It isn't like that.
It isn't a left turn too early,
a lark awake at night,
thick brown light in an open field;
unpredictable: a bad or counter-miracle.
It is only wanton.

You know how it is
Suddenly, something trapped between your toes:
the world has a strangled voice, it is
unroofed. You want the comfort of normal walls,
normal light, normal noise; in your hand
is a hot brand you'd halfway use
to smith it back together
and halfway swallow.
I had different plans for this vacation
than destruction.

I had plans. You had plans. The earth
planned its axial tilt; the weather planned
its burning; we put aside too little water.
A few plants were familiar -
the ruined piñon pine I remembered from the placard.
One lonesuch tree that made a little niche
at a defiant angle into the air
and outlived all except its orphaning.
How we thought we could fare better, I cannot say.

Ten feet up by one hundred feet over:
one liter water per mile climbed:
fatigue. Fatigue.
The quiet supremacy of all these rules for living like
transit and occultation
refraction and dimness
exertion
hunger
peristalsis pulling down
huge loads of sunlight
into the ***** gully
like bread and meat.

You will not see the bottom
no matter how hard you look.

If blood I am, then what kind of blood?
Unsettled and unsettling. The circulatory system
has an apt name: sometimes I can feel yesterday's blood
in the same neurons, saying the same thing.
I have no choice but to repeat it.
Time sheds its significance.
I have no continuity:
I have rhythms.

The new day, on fire and sitting in the trickle
you held a golden fish in your palm
as if you had made it by will
and cupped, it circled in the valley of your fingers
and I ate from the vision of care.

Erosion: isn't that what made these furrows?
I beg it to unmake me
flat like a seabed and many fathoms green
where the sun will never reach me.

In the penumbra of your anger
I do not fear dying,
only dying unclean.
Heights are all the same.
They would all break me and none would enough.
The grasshoppers and gecko hatchlings
all die in their way, rubbed in the hot dry dust.
Parched, I gnash my stone teeth
and tongue of chaparral -
I am making a song to say
die with me
but smile at me.

Then I see it through flashes of temper,
frame by frame, like a fingertip behind a pinwheel:
a dream of something distant that is also true.
Dreams of freedom alongside dreams of dying.

there is warmth only in shadow
for there alone
do I find you

the glare of sunlight
pushes against us
and we are forced
to part

in the brightness of day
as the world luxuriates
drawing close to the radiance
being brought to life
I am stung by winter’s breath
shivering in the brilliance
of a summer afternoon

only in the darkness
is there life for me

only where the stars do not see
am I completed

only there
do we exist as one

hidden
from all the world
we shun the day

and embrace

mantled
in the welcoming
shroud of night

« Des Hommes prophétiques en face de leurs époques face à la souffrance causée par les périodes de réaction et de reflux »

(Relation d’une conférence donnée le 13 janvier 1940 à Toulouse par Silvio Trentin sur le principal Poète romantique Italien Giacomo Leopardi)

Prélude à une commémoration

C'est à la bibliothèque interuniversitaire de l’Université de Toulouse-Capitole alors que je me plongeais avec ferveur dans la lecture des ouvrages sur les « fuorusciti » (appellation donnée aux exilés politiques Italiens) que je découvris un opuscule de 118 pages, issue d'une conférence prononcée à Toulouse, le 13 janvier 1940 devant le « Cercle des intellectuels Républicains espagnols » par Silvio Trentin. Cette conférence fut prononcée avec la gorge nouée, devant un public d'intellectuels espagnols et catalans, la plupart exilés depuis 1939, et quelques-uns de leurs amis toulousains non mobilisés.
L'intense gravité du moment ne les empêchait pas de partager une ferveur commune ce haut moment de culture la culture Européenne intitulée par Silvio Trentin : « D’un poète qui nous permettra de retrouver l'Italie Giacomo Leopardi »
L'émotion fut grande pour moi car cet ouvrage me parut comme le frêle esquif rescapé d'un temps de défaites, de souffrances, rendu perceptible par le crépitement des balles de mitrailleuses, des explosions d’obus s'abattant sur des soldats républicains écrasés par la supériorité des armes et condamnés à la défaite par le mol et lâche abandon des diplomaties. Silvio Trentin avait gravé dans sa mémoire des images récentes qui n'avaient rien à envier aux tableaux grimaçants de nouveaux Goya. Il avait tant vu d'images d'avions larguant leurs bombes sur les populations terrifiées et embraser les charniers de Guernica. Il venait de voir passer les longues files de civils, toujours harassés, souvent blessés, emportant leurs rares biens ainsi que les soldats vaincus mais fiers de «la Retirada ». Il venait de visiter ces soldats dont parmi eux bon nombre de ses amis de combat, parqués sommairement dans des camps d'infortune.
Ces Catalans et Espagnols, qui s'étaient battus jusqu'au bout des privations et des souffrances endurées, étaient comme écrasés par le sentiment d'avoir été laissés presque seuls à lutter contre les fascismes, unis et comme pétrifiés par un destin d'injustice et d'amertume.
Mais ces premiers déchainements impunis d'injustices et de violences avaient comme ouverts la porte aux «trois furies» de la mythologie grecque et une semaine exactement après la conclusion du pacte de non-agression germano-soviétique, signé le 23 août 1939, par Molotov et Ribbentrop, les troupes allemandes se jetaient, dès le 1er septembre, sur la Pologne qu'elles écrasaient sous le nombre des stukas et des chars, en raison ce que le Général de Gaulle nomma ultérieurement « une force mécanique supérieure».
Une armée héroïque, mais bien moins puissante, était défaite. Et il ne nous en reste en guise de témoignage dérisoire que les images du cinéaste Andrei Wajda, nous montrant de jeunes cavaliers munis de lances se rendant au combat, à cheval, à la fin de cet été 1939, images d'une fallacieuse et vénéneuse beauté. Staline rendu avide par ce festin de peuples attaqua la Finlande, un mois après, le 30 septembre 1940, après s'être partagé, avec l'Allemagne hitlérienne, une partie de la Pologne. Depuis lors la « drôle de guerre » semblait en suspension, attendant pétrifiée dans rien faire les actes suivants de la tragédie européenne.

