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He lay awake in his narrow bed
And opened his bedside drawer,
Then fumbled around until he’d found
The thing he was looking for,
A faded folder, covered in dust
It must have been there for years,
‘I want you to take this folder, son,
And give it to Mildred Pierce!’

His grandson blinked away a tear
And uttered a silent sigh,
Then dropped his gaze, he found it hard
To look in the old man’s eye,
He knew he wouldn’t be there for long
Though his steely brow was fierce,
He said, ‘Sure Gramps, I’ll pass it along
When I find your Mildred Pierce.’

‘You’ll find her back where I left her, when
The way of the world was wide,
Up on the banks of the Darling, she’ll
Be there on the Wentworth side,
She used to teach when the town was young
In a little timber school,
I should have stayed, but the girl had clung
And I guess I was just a fool.’

‘She looked so prim in her teacher dress
And her hair was up in a bun,
We used to walk by the river banks
When her teaching day was done,
Down in the shade of the eucalypts
I kissed her there one day,
With her hair let down on her shoulders
She said, ‘Please don’t go away.’’

‘I only stayed for the shearing, then
I followed the shearing tracks,
I had to keep on the move as long
As the wool grew on their backs,
We said goodbye at the junction where
The mighty rivers join,
I should have stayed for the love she gave
But my only love was coin.’

The old man, he was exhausted then,
Lay back, and then he sighed,
His grandson waited a moment, but
He saw that his gramps had died,
He took a look in the folder when
He settled in back at home,
And found a number of pages there
And each one was a poem.

One called ‘Sorry!’ and one called ‘Why?’
And one that he’d drowned in tears,
One that was just a stark lament
‘For the Love of Mildred Pierce’.
The boy had blushed at the poem meant
To eulogise her thighs,
While others sought for her tender lips
And the lovelight in her eyes.

He waited until the summer break
When the funeral was done,
Loaded the car and headed out
To where the rivers run,
He thought that she would be dead by this
It was just an exercise,
But when he had asked for Mildred Pierce
They had caught him by surprise.

‘She’s out on the banks of the Darling
You can’t miss her little shack,
She keeps herself to herself, prefers
To wander the outback.’
He stopped the car at her garden gate
And he called out by her door,
‘I’m looking for Mildred Pierce!’ Then heard
Her footsteps on the floor.

He half expected an ancient dame
With half a foot in the hearse,
But what he saw was a lovely girl
And still in her tender years,
‘They named me after my mother
Who was named for her mother too,
But Gran’s been gone for ever so long
So what did you want to do?’

They sat on her small verandah, and
He showed her the folder then,
‘My gramps wrote these for your grandmother,
Some time in the way back when.’
She slowly read through the pile of verse
And her eyes had filled with tears,
‘I’d heard all about this shearer from
My grandma, Mildred Pierce.’

‘He couldn’t have known they had a child,
My mother arrived in the spring,
And she was told who her father was
But they never heard a thing.
My Grannie died as a spinster, still
A teacher at the school.
How sad that he couldn’t reach her then
To say that his heart was full.’

They went to walk by the river where
Some fifty years before,
A teacher walked with a shearer for
A magic moment more,
They stopped, stood under the eucalypts
With them both reduced to tears,
And that was the moment he kissed her,
For the love of Mildred Pierce.

David Lewis Paget
Curt A Rivard Sr Oct 2012
Finding you on your floor
As soon as I came to your door
Off you go for a look over
Something not right you didn't come home
PSI's on the gauge now tell the tale
Pressure building on your fragile mind
That had to be purged because you were very frail
Day after Christ’s birthday was the last we shared
Our last moments before man made you fall asleep
Ear to ear slice and then your skin is pulled down
Cutting wheel now powered up and on
Making a score line with uncountable RPM's
Stainless steel mallet is now tapping your shell open
Exposing all the danger lurking deep inside
Golf ball tumor leach ******* from your bodies core
Razor sharp suckers with roots buried in deep
You had no choice in the matter
It was your destiny it was your fate
All because it was found to late
Today is my Birthday and I miss getting those cards where you called me Curtis
R.I.P Gram you are still missed did you feel me in your presence
This morning as I walked on your sacred ground?
(CARSr 10-03-12)
Curt A Rivard Sr Jun 2012
Writing poetry will be a lifetime challenge for me to try and conquer. With Credits in Poetry among other accomplishments I truly respect the gift I have been blessed with. A talent that involves attempts to portray a picture through a sequence of letters in there very special order.
At the tender age of 16 I learned of my first family death, Grandpa Ralph and exactly 1 week later my grandmother Mildred who my mother took in and I was chosen to make sure she got her coffee, breakfast along with her medicine and other meals all day. I had to give up a summer of going swimming and other things that a kid my age wanted to do just to keep here company but I learned something so valuable at the same time and that was, I learned how to crochet, learned about birds, and learned to respect the elderly. To this day I still carry those values even to the point of even walking into a old folks home to just talk to strangers and even if I have to pretend to be their own family member so be it because I would like for someone to do just the same for me even if I didn’t know what was going on.
It was due to a brain tumor that took my grandmother away after Christmas that year and I remember it still ever so well when I woke up to go to work at the family’s bakery and my mom told me what had happened and everything that was to follow. My grandmother was the first of many I had saw lying ever so peaceful. I even gave her a kiss and I could feel that it was a warm one that I gave her.
Death throughout the many years now have taking on a new role. A role that should I believe be more up close and personal. Calling hours I think should be done in the family’s home where the deceased can maybe feel more comfortable being among everything they ever knew and among the ones that they loved and vice versa.
I have always wanted to be remembered centuries to follow my death. It seems the only way to accomplish that is to die either famous or infamous. Like the pope in Rome I to want to be laid out in estate for all to come and pay their respect. Obituaries now on the other hand along with media coverage to me seems, only the important and wealthy get all the coverage. Movies on another note portray a different message that has no comparison to the true facts. Directors, they make you think that it is either something so morbid like Friday the 13th or make you think you have to go out in a blaze of glory like Bonnie and Clyde. Television now has so many programs that entertain people’s most inner fears that you only want it to be more gruesome and gory. Now cartoons, that’s another ball game, children see subliminal messages that, if you die you will come back to life after you’re killed when in true contrast how can that be true.
Arts and literature including paintings, writings and music have a major impact on the subject when it comes to death, The ancient Egyptians’ I think were probably the masters on the subject of embalming. There techniques still to this day can’t be compared to. I am still fascinated to this day on just that. I even wrote Poems speaking of just such procedures and how I’d want it to be done if I had my way with the preserving of myself. With all the music and there sick lyrics your found either wanting to **** or run and hide from the killer.

