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Nat Lipstadt Jul 2018
~for granddaughter Wendy on her first birthday~

mailman delivers a
a small bubble wrapped envelope,
an internet purchase made a long sometime ago  
accompanied by an enjoyable, self-served and self-serving,
"you're a good fella"
          pat on the back        

a spurting act of the what-the-heck,
trigger pulling, self-pleasuring,
donating a few bucks to saving poetry,
****** in by a suckers click bait

sent money to the
   keepers of poems;   
they even give something
in return.

sensible pencils.  

a non-rational purchase;
@ $6 dollars per leaded squib,
a wooden helping kiss rife with possibilities

all for a goodly cause
preservation band society poetic

this one-and-done impulse many weeks ago, 
followed by an immediacy forgeting,
then, an eye stabbing,
a widening wow weeks later
upon receipt
of an unexpected 5 pencil's all poems poetry reciting!

5 pencils. No. 2’s,
on each a phrase,
a poet's name and their singular words parsed
(see the notes).

paired passages from five poets,
deemed and distinguished to be
commemorated-worthy
and
what's more apropos than a dangerous  instrument of a
loaded leaded pencil,
that can be used to add to the  
Ever Expanding Universe of Verbal Liturgy
("and I helped")
.
once briefly dusted off the top of closeted dreamy days,
my notions of acclaim gone, silly gone,
my only marks now are erasures,
tiny rubber sheddings on paper
that's my marker,
a minus mark of deletion.

may yet come the day,
one will one gather up the
many survivors,
poem fauns, all my orphans,
give them to the
Wendy baby,

first,
she to metamorphose those
baby squeaks and  giggles,
weighty weightless poem noises,
clapping, waving, delighted and delighting, kiss-throwing videos and that milk covered face,
into her own living words

all these noises that makes even non-poets
smile ear to ear unabashedly,
nodding in delight agreement
to her own non verbal
original poems
:
perhaps
one day a little girl
will stumble on five pencils,
mixed in within fifteen hundred poems not particularly well hid,
between worthless insurance policies and other artifacts,
memoirs and pointless depositions,
hid between her older sister and brother's
crayoned keepsakes


  with pointed newly sharpened pencils
the very same,
this,
his Wendy,
might add
to the grandpere's poem collection with
pencils begging to be used,
for they are generationally and genetically,
pre-poetically enabled,
weighting the old memories
with new ballast and new balance,
from new verbal babies
all of her own.
What happens to a dream deferred?  Langston Hughes
Won't you celebrate with me? Lucille Clifton
Do I dare disturb the universe?  T.S. Eliot
I'm Nobody! Who are you? Emily Dickinson
Where can the crying heart graze? Naomi Shibab Nye

poets.org
T Zanahary Aug 2012
If my canvas was removable
I'd have snakeskin sheddings
piled at my feet
tattooed by a pen in
languages I'm still learning.
Lessons may have missed,
but concepts still birth
third-eye conception,
without static
the reception looked perceptive
but lacked the proper method of thought,
though those with lacked grasp
are gasping to breathe,
are constantly seething
in serial reading,
your glasses reflect crystal *****.
Distortion skewed what you said,
proportionately blowing away my thoughts
with what wrath you wrought,
temper tempering timid temerity
to take tricks to the thoughtless actions
making affairs public
and tricks tickets to freed selves.
I'm tired of feeling like an addict,
your trips to town
leaving me shaking,
the absence
a strong shot of absinthe
followed by detoxification
of my blood
and thoughts.
Atrophy caused apathy
and heart-rot.
This shaking has to stop
or these words will forever
go unread.
Lines becoming waves
I'm seasick off thinking,
sea, I'm sick of thinking,
sick, I'm sea, cool blue
holding vast universe
and creation claimed creatures
in crevices buried
under self.
Thunderheads strike me
with glimpses of brilliance
as they reiterate what already was,
composing a self-made being
prophesised by ancients
who became whole,
a collected conference of ne'er-do-wells
and great lakes of depression
mistaken as puddles when the clouds
reanimate their deadened self
with soul of we,
with ***** and spirits,
both happy and deadly
lost only in the way
they lost self
to selfish thoughts
of a growing (m/w)e.
And when essence is discarded,
replaced by common cents
or otherwise deemed useless
we are left to wonder,
who's this?
Eyes
look, nearly censored
by silver backings and
dulled centers
seem lacking in humanity,
left more to primal urges,
hunting for those thoughts
left behind and gathering
pieces of rotheart
to rekindle that passion we've forgotten
after complacency compromised
our composure,
leaving heads slung in hopes of finding
a small piece of fragmented earth
in which to glimpse
a reflection of our core.
It lies dormant, though not dead,
we fear eruption of emotional enticement,
instead sleeping giants be we,
volatile and awe some,
do not catch eyes
lest we be the last things seen,
two peaceful for something not known
in the unknown languages
that cover us,
nor seen in the depths
of collective conscious,
though treating us apart,
hair by hair,
limb by limb,
being by be ing we are separating,
nay, unraveling,
untangling me from the complications
of we
only to see we
are incomplete and
alone.
Broken to pieces it's easier
to accept
the whole of who we are.
This piece was featured in Penny Ante Feud 9: Supply and Demand.
LJW Jun 2014
I.

This is a poet of the river lands,
a lowdown man of the deepest
depth of the valley, where gravity gathers
the waters, the poisons, the trash,
where light comes late and leaves early.

From the window of his small room
the lowdown poet looks out. He watches
the river for ripples, flashes, signs
of beings rising in the undersurface dark,
or lightly swimming upon the flow,
or, for a minnow, descending the deeps
of the air to enter and shatter
forever their momentary reflections,
for the river is a place passing
through a passing place.

