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"sheddings" poems
I. This is a poet of the river lands, a lowdown man of the deepest depth of the valley, where gravity gathers the waters, the poisons, the trash, where light comes late and leaves early. From the window of his small room the lowdown poet looks out. He watches the river for ripples, flashes, signs of beings rising in the undersurface dark, or lightly swimming upon the flow, or, for a minnow, descending the deeps of the air to enter and shatter forever their momentary reflections, for the river is a place passing through a passing place. The poet, his window, and his poems are creatures of the shore that the river gnaws, dissolves, and carries away. He is a tree of a sort, rooted in the dark, aspiring to the light, dependent on both. His poems are leavings, sheddings, gathered from the light, as it has come, and offered to the dark, which he believes must shine with sight, with light, dark only to him. II. Times will come as they must, by necessity or his wish, when he leaves his enclosure and his window, his homescape of house and garden, barn and pasture, the incarnate life of his desire, thought, and daily work. His grazing animals look up to watch in silence as he departs. He sets out at times without even a path or any guidance other than knowledge of the place and himself as they were in time already past. He goes among trees, climbing again the one hill of his life. With his hand full of words he goes into the wordless, wording it barely in time as he passes. One by one he places words, balancing on each as on a small stone in the swift flow in his anxious patience until the next arrives, until he has come at last again into presentiment of the Real, the wholly real in its grand composure, for which as before he knows no word. And here again he must stop. Here by luck or grace he may find rest, which he has been seeking all along. Sometimes by the time’s flaws and his own, he fails. And then by luck or grace he will be given another day to try again, to go maybe yet farther before again he must stop. He is a gatherer of fragments, a cobbler of pieces. Piece by piece he tells a story without end, for in the time of this world no end can come. It is the story of eternity’s shining, much shadowed, much put off, in time. And time, however long, falls short. Wendell Berry's most recent books include It All Turns on Affection: The Jefferson Lecture and Other Essays, New Collected Poems, and A Place in Time, the newest volume in his Port William series.
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Jun 30, 2014
Jun 30, 2014 at 11:30 AM UTC
From Sabbaths 2013—by Wendell Berry
I. This is a poet of the river lands, a lowdown man of the deepest depth of the valley, where gravity gathers the waters, the poisons, the trash, where light comes late and leaves early. From the window of his small room the lowdown poet looks out. He watches the river for ripples, flashes, signs of beings rising in the undersurface dark, or lightly swimming upon the flow, or, for a minnow, descending the deeps of the air to enter and shatter forever their momentary reflections, for the river is a place passing through a passing place. The poet, his window, and his poems are creatures of the shore that the river gnaws, dissolves, and carries away. He is a tree of a sort, rooted in the dark, aspiring to the light, dependent on both. His poems are leavings, sheddings, gathered from the light, as it has come, and offered to the dark, which he believes must shine with sight, with light, dark only to him. II. Times will come as they must, by necessity or his wish, when he leaves his enclosure and his window, his homescape of house and garden, barn and pasture, the incarnate life of his desire, thought, and daily work. His grazing animals look up to watch in silence as he departs. He sets out at times without even a path or any guidance other than knowledge of the place and himself as they were in time already past. He goes among trees, climbing again the one hill of his life. With his hand full of words he goes into the wordless, wording it barely in time as he passes. One by one he places words, balancing on each as on a small stone in the swift flow in his anxious patience until the next arrives, until he has come at last again into presentiment of the Real, the wholly real in its grand composure, for which as before he knows no word. And here again he must stop. Here by luck or grace he may find rest, which he has been seeking all along. Sometimes by the time’s flaws and his own, he fails. And then by luck or grace he will be given another day to try again, to go maybe yet farther before again he must stop. He is a gatherer of fragments, a cobbler of pieces. Piece by piece he tells a story without end, for in the time of this world no end can come. It is the story of eternity’s shining, much shadowed, much put off, in time. And time, however long, falls short. Wendell Berry's most recent books include It All Turns on Affection: The Jefferson Lecture and Other Essays, New Collected Poems, and A Place in Time, the newest volume in his Port William series.
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December's red chambers had little bells made of silver. A celebrated black-out i call it, till the following year's hustle period revives us back to the usual struggle. It is a period to eat the fattened animals, if you dont get your share, its nothing personal. White and wet sheddings falling from the sky un-ending. So beautiful and warm a season, lots of visits to be made and gifts exchanged. Wet and wild kisses amongst couples. Sweet smothering at its peak at night. Surrender and be engulfed by the wild fires. Passion tastes like candy. We'll do this till day light finds us.
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Nov 6, 2013
Nov 6, 2013 at 3:15 AM UTC
Promising December
A periwinkle snap of the fingers A glazed-over, ungazed-at afterthought of a dimwitted maker Allowing only specks of atmosphere to puncture through for gasps of air An assassination without capacity for reflection or modesty. Broadening my horizons, my eyes adjusting to the sun's sheddings, I notice the satin ribbons of the west, trotting over the hills, blood-lusting, Roaring in anticipation of the persecution of the dry, dusty chandelier to the north Forcing the lumination, Breaking open the porous night-covering threatening to its final breath The self-mutilation to bring it and its 3 navigational acquaintances to the bone-encrusted, sadistic Hell of the humans, modern-day Terra, the disease-laced, frayed blanket of Gaea. And as I viciously avert my eyes as the first blow finds a weak exposed abdomen, I pray to God that I might participate in this brawl, And I curse high heaven that it is so fateful a dusk.
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Jul 15, 2014
Jul 15, 2014 at 1:39 AM UTC
On a cloudy July 11th
Illusions of thy presence Love, thy dwellings in self illusions Fabricating for souls Belladonna your favourite peace offerings Your speaking smile Explicit words of happiness Estatic feelings thou brings Enchantments a layer thou hides Thou sheddings of light Deceiving men and their deeds Postering love Forgetting life's hatred Happiness Your best addressed to all pains Hope Your cunning way to thou's enchantment Promising Euphoria A place thou led us there not Written by Tosan Oluwakemi Thompson
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Oct 8, 2020
Oct 8, 2020 at 9:26 AM UTC
A Disguise To Happiness
When the day comes that I am asked, "what would the cure to all of your troubles look like?.." I will reply, " he wore eyes of green and skin tanned like leather. With a cushion heart sealed tight inside his chest. He is like a first snow draping across the pines, or a scrape made in an old oak. He's a sign, not that winter is coming, or if velvet sheddings. No. He's more chivalrous, a new chapter. When that day comes I know he looks like everything I've ever lost come rushing back at me.
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May 2, 2019
May 2, 2019 at 1:07 AM UTC
Cure for thought
I used to cry at the thought of the hurt you put her through. Now, I am abhorrent to the thought of putting her through that again. I now mourn the loss of the pain; the death of the passion. No matter how visceral the feeling or how thick the air became; she begged the warmth in her throat to withdraw to her stomach. The fire laid in wait there, already crackling. No amount of teardrops could fizzle the burning desire to be understood harder… or deeper… or despite. I recognize exactly where she had been; so utterly gone with only my witness account of where she had been. Since the dust has settled all that remains is a vast and empty dwelling littered with her sheddings. The pain had grown inside her, morphing and contorting her familiarity into something new. Something seemingly broken.
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Dec 29, 2024
Dec 29, 2024 at 11:30 AM UTC
The Past That Still Haunts