(CARSr. 4-21-12)
Nancy E Tracy Sep 2014
Sits She waiting in a nest
of finest silk strung here to there
and in the garden
over by the waterlilies
sits the mate whose name she bare

Wed they in June
5 years ago
in Copper Corners by the bay
and children 3 had She and He
with names like Do and Re and Mi

Loved He her
and She loved He
idyllic life had they
came then Charlotte (sans her web)
and stole She's He away

From what I know
they're all there still
at least they were today
I had already posted this once when I first came to HP but I would like to post it again for the  Fairytale Challenge
Mike Hauser Mar 2013
As I step through the door
Of my office - Doughnuts Galore
Mildred from behind the counter nods her head at me

I come here every day for a few
Jelly doughnuts and nasty brew
Looking for the perfect job that keeps eluding me

I again pick up the daily rag
Scouring the classified ads
Hoping to find something interesting I see

My bladder lets lose
At the greatest of news
In Black and White Bold Type face do I read

Wanted lead guitarist in
An up and coming Air Rock Band
Mildred comes and picks me up off the floor

I went and applied for the job
And with a wink and a nod
They said your exactly what we're looking for

We practice day and night
Hitting all the notes right
Till our Air Rock Band was ready for tour

The crowds we all wowed
As we brought down every house
In venues we played up and down the Eastern shore

From top forty pop
To industrial techno rock
There wasn't a song we couldn't toast

We even threw a few polkas in
Sounding sweeter than sin
Cause Brian the drummer likes polka the most

We finally hit the big time
When we went nation wide
The Greatest Air Rock Band the worlds ever known

But as fast as we went to the top
That's just as fast as we dropped
Dead air was all you heard from us on the radio
BELOIT CAFE

by

TOD HOWARD HAWKS



For Vicki Whitaker



Chapter 1

"Two eggs, over easy, double hash browns, and coffee, black," said Sally.

"Got it," said Leo.

Leo was Leo Lottman. He was also a genius, but he never cared about that. He had been the cook at Beloit Cafe for six years. He had gotten the job just after he had graduated from Beloit High School. He was 4' 9" tall, so had to see the whole cafe through the small crack in the right wall.

"Order up," yelled Leo.

Sally came over to pick up the order and took it to her customer. The other waitress was Mildred. Both had been working there for 10 and 12 years respectively.

Both Leo's parents had been killed in a car wreck when he was a junior in high school and had to spend his senior year with his uncle. He easily could have won a scholarship to KU, but having been socially shunned all his growing up, he was content to live a private life.

Leo got a job at the Beloit Cafe as a cook. He also rented the room above the kitchen. He loved classical symphonies and reading books on American history, as well as other subjects. The only person who never shunned him was himself.

Beloit is a small town in north central Kansas with a population of 3,400 citizens. In it is the Kansas Industrial School for Girls. On occasional Sunday afternoons, he had gotten permission to go there and talk to those girls interested in the history of the United States.

"Oatmeal with raisins, buttered white toast, and a large glass of whole milk," yelled Meredith.

"Got it."


Chapter 2

After the Cafe closed, Leo slowly climbed the stairs to his room.

The first thing he did was to put on Rachmaninoff's PIANO CONCERTO #2. Then he was ready to absorb himself in all things American. He had already read Howard Zinn's A PEOPLE'S HISTORY OF THE UNITED STATES OF AMERICA. For example, Leo knew that eight men who became President of the United States also owned slaves themselves. George Washington had owned slaves and Thomas Jefferson, the man who wrote "We the People," owned more than 600 slaves. Now he was exploring and enjoying poems written by American poets.

Take, for example, Frost's MENDING WALL, Leo might say.

"The lines I enjoy most are (1) "Something there is that doesn't love a wall" and (2) "Before I'd build a wall/I'd like to know what I was walling out or walling in."

Provocative, Leo thought.

"Or let's examine Emily Dickinson. She wrote a poem titled "I'm Nobody - Who are you?" I think the title tells everything you need to know who she was, a brilliant, but secluded, woman. Lived virtually her whole life in her bedroom. She wrote often about death, probably because she was slowly dying within. I don't think she was ever loved."

"Walt Whitman--let's take a look at him through his poetry. I think Walt Whitman was the emotional antithesis of Emily Dickinson--wide open, not shut as her bedroom door was. I see Whitman as the first American hippie. After you read I SING THE BODY ELECTRIC, read LEAVES OF GRASS.

Leo was getting sleepy. Who wouldn't be after spending hours on his feet?