The poet, his window, and his poems
are creatures of the shore that the river
gnaws, dissolves, and carries away.
He is a tree of a sort, rooted
in the dark, aspiring to the light,
dependent on both. His poems
are leavings, sheddings, gathered
from the light, as it has come,
and offered to the dark, which he believes
must shine with sight,
with light, dark only to him.


II.

Times will come as they must,
by necessity or his wish, when he leaves
his enclosure and his window,
his homescape of house and garden,
barn and pasture, the incarnate life
of his desire, thought, and daily work.
His grazing animals look up
to watch in silence as he departs.
He sets out at times without even
a path or any guidance other than knowledge
of the place and himself as they were
in time already past. He goes among trees,
climbing again the one hill of his life.
With his hand full of words he goes
into the wordless, wording it barely
in time as he passes. One by one he places
words, balancing on each
as on a small stone in the swift flow
in his anxious patience until
the next arrives, until he has come
at last again into presentiment
of the Real, the wholly real in its grand
composure, for which as before
he knows no word. And here again
he must stop. Here by luck or grace he may
find rest, which he has been seeking
all along. Sometimes by the time’s flaws
and his own, he fails. And then
by luck or grace he will be given
another day to try again, to go maybe
yet farther before again he must stop.
He is a gatherer of fragments, a cobbler
of pieces. Piece by piece he tells
a story without end, for in the time
of this world no end can come.
It is the story of eternity’s shining,
much shadowed, much put off,
in time. And time, however long, falls short.







Wendell Berry's most recent books include It All Turns on Affection: The Jefferson Lecture and Other Essays, New Collected Poems, and A Place in Time, the newest volume in his Port William series.
December's red chambers
had little bells made of silver.
A celebrated black-out i call it,
till the following year's hustle period revives us back to the usual struggle.
It is a period to eat the fattened animals,
if you dont get your share, its nothing personal.
White and wet sheddings
falling from the sky un-ending.
So beautiful and warm a season,
lots of visits to be made
and gifts exchanged.
Wet and wild kisses amongst couples.
Sweet smothering at its peak at night.
Surrender and be engulfed by the wild fires.
Passion tastes like candy.
We'll do this
till day light finds us.
Aaron Salzman Jul 2014
A periwinkle snap of the fingers
A glazed-over, ungazed-at afterthought of a dimwitted maker
Allowing only specks of atmosphere to puncture through for gasps of air
An assassination without capacity for reflection or modesty.
Broadening my horizons, my eyes adjusting to the sun's sheddings,
I notice the satin ribbons of the west, trotting over the hills, blood-lusting,
Roaring in anticipation of the persecution of the dry, dusty chandelier to the north
Forcing the lumination,
Breaking open the porous night-covering threatening to its final breath
The self-mutilation to bring it and its 3 navigational acquaintances to the bone-encrusted, sadistic
Hell of the humans, modern-day Terra, the disease-laced, frayed blanket of Gaea.
And as I viciously avert my eyes as the first blow finds a weak exposed abdomen,
I pray to God that I might participate in this brawl,
And I curse high heaven that it is so fateful a dusk.
Inspiration from the remarkable Seamus Heaney
Illusions of thy presence
Love, thy dwellings in self illusions
Fabricating for souls
Belladonna your favourite peace offerings

Your speaking smile
Explicit words of happiness
Estatic feelings thou brings
Enchantments a layer thou hides

Thou sheddings of light
Deceiving men and their deeds
Postering love
Forgetting life's hatred

Happiness
Your best addressed to all pains
Hope
Your cunning way to thou's enchantment

Promising Euphoria
A place thou led us there not

Written by Tosan Oluwakemi Thompson
This poem talks about the happiness and the illusions of happiness.
Rosà Jan 2018
We used to laugh
In a boisterous way
Our hearts flare
And no sheddings of tear.

Now we parted ways
You chose the right
And what's left for me?
I chose between.

Have I lost the fight
And shall I do the flight
Or remain as a statue
With no voice but shouting virtue?

We used to laugh our hearts
And endeavors never to stop
But look at us now
We parted ways.
Good bye.
Desirae Costigan May 2019
When the day comes that I am asked, "what would the cure to all of your troubles look like?.." I will reply, " he wore eyes of green and skin tanned like leather. With a cushion heart sealed tight inside his chest. He is like a first snow draping across the pines, or a scrape made in an old oak. He's a sign, not that winter is coming, or if velvet sheddings. No. He's more chivalrous, a new chapter. When that day comes I know he looks like everything I've ever lost come rushing back at me.
Jack Blevins Nov 2017
ripped to shreds
the sheddings of the demands coming in contact with the heart
shooting myself in the foot?
detonating the centre of the very direction

guided by the tricklings
waking up from every end, intending to navigate back home

and repeat
LULU Apr 2020
Heart beats fast
New journey
New road
The new path of my life
The new identity wraps my body like a forcefield
Hear the words of confidence ring in my tears

But those seconds will turn into minutes of fear and despair
It will make the world melancholy and my heart full of tears
The path in front of me tears apart
And the road behind me
the past
Vanishes

Stuck alone
Vent alone
Pain alone

Those confident steps turn into ashes of fear and regret
The backpack with faith woven in that held my hopes in it
RIPS
and I am left with a sack of burden nailed on my back
The hands that were eagerly holding the map
bleeds
blisters
and fall apart

With a step further
Jealousy
Hatred
Anger
Fear
Gluttony
Greed
Pride
Lust

Hits me with a bang
and I return
like a  demon possessing me

I take a shaky footstep back taking me to the past
Watery and salty tears fall and hit my tongue
The life and eagerness in me disintegrate
and I am left to wail my tears out and return
to the sheddings of my old identity
I returned with tears

— The End —