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i have a break at 12 o'clock
will you please come over
you don’t have to knock
i’ll leave the door open
it will be unlocked
a bouquet of flowers
i’ll have in stock
a vase and a candle
a knife and a blade
a face and a cigarette
its all about the way we explain
i mean rationalize away
do time-lines justify our decline into tyranny
send me back again to sublime infancy
retrofit the celibate instigator
lemniscate the elephant’s fingerprints
impress me with wit and charm
storm troopers unarmed
star-gazers, shadow-haters, sand-blasters, ice-skaters,
morning's lovers, fathers, daughters, shoulders and elbows
rub brows and crease foreheads
wrinkles in your timelines
define lines as destiny unwinds
reminds me of blinding light
the heights of old empires
sire warriors, stories as tall as soldiers
for real, heal the split between mind and body
kindly, lovingly, bump up against me
and kiss me again
i am music fused together with eternity
space and dust and rusted armpits
a hundred diamonds, drops of sweat
skin like leather, weatherproof, foolproof too
determine to use it all
for you are the muse of all
do as you need to
fuse it together lest it come apart again
return to heaven and mend the tear
split the hair or the atom
magic is a language
tragic is the cancerous neglect of syntax
emptiness is manic
gargantuan attacks of presence
defenseless, we are taught worthless ****
neglect it, but remember important words
stories, looms of drawings
forming in my mind’s eye
i cannot be bought or controlled by pirates
the best moments are private
you are not invited
so go home and create your own zone of entertainment
its necessary
your gentle fingers
blessing my soul
courage to roll with life’s blows
no need for stoics
or poets who deny reality’s arguments
slippery slopes
walking tight ropes
can you cope with all this mistletoe
restring your bow
dance in the snow as if everyone knows
you are crazy in love with the whole
motionless vision swift as an arrow
roofless rooms
prom queens flip you off and turn you on
sons and daughters, lions of the prairie
a child portable and small
respects the walls that you’ve made
they are not your cage but your shelter
self culture is affluent and not arrogant
sand mandalas tall as waterfalls
golden rainbows pour from the faucet in the sky
like mighty images
wisdom bridges the gaps in our imagination
i can’t wait to get this on the page
written in stone, reflecting thrones
made from the bones of pharaohs
consciousness narrows as you approach
are you a cockroach, coach or a student
strokes of wonder for different folks
cold call your own homes
do you prioritize lightning over thunder
words over rubber
sandwiches to clutter
are you interested in diamonds or other
precious gemstones
that flutter like butterflies when i utter
emeralds like butter
do you waste time arranging your clutter
stuttering utter nonsense
frequencies wasted, gentleness chased away
fantasies radioactive
magic lacks targets
darkens our fathers
keep chasing actions
satisfaction is attractive
your eyes are like fragments of rubies in the fire
i see beauty in desire, features in the sky
i look skyward and see higher
minds are wired to remain stagnant
stranded in a lack of entertainment
change this and make your own amazement
wonder over thunder, lick me down under
gone asunder like the burning acropolis
topple this bottomlessness
can't stop this, its impossible
i wonder do you make blunders
in underground mountains
we shout words like fountains shoot water
curtains topple over
and form a blanket over our consciousness
after our performances
swarms of crazy people leave the theater
shattered and too stunned to speak
to ****** to leak they keep walking down south
toward Plymouth Rock,
Mammoth Mountian or Rehoboth Beach
take stock of the situation and just move
first one out is rewarded
sordid and sorted like straw from the hay stacks
caskets of black iron casings
tastings of wine whose shelf-life is expired
past due cheese overripe and stinky
like mustard dusted with lightning
striking on time is all that we have
thinking that was a close call
we fall down and get up, remove the uppercuts
and lowercases from our mouths
doubt is a ***** word heard too often,
coughing from a coffin she offers me her hand
cold as ice cream, these nouns are deafening
love is lazy like a muffin
and hot like a dumpling
but a liaison with time cannot be rushed
i have lived long enough to learn this
a privilege to give birth to this moment
again and again vintage feathers
send me your sweaters
detest impostors who give robotic answers
i am in wonder at all this grammar
that i was unaware of
ignorant as mustard
and smooth like custard
in this blustery weather
i am glad i wore a sweater
and have an umbrella
to keep me dry and safe
i am in love walking toward the gate
and boarding that plane
i am your heart served on a plate
with a side of coleslaw, soul food for dinner
you are a winner and i am your hunger
a porcelain gravestone
a copper bathtub with claws
stored in your basement
storerooms cold as a skating rink
please don't think, unless its about me
let sentences drift away
while we chase arguments from yesterday's
armistice

Nat Lipstadt Sep 2013
My poetry is an acquired taste,
So come, dear one,
Place your tongue in my mouth.
