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Rob Urban Jun 2012
Lost in the dim
streets of the
Marunouchi district
I describe
this wounded city in an
  unending internal
monologue as I follow
the signs to Tokyo Station and
descend into the
underground passages
  of the metro,
seeking life and anything bright
in this half-lit, humid midnight.

I find the train finally
to Shibuya, the Piccadilly
and Times Square of Japan,
and even there the lights
are dimmer and the neon
  that does remain
  is all the more garish by
contrast.
I cross the street
near a sign that says
  "Baby Dolls" in English
over a business that turns
out to be a pet
  shop, of all things.

Like
the Japanese, I sometimes feel I live
in reduced circumstances, forced to proceed with caution:
A poorly chosen
adjective, a
mangled metaphor
could so easily trigger the
tsunami that
    sweeps away the containment
             facilities that
                   protect us
                        from ourselves
                                                            and others.
  
The next night at dinner, the sweltering room
     suddenly rocks and
        conversation stops
                  as the building sways and the
candles flicker.

'Felt like a 4, maybe a 5,'
says one of my tablemates,
a friend from years ago
in the States.

'At least a five-and-a-half,'
says another, gesturing
at the still-moving shadows
on the wall. And I think
     of other sweaty, dimly lit rooms,
      bodies in slow, restrained motion,       all
          in a moment that falls
                         between
                                     tremors.

         Then the swaying stops and we return
to our dinner. The shock, or aftershock,
isn't mentioned again,
though we do return, repeatedly, to the
big one,
         and the tidal wave that
                           swept so much away.

En route to the monsoon
I go east to come west,
   clouds gathering slowly
     in the vicinity of my chest.

Next day in Shanghai, the sun's glare reflects
  off skyscrapers,
and the streets teem
with determined shoppers
and sightseers
wielding credit cards and iPhone cameras, clad
in T-shirts with English words and phrases.
I fall
          in step
             beside a young woman on
                 the outdoor escalator whose
shirt, white on black,
reads, 'I am very, very happy.' I smile
and then notice, coming
down the other side,
another woman
wearing
        exactly the same
       message, only
                        in neon pink. So many
                                  very,
                                          very
                                                 happy people!
Yet the ATMs sometimes dispense
counterfeit 100 yuan notes and
elsewhere in the realm
      police fire on
      protestors seeking
                more than consumer goods,
while officials fret
about American credit
and the security of their investments, and
     the government executes mayors for taking
                       bribes from real estate developers.
    
    A drizzle greets me in Hong Kong,
a tablecloth of fog draped over the peaks
   that turns into a rain shower.
I find my way to work after many twists and turns
through shopping malls and building lobbies and endless
turning halls of luxury retail.
               At dinner I have a century egg and think
of Chinese mothers
urging their children,
'Eat! Eat your green, gooey treat.
On the street afterwards, a
near-naked girl grabs my arm,
pulls me toward a doorway marked by a 'Live Girls’
sign. 'No kidding,’ I think as I pull myself carefully
free, and cross the street.

On the flight to Bombay, I doze
   under a sweaty airline blanket, and
       dream that I am already there and the rains
         have come in earnest as I sit with the presumably
           semi-fictional Didier of Shantaram in the real but as-yet-unseen
            Leopold's Café, drinking Kingfishers,
              and he is telling me,  confidentially,
                     exactly where to find what I’ve lost as I wake
with the screech and grip of wheels on runway.
            

     Next day on the street outside the real Leopold's,
bullet holes preserved in the walls from the last terrorist attack,
I am trailed through the Colaba district
by a mother and children,  'Please sir, buy us milk, sir, buy us some rice,
I will show you the store.'
    A man approaches, offering a drum,
                        another a large balloon (What would I do with that?)
A shoeshine guy offers
                                           to shine my sneakers, then shares
the story of his arrival and struggle in Bombay.
     And I buy
             the milk and the rice and some
                      small cakes and in a second
                          the crowd of children swells
                               into the street
               and I sense
                     the danger of the crazy traffic to the crowd
                         that I have created, and I
think, what do I do?
           I flee, get into a taxi and head
                             to the Gateway of India, feeling
                                                                                  that I have failed a test.