Chapter 3

"French toast with maple syrup, two lightly poached eggs, bacon, and a cup of coffee with cream," said Sally.

"Got it."

There seemed to be a lot more people coming in to eat breakface this morning. At 4' 9", Leo could see whichever waitress was leaving an order, but could not see the full cafe, which was why he often looked through the small crack to the right in the wall. In a way, this was a metaphor of his life.

Leo was thinking about what he would talk this coming Sunday afternoon at the Kansas Industrial School for Girls. Probably American history, but he was also thinking about a fellow named Tod Howard Hawks and the many poems of his Leo had read and liked on the Internet.

Among a number of Hawks's poems he liked were SOLITUDE AND GRACE, I WRITE WHEN THE RIVER'S DOWN, and SIMONE, SIMONE,
Leo had read all of Hawks's poems, over a thousand of them, as well as his aphorisms and essays. He had also read his novel, A CHILD FOR AMARANTH, which Hawks had posted on the Internet, which meant people could read it for free. Leo admired Hawks's magnanimity, but he wanted to pick 10 more of Hawks's poems to share with the girls.


SOLITUDE AND GRACE

I will wander
into wilderness
to find myself.
I will leave behind
my accoutrements,
memories of medals,
of past applause
and accolades,
accomplishments that
warranted degrees
and diplomas
portending future
successes. I like
who I am, who
I have become. No,
I love myself, and that
is my greatest achievement,
the acme most men
are blind to as they
mistake wealth for worth.
Most would say
I will be lonely,
but they are wrong,
because I will always be
with my best friend ever,
my real self. And I will
share my joy with
squirrels and rabbits
and deer, with bushes
and broken branches
and brush, with rills
and rivulets and rivers,
with rising and setting
suns and countless
stars coruscating in
night's sky, I will say
prayers to piles of pine
and sycamore limbs
that once were live,
but now make monuments
I worship. I am at one
with all I prize. My eyes,
even when they are closed,
see their beauty. I know
I will be blessed forever.
I lie on my bed, Earth,
and wait to join all
in solitude and grace.


I WRITE WHEN THE RIVER'S DOWN

I write when the river's down,
when the ground's as hard as
a banker's disposition and as
cracked as an old woman's face.
I write when the air is still
and the tired leaves of the
dying elm tree are a mosaic
against the bird-blue sky.
I write when the old bird dog,
Sam, is too tired to chase
rabbits, which is his habit
on temperate days. I write
when horses lie on burnt grass,
when the sun is always high
noon, when hope melts like
yellow butter near the kitchen
window. I write when there
are no cherry pies in the
oven, when heartache comes
like a dust storm in early
morning. I write when the
river's down, and sadness
grows like cockle burs in
my heart.


SIMONE, SIMONE

Simone, Simone,
I'm all alone.
Simone, Simone,
I'm all alone.
Simone, Simone,
please come to me
and bare your breast
for me to rest
my shattered heart
upon a part
so soft and warm.
Simone, Simone,
I'm all alone.
Simone, Simone.


Chapter 4

"Ladies, it's nice to be with you again," said Leo.

"This afternoon, I'd like to talk a bit with all of you about the beginnings of our country. After that, I'd like to share with you some poems written by a very talented fellow.

"Our Constitution of 1787 ratified slavery with the 3/5th Clause, thereby making slavery legal in all 13 nascent states. My question:  How can you reconcile slavery with democracy?  My answer:  You can't. Slavery is anathema. It is immoral. It is repugnant. The child of slavery is racism that permeates our nation today. People whose skin is black are still being discriminated against to this very day. The period from 1890 to 1920 saw more lynchings of Blacks than during any other comparable period. The grotesque fact is that eight men, eight presidents of the United States of America, were slaveholders themselves. George Washington was a slaveholder. Thomas Jefferson, our third president, who wrote the preamble WE THE PEOPLE, owned more than 600 slaves. This is how our "Democracy" got started, which I find repugnant.

"Now I wish to share with you a number of poems written by Tod Howard Hawks."

SOUTHWESTERN KANSAS

When you fly to southwestern Kansas,
you see a different kind of Kansas.
The land is flat,
the sky big and blue.
and the folk, the common folk, well, they get along.
The common folk get along in southwestern Kansas.

On a ranch down near Liberal,
the black night roars
and the wind is wet.
All are happy tonight, for there is rain
and tomorrow the pastures will grow greener.

In the morning when the sun first shines,
the tired hands
with leathered countenances
and gnarled fingers
awake in old houses
made of adobe brick
and slip on their muddy cowboy boots
and faded blue jeans
to began another day of long labor.

On the open prairie made green by rain,
tan and white cattle huddle together
munching on green grass and purple sage.
A new-born calf bawls.
Her mother, a Hereford cow,
is there to care,
and the baby calf ***** her belly full
of mother's milk.

About 60 miles to the north,
and a little to the west,
the sun stands high in a blue sky
dotted with little puffs of white.
At noon in Ulysses,
folk eat at the Coffee Cafe;
Swiss steak, short ribs, or sweetbreads
on Tuesdays
with chocolate cake for dessert.

The folk, the common folk, well, they get along,
the common folk get along in southwestern Kansas.
They got a new high school and a Rexall drug store,
a water tower and a drive-in movie theatre.
They got loads of Purina Chow,
plenty of John Deere combines,
and co-op signs stuck on almost everything.
And they got a main street several blocks long
with a lot of pick-up trucks parked on either side
driven by wheat farmers
with silver-white crew cuts
and narrow string ties.