Pace yourself, there is so much,
Spoke and unwritten,
That fruitions only when spit-shared.

Flick your tongue-tip to mine,
Sealing bond, the salt caramel of my rhymes,
The iambic meter of my tamarind prose,
The buds, flowering, poems forming,
Watered by the admixture of joint, minted saliva.

My poetry, so very complicated,
Hints of currants and ash,
Soil volcanic, basaltic vowels, oh's and eyes,
Cursed verses that commence with I,
Nonetheless, despite soil inhospitable rued,
Compositions flourish, born wetland soluble.

Yours, for the taking,
Yours, for the tasting.

You place your fingers on my waist,
My body of work to contemplate,
My ditties, you spit out,
You want courses, not appetizers,
You want truths, not fluff, lies, menu tastings.

Columbus and Magellan, thy fingers named,
Trace the curvature of my ***,
With tip and tipsy stroked caresses,
You laugh with the pleasure of all the sssssss's.
Hissing all the day your satisfaction,
Capturing my writs, by your tongue's duress,
Recipient-thief of my literary largesse.

I am dressed all in white,
Stripped bare to my native coloring,
Except for two brown nippled spots, you lick,
Imbibing milky thoughts  from fountain-heads *****,
Savoring, relishing, stanzas that praise love's flavor.

With every line, every word-painting accessioned,
You make my soft parts hard,
My hard parts soft, but my liquidity,
My tears, they, that, you drink straight,
Licking, liking, and oohing and ahhing,
You tongue curled, upside down arching,
The storage point of your seduced gatherings.

To drain me full, your incisors cut,
Straight lines, entry points for your *******,
Taking, draining, leaving nothing,
Not even one aleph or bet escaping.

When you acquired my poetry, my verbosity,
Pillaging soul's hiding place, took and *****,
Your acquired the best, breaking my nape,
Imprisoned on and by my island's seascape,
Blanched and pained, a blank tape,
I am tasteless, witless, mockingly, tongue-tied.
Written tonite while driving upon moonlight country roads, departing one island, crossing another,
only to ferry to a third. As I was driving, unable to retain all, but wine and Bach's Brandenburg, withdrew new lines, before I broke, surrendering to a dreamless sleep
Still Crazy Jan 2016
~~~

how to cook a poem/poetic theology

so many ways,
but one favored

after oh so many trials
after oh so many errors

taste tastings, plenty,
some good, some feh

some inspired, some liared,
but it's the process

the methodology,
that becomes your
poetic theology,
of

how to cook a poem

slow simmer,
as if it was
a hearty filling stew,
with the red wine,
you flavored,
for style unique

stew
over it,
add pinches of
contradicting adjectives

icy hot,
bland spice
and not everything nice,
bitter herbs,
fatalistic flaws

make it
to
make the left and the right
side of the brain
argue and engage,
let it taste of the foment,
of unease, disease,
and the
coming to terms
with the
alternating au courant currents,
of fashionistas

don't forget
the final seasoning, the finishing
reasoning,
the perfect certainty
of momentary
peace

uncovered, derived, home grown,
after a thirty years war,
and the
perfect uncertainty,
you still aren't sure,
which side won
and why

some fry in nastiness,
some broil,
flaming to burn away,
some boast to roast
of the average angst
that breathing
seems to
require

some peel,
some imbibe the raw,
all get sorted

for even what
writ in haste,
all sourced from ingredients,
taking years of seconds,
in the assembling
the trial and error
the preparation,
required for living a life
cooking poetry
1/17/16
east coast
Nat Lipstadt Oct 2013
The Editor

Late in office,
sour coffee taste
the single constituent
of his yellow bloodstream,
The Editor.