                                       My last night in Mumbai, the rains come, flooding
     streets and drenching pavement dwellers and washing
the humid filth from the air. When it ends
           after two hours, the air is cool and fresh
                                  and I take a stroll at midnight
          in the street outside my hotel and enter the slum
   from which each morning I have watched
the residents emerge,  perfectly coiffed. I buy
some trinkets at a tiny stand and talk briefly
      with a boy who approaches, curious about a foreigner out for a walk.

A couple of days after that, in
the foothills of the Himalayas,  monks' robes flutter
on a clothesline like scarlet prayer flags behind the
Dalai Lama's temple.
I trek to 11,000 feet along a
narrow rocky path through thick
monsoon mist,
   stopping every 10 steps
to
   catch
        my  breath,
              testing each rock before placing my weight.
Sometimes
    the surface is slick and I nearly fall,
sometimes
    the stones
        themselves shift. I learn slowly, like some
             newborn foal, or just another
                clumsy city boy,
                   that in certain terrains the
       smallest misstep
                            can end with a slide
                                             into the abyss.
                  At the peak there's a chai shop that sells drinks and cigarettes
                                of all things and I order a coffee and noodles for lunch.
While I eat,
      perched on a rock in a silence that is both ex- and
      in-ternal,
the clouds in front of me slowly part to reveal
a glacier that takes up three-quarters of the sky, craggy and white and
beautiful. I snap a few shots,
quickly,
before the cloud curtain closes
again,
obscuring the mountain.
                                                
                                     --Rob Urban: Tokyo, Shanghai, Mumbai, Delhi, Dharamshala
                                        7/13/11-7/30/11
Tim Knight Jan 2013
What did you do to your hair?

It is not fashion or regarded as a
good sight, for sightseers whom fight
for the best sight to see.

Nor is it complementary to your main meal face,
no condiment would ever accompany you,
let alone a boy in a start of the month, moon-a-new,
relationship-race.

It is not natural, nor be it an attempt to
blend into your surroundings at large,
as a red and blue fringe
will never be camouflage.

So, what did you do to your hair?
coffeeshoppoems.com
Maisha Jun 2013
Even he was envious of her solitude. She was never not cloaked in the warmth of her own bubble. She was consoled in a demure susurrus, and never missed a kiss with the mist of air, alluring every inch of her body to coalesce with ethereality. Her skin shivered. So did his. How did the stillness linger amidst the commotion, the row, the function? It was inevitable. He almost believed she was only a feast for the sightseers, a prey for those who despised idleness at night. But good God, did she move! Did she swing her fingertips in a melodious number! Did she blink her emeralds to blind those with unfortunate, degraded gems! And did she turn to look and lift the corners of her lips, into a form that could be misconstrued, both if it were and were not responded! And did his body defy his mind, when he could only see her go, and witness his failure to speak and his success to listen. And did his mind defy his heart, when the path to his love was obstructed by the thoughts of no one but his own.
When silence becomes everything but
and friends walk in strangers' shoes,
time slows and yet moves
beyond mere comprehension,
should you be worried?
Maybe when confusion murders reason
and takes the crown to amazing applause from onlookers
and sightseers, which only leads to dreams
becoming reality, will you be worried.
Because without reason the dreams never were,
they simply are
- nightmares.
Insanity starts to make sense
and one brown eyed girl cries
tears of compassion for what
will never be the same again.
Tyler Nicholas Dec 2012
I was perched
high above the busy market streets
in the stone wall trees
across the street from your favorite cafe.

You took a seat in the patio
that overlooked the sightseers
living in the moment,
and the photographers
trying to capture the time that was moving too quickly-
knowing this moment could last forever.

I morning light was radiant
in your dark brown hair
like a glimmer of concealed hope
that you and I both share.