Things are spread out in southwestern Kansas.
A blanket woven of green, brown, and yellow
patches of earth sown together by miles of barb-wired
fences spread interminably into the horizon.
Occasional, faceless little country towns
distinguished only by imposing grain elevators
spiraling into the sky
like concrete cathedrals
are joined tenuously together by
endless asphalt streaks
and dusty country roads,
pencil-line thin and ruler-straight,
flanked on either side by telephone poles
and wind-blown wires
strung one
after another,
after another
in monotonous succession.

But things, things aren't too bad in southwestern Kansas.
Alfalfa's growing green
and irrigation's coming in.
Rain's been real good
and the cattle market's really strong.
The folk, they got the 1st National on weekdays
and the 1st Methodist in between.
The kids, they got 4-H clubs and scholarships to K-State.
And Ulysses, it's got all the big towns got--
gas, lights, and water.
So the folk, the common folk, well, they get along.
The common folk get along in southwestern Kansas.



THE WAY THAT WINTER COMES AT ME

The way that winter comes at me,
as if a stranger from a side street
cold and dark accosting me. I turn
my collar up. He hollers, "You, there!"
Faster I walk, fear chilling me,
a lamp post but a grey ghost in the fog.
This ****, winter, mugs me. He hits me
in the face with frozen fists. He grabs me,
stabs me in the side with knives
of ice, slices at my heart, the home
of hope. Supine, frost forming on
my brow, I pray to boughs of willow
trees:  pines will sing my elegy. My mind
drifts like snowdrifts:  a mitten lost...
fingers, nose, toes frostbitten...
a lake of isolation...a sleigh with no
horse...a blizzard of insanity.
My blood thaws the frozen ground,
then freezes.



GOTHS AND VISIGOTHS

I read of Visigoths and Dark Ages,
nomadic tribes, enormous rage
toward an empire falling,
fires and fleeing,
a desire for being
eternally at rest.
We walk through the ruins
of our empire romantic,
fires still burning,
a yearning so fierce
it's piercing our hearts.
The Franks and the Vandals
and Visigoths dismantle
the art and the ardor
we knew before the fall.
The walls have all crumbled;
that is all I remember.
The Ostrogoths have dismembered
the love we once shared
a millennium or so ago.
I am leaving the ruins
of my own Middle Ages,
turning the pages
of my own darkened soul.
I am solely my sage now,
trying to engage now
the vestige of happiness
the rest of my life.



A STILL LIFE

Pardon me, sir.
May I borrow
your squalor
for a photograph?

I love
the repetition
of those wrinkles in your brow.
Hold it, please.

The contrast
of your black skin
against the white plaster chipping
is marvelous.

When I
get them developed
I'll send you a print,
They'll look great in my portfolio.

Thank you
and your wife
and your eight kids
for this pose in poverty.


A DEEPER NIGHT

In the night
there is a deeper night,
in sorrow, a deeper sorrow,
in your sorrowful eyes more
sorrowful eyes I descry,
the deep night of your eyes
as I lie beside you, your head,
then your head lying on night's
pillow, deeper than a hollow hole
filled with tender tears as you tell me
of the night, the deeper night of your life,
your hair wet with deeper tears
on night's side of your visage
when you had to leave your son
to save yourself and him, a hurt
the still hurts, a deeper night hurt
you share with me through deep night
sobs, deeper sobs, wetting your checks
and neck and night hair, the hurts
the deeper night hurts that robbed
you of yourself and him, of how you
had to go in order to return, the sinuous
path, convoluted and constrained,
to leave the night to be able to come back
in the day. All I could do was to hold you
and let you sob and shake until you finally
saw the brightest sun in your heart.


MOON OF CHERRIES BLACK

Cherries black by water
flowing, berries blue,
the hue of Father Sky.
Bluffs and buffaloes
a long time ago, the
Great Spirit permeated
land and lives. Eagles
flew in hearts of men;
honest words were spoken then.
No token treaties, no entreaties,
arrows flew like truth to hearts
on antelopes. No interlopers,
no antebellum prairie schooners,
no sooner had they come than
bison hooves were no longer
heard. They herded red men
and women and children like
chattel. Wild dogs knew better.


SILVER SPOONS

Some people love their silver moons,
China closets in velvet rooms,
hand-rubbed walnut round pearls of glass,
antique notions to preserve a past,
while others love their silver moons,
orange sunsets, October tunes of bluebirds
sighing through sunburnt skies,
green fields soft where lovers lie.


IF I COULD MOUNT A MOUNTAIN

If I could mount a mountain
and ride it to the sea,
I'd gather up the waters
to make a bath for thee.
I'd rinse your hair with violets,
your ******* and thighs with myrrh,
and as you rose I'd cover you
with strands purple, silver, gold.
If I could garner galaxies,
I'd make for you a ring
and ring it round your finger
for eternity.  I'd call on all
the continents to make for you
a bed, a majesty of meadows,
white billows for your head.
And underneath the tapestry
God wove on Heaven's loom,
with love and lust I'd plant my
seed in your soft and sacred womb.


THE BUTTERFLY SONG:  A Lullaby for Katie

Tell me why, oh butterfly,
do you fly so high.
Tell me why, oh butterfly,
high up in blue sky.

Tell me, pretty butterfly,
with your wings of gold,
are you as kind and gentle
as I'm always told?

Tell me, golden butterfly,
will you come to me
and light upon my shoulder
to keep me company?

And when night falls, my butterfly,
please let your golden wings
illuminate the darkness
until the bluebird sings.


WHAT DOES IT MEAN TO SUFFER?