- Qu'est ce qui pouvait amener Silvio Trentin en ces jours de tragédie, à sacrifier à l'exercice d'une conférence donnée sur un poète italien né en 1798, plus d'un siècle avant ce nouvel embrasement de l'Europe qui mourut, si jeune, à trente-neuf ans ?
- Comment se fait-il que le juriste antifasciste exilé et le libraire militant devenu toulousain d'adoption, plus habitué à porter son éloquence reconnue dans les meetings organisés à Toulouse en soutien au Front à s'exprimer devant un cercle prestigieux de lettrés, comme pour magnifier la poésie même parmi ses sœurs et frères d'armes et de malheurs partagés ?
I °) L’opposition de tempéraments de Silvio Trentin et Giacomo Leopardi
L'intérêt porté par Silvio Trentin aux textes de Percy Shelley et au geste héroïco-romantique du poète Lauro de Bosis qui dépeignit dans son dernier texte le choix de sa mort héroïque pourrait nous laisser penser que le choix, en 1940, de Giacomo Leopardi comme sujet de médiation, s'inscrivait aussi dans une filiation romantique. Certes il y a bien entre ces deux personnalités si différentes que sont Giacomo Leopardi et Silvio Trentin une même imprégnation romantique. Le critique littéraire hors pair que fut Sainte-Beuve ne s'y est pourtant pas trompé. Dans l'un des premiers portraits faits en France de Leopardi, en 1844, dans la ***** des deux Mondes, Sainte-Beuve considère comme Leopardi comme un « Ancien » : (...) Brutus comme le dernier des anciens, mais c'est bien lui qui l'est. Il est triste comme un Ancien venu trop **** (...) Leopardi était né pour être positivement un Ancien, un homme de la Grèce héroïque ou de la Rome libre. »
Giacomo Leopardi vit au moment du plein essor du romantisme qui apparaît comme une réaction contre le formalisme de la pâle copie de l'Antique, de la sécheresse de la seule raison et de l'occultation de la sensibilité frémissante de la nature et des êtres. Mais s'il partage pleinement les obsessions des écrivains et poètes contemporains romantiques pour les héros solitaires, les lieux déserts, les femmes inaccessibles et la mort, Leopardi, rejette l'idée du salut par la religion et tout ce qui lui apparaît comme lié à l'esprit de réaction en se plaignant amèrement du caractère étroitement provincial et borné de ce qu'il nomme « l’aborrito e inabitabile Recanati ». En fait, la synthèse de Giacomo Leopardi est bien différente des conceptions d'un moyen âge idéalisé des romantiques. Elle s'efforce de dépasser le simple rationalisme à l'optimisme naïf, mais ne renie jamais l'aspiration aux « Lumières » qui correspond pour lui à sa passion tumultueuse pour les sciences. Il s'efforce, toutefois, comme par deux ponts dressés au travers de l'abime qui séparent les cultures et les passions de siècles si différents, de relier les idéaux des Antiques que sont le courage civique et la vertu avec les feux de la connaissance que viennent d'attiser les encyclopédistes. A cet effort de confluence des vertus des langues antiques et des sciences nouvelles se mêle une recherche constante de la lucidité qui le tient toujours comme oscillant sur les chemins escarpés de désillusions et aussi du rejet des espoirs fallacieux dans de nouvelles espérances d'un salut terrestre.
De même Silvio Trentin, de par sa haute formation juridique et son engagement constant dans les tragédies et péripéties quotidienne du militantisme, est **** du secours de la religion et de toute forme d'idéalisation du passé. Silvio Trentin reste pleinement un homme de progrès et d'idéal socialiste fortement teinté d'esprit libertaire pris à revers par la barbarie d'un siècle qui s'ouvre par la première guerre mondiale et la lutte inexpiable engagée entre la réaction des fascismes contre l'esprit des Lumières.
Mais, au-delà d'un parcours de vie très éloigné et d'un pessimisme historique premier et presque fondateur chez Leopardi qui l'oppose à l'obstination civique et démocratique de Silvio Trentin qui va jusqu'à prôner une utopie sociétale fondée sur l'autonomie, deux sentiments forts et des aspirations communes les font se rejoindre.