Way up high,
72nd floor.

The city's twinklers mocking.

Life is ours, outside,
where explorers dare,
not inside your
cubicle.

That word, cubicle,
a sugar-substitute for
coffin.

Another 12+ day.
Empty apartment waiting.

But that no matter.

Old news, her scent,
almost unnoticeable
except for the lavender hand-soap.

On the desk, a manuscript.
A child's coloring book,
vibrant, original word verses.

The older man lived, loved words,
An editor now, by trade.

Once, he baby-dreamed.

Shaping moments in the lives
of thousands, with tastings of,
with his words.

The answer given, graded, long ago.
Offered a choice,
outrageous misfortune elected,
the arrow taken, his was the
"or not to be."

Instead,
on the desk, a manuscript.
a child's coloring book,
vibrant, original word verses.

An unsolicited gift.
By the hundreds, they arrived.

To his desk, the mail room delivered,
trained to snicker by prior generations,
at this lowly assignment.

This one different.

Original, raw,
full of ingredient-courage that
posed the questions
we all ask, answered,
in a nouveau riche way,
not a poseur-way.

Well, so well, he knew Brutus's words:

We at the height are ready to decline.
There is a tide in the affairs of men
Which, taken at the flood, leads on to fortune;
Omitted, all the voyage of their life
Is bound in shallows and in miseries.
On such a full sea are we now afloat,
And we must take the current when it serves,
Or lose our ventures.
^

His tide, his high tide, missed,
gone out

Instead at the heights, on the 72nd floor,
in the shallows, the bad miseries of
chances missed, ventures lost,
his own words, measured down,
never up,
yet he floated on a sea of others,
drowning but never dying.

On the desk, a manuscript.
a child's coloring book,
vibrant, original word verses,
a young author, unaware,
his gifts could rule the world.

Just another submission.

No one would notice,
the missed fortune,
if it were lost at sea.

Just another tsunami body,
thousands of worn words
suffocating, still born,
still dead.

Just another Brutus omission.

Another tide, washing in,
another washout day,
except for the
coloring book, someone else's
on his desk.

Dear Sir/Madam.
Thank you for bringing your manuscript to our attention.
We receive many unsolicited submissions and at this time, we are unable to...


Yours truly,


Some are artists,
Some are house painters.
Some craft, other just tidy up
the empty studios of the real.
Did the windows in his office open?
Somewhere his best effort,
paper tarnished by metallic dust,
sweat garnished,
vanquishing tears bookmarks,
a homeless one.

No place to return to,
for to be homeless,
words had to have had a home.

Whose?
His.

^ Julius Ceasar
(IV.ii.269–276)
Saw pieces of Julius Ceasar. Came home did some editing.
This corny poem, an embarrassment, came out of the the intersection.
At the crossroads, post, publish, or ****** thyself more in little ways.
judy smith Dec 2015
Weddings begin with the venue. “A venue holds everything,” says Kristin King, who is opening a new event facility, The Sloane, in Nashville’s Gulch area in 2016.

“It’s the vibe, the feeling. It’s the house for the event,’’ she adds. “It gives the whole feeling of what you’re trying to convey. Where you have an event, is to me, one of the most important things. You can dress it up however you want to, but it sends the message of what you want your guests to know about you as a couple.”

King, who has been in the bridal business for about a decade, says she envisions creating the ultimate event venue in the historic 1101 Grundy Street building. When complete, the 6,000-square-foot facility will house an office/bridal suite, glass tower showcasing the Nashville skyline, catering kitchen and double-sided elevator for vendors.

“A venue really dictates how many people they’re going to have at their wedding,” says Randi Lesnick of Nashville’s Randi Events. “If somebody picks a venue that’s great for 150 people, and they want to have 350, well that venue’s out.

“Pick the venue first, and then you can always worry about everything else.”

Book far in advance

With hearts set on the venue, plan for a date at least a year, but no less than six or nine months out from the desired date, before securing the location.

“It’s grown so fast, and I don’t think anybody knows how to deal with it,” Lesnick explains of the competition for wedding venues in Tennessee, particularly in Nashville and Gatlinburg.