What does it mean to suffer?
Is it better to buffer ourselves
from turmoil, or does the oil
of hate and hurt serve some purpose?
Are we animals in some circus,
parading like elephants inelegantly,
passing through wire hoops?
We tire, we droop.
Are we poor men in soup lines,
hoping for salvation,
fed with propitiation?
Our faces show no elation:
they grow ashen.
Shall we cash in the bonds
our mothers never gave us?
Love's dearth has thus enslaved us.
Just put us in our graves and
let us live in Mother Earth.


The girls and Leo had a long, trenchant exchange for almost two hours. Leo found it exhilarating. The girls had never engaged others in their regular classes as they had that Sunday afternoon.


Chapter 5

Leo was listening to the 2nd movement of Beethoven's 7th Symphony while
he was reading about the "TRAIL OF TEARS" and President Andrew Jackson.

We, the white people, were the first immigrants to what became known as the United States of America, Leo thought. All the people and politicians can't see that, right?, pondered Leo. Are they simply dumb, or are they being duplicitous? Actually, Leo thought, this was a genocide of what we now call Native Americans.

The INDIAN REMOVAL ACT was signed in 1830 by President Andrew  Jackson. 60,000 Indians of the "five civilized tribes":  the Cherokee, the Muscogee, the Seminole, the Chickisaw, and the Choctaw nations. Over the course of this diabolical walk from the southeastern states to what is now Oklahoma, it is estimated that 16,700 perished from diseases and murderous conditions, as as well as anti-Indian racism. Those groups that "helped" the Indians keep moving along included the U.S. Army and state militias. Forced displacement, ethnic cleansing, and mass murders, among others, kept these human beings moving westward allowing the United States of America to aggrandize more land west of the Mississippi River.

Leo lay on his bed for a long time. He had finished listening to Beethoven's Seventh Symphony and was now enjoying Dvorak's NEW WORLD SYMPHONY. But the longer he lay there, Leo wondered if Dvorak was dreaming of a new, budding world, or whether he was listening to the preamble to a demonic future. Leo knew the hydrogen bomb was like the atomic bomb, only a thousand times more powerful.


Chapter 6

Leo remembered General Philip Sheridan said in the 1860s "The only good Indian is a dead Indian." Every time Leo saw Hotah come into the Beloit Cafe, Leo thought of Sheridan and almost puked. Hotah, a Lakota Sioux, was a little older than Leo, and over time the two had become friends. Hotah had grown up on the Pine Ridge Indian Reservation, the poorest place in the USA. The drug addiction, alcoholism, and rampant poverty drove Hotah off the reservation, down through Nebraska, and into north-central Kansas where he made for himself a home of sorts for himself in Beloit. What the two had shared was a life of pain and intelligence.

"Leo, hello," said Hotah.

"Hotah, it's good to see you. How have you been?" said Leo. "Just a minute. I have a few more supplies to stock," said Leo.

The Cafe closed at 8 pm. It was 7:45. There would be no more customers. Leo closed the Cafe every evening.

"There, that will do it. Like a cup of coffee?" said Leo.

"Sure," said Hotah.

Leo poured two cups of coffee. "You like your coffee black, right?" asked Leo.

"That's right," said Hotah. Leo drank his coffee with milk. "Pick a table and I'll be with you in just a moment," said Leo.

Hotah picked up the two cups and put them on a table close by, then sat down. Leo joined him.

"I'm thinking I'd like to drive back to the rez and wondered if you'd like to join me," said Hotah.

"I think I could work something out," said Leo.

The Wounded Knee Massacre occurred in the winter of 1890. Hotah's great-grandfather and nearly 300 other Lakota Sioux died in that slaughter. Each year Hotah made a pilgrimage to the cemetery about ten miles east of Pine Ridge to honor his slain great-grandfather.

A ceremony called "Ghost Dance" performed by groups of Lakota Sioux had frightened nearby settlers. A detachment of the U.S. 7th Calvary Regiment confronted almost 300 Lakota Sioux men, women, and children and after a rifle was accidentally fired, the massacre began. Hotah's great-grandfather was killed.

"Do you think we could make the round-trip in a week?" Leo asked Hotah.

"I think we could do that," said Hotah. "My old Honda should get us there and back."

"I've accumulated some vacation time. When do you think you'd like to go?" asked Leo.

"How about next week, say Saturday?" said Hotah.

"Things around here are pretty flexible. I'll ask tomorrow and let you know tomorrow evening," said Leo.

"Great!" said Hotah.


Chapter 7

"Good news, Hotah. Saturday will work fine," said Leo.

Driving from Beloit to Pine Ridge is not like drawing a vertical, straight line. It's a lot of zigs and sags. Hotah had made this trip many times. He could make this trip without a map. Travel time is between 5 to 6 hours. Once they got to the rez, the two could stay with Hotah's relatives, the Brave Bulls.

Saturday morning Leo and Hotah got into Hotah's old Chevy pick-up and headed northwest. A number of small Nebraska towns Hotah and Leo passed through. After crossing I-80, they stopped at a cafe in Philipsburg. Then they traveled through Breadwater, Alliance,  and a number of other small towns until they passed through White Clay, then into Pine Ridge. They had planned on meeting Hotah's older brother, Akecheta, and his two younger sisters, Macha an Whicahpi at Pine Ridge's gas station and convenience store.

Hotah got out of his pick-up, went over and hugged his brother and two sisters, then introduced them to Leo.

"Pleasure to meet you all," said Leo. Akecheta had suggested that everyone come over to his house, relax, chat, then have dinner.

"Well, this is my home," said Akecheta. "Welcome." It was mid-afternoon by now and Hotah and Leo were a bit worn out. They all went inside and found a seat.