II °) Le même partage des désillusions et de la douleur :
Ce qui relie les existences si différentes de Giacomo Leopardi et de Silvio Trentin c'est une même expérience existentielle de la désillusion et de la douleur. Elle plonge ses racines chez Giacomo Leopardi dans une vie tronquée et comme recroquevillée par la maladie et un sentiment d'enfermement. Chez Silvio Trentin, c'est l'expérience historique même de la première moitié du vingtième siècle dont il est un des acteurs engagés qui provoque, non pas la désillusion, mais le constat lucide d'un terrible reflux historique qui culmine jusqu'à la chute de Mussolini et d'Hilter. A partir de retour dans sa patrie, le 4 septembre 1943, Silvio Trentin débute une période de cinq jours de vie intense et fiévreuse emplie de liberté et de bonheur, avant de devoir replonger dans la clandestinité, en raison de la prise de contrôle du Nord et du centre de l'Italie par l'armée allemande et ses alliés fascistes. Bien entendu il n'y a rien de comparable en horreur entre le sentiment d'un reflux des illusions causé par l'échec historique de la Révolution française et de son héritier infidèle l'Empire et le climat de réaction qui suit le congrès de Vienne et la violence implacable qui se déchaine en Europe en réaction à la tragédie de la première mondiale et à la Révolution bolchevique.


III °) Le partage de la souffrance par deux Esprits dissemblables :
Silvio Trentin retrace bien le climat commun des deux périodes : « Son œuvre se situe bien (...) dans cette Europe de la deuxième décade du XIXe siècle qui voit s'éteindre les dernières flammèches de la Grand Révolution et s'écrouler, dans un fracas de ruines, la folle aventure tentée par Bonaparte et se dresser impitoyablement sur son corps, à l'aide des baïonnettes et des potences, les solides piliers que la Sainte Alliance vient d'établir à Vienne. »
C'est donc durant deux périodes de reflux qu'ont vécu Giacomo Leopardi et Silvio Trentin avec pour effet d'entrainer la diffusion d'un grand pessimisme historique surtout parmi celles et ceux dont le tempérament et le métier est de penser et de décrire leur époque. Silvio Trentin a vu démocratie être progressivement étouffée, de 1922 à 1924, puis à partir de 1926, être brutalement écrasée en Italie. En 1933, il assisté à l'accession au gouvernement d'****** et à l'installation rapide d'un pouvoir impitoyable ouvrant des camps de concentration pour ses opposants et mettant en œuvre un antisémitisme d'Etat qui va basculer dans l'horreur. Il a personnellement observé, puis secouru, les républicains espagnols et catalans si peu aidés qu'ils ont fini par ployer sous les armes des dictatures fascistes, lesquelles ne ménagèrent jamais leurs appuis, argent, et armes et à leur allié Franco et à la « vieille Espagne ». Il a dû assurer personnellement la pénible tâche d'honorer ses amis tués, comme l'avocat républicain, Mario Angeloni, le socialiste Fernando de Rosa, son camarade de « Giustizia e Libertà », Libero Battistelli. Il a assisté à l'assassinat en France même de l'économiste Carlo Rosselli qui était son ami et qu'il estimait entre tous.

IV °) Sur le caractère de refuge ultime de la Poésie :
Silvio Trentin laisse percer la sensibilité et l'esprit d'un être sensible face aux inévitables limites des arts et techniques mises au service de l'émancipation humaine. A chaque époque pèsent sur les êtres humains les plus généreux les limites inévitables de toute création bridée par les préjugés, les égoïsmes et les peurs. Alors la poésie vient offrir à celles et ceux qui en souffrent le plus, une consolation et leur offre un univers largement ouvert à la magie créatrice des mots ou il n'est d'autres bornes que celles de la liberté et la créativité. C'est ce qui nous permet de comprendre qu'au temps où l'Espagne brulait et ou l'Europe se préparait à vivre l'une des époques les plus sombres de l'humanité, la fragile cohorte des poètes, tels Rafael Alberti, Juan Ramon Jiménez, Federico Garcia Lorca et Antonio Machado s'engagea comme les ruisseaux vont à la mer, aux côtés des peuples et des classes opprimées. Parmi les plus nobles et les plus valeureux des politiques, ceux qui ne se satisfont pas des effets de tribune ou des honneurs précaires, la poésie leur devient parfois indispensable ainsi que formule Silvio Trentin :
« [...] si la poésie est utile aux peuples libres, [...] elle est, en quelque sorte, indispensable — ainsi que l'oxygène aux êtres que menace l'asphyxie — aux peuples pour qui la liberté est encore un bien à conquérir] « [...] La poésie s'adresse aussi "à ceux parmi les hommes [...] qui ont fait l'expérience cruelle de la déception et de la douleur».
Le 16 03 2017 écrit par Paul Arrighi

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellarage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
******* the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.

So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City, prone from mark to mark
In shameful occultation, seems
A nightmare labyrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the *****'s living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.

Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys ******-haunted,
From sinister reach to reach out--out--to sea.

And Death the while--
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time--'tis time by his ancient watch--to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging:  on the way
To what or where
Not Death, who is old and very wise, can say:
And you--how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?

Largo e mesto

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
******* the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.

So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the *****'s living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.

Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys ******-haunted,
From sinister reach to reach out -- out -- to sea.

And Death the while --
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time -- 'tis time by his ancient watch -- to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you -- how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?

The man on the moon was busy that day,
With all the preparations underway,
For it was the one day his neighbors would pay him attention.
His home would be more interesting than a constellation,
For it was the day of the occultation.