“For 2016 we have almost every Saturday booked already. So if someone wants a specific date, we do recommend that they book at least a year out.”

Booking well in advance can have other benefits, says Lindsay Barrows of Custom Love Gifts and Events in Knoxville, who is also part of the Smoky Mountain Wedding Professionals Association.

“I worked with a bride who ended up saving a lot of money on her venue and some of her vendors because she booked so far in advance that when they changed their prices the following year when her wedding actually was – she had already locked in prices from the previous year,” Barrows adds.

Lesnick notes a venue could run anywhere from $2,000 to $10,000, and the overall wedding could run $30,000 to $100,000. And, if it is an outdoor wedding there should always be a backup.

“Brides have a lot of dreams,” says Sarah Anne Miller, director of weddings at Randi’s. “They look at more of the décor and the prettiness of the wedding and not really the logistical part of it. They want an outdoor wedding for 200 people in September, you’ve got to think about weather.”

Five weeks after the Omni opened in 2013, it hosted its first wedding. It had about 20 last year and seven already on the books, and there are even three scheduled for 2017.

“The typical wedding is still booking about a year out,” says Shirley Langguth, assistant director of catering at Omni Hotels. The Omni has multiple wedding ceremony locations picked out onsite, and also hosts numerous day-after wedding brunches.

More details

Once the venue is nailed down, couples can move on to every other detail that needs addressing, from flowers and dress to catering and cake.

“I want to meet with somebody as soon as they know what their venue is because there are only so many in a weekend that we can deliver and create,” says Juanita Lane, owner of Dulce Desserts in Edgehill Village, about her torte-layered wedding cakes. “Once they’ve secured the venue, then I would suggest it’s time to start looking at your vendors.”

Lane hosts two tastings at Dulce, the first one just to see if the couple even likes them. The second is when they bring out the numerous cakes, curds and frostings to create the ultimate custom confection.

Couples can now get that full-on tasting experience at Dulce Dessert’s brand new cake tasting bar.

“People can basically come in and do slices of cake and enjoy the Dulce experience,” Lane adds. “The thing that used to be reserved for brides or people having large events, the general population can do now at their leisure.”

read more:www.marieaustralia.com/evening-dresses

www.marieaustralia.com/long-formal-dresses
lmnsinner May 2018
“extra condoms” (explicit!)

a title deposited in the poem-to-do file/notebook,
with no body yet to follow through on or upon

which she tumbles to, an irresistible unrepentant
crooked finger hook line and she is sinker stinker caught,
worming in her feigned anger

current curiosity comes
fast and furious further,
demeanor—demanding
ex-explain-nations,
how could this
ever be a
poem?

stare ferocious, I am the prettiest pretense
of a pride incarnation hu-mane incarnate

call me in another language
Vasco da Gama
a sea route to India will uncover
on your worldly tattooed body,
drawing maps as we go along

devour her neck with stingless bites,
explorer voyager a rambunctious tongue undenied,
every space in and between needs  
surging surgical tastings, erupting into her indentations,
inserting her appendages into my places where they
have a business going-knowing

just in case that’s the one!

secret passageway canal holy crossing crossover

later she whacks me because the question goes unanswered
and no sheath employed when my tongued fingers are ten times
more demanding and supple and supply the exploratory course closing with spices and woven silks in Indian colors vibrations
why then,
extra?

god she is so lovely locomotive annoying!

to peak you peeking
to see your astounding astonishment,
you are our provisions for a sea voyage
and put the risk in, the trigger in,
when wherever you see the world-word,


extra
Cliff Schraibman Feb 2014
Part I -You are my top drawer man

Well I have to confess, my life has turned out quite nice to be fair.
Don’t think for one minute that I am not deeply thankful; do you think I don’t care?