I glided down from my arboreal
with my wings - blemished and fragmented,
yet cheerful and warm -
dancing in the warm sea air.

I landed on the rooftop
and I sang to you,
like you've always imagined me doing.

You smiled. A sublime sight to see.
And you closed your eyes and listened,
and breathed,
realizing that time is moving too quickly,
but knowing you can capture this moment

and make it last forever.
I envy my feathered friends.
Nat Lipstadt May 2013
Six Minutes

Created: Jun 18, 2011  2:27 PM

Finished: Jun 18, 2011 2:33 PM
-----------------------------------------------

In every breeze, in every blade waving to me,
I hear the poetry that encompasses;
the insects brushed off my tattered t shirt
are eavesdroppers, premature sightseers,
over-the-shoulder peekers,
wanting a preview of what has just been scored
and written up and how big a part they have.

shadows upon the lawn,
dancing a modest but frothy salsa,
my heart lips speak peace unto us all
and my eyes see my dear ones, beside me,
in my envelope of words, you are embraced:

to all, I say now you are bound to me
by thoughts of tenderness no lawyers can sunder,
that needs no caveated blessing from
city clerk or prepaid spiritual diviner.

my forked branch twitchs where wells,
nay, reservoirs of all cherished natural vitals
are awaiting for us to drill and drink,
raw, direct to the bloodstream,
which when warmed by a warmth
I have no words to describe other than
it is given and stored within for consumption
when sad moments arrive,
and when called upon, restores and soothes
when hugs and words cannot,  
but for now, for knowing, for keeping.

you though distant, grow closer,
and I will ride through the nite
with two lanterns to announce our reunification
after so long, what could be better
than to fall upon your neck, and lips parted,
whisper words of thanksgiving
Bryce Perry Jun 2015
New dams built in the dawn of an amateur city,
Its residents eager in ****** the tremulous land,
The smooth, serene landscape of an earthed panorama
Seen bladed and ****** under the hands of its sightseers,
ditch diggers,
An industrial graveyard
Bones of Gaia shattered over the boiled sunlit desert
Tyler May 2022
deeper privacy
is not always meant
for surfaced eyes.

secrets lain bare,
what more could I
stand to lose?

a dive, a plunge.
i take it next to sheer
rock wall.
Isabella Terry Apr 2019
My bare feet pace the same dust again
In this prison of old, weathered wood
And shattered china that was priceless once

Value is fleeting
Freedom is temporary
Why do you all take it for granted?

Sightseers are waiting for me downstairs
Another audience fascinated by the macabre
Expecting a grand performance
From me, the circus animal
Oh, how I mourn my dignity

I know how this story ends
It happens every time
And yet, my cold feet pad down the staircase again
As if new characters will change the denouement

My fingers brush against the blood-stained paintings
Portraits of those long dead
Swallowed by eternal rest
How I envy them

I step into the ocean of shattered glass without so much as a second thought
Here I am
I hope you're entertained

They stare at me with their terror spangled eyes
Some sort of sick intrigue
Their mouths ajar, spilling deafening breaths
Their scent and sound and image so sharp
I am hazy and dull, unfocused
But they are cuttingly crystal clear

Help
Can you help me?
I'm alone, and injured, and trapped
My hair is sticky with blood
You have to get me out of here

Please don't leave me alone again
Why are none of you LISTENING to me!?
I've been through this before
My voice is muddled, nothing more
Than an underwater scream

And it chased them away
Leaving me to wander the abandoned hallways again
There is nothing else to do
Nothing

The dust does not part for me
The oaken floors of the upstairs welcome me back
To the reality that I am trapped
In a prison of wood
And of my own ancient mind
Barton D Smock May 2017
[parade for sorrow]

I miss
blinking



[imp]

the man digging in his yard is looking for his dog. this is my lucky window. in this much silence, a baby could get a tooth. a mom a finger if a car door slams. the man digs and the ice comes for its heartbroken road. wounds move in a deerless world.



