It's unfortunate that Parisians
Are very hard to bear,
In terms of flash obsequiousity,
They drive me to despair!
And patience is an attribute
I don't profess to have
To mercifully administer
When accents veer to Slav.

Baltics look like jellyfish,
The Germans are obscene
And loud and overbearing
But the Swiss are very clean.
Italians are a swarthy lot
Who gourmandize on food
And sacrifice their suavity
By being impudently crude.
The Spanish are no better,
In fact they are probably worse,
For obsessing in the blood sports
I actually rate them in reverse.

Starchiness is British
They're convoluted to the core,
The Old Boy system's lost it's sheen
Aspirants flock to it no more.
The Yanks are looking slightly crass
Whilst fighting foreign wars,
Their pinky held up squeaky clean
To call "foul" to China's flaws.
China sits inscrutably
Holding all the cards
Waiting for the moment
To strike beneath the guards.

India and Pakistan
Are squabbling like kids
The uproar over Kashmir
Rates them lower than the Yids.
The Yids are walking tightropes
With Iran's nuclear ******,
Whilst currying Yank approval,
Eventual bombing is a must.
The Dutch behave so anally
They're always proven right
When faced with rigid negatives
They blanch with haunches tight.

But not the Argentineans
They love to dance and flirt,
To chase the senorita
Cavorting in the scarlet skirt.
The South Pacific's wallowing
They're adrift from World affairs
Oz's self preoccupation
Mirrors Kiwi's vacant stares.
Africa's way past comment
Lost to heat and dust,
Warfare, **** and pillage
And the rest decayed by rust.

Eskimos are OK
Clean living on the ice
The population static,
Zer-O pollution's nice!

Marshalg
@theGate
Mangere Bridge
14 April 2009

(This poem was discovered etched/burnt into the interior woodwork of a viking ship of around 800AD, discovered in the north of England in the '60s. Quite possibly from the northernmost islands around the area now referred to as Archangel, and originally written in what became known as Runic/Russo Scandinavian, it nevertheless resonates clear Saxon/German tonality. Given that it is one of the first examples of early Runic, and indeed that the actual letter-shapes are unclear, the poem has been reproduced below, using broad phonetic license.

As far as can be determined, the content appears to be a somewhat ribald message from the ships leader to his wife. It was not uncommon for women/wives to accompany their men folk on long voyages. Given cramped conditions aboard, the conditions were likely to be insanitary and it is this condition that informs the subject).  WJL

Das andrs zu-almen su-cara
Archezum des hafta confagra
Der ecra zu alpe
En pecra nachte schalpe
Viel ondra der zulpa te bag-ra

Und zortem pur ordour cloabera
Eh-min-te ah solbra schactarar
Sul-phereth zum tinctum
Abroath ah den penk-tum
Bai anthe con anthe ebactah-ra

Zorbuhr genkst canke zer vilk-um
Solginster zep ecra der nep-ehlcome
Calmen-de ser paarte
Eh zin bah die faarte
Confide ah can-de zum schtinc-tulm

I said fate plays a game without a score,
and who needs fish if you've got caviar?
The triumph of the Gothic style would come to pass
and turn you on--no need for coke, or grass.
I sit by the window. Outside, an aspen.
When I loved, I loved deeply. It wasn't often.

I said the forest's only part of a tree.
Who needs the whole girl if you've got her knee?
Sick of the dust raised by the modern era,
the Russian eye would rest on an Estonian spire.
I sit by the window. The dishes are done.
I was happy here. But I won't be again.

I wrote: The bulb looks at the flower in fear,
and love, as an act, lacks a verb; the zer-
o Euclid thought the vanishing point became
wasn't math--it was the nothingness of Time.
I sit by the window. And while I sit
my youth comes back. Sometimes I'd smile. Or spit.

I said that the leaf may destory the bud;
what's fertile falls in fallow soil--a dud;
that on the flat field, the unshadowed plain
nature spills the seeds of trees in vain.
I sit by the window. Hands lock my knees.
My heavy shadow's my squat company.

My song was out of tune, my voice was cracked,
but at least no chorus can ever sing it back.
That talk like this reaps no reward bewilders
no one--no one's legs rest on my sholders.
I sit by the window in the dark. Like an express,
the waves behind the wavelike curtain crash.

A loyal subject of these second-rate years,
I proudly admit that my finest ideas
are second-rate, and may the future take them
as trophies of my struggle against suffocation.
I sit in the dark. And it would be hard to figure out
which is worse; the dark inside, or the darkness out.


Anonymous Submission

Joseph Brodsky

Unidentified monograms
we are floating through a machine-gun pterodactyl
that shoots lay-zer tiger gamma-ray photon blobs at a flying bag of nuts.

We ride on a an escalator accelerating toward the speed of sound
towards a symphony that shrinks in our synapses and breaks our bonds. Without words we wander towards a waxy floor
and slip or just trip on a trampled stumbling block of sand.

And I cry at the sight of a man who will probably die for the sake of his pride; who had lied, and cheated, and been mistreated for the sake his gains that caused him pains, but were vain and empty and deserve no sympathy. (for sure)

He will endure for the glory of the cure which will have no discrepancy, and will illuminate the enemy
when it comes within proximity
of the light of God,
which burns all flesh.

For patience is a virtue that the universe attains to, with billions of years gone passing in a flash now.
With breath and reason there will be a passing of this season by the times and dates marked down at the bottom of the page under sub-section be
after "I am" and "I was" and  "I shall"
and there won't be a televised broadcast.
There will simply be radio silence for those who are listening.
(Yes they are indeed still listening)
Towards a siphoning of nitrogen out of air into the ground
without sound but with space.
All to be brought back out again
out to spin again;
begin again.
(Better than the last time)

Wear those four colors
to shout what my heart speaks,
Free Palestine Right Now

Wear those four colors
because the martyrs' whisper,
We pray for you with them in mind

Wear those four colors
considering its peoples' unfathomable suffering
keeps us wearing them until there is peace

Wear those four colors
so we move forward boldly
in unison with God's message

Wear those four colors
whose beautiful compatibility reaches out and grabs us
reminding you and I that we are one

Wear those four colors
as not to overlook
that the oppressed is counting on us

Wear those four colors
to gorgeously show the world that AL HAMDULILAH,
We Stand With Palestine

By: Najwa Kareem