There’s money in the bank and look even a new convertible outside
Zero Percent how could I resist, you would do it too if you could just feel the ride

The mortgage is all paid, so the money that’s left, it is all mine
My poor dad he worked so hard, he did lots of overtime
He held down two jobs just to make end
s meet,
And then they left and they left it all for me to spend
Bless

So I’m determined, the way they scrimped, I will not do the same
I won’t squander my life for that would be such a shame
So tonight I'm off, heading once more to one of those exotic places
Places where mankind has so far left very few traces

When one day I lie on my deathbed, Wracked by Disease and Succumbing to Pain
I will remember all those places and how I wish I could go there again
Nowhere will be where I haven’t been
On this earth there will be no wonderful sight that I have not seen

I am going now, I must get my flight
It’s the jet setters life for me, oh my what a delight,
But I just have to go and you knew this time would come, so no reason for tears
Promise to stay faithful and allay all my fears

You are the only man for me, and when I get back you and I can love again
You are my dream man and my life without you would be such a pain
You know how much I love painting the town red
We could do dinners and theatres, wine tastings and afterwards to bed

When we go out for a drink, as always you can drive
and as for me, well I will be alongside
Oh bear in mind, cash will be tight, these trips cost the earth you know
There won’t be much spare, so maybe we could just catch a late night TV show

Oh darling you definitely have a place in my life of that you can be glad
But there are things I must do and places I must go so please you mustn’t be sad
I know a man, he will come along, and luckily he lives in a drawer just below yours
I intend to open it before I head off and out he will come crawling on all fours,

I know it’s awkward but you will just have to get back inside
I won’t be gone long and when I come back you can pop out and come for a ride.
Oh and when you come over, you can put balm on my back
And afterwards who knows, you and me could even end up in the sack

What an odd question “Are you left or right handed” gosh indeed why do you enquire?
Well how should I know, I haven’t been watching and to respond to silliness I lack all desire
After all I don’t think you and I have been together for very long
Six years in June or was it April and oh my your love for me it is still so strong.
Reflective Commentary

I began writing to release myself from the ******* affair in which I was embroiled. I had always entertained grandiose ideas of the type of lover I was going to meet, blissfully unaware that my heart had its own ideas and wouldn’t see reason or comply with fantasy. I now find myself  in one of the bottom corners of an Isosceles love triangle; me being deeply in love with another person who takes self-obsession to new heights; one who neither sees, understands and indeed is incapable of acknowledging anyone besides herself. I'm ashamed to admit, she is seeing someone else as well.
This was just to be a trail run, chiefly intended to be cathartic. I wanted to help myself understand my feelings of self-loathing and jealousy; why I seem to be stuck in this awful place, why can’t I just move on, find someone else, get a life, get a new lover, get some inertia and move on. None of the self-help books about ending relationships came close to pulling me up out of my prison.
So one January night I began writing, I had a burning passion to imbibe some “healing medicine”. Thoughts were running through my head like a snake winding its way deep within me. I had to let it out, give it “air-time”. I wanted to understand my weaknesses and see them in “daylight”.
I wrote through the night and when I was done, I realised I was no longer in pieces, letting my heart flow to my fingers had somehow changed me; I was now an accomplished artist who could sing from his own soul.
It was then, however, I realised that I actually hark back to an “old school” one that is described in BRB as “Northern Ireland Rhyming”. I felt compelled to make each couplet rhyme according to some old fashioned scripture that is rarely used today.  Free-form didn’t do it for me, who would know it was a poem, it could be anything? I needed to ensure that mine looked and read like a poem. In hindsight, I actually think I lacked the confidence to let it exist in free-form.
Initially the first stanza of my poem looked lame: -
Well life is pretty good to me
Money in the bank
A flash new convertible
Mortgage is all paid
And here I was hoping to make the first stanza rhyme and take it from there, well good luck I thought.
After much persistence and juggling words, I managed to get the last words on each couplet to rhyme. I did have to sacrifice one verse, which I had grown attached to, being unable to find matching pairs that delivered the same blows of arrogance: -
So I'm determined not to die,
Not to die without having lived
I painstakingly avoided “We” or “Us” and especially eschewed the word “ours”.
I devoted time agonising over “Ends” and “Spend” in the second stanza, but came up with a workaround by playing with “Form”. So the “s” at the end of ends, ended up on the next line, as her parents were unable to make ends meet hence the “end” and its “s” don’t meet.