"Coke or Seven-Up?" said Akecheta. He took all the orders, went into the kitchen, prepared the drinks, served them, then took a seat. "Here's some chips if you're hungry."

"Glad to have Leo with us. You and Hotah will be staying with me. The girls will be staying with their mom. Our parents are divorced," said Akecheta.

Leo was beginning to unwind. He was used to standing for hours, but not so used to sitting for 5 1/2.

The group was starting to feel quite comfortable with each other. Leo asked the girls which grades they were in and which subjects they were studying. He mentioned that every few weeks or so he met on Sunday afternoons with a group of high-school girls and spoke about different topics. Akecheta, it seemed, was a very good athlete. The Yankees were scouting him.

Turns out, Akecheta also was talented in the kitchen. He excused himself and finished making dinner.

"Anybody hungry?" said Akecheta. "Dinner's ready."

So what was for dinner?

Wasna:  A traditional dish made from dried meat, fat, and berries.
Vegetables and corn:  Wild vegetables such as turnips (timpsila) and corn.
Thahca: Bison meat served as roasted, stewed, or dried.
Frybread.

More than enough for everyone around the table, and delicious.

After dinner, the six sat around and chatted. Hotah and Leo were tired from their day's trip. The next day, the two were going to the Wounded Knee Cemetery. It was time to call it a day. Akecheta took his sisters home. When he returned, he found Hotah and Leo asleep.


Chapter 8

Hotah and Leo got up early. After eating breakfast, they quietly went  outside and got into the pick-up. The morning air was cool.

It would take the two a bit under a half hour to reach the cemetery. There would be no conversation as they headed toward the cemetery. Leo understood this trip was a prayer.

They reached the cemetery. Detritus, not rose petals, greeted Hotha and Leo. It met all who came to this sacred place to remember those who were slaughtered that frigid day--men, women, child--in December, 1890.

Hotha and Leo sat in silence. The spirit of thousands of buffaloes of the past could be felt. No sound but the wind could be heard. Hotha could hear cries, screams from the massacre of a century ago. His tears wet the dry earth.

The sun rose slowly in the blue sky. First Hotha, then Leo, slowly rose to make their way back to the pick-up. Cries and screams slowly abated as they headed home. Neither spoke a word.


Chapter 9

The Badlands were first inhabited 11,000 ago. The Oglala Lakota Sioux originally occupied all of the Badlands;  today they control a small section called the "Stronghold District," still a part of Pine Ridge Indian Reservation.

Hotah and Leo took a number of drives through what is now Badlands National Park. As they drove, they chatted.

"The indigenous peoples have really had it tough," said Leo.

"When we speak English, we call it "genocide," said Hotah.

"All these atrocities...." murmured Leo. "You would think by now that peoples who have superficial differences between them would see them by now as, well, "superficial." Instead, for millennia, peoples who are fundamentally the same find a reason to **** each other. That's crazy, isn't it?"

"I think "crazy" is a sane word to describe the situation you're talking about," said Hotah.

"You know I like to read history. Let's see if I can name a few," said Leo:

"ANCIENT TIMES:  Assyrian Empire (900-600 BCE) known for their brutality against those they conquered;  Roman Empire (27 BCE-476 CE) various atrocities including mass crucifixions and the sacking of cities like Carthage.

"MEDIEVAL TIMES:  Mongol Conquests (1206-1368). The Mongol invasions led by Genghis Khan. Widespread destruction and mass killings;  Crusades (1206-1368). Religious wars. Much loss of lives on both sides.

"EARLY MODERN PERIOD:  Spanish Inquisition:  (1478-1834). Torture and execution of thousands accused of heresy. Transatlantic Slave Trade:  (16th-19th centuries):  Enslavement and transportation of millions of Africans to the America.

19TH CENTURY:  Congo Free State (1885-1908):  Exploitation and atrocities committed by the Belgians under King Leopold II.

20 CENTURY:  Armenian Genocide (1915-1923):  Mass killings of Armenians by the Otttoman Empire;  Holocaust (1941-1945):  Genocide of six million Jews by **** Germany;  Rwandan Genocide (1994):  Mass slaughter of Tutsi by the Hutu majority;  Bosnian Genocide (1992-1995):  Ethnic cleansing and mass killings of Bosniak Muslims by Bosnian Serbs.

21ST CENTURY:  Darfur Genocide (2003-present):  Atrocities committed in the Darfur region of Sudan;  Syrian Civil War (2011-present): Numerous war crimes and atrocities committed by various factions.

"How do you remember all of this, Leo?," said Hotah.

"Photographic memory," said Leo.

For the next few days Hotah, Leo, and Akecheta hung out in the latter's home. It had been a great time, but it was time to head back to Beloit. Hotah and Leo thanked Akecheta for his kindness and generosity, but the old pick-up was waiting patiently.


Chapter 10

Hotah and Leo got home on Saturday.

Leo was scheduled to meet with the girls at the Kansas Industrial School on Sunday. "I need to pick out ten more poems," he thought. Also, he needed to decide on which era of American history he would discuss with the girls.

Leo chose these ten poems by Tod Howard Hawks to read.

WHO WILL BE THE FIRST?

Who will be the first
to volunteer
to be poor, homeless, and hopeless?

Who will be the first
to live
with no love, hope, and will?

Who will be the first
to be
illiterate, ostracized, and forgotten?

Who will be the first
to suffer
enslavement, lynching, and death?

Let me be the first
to say
"This is not right!"

Let me be the first
to believe
"This is not honest!"

Let me be the first
to embrace
what's kind, generous, and caring?

Let me be the first
to love
you. you, and you.



