers.

We suffer from what I call, cultural deprivation. We suffer of separation of our own. Children were forced to face colonization alone. Put into schools where our people were told. That our way of life was a lie and they're saving our souls. Only to be the harbingers of my peoples demise. They abducted our youth to save them from their "lies". Separated from their families was truly a tragedy. Those priest and nuns messed them up and never taught them to love. So they were release to the world with nothing but a shove and a shrug.
Pagan Paul Jan 2019
.
On the old porch outside her room
she sits a'spinning on her loom,
weaving memories of times long gone,
gently singing a Native song.
Of rivers running on the plains
swollen from the mountain rains,
of the deserts endless sands,
and of toil with calloused hands.
She sang of buffalo and of bear,
of a paradise for all to share,
she also sang of the forests deep
and of where wolves go to sleep.
Her song dies away like a friend
when her spinning is at its end.
The Great Mother retires in silent gloom
and snuffs out the candles in her room.
Thus stilling the night of a Woman's Moon.



© Pagan Paul (28/01/19)
.
Kore Jan 2019
you
     non-
colonizer

friend, companion, self-intellectualizing

non-
      colonizing
colonizer

who loves, cares, hurts
              [ me ]

lays an offering
of violence
                  at
                     my
                         feet

non-
     colonizing
colonizer

this is how you love
           [ me ]
my friend hit me up just to show me the nathan phillips video (the first one, not his interview from today) because i'm the only native person he knows and didn't take into account the fact that all i've seen is this ******* video and it hurt me because he wanted my point of view as an indigenous person but just would not listen to me without arguing that the white kids could have maybe been in the right
Kore Nov 2018
it's easy
forgetting
You.
     the hatred
of Me.

until I cease
          to blend
in

and what has
        been lying
in wait
           emerges
Ken Pepiton Nov 2018
so. so rare. such as you who seek some thing everyone knows
so you may share it with those infected with denial.

---

I'll be the fool who risks belief and go on with the story flowing from my belly
before
my very augmented eyes

Wisdom is justified of her children,
said a nubian wizard
named John Joyce.
No relation to James.

Same general era, I met Adam Funmaker. He showed me
an article in Rolling Stone that mentioned me
June 7, 1973, idea of me, not me,
actually,

that was me. the guy with ears that weren't garbage cans,
which had been the liturgical reply to
words deemed too filthy to say or hear,

To this day I don't care for the taste.

This story fiber began with Adam Funmaker being real, and my feeling many folk would never allow a man with such a name to have been,

much less to have been, my friend. who made my silver wedding ring.

A real man, father of many sons and daughters, still
with us
to this day,
This telling
dedicated in my lodge, my strong tower, my kiva,

To Adam Funmaker, I fan this cloud, be magnified magi.
From my desert you blessed with more than water.

A humbler man I've never met. A scrimshaw artist of great renown among collectors of such, for his technique.
It seemed magic, the photo-realism
he could attain to,
pins and hand and ink and string and light, his only tools,

the light was modified to meet the needs of Adam's ageing eyes
He was sixty-two when I thought with him last,

and sixty-two was older then than now,
he used to ask me questions I had not asked myself.

I only knew him for the space
of a tick
with point of pin pricking
ivory,  ttttttttttttt ttttt ttt ttttttt tttt far more
than 300 dpi,
But magic was not allowed to be the reason for
the power of reality in his work.

How do you do this? I asked, from a state of ad-mire

Opaque projector.

Ah, secret, he coulda kept it and been thought
amazing, sender of men in search of hows
denied whys, but he didn't

he told me the trick, as if his hand and eye and mind
were taken for granted, acknowledged by being

right used before my unaugmented eyes.

His gift he had received and owned,
not a thing to boast about, like a boy.

He was looking at me, something I remember
this way, a point, a reflection in the eye
that made images of the ideas of men
past
seem in the wind I go on to claim as my inheritance.
That's the scene from here, much was different,
most likely.

Adam Funmaker's clansmen from the past
breathed, nearly, their blessing, the hope

on ivory etched so nearly fractally real you can see
a reflection in Sitting Bull's eye staring

at a 440 stainless steel, razor-edged blade, never used.

A knife made for the image on the handle,
A magic Adam Funmaker portrait of a noble illiterate
chief among noble illiterates whose stories
have been told ten thousand years.

The Greeks fears were warranted.
Writing did shorten memories.
But it gave stories freedom to wend and find points

upon which they be told, to this day,
for no real reason, same as sunsets and beauty in general.

the knife I was looking at is depicted on the web
https://www.worthpoint.com/worthopedia/adam-funmaker-scrimshaw-native-1835351935
My wife still has her wedding ring, I lost mine,
in the desert or the storm or the fire, I can't remember losing it.
I never wrote an ode. This feels like how they may have wonce been taught when memories were the realm of story and songs
Kore Nov 2018
if i hear
one more
white-pink
no-chin
speak the word

                          I n d i a n

I will
scalp
                         Them
"I'm only saying it because that's what the text says" my ***
/                        been                       \
/                      thoughts                    \
|                           my                           |
|                         have                          |
|                  LANGUAGE                  |
|                           my                           |
|                            by                            |
|                 INFLUENCED                 |
|                              is                             |
|                            feel                            |
|                              or                              |
|                              do                              |
|                              or                              |
|                            want                            |
|                              or                              |
|                              say                             |
|                                i                                |
|                             that                             |
/                     EVERYTHING                     \
/                                   if                                   \

                  
^                                   ^                                ^
^                                   ^                                ^
^                                   ^                                ^
| language instructs | the way we think |
^                                   ^                          ­      ^
^                                   ^                                ^
^                                   ^                          ­      ^
This poem is rooted in play. If you read this poem in a linear fashion based on the rules of the English language, it will be nonsensical as if Jabberwocky wrote it.

If you take a step back and look at the form and structure and forget a little of what you think you know then you might understand how the narrative flows. And if you dig a little deeper, you might find a few Easter eggs for further contemplation.
Kore Sep 2018
redskin, cheekbones, upturned eyes
you call me names, pick apart my features
there's much for you to analyze

none of it good enough
even as you slit my belly and take my skin
you think me rough

wearing me like a hood you become
Pocahontas, Matoaka, Indian Princess
you think the thrum of your blood is the sound of a drum

you consume me, trick yourself
Redskin Princess
it's almost halloween and i'm already tired of pocahontas cosplayers
Kathleen Aug 2018
Look at her,
she's remembering when she was native,
when she was Spain,
when she was Mexico
There she is now,
fondly thinking of her future;
the one where she falls into the sea.
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