Nat Lipstadt Mar 2
“This Insubstantial Pageant Faded”
(spoke by Prospero, The Tempest, by W. Shakespeare)^

<>
Our words are all actors,

a long run, run its course,
our long playing record,
scratched, love~worn to
worn out extremity, yet
yeoman service did offer,
extreme only in magical
transforming plain sight
into visions, a legacy,
bent gray, tarnished by
weary wearing aging,
their brief sparks now
but reclamation flares of
burst lights of waning days
in short lived tastings of what
was and can be nevermore

everyone’s magic has its preset
timed timing, and with
every day, each a concentric
ring marked and hallowed,
a heartbeat ring narrower
than its predecessor,
a shallower hollow,
a fair represent of both
all that came our way, and that
we resent with no resentment
into a cloud capped atmosphere
for all to ****** from a flailing,
flying breeze, their brief gleam,
multiplying, thus envisaging,
illuminating the manuscript of our
hinted future forward’s next percept


“And like
this insubstantial pageant faded
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep”
^
Prospero’s speech at the end of
, The Tempest, by William Shakespeare

Sabbath
March 2 2024
8:22am
Macstoire Mar 2014
It started well, so cleanly
Soaked in Lush stuff she soothed the aches
Whilst wife was meanwhile cooking a treat
Cider soaked pork and apples
The taste was tremendous
Precedent set for the night ahead

Feeling cool as ganstas we bopped and grinded
To hip-hop only Jurassic 5 could please me with
We were few female amongst a crowd of masculinity
And we relished the imbalance
Flirting my way to the front of the bar
I reignited my relationship with the favourite Jaegar-Bomb
And there dust settled upon the cleanliness

Things turned hazy but in a good way
Post gig we flooded onto the streets of Brixton
And drank the finest foreign beers from an overflowing alehouse
The company was our long-missed men-friends
And yet we still meeting more
As we shared the ingredients to ***** our lungs
They asked for 50 shades of grey in return for rizla
So I rose to the challenge in my half-cut state

This time is was always my intention to wash the weekend down wildly
And starting Thursday this premature session could progress to only place
…the Queens Head
Where dust turned to grime as snapshots of evidence
Prove it was on the credit card that those Jaegar-Bombs were paid
Time and time again
We had become team-mates and it was time I fed them
So we muddled back to my place
Trumpeting our voices through the building
As I served slow roasted pork from glasses
Apparently felt good choice
But next day our melted fingerprints disagree
Our heads also disagree with the antics
And it takes two rounds of tablets to numb the pain

Before later forcing recovery as in Shoreditch we start again
Gathered at Bettys we watched music played
Our rumps rested on armchairs upon the pavement
We continued drinking until the early hours of the day
Then searched for somewhere to take us on the dance floor longer
After only brief grimes of movement and Jaegar
Our night ended abruptly to our dismay
Instead had my first take of kebab
And went north where *** took the night away

Once again woke next morn in bed with man-friend
No memory but surely not in a **** way
Now the skies ******* a mocking mirror of our livers
It seemed a sign to sink further
And the finest ****** Mary led the way
And together sat on sofas we philosophised subjects that we deemed great
Then we ogled sparkly get ups
With prices that we couldn’t afford to pay
So went south to join more friends whose film we met to celebrate

The beginning of the end of madness
Needed cocktails-all we could tolerate
We had formed a tribe of friendship
And we hunted somewhere to prolong the rave
By now all sense of cleanliness long-time washed away
So a downstairs dive provided venue fit for our friendships to extenuate

Then outside met a generous stranger
Who offered tastings that lead our minds astray
Our insides dirtied beyond belief
But sprits high so when we stumbled upon a private party
We were welcome guests to join their birthday

What happened next I needn’t say
For inevitably it had become Sunday
So ***** now we were beyond grey
In wife’s bed I lay
Whilst my insides showed their dismay

This would take some cleaning
June 13-15th 2013
blurbs, suburbs, writings, hasty tastings, fibres and frame, grilled, softened, appreciated, excruciatingly talented, genuis, hocus pocus spelled incorrectly, ironiclly, at the end of a misplaced magic trick, houdini in a fix and liking it, holden Caulfield with a girlfriend and a glass of champagne, mesmerized landscape architect workers tracing billions of samples and coming out insane, sane ****** monsters with no idea of where to turn to next, bottles of budlight, a crucifix,
misplaced, erase one memoiry, and another one emerges, out of a cloud, and it sits there for awhile, assured of itself, then once again, drops out of the race, a low bass chord, and the protagonist character takes a drag of his cigarette, and it’s all over
Saumya Sep 2017
Your eyes
My eyes
..Staring, gazing , watching us..