Ever since the moon landing,
            And since his poor soul opted for hiding,
The celestial man had been planning his big reveal,
To show the world that he, indeed, existed,
And was willing to be befriended.

What better day could he have chosen,
Than the day of the eclipse.
The day in which the most earthling eyes would be pointing the natural satellite.
The ever present, but not always visible ball in white.
That day it would be red and ******.
The planet’s one and only kite.

So the man in the moon prepared signs,
Meticulously home-made and home-drawn every single one.
He had been studying human languages and was fascinated by them,
He would be greeting the earthlings in 6500 different tongues,
And didn’t forget to do little drawings on the sides.

About an hour too early he had finished decorating,
So he took his folding chair and tray of food,
He brought his moon pie, moon cakes, and some local cheese,
He also brought some moon flower tea for drinking.
Then he started waiting, waiting until his home turned red.

When the time came,
He remembered,
He had forgotten the most essential of his supplies,
And as the humans started looking,
He ran home to get his telescope.
He wanted humans to see him of course,
But he also wished to see realization dawning on faces on earth all around.
In his panic, on his way, he knocked all decorations down to the ground.
Trying to desperately locate his telescope,
He spent a few too many hours away from his post.

When he finally returned to his folding chair,
Accompanied by his telescope,
The moon was red no more,
And all the humans had gone to sleep,
So he bowed his head and dropped his eyes,
But as he was about to go back to his house in the skies,
He caught, through his telescope, a glimpse of a human,
Dreamily looking at the heavens,
Who had stayed up, even after the eclipse was over,
Because that young human didn’t care that the spectacle had ended,
But loved the sight of the moon all the time.

The man on the moon went to bed joyful that night,
For he had made an earthling friend,
Who would look lovingly at the moon,
Even when it wasn’t red,
Who found the moon wonderful and interesting,
Even in its everyday self.

Contact: noun, \ˈkän-ˌtakt\
The apparent touching or mutual tangency of the limbs of two celestial bodies, or of the disk of one body with the shadow of another during an eclipse, transit, or occultation.

-Merriam Webster

Contact is so important.
And that's why if you can't contact me fully you won't contact me at all
And if I
Come closer
You push me away.
When all I want to do is send your soul a
Contact
A contact lens
In alignment with your eye
Your future comes into focus
And my love is blind
But you shut your eyes on it.

When I stand in front of your face
My lips receive your contact
As you speak sweet honey to me
Then slowly slip away

And I think
Did I reach the right number?
Or maybe I was just one of a number, for you
Because too many calls can cause static
When you've had more than one name on your contact list before mine
Or did I just not call at the right time?

Sorry I couldn't be in contact with you--
Not in the way she was
But I was making love in the REAL way a person does
Over long distance and over time
And you should know that I have been in contact, too
Every single breath I breathe, I breathe for you
And it affects the air current, and then the oceans, and the moon
You see
So when you see it, think of me
Because it is my message to you in the sky
My love written out loud in the stars.
When things get dark
I will always want to be the one to turn on the light for you
Feel the sunlight on your skin?
Well, that's my contact, too.
I’m shining, and I’m burning up my heart and soul for you…

But now my heart is broken
And my screen is cracked
And I seem to be unresponsive to contact
But the reality is that
If you want me,
You have to come and get me.
You have to be the one to touch me.
—and I want you to.
But I'm through fighting a one-sided battle just to lose
The most precious thing I had
Time and time again
Because I'll always lose it
If you don't choose to let me in.

I speak of your heart.

This distance separates us but is no different than
the wall of empty space that separates each atom, and
In fact, skin to skin is not even true contact.
So what makes life real?
Is it the contact between our bodies
Or our souls?
Now, this is the thing you’ll always have under your own control!

And that,
That is where it all comes right down to choice.
Because no matter how loud I make my voice
You have to choose me too.
And I’m another broken window who wants to hear
“I love you.”

I want to be swept up by love
And I want it to shake me, down to my soul
I want to be hugged so tight I’m left whole.
I want the light to penetrate my very being.
Two celestial bodies in perfect resonance
Enveloped in pure beauty up in the Heavens.

My love, what I want is the truest form of contact—

To drown in this love, and never look back.