WHAT IF WIND AND WHITE CLOUDS

What if wind and
white clouds blow by
without a sound to be heard.?
What if all hearts and souls
be one without red, yellow,
brown, black and white skins
What if one kiss is a kiss of all?
What if we miss these truths
throughout our hours? What if
love is all that matters as we scatter
through our myriad lives?



WHAT IF A POEM WELLS UP?

What if I sit
in a silent room?
What if I speak
only to myself?
What if I utter
no words? What if
a poem wells up inside
me unconsciously,
no trying need there be.
I think I should type it.


BUT I SHALL HOLD LOVE

For what is the most precious gem?
It is the blue diamond,
but I shall hold love.
And for what is the greatest wealth?
It is to own more than any other,
but I shall hold love.
And for what is the greatest honor?
It is to have all others bow at your feet,
but I shall hold love.
And for what is the greatest glory?
It is for one to be remembered by all forever,
but I shall hold love.



WE HAVE MINED OUR MOUNTAINS

We have mined our mountains,
we have fished our seas,
we have felled our forests,
we have gathered our grains,
but we have not embraced
the infinite energy of our souls,
which is love.



A NATION, A NOTION

A nation, a notion,
Hegemony or honey,
A cruel ruler or a kind mind,
All for one or some for all,
Aggrandize, or wiser still,
Enough for billions,
Gentle hands for a broken heart,
Lavender love to assuage the pain,
Head on your pillow,
Alone in the dark,
No fear as sun rises,
A nation, a notion,
Take some lotion
And spread it
To dissolve
All borders.



TO SHED MY TEARS

I am sitting on the curb in late July between Al's
Barbershop and Harry's Hardware watching ants
making their way to the gutter where they disappear.
Busby, Nebraska is not a big town--in fact, it's not
even a small town--in fact, it's not even a town. It's
three blocks long, but Ethel's Cafe is open for break-
fast and lunch. And most importantly, it's on the
way to the Pine Ridge Indian Reservation located
in the remote southwestern corner of South Dakota
where I'm headed on foot. I've been to Pine Ridge a
number of times. Something calls me there from time
to time. Not sure what it is--kind of like a spiritual
whisper. Only got 23 more miles to get there. I walk
wherever I go--reminds me of Wordsworth's THE
WORLD'S TOO MUCH WITH US. I say I'm going
to Pine Ridge, but actually I'm headed to Wounded
Knee Cemetery, about ten miles east of Pine Ridge,
where so many of the Lakota Sioux men and women
and children were slaughtered, then buried, the
last massacre of indigenous people by the U.S.
Army in 1890. I sit on the ground and cry and cry.
The dry grasses soak up my tears as fast as they
hit the ground.



I WALK MORE SLOWLY NOW

I walk more slowly now.
The miles are longer than they used to be.
I know where I want to go,
but now I forget to turn left and turn right.
Here comes a pretty woman.
I say hello as she passes,
but I hear nothing.
I saw her, but I guess she didn't see me.
I walk by trees and flowers
that used to be green and red
and yellow, but now are grey.
I need to get my glasses fixed,
but I cannot find them.
I miss Shep, my dearest friend ever.
I hear him barking,
but he died a year ago.
I walk more slowly now.



I FEEL SORRY FOR YOU NOW

I used to hate,
but now I love, I
feel sorry for you now.
I feel sorry you
were never loved before.

You who loathe
and discriminate, I
feel sorry for you now.
I feel sorry you
were never loved before.

You who wish
that hell be black, I
feel sorry for you now.
I feel sorry you
were never loved before.

You who'd torture
and even ****. I
feel sorry for you now.
I feel sorry you
were never loved before.

You are humankind,
but still unkind, I
feel sorry for you now.
I feel sorry you
were never loved before.



I AM REALIZED

Life begins at conception.

For a human being to be able to love, she/he must first be loved, usually by
her/his biological parents, other times by her/his surrogate parents. If the newborn is not loved, she/he will suffer great pain, possibly even dying.

Most human beings do not receive the love they need;  thus, they will
unconsciously compensate usually in one or more than three ways:  accrual
of power, not to empower others, but to oppress them;  aggrandizement of
great wealth;  or achievement of fleeting fame.

If, on the other hand, they are loved, they will love all others throughout their lives, realizing their own personhood, which is their innate sacredness. If they are not loved, they will realize one or more of deleterious behaviors.

When all die, those who have realized their real selves will not have to return to Earth to live another life, because their souls have become pure love that bonds with the pure love of infinity, which is reality that has no form, no beginning, no end. They have become enlightened and will be so forever.

Those who did not realize their real selves will need to return to Earth in  new lives unconsciously to make another attempt to attain enlightenment.

Human life is an illusion, but because of love and self-realization, it remains nonetheless paradoxically the path to the reality of eternal love, which is God.

Know truth by untruth.



Chapter 11

Leo had just selected 10 more of Hawks's other poems to share with the girls this coming Sunday afternoon, but he also had to decide which era of American  history he would discuss with them. Finally, he decided on the genocidal period from 1860 to 1890 during which General Philip Sheridan is alleged to have said, "The only good Indian is a dead Indian."

Sunday afternoon came quickly. Leo enjoyed reading the poems to the girls and discussing with them the period from 1860 to 1890. But he was worn out and immediately returned to the Beloit Cafe, walked up the stairs to his room and lay on his bed and fell asleep instantly.

Monday morning, it seemed, also came instantly. By 7 am, Leo was ready to cook, and he did. And it was a long day. Most interestingly, that evening was the first time he saw that lady who came into the Cafe right before it was to close. Even more interesting was that the lady kept coming in every evening around the same time.  