[born]

disguised
as

as if
I would know



[access verses]

a classroom, a house

but never
the ghost
of a church



the boys
they play
scarecrow
loves
horse, and the girls

the shepherdess
on a boat
names her dog



hey, distance

lose
the baby

(says
the empty
box)



[holding the baby]

a deleted voicemail of a boy asking his mom how to prepare a past meal. my handwriting an insect I want the best for. dream and the moth it won’t finish.



[vespers]

them raccoons out there is tarrying

up

yr bible



tearin



border: my eyes can’t stop what the back of my head is eating

mirror: a godless hyphenate



my man is a body whose moon is vacant



they is out there to flood

sightseers

with basilisk

****



in the valley of my choking
the fingers of my father
are going
dog’s-collar
purple



out-the-way churches. and acne



[declination]

in forgetting how many to save, god wants to know

are you still
seeing

things…

I remember the animal, the appropriate

mask…

once held, is the baby
less
wild

is the room
in the room



[sympathizer]

the many plain
sons
of god
their parking

tickets



[the mud on god's cheek]

at birth we are given a ladder we can’t see.

our feet

bare



[animal masks on the floor of the ocean]

mouse, teacup of the missing stork-

owl, lamb of night-

this was god. he was sad and everyone noticed.
There’s something of the
Sierra Madre about her,
tall
begging me to fall
within her
forever.

But
I’m in the Sierra Nevada
at Fredonyer Pass
heading South towards
Tehachapi
and our paths
will never cross.
Soothsayers
sightseers
hands up all you volunteers
we're going in

when time is thin upon the ground
and
frost is thick within the air
and when your heart begins to pound
nobody hears 'cepting the volunteers
but they'll skate or skirt around you
if you don't sign up on the line

I was a time back time ago
when I wanted to but didn't know
the password

she passed word
I passed wind
(nerves)

We were, are and the volunteer
where each hand up is
one more
slice of cake and tea dear?

Madness always trips the brave
save me and I'll be the slave
you never wanted
never had
save me or I'll go quite mad
and be a volunteer
here
hear
another volunteer

and then towards the end of times
volunteers stretch out in lines
to fill some gap
but find too late the gap
is sprung and was in fact the trap
to trap the lot of them, those
who never saw the writing on the wall,
too busy righting wrongs
or singing
scout camp songs
to notice anything.
Even the animals are 'woke' now and offended when locked in a cage, wow!
they want to walk among the tourists
mingle with the sightseers
and for the lions,
it's like meat on the bone and maybe a couple of beers
to wash it down,

the penguins are cruising and p p p picking up penguins,
polar bears are refusing to sit on cool mints and any hints you may have had about monkeys acting awfully bad
were right,

the vultures have gone vegan and they're all sitting out in the garden playing canasta with the gnu which is news because perhaps it should be gnus,

yes, 'woke' is coming of age and we're doing away with the cage.
Soothsayers and goody two shoes.


sightseers
hands up all you volunteers
we're going in

when time is thin on the ground and
frost is thick in the air
and your heart begins to pound
nobody hears 'cepting the volunteers
but they'll skate or skirt around you
if you don't sign on the line

I was there for a time
some time back ago
when I wanted to,
but didn't know
the password,

she passed word
I passed wind
(nerves)

We were, and are the volunteer
where each hand up is
one more
slice of cake and tea dear?

Madness always trips the brave
save me and I'll be the slave
you never wanted
never had,
save me or I'll go quite mad
and be a volunteer
here
here
another volunteer

and then towards the end of times
volunteers stretch out in lines
to fill some gap
but find too late the gap
is sprung and was in fact the trap
to trap the lot of them
who never saw the writing on the wall,
too busy righting wrongs
or singing
scout camp songs
to notice anything.
They'll be filling the grand canyon
building several platforms too
inviting all the sightseers to
get a better view.

The Modus Operandi of
I got a better job,
do as I say not as I do
or you'll get smacked in the gob.

it's all being taken away
the greatest wonders of the day
and in the future when we wonder who
we'll still have platforms for the view.

— The End —