In a lost paradise where the sea shrinks with feminine conscience, compassionate flashes are ratified in each groove and I calculate footage, this previous present attracts the magnanimous representation of the lightning emission of its speech representing itself where the queen judges the king Consummatum Est, with little difference from culinary art and its very dense genre. Here is the carious aspect of the bluish faskéloma or exasperating of the paws that move the occasional ones in sub-vibrations softening in the shiny mark of the sessile columns in consistency of its weak receptive propagation and masculine science, lacking what prospers with moist regulars of flashes that are cooling from their imbibition. With thousandths of his enchanted parasitizing and prior ego I wonder afterwards not far from a Para-Celestial and sacrilegious lore of Lochnith; Who, what and where would have been able to support such or such, rising on the beams and girders that make a whole for an inaccurate Menthe, going to the arcane of the seventh external love with clear magenta lights, on rounded ultraviolet reliefs, here is where everything lulls from the adverb Eleusis, seething with a consonant flight that suffocates in spite of a Pseudo Vernarthian, where it will go without any exception disrupting the courses of hesitation, leaving no more the divine portent and going back to the loaded Cibatus or barley in northwests that flatten ultra winter, mowed down to its glacial bluish water discharge in unequal thickening of fast secrets with thirds of vox with bordering called in pair of trios, and symbolic of a reborn flashed subsoil of a lifetime swollen in its low course and ministerial occultation that isolates itself on Patmos. The skies were beaten where nothing germinates from dreams waiting for thousands of those like me with acute senses of the Anthesterion, or of March taking me towards an enigma not posed even if it is not clarified yet not resigning from love or smelling in the singular uni-lunar desolate with venerable fulminations and inquinas of the branch of the bakchoi, which was whistled by an Aulós that was remade generic when restarting fasting from a day rebuked and repaid in the emaciated Cibatus. Such light grasses were polarizing prohijadas when recovering from resounding beginnings of the rhizomatous aromatic nuance, and from super life machined from the metallic oscillation of the fires and rites ruined in the aromatic arthrophagous of Lochnith, nauseating at night in flowing enigma and gramineous rictus, intermingling while he longed for the ritual and his graceful plumes in feasts that honored his Canephores transferring mead towards the bakchoi psychic adept revealing himself from the masculine to the feminine in aqueous positive bed and supra negative redemption, which was fading into sharp matter attended while the world was created that they would live with more than forty stratagems, seeing themselves praised before their eminent Truth. Myself…being its own tyranny…, which erects whoever classifies it sacramental, and notices the squalid lack of control of its barbarism flash when I still pursue the darkness of my purge that is falling even without finding where to do it, falling however from its end and of guilty thunderous glances..., what more public decree do I wish, for more rituals that you have close to you when feeling sharp minorities of its aftertaste although in double life and night your memory continues to spy on whoever denatures you from the paganism of Lochnith, more than a proselyte , plus that a lien conceived in dethroned galleys of homeland and fusca haze. Meanwhile, quantities of Omphalos from the ego micro center are distancing themselves from mine, my faded lost throne hallucinates lost knowing that it is a probable sculpted flash subject to the gleaning of the Cibatus in fraction of the cereal ritual, and of sanctified illumination with tableares that have to dwell all the times that they revive from the vivid purple red, and from the debtor clairvoyant mystery sky that is reviving in the revealed luminescence that throws it in ornate nickels and acidic rattles at midnight falling on a positive particle devoid of yours returning to mine, and preparing for the flashing praise that pigeonholes him from his crippled fallacious and previous theory suggested after favors by not being reconverted. Lochnith capitulate capitulation suffers from glare towards her beloved, placing his phalanges on circular and angular waves on the virtual milky river of Eleusis caressing her face and glare from her. “I, Lochnith, was on the cliff with my Canephor Aerse, near his Athenian paternal landlord, I was going to say goodbye to myself and carelessness, not being able to see myself in the reflection of the water separated from my ego, knowing that Aerse would not choose me, much less to my abandoned superior.

In Keri on the Island of Zakynthos, I synchronized the fall of Aeschylus in Leucas, which perhaps without my local would offend me by reputation and snoop on cliffside suicides that only see nascent effigies of the bakchoi as a potion for serials of life and cities of the incongruous dramatic space , where its tragedy and antithesis do not fit in the basket carried by my priestess Aerse. I am flying over the structures of the acropolis, not yielding as a deity who prophesies where there is no room for the world in which she and I can inhabit. Lochnith, jumped after her as she was falling down the frontispiece of the cape..., She watched him as he fell..., forbidding to skew him from his gestures and get close to her so as not to fall where the wind is more docile and free, intervening with pashkein inclination or entangling them of the vipers and rims of the heroic hair in a condition of evanescent reckless touch against her suitor, trapping her from the Omphalus that she had tied to her neck transferred from brilliant didactics before a puerile boxing of vicissitudes, and spring flower shops next to the flayed serpents of Persephone and Kashmar floating on the Lilies of Aerse. Prey to the escarpments and cliffs, she remained possessed among the sedimentary dolomites that emanated near her veins before plunging down the steep side in over cascading prayers for her, always knowing that he would love her on a singular base of enchantments while he looked smiling before fall yielded In the end, forty-one seconds she was thrown off the cliff..., Lochnith passes from one end to the other the Omphalus of her neck by a lofty plume ready for love, imagining herself in the midlands of a ruthless positive affection of the mysterious flashing Eleusino, and by the divided ***** that took them as they fell into a splendid world with serials and images of Aerse, tied to the prehensile sacrifice and the cold hand of Lochnith, together as they fell between their subconscious selves, becoming heaped and vivid as something plunged towards them fleetingly, knowing that he I was going to survive him.