Your lips
My lips
..Tasting, relishing the sweet us..

Your face
My face
..Moving here, there, caressing us..

Your neck
My neck
..Embracing, bitting, and licking us..

Your ears
My ears
..bittibg, *******, licking us..

Your shoulders,
My shoulders,
.. Pressing, compressing, cupoing moving deep in us..

Your stomach
My stomach
...Pressing, pressing us...

Your fruit
My fruit
... rubbing, mixing, shaking, dancing, going deep, making us, 'us'...

Your hands
My hands
...touching, pressing , caressing us..

Your mouth,
My mouth
..Moving up and down
Sharing the juices on & on us...

Your tongue,
My tongue,
.. Travelling, tastings, relishing the depth of us...

Your thighs
My thighs
...Clenched, entangled in each other's ..

Your body
My body
...*******, discovering, relishing, ...
The love
The lust
The hunger
The thirst
And the hot Furnace is us.

You
Lost in me
I
Lost in you
We
Lost into each us.

I am in  you
You are in me
And we are
'Into us'
*Smiling
Sensual & ****** .

Lemme know how it was :) Thanx for reading.
The interpretation
of biblical equations
led to justified discrimination
And subsequent *******
including horrid abominations
committed by all the world’s nations
(which are simply human’s creations)
faking focus on all of the news stations
pretending to help all of those poor Haitians
until it forgot them too with such elation
As to turn your head no longer facing
the bullets and shell casings
leave you running and pacing
until cops are slowly tracing
your body in chalk
No more wine tastings Mr. Hasting
because you drank too much
and can’t talk.
Now your stalking your ex’s
and killing all in sight
“lord please protect us!”
From Moral assault in west Texas
brought to you and directed
by the world’s democratically elected
Except I figured it out
after I prodded and dissected
what is lauded and protected
the diseases of this world that are financially connected.
That Jesus will never be scientifically resurrected
and even with this conclusion
I am still being spiritually affected.
The END.
Ayla Mae Oct 2018
Soft skin
requires gentle lips.
Sweet lips deserve
delicate tastings.
Gentle moans
are meant to come in
matching pairs.
Curving spines
meet trailing fingers.
Hands run along
sweet skin.
Mine.
Hers.
All of our heaven.
In one moment.
These create her sighs
that are mine.
going as i see fit
working the inside
wonder as purpose
nearer my self to thee
dreamfuel merepond

relaxed as i near
my path becomes me
color and sound
and bright tastings

follow my fingertips
as they trace
their own ways
through spirit
wandering smile
stardrift and space

eyes wide twinkling
with admired images
of those things loved and loving
their own recreation
in my singular
and most individual mindlight
We are pushed by
out-of-date clothes,
chased by boldly printed scarves,
shoved by trinkets
and lozenges.

St. Remy’s market bustles
in the morning sun.
Massive crowds craving
bargains. It is
a festival day.
Vendors lace the cake with
eternal candles, turned off
shortly after noon.

We wander through the
giddy ambiance, peer at the
high-priced wares, wary
of being taken for tourists.
Art, cheese and spices
catch our eyes. We
take home paintings,
etchings, nougat.
We nourish the local
economy.

A church hovers on
the brightly colored fringe.
Its steps a convenient
respite from the madding
crowd. I taste
cheeses, meats, candies
and foie gras.

A twinge of conscience:
Innocent geese gorged
on grain.
Farmers work hard to
achieve the right-sized
livers: bloated.
They can their product,
stamped with primitive
labels.
An immoral delicacy
proffered on tasting sticks.

Euros drop like flies
from my wallet, emptying
it. In search of cash,
we discover antique
wine-tastings cups.
Burgundy tinged with
pewter.
Materialism thrives in
every crammed, covered
booth. Bartering for
prices the hard truth
of commerce.

Who knows a value when
you see one?
Who needs another object
to shelve?
Yet we buy, buy, buy, eyes
weak against temptation.
Humble elegance especially
earns a tip.

— The End —