Lochnith's gleam was northwest of Athens once lost in the scrupulousness of a pagan polis and cult that kept docked in the sands to find her on the cliffs of the acropolis, where they had lost each other after two thousand years since they Theodosius abolished by decree the rituals of Eleusis. With revulsion and unprecedented insight, Aerse remained a recluse with excessive eagerness to self-eliminate, possessing for both the due imagination that he had possessed of the devoid neckline of the omphallus causing the inclination of the avalanche and their bodies towards where they supposedly would land on the divine and Dionysian path which leads to the eschatological of Vernarth's Diokitis. Apparently they were leaving as a result of an immortal Vernarthian existential catastrophe or decline, at the same time of a rhythmic alkaloid hemlock with its Achene that carried them for any pretense by being triggered towards the meeting with Persephone without her or he knowing why to fester at Eleusinos as Lochnith and Aerse in a single concentric whole, and quantum beings of the octagonal by the straight or transversal line that slipped into the hypotenuse at the instant that they were conceived implicitly as they took him from relapses when he went towards Aerse, after winding up from his conclave Hypomorphic writing and Magna Mater Misterica. Under the established power of his ministerial, the redemption that went in adjoining the ins and outs was consigned to resurface from the subgenre, and from himself procreating exultation with the analogs of Vernarth that were prolonged in excremental purges and disagreements of the cult of what should be twisted in the ****** of the magnetic genre and of positive tendency that would be eternalized after the cessation of the active decrees by Theodosius. Eminently Aerse suffered on some semi-dead watery slabs next to Vernarth, she remained after the agreement to centralize what irradiated her humanly as semi-Itheoi from a reinforced gender that was cohesive in retrograde worship to achieve pre-flowering in all the springs of the world, where they could be seen together with Persephone in the finnis that was distanced ultra terrestrial towards a dowry of profusion and disproportionate wealth, not being categorized as a mystery rather as an unknown of a super method of rummaging in the lanterns where no reflection of Aerse could to be found by Lochnith after getting lost in the polychrome figures of the acrotera, lying in watery nitrosities on the escarpment of the cliff. Physiology will influence Eleusis with systematic naturalness for the active hydrogenated elements, and of such unknown prebiotics or phyto-estrogens where remnants of the great sepulcher of humanity are manifested, as it is found to rise from the true hecatomb of July with a hundred halters arranged with foreign beings towards the oasis of transition. The little will of the annals will multiply in millennia of obscurantism, taking him in transit to a more exciting late management by harassing the search for Aerse in a clear mystery already in the jaws of a clamoring night by the reefs of Demeter for those who know about Persephone! even being with the inventive fallacy of a addicted spirit in correlation to the rite and its lineage. Every night that he convalesces, he will look sleepless with the servile promise of divinity from a vision that fades from the winepress and the Boedromion party, moving from the born ****** position of a hierophant towards the mold that dies and that does not renew itself from Boedromia itself. The representation of Aerse was reflected with transfused majolica and Eleusinian threads when she was seen walking from the beginning floating remotely in the meadows of the knoll, from which the cyclical anagram of the lost cliff rises when it separates from its Adonis being able to expose them in mythological treachery and transcended from epic truth to be related to the treaty between Zeus, Hades and Demeter for the rescue of Persephone after being dented from the beginning of the arcana that sprouted from a distorted symptomatology. She aerse carried the flayed serpents even on her body as if she should look for them in an omnipotent volatile gray so that it would come out by itself and be unguarded by her gone eyes, witnessing secrets and resting in anarchy from where there is not and will not be. Archon or governor What a mesmerizing problem is improvised from second after third that provoke astonishment to see him in the course that he could not have of his cursed detection! Aerse was beginning as a curious Canephore, he came to meet his ephebes Lochnith after excessive self-inferred hypotheses by following him at her command detailing the Kykeon that paled her psychotropically from a discarded and mineral exhibition, of which she would be devoured by the numinous portent of the Mashiach with his Sunday appearance or concerning the numen manifested with the eternal powers in front of the hieratic presence of the man who looked at her paternally, with a crass profile like a Damian Hessian drawing them in, plotting in a colossal fascinating stealth. Here she wraps him up but does not approach him and falls, lost in love, such a Faustus dilemma, granting herself at the initiation of the portal of the twelve lunar months in Eleusis, with immutable years and origins where they will bounce to meet in childhood that made them known as Aerse and Lochnith . Here in the greatest trance of life, both would begin to overcome all the twists and turns of the gestated gloom that separated them due to the shaken annoyance and confusion still divergent in sediments of runoff and bark oscillations that emerged from the unevenness of the acropolis, until a meeting in the amazing light and divine libertarian of two tendernesses, and martyrdoms that purely push them back towards a new end of the muddy gleam in a found paradise where the sea unfolds by male consciousness and is ratified mercifully in each flash of the striated. They will meet again in similar attachments divided by the fluctuating one who unmasks the one who drives him away with his dominant ******, and ill-advised caudal space seducing the contiguous public and private astral bodies that have never been coarse or dissimilar in ablution or sacraments of gods the pagans, everywhere nor whatever its fragmented remains by the gullies and ravines of the Kêphisos. After the remnants in politics, the desolate serpents of Aerse flowed down the river, as a link section that declared itself from an initial that was an evident flash that enveloped them as a cardinal canon with bucolic politics in all the nearby regions. Athenians, after the vertiginous regressive parapsychology like an Eleusino flahsback or Anadromí sto Parelthón Eleusia, with the visualizations of Aerse and Lochnith when they follow each other through the learned induction of feedback that was arranged in the inclinations of both, refining their morphological bastimento for the purpose of instituting them as articulators of the evocation of the millennia. Prophecies were reported from the 8th century BC. with ends, and interprocesses of the eternal in the unknown mystery that began to be clarified with the reinvented personality of the amendment of Life and Expiration experienced with Lochnith of the month of Boedromia, fleeing from a federated Polis that would be unified to a substantial dimension and of sacred Eleusinian space with brand new warmongering for the culminations of being incorporated into the Hexagonal Primogeniture integrated in this way in the indissoluble ephemeris of foundation and hegemony of the Megaron or Opisthodomos of Patmos. This is thanks to the beaten serpents that were nesting the reanimates of the question with subterfuges that make the widths of inter-pairs prevail, which are consolidated as a reality of session and space, agreeing on the defeated parapsychological memory or future in the economy of two resignation blocks of the repealed Sacred Space, in consensus of the beams of the Vernarth Military Command forging from the beating sacralized ***** that cultly intensified from its mysterious nature and territorial domesticity to come from the attracted Agoras that were repositioning themselves with the metaphysical agents that they will be restored in the polis with the scope of furrowing in a civic action induced towards someone who virtually recognizes him in the purge of the exclaimed strangers. More ardent passion was added to receive them even being wary of further mutations vibrated with the Faskéloma, or exasperating that moves the tint of the occasional vibrations, similar to the tendencies of the Sacred Space of Gethsemane, with the disastrous passing of the aqueous levels of the Kêphisos, which it would mean the presumptive ordinal of unreal historical worlds. The parapsychology of space was absorbed with torched quadrilaterals that were hanging from the invoked meditation, they were lying on futile folders and anodyne Aerse molecules, which were still welcomed by the magical exposed extra-corporeal substances that were deduced as they were experiencing unprecedented transit preserved of the eccentric deconcentrated radio of the refurbished of the spectral chromatic. The precipitated mental field dared to invade boldly towards another unheard-of generator that dissipated between Aerse and Eurydice coming near the Coasts of Patmos, coming from hypothetical planes that flow for their definitive moderated unions. The static refluxes bounced in simultaneity of bilocation of the Eleusinian exordia that were exorbitating each other with the rollers that were uncrossing the corporeal margins that concelebrated the quantum crankshaft, and the fibrous distinction that was teleporting the rescue rituals unforeseen astrological

Lochnith says: “in the proximity of the mortuary reality there will be no hesitation outside of our body and geodesy of our lost zafral or of lives in transit sub or supra quantum, obsessing in the eyes of erudition and unknowns, while our contraption self-obstructs with our electromagnetic sensory interactions paraphrasing in the convoluted distance and residues of related-metaphysical electros that are reconverted into the appearance of a premonition” The ligation of the arteries of Cephisus carried the emanations of Lochnith to love him in a healing act suspended with beings devoid of physicality, on the way to specters and healings of a perverse, to repair his extra-corporeal suffering confined to those who condescend to the androecium and gynoecium as a unit of mental physical motor gender, at the instant of the exacerbated and ectoplasmic world regulated by means of the Vernarth regression that was going lowering your blood pressure, increasing your red blood cells side effect rivers intertwined with Eurydice and Aerse in the opening Othon, directed at Vernarth's outcomes that came in the bow of the super-aqueous ship with some fabrics from the ship's stowage directing the speculative and autonomous advance that was already dispersing in the waves. Dead cells of the right Lynothorax,  A savvy military mancomunal became syncretic with Lochnith, he was determined to continue reinstalling us in his white blood cells that rose when it was already dawn on the shores of independent Skalá, and in the circled cohorts of Phalanxes and Psiloi that accompanied him in minutes that seemed millennia, all succumbing to the physical dismay of the underlying necrosanct and telepathic prayer that took place at the dawn of parapsychology trances cysts of recovery that descended on them in pure novel regenerative membranes, persé of merciful acts that became thick in the flashes when freezing from the weightless rays of the ultraviolet, which was separating between Sóma and Gnómi or corporal opinion that was joining synthetic networks with indefinite emissaries and receptors, subsequent bodies of the Bachkoi chemist, already deficient for a compensatory universe and varieties that were taking shape in a disintegrated emotional quantum world. Each time the bodies were reinserting themselves into the full unknown and subjective material, the concrete material united in the network with each other as a single force was transforming into the greatest passion and sparkle among their own, reinstalling themselves in the Super Egos.

In the Latest Minute Dogmate according to the rictus mortis thesis, the globules would move like a big explosion interacting with everything, so starting everything from the beginning of nothing to the indivisible with optional digits of coincidence or inseparable digitized, such a phenomenon of meekness of aligning times were massified with the probability of finding them in the vestige of real anomalous presences that occurred millions of light years ago. Aerse replies: “My admiration, the sparkle has a measure of astral body in reason of the vigor that underlies reiterated expiation and measurable virtuosity in its perfection of semblance p and corporal providence, inquired of being transformed far from disaffection rather than a continuous healing . The smallest and most coherent in the fabulous Griffins will join my clairvoyant and component with the ballast of his final game, not reflective of another who can measure or predict him for an undivided being. But I am already here, and I am your infinite…, I no longer know of other bad illusions of trying to separate myself from this life of what Eleusis is, perhaps a cosmic coarse that is and was in all time that passes speculatively, for this flash that is reflects whether it pales visible or not, I hope it will be compact on our intertwined attachments”
As living organisms, various life methods will be postulated as an initiative in the announced Big Bang, for the profit of those who are real close and real logotypes of resonant neuroscience as a daring that will influence the progeny, for ****** volumes, exonerations of bearers experiences and evolutionary lives of the emitter outside of an ignored Parthenon, since the gender of the world is also associated with random ambiguities from anode to cathode, positive-negative towards a Hellenic parallelism of roots in life dressed with lasting vernacular inheritances. Much of Lochnith's electro-dermal conglomerate was in full congruence with retrograde Eleusian parapsychology propagating from Vernarth's Invisible Eclectic Portal, which was nebulously teleported down the Kêphisos River with saprophytic living organisms acknowledging it in indigenous originality. of the species of reborn Vernarth, and super regulation of the euphemism and mysterious underworld below their protocols.

Revelations of the mental-material, made reluctance and support of the estrangement of inviolate perceptions, precognitions, telepathies and premonition, which debuted in this intrepid adventure intuiting in perpetuity with the sensory corridors and interferences of a reality of body in an explosive world incontestable. Lochnith, was already in possession of a hypnotic mental reincarnation formula in the form of neuroscience vessels close to scarecrows of expiration, allocating the subsequent locks of an enlightened decency of the ethereal sleepy baggage and the oracular review. The more we experience the laws that explain his prodigies, the more our perspective of media and complete fiction will increase in something that begins to be typical of the laurel of a true slowed-down ******-kinetic process. Within the curvature and the dim light that remained in the Lochtian days, normality returned to them after this long epitome in the parapsychological biosphere, and the intriguing contemplation and even mischievous tenuity of idea that can die suddenly, after self-incubate in the intangible coexisting passage and medication rupture of lived art with alien morbid beings. For a character archetype, it is only known that reaping is consuming capital from the disruption of a non-profit loss and its incontrovertible paranormal, which is paranormal and parapsychological from the plane of posterity of life, which will be an act of peaceful coexistence in playful spirits, compensating for seclusion in the vaults of an involutionary dramatic past, if its material or monad (spiritual) is not dissected in the cosmic train of perception of unfolding, and of the concept of purging energy that goes out of its way in its seventh heaven. The hypnosis of death and purgation to whoever requires it in the convoy of their conscience continues to be a tiny unruly space that transports us physically, reverting to minimums that are neutralized in alien foundlings. From an aedicule depository to an empty body that is neither independent nor from the lord who claims it (V.g. aedicule of José de Arimatea). The impersonal voices that officiated at the ritual of Eleusis were heard far beyond those who could hear them merely with memorable spaced therapies, recording themselves in interspersed layers of sounds and imprecise electroacoustics in the serial of an alarming complex frequency of the regenerative stumble in an organism of Continuous movement. Everything spreads in bends of abstraction that revives those who promote the perfection of marigolds like buttercups that they wear in the clothing of the Canephores like Aerse, but soulful and latent ephemeral of the ethereal alchemical entitative of ignored molecules. Lochnith says: “My submission heals, it no longer maintains being far from who represents it and where it comes from, I know that its remains in me do not reason, clarifying more my journey towards the crown and vilifications of a nascent humanity that mourns me, and that does not recognizes by rebelling in my desires to attract him"
the sky closes in vermilion digression and you inquire that they should answer for the silence of confusion in the parapsychological aqueducts of Athens with Patmos. The organization of the Sacred Space starts with the bizarre totemic quantum by sacred paths, Megarons, fictitious hunting places, double surrounding lunar ring, curves of virtual walls, Propylaea to embrace the Vernarthian enigma and finally the Telesterion that received Vernarth with a naked torso that perched in front of Aerse and Lochnith, looking at them towards the futuristic survival with five digits in a quarter of the waning of his right hand containing the small coat of Betelgeuse and the Pleiades in inklings of the umpteenth apocalyptic Megaron of Patmos. Scrupulosity as an Electro-Eleusian placebo effect, went alone, dismissing itself in the singular of a Templar niche and towards a Megaró-Omega Telesterion for catechized who endowed themselves with super-resident halos and litters of priesthoods that fled in terror from the Aerse-Lochnith fusion, prior to each rudeness and their contours swearing eternal exaltation and idealism, to be reconverted into individuals saved and votive to love each other with third parties, escaping from small frames that still did not hold up from the ecumenical mess.

Dawn is an eclipse
Yawning from deep repose.

Light coughed up, a shimmer and a burp
Then a glister, a small belch
Followed by a hurricane, a furnace glow
Escalated to a simoom, a sunscaped lightning struck optical blast.

Occultation sun shine blindness
To darknesss hidden.

Dawn unleashed is an eclipse to darknesss looming
Until evening’s return
Stygian kisses quell,
Regenerate sleep and dreams, mending ways
Windless gloaming waxes.

Night is an eclipse
Awakening from thin poise.

When the cut glass bleeds,
you cannot decide
for yourself, what was the truth of-
occultation?

Fleeing from dark
home of erudition,
trapped in rubble of karma
you want to forget the
pride of sin.

How would you know that
somebody loves you
so intensly that his
water mark does not fade?

Like a titan, a priest
holds you in palm, to protect
you from vicious eyes,
before saying the prayer.

The sun wants to take
a refuge.

Is Paul the Mahdi?
I gave the book to my son for Christmas
I have not read it
But I have seen the movie

The author said
It is a warning against heroes
Paul does have powers, precognitive dreams
Which is why you should not trust him
As your Messiah

They call Dune philo- Islamic
The desert. Tribes. Colonization. The Mahdi.
Occultation
He doesn't die. He goes into hiding.

I admire the story of Khadijah
The way she helps Mohammed
When I become psychotic
I am mostly on my own

Once and Future appeals to me
Hiding
Waiting
Meditating

      The desert meets the Sea.

                       We.