"Have you noticed our new customer," asked Sally.

"Well, I've seen glimpses of her," said Leo.

"The interesting thing about her is that every evening she comes in, she's crying," said Sally.

"Crying?" said Leo.

"Yes," said Sally.

"Has she ever spoken to you, Sally?" asked Leo.

"Not personally, but she always orders the same thing. I think it's Swiss Steak," said Sally.

"That's right. Someone orders Swiss Steak every evening of late. It has to be her," said Leo.

After talking with Sally, Leo walked over to the crack in the right wall to see this mysterious lady. There she was, putting her handkerchief constantly to her eyes. I wonder what's bothering her, thought Leo.

The lady kept coming in every evening at the same time for more than three weeks. Leo kept checking her out every evening. Nothing had changed.

On Thursday evening of the fourth week, Leo did something that he had never done before. After Sally had placed the lady's order--yes, still Swiss Steak--Leo left the kitchen during working hours for the first time and slowly walked over to the table where the lady was sitting.

"I'm Leo Lottman, the cook. I'm concerned about you. Are you OK?" said Leo politely.

The lady was surprised the cook came over to her and asked if she were OK, but internally she appreciated his kindness.

"Your first name is Leo, am I right," the lady asked.

"Yes, you're right," Leo responded.

"It was very kind of you to come over and ask me if I were OK," said the lady. "By the way, my name is Julia."

"I didn't intend to interrupt your dinner, Julia. I haven't even cooked it yet--the Swiss Steak, right?" said Leo.

"My husband was killed in a car wreck," Julia *******.

Leo was stunned. "Oh, my god! I'm so sorry. My parents died in a car wreck when I was in high school," said Leo, his voice quivering. "I had to go live with my uncle. I suppose I need to go cook your Swiss Steak. And, by the way, don't feel you have to rush. I'm the only person working at this time of evening, so when everyone has eaten, I close the Cafe. I enjoyed talking with you, Julia. I hope to see and talk with you again."

"Leo, you're so kind. Your voice warms my heart," said Julia.



Chapter 12

Leo lay on his bed and thought about Julia. Tears and fears, a poem, Leo thought. Leo could relate to those two things. He thought some more. If Julia comes in tomorrow, I want to go over to her table again and just check in, Leo thought. And she is beautiful and nice, thought Leo as he continued to lie on his bed.

Leo had never interacted with a female until this evening. His heart was warmer, too.

He had been listening to Mozart's Symphony #40, which he loved. But as he listened to it this night, this Mozart's symphony sounded even sweeter. He was dreaming, thought Leo, even though he was still awake. And though he had cooked so many Swiss Steaks, Leo was thinking he'd love to cook them every night. Finally, he dozed off.

Morning did not come soon enough. Leo had never felt this way before, but this new morning Leo felt like he had never felt before. There was a spring in his step and a smile on his face. Leo was happy. He had never felt happiness before. There was something in the air that before was never there. This was great stuff, Leo thought...and felt.

Leo was almost running down the steps. He couldn't wait to start cooking. Eggs, hash browns, grits--whatever you want, thought Leo. Sally, one of the two waitresses, saw a different cook, a different Leo, than she had ever seen before.

Service at the Beloit Cafe had always been good, but as this day unfolded, Sally and Mildred had never sensed this level of happiness permeating the Cafe. Nobody spoke out about it, but it was palpable to every customer and staff. What was going on?, everyone thought.

Leo was extraordinary in flipping pancakes and frying bacon. Eggs--anyway you like them. Cereal--any kind you like. Coffee--we have the best. The Beloit Cafe was humming.

This workday was going by fast. The afternoon went by so fast, the staff barely noticed it going by. Leo felt he could run a marathon. Sally and Mildred were talking about seeing a movie together. If there were a dog in the Cafe, it would be running around tables and chairs. It might even have puppies.

Leo had been checking the time all day--about fourteen times. This time when he looked again at the clock, it was the magic moment. It was quarter to 8! And sure enough, Julia walked in and went to her table. As Leo and everyone else knew, there were no other customers coming in this evening and all the staff except Leo were gone. Eureka!  

Leo couldn't wait. After a few moments, Leo walked over to say hello to Julia.

"Good evening, Julia. How are you feeling tonight? I hope better." said Leo.

"Good evening to you. It's nice to see you again. I am feeling better tonight. Thanks for asking," said Julia.

"I'd like to chat with you a bit, but I know you want your Swiss Steak," said Leo.

"Don't worry about the Swiss Steak. It's not going to walk out of the Beloit Cafe," said Julia. "I'd enjoy chatting a bit with you, but tell me if you feel we're going on too long."

"Won't hesitate, but I am now a free man, if you will," said Leo. "My time is NOW my time. Where did you grow up, Julia?"

"I grew up in Steamboat Springs, Colorado. I'm not a great skier, but I do love the mountains," said Julia. "Where did you grow up?"

"I'm a hometown boy. I've lived my entire life in Beloit," said Leo, "But I feel I've been many places and done many things, because I love to read and listen to classical music."

"Oh, that's interesting, because I love classical music, too. Probably because, as a child, I took lessons and learned how to play the violin," said Julia. "Who are your favorite composers?"

"Well, I've listened to a lot of classic music by different composers, but if I were stranded on an island far out to sea, I'd love to be able to listen to the works of Beethoven, Bach, and Mozart," said Leo.

These beautiful chats continued for several weeks.



Chapter 13

After this many chats, both Julia and Leo felt comfortable in each other's company.

Leo had decided to make a proposal of sorts to Julia.

That Monday evening, Julia came into the Cafe and sat down at her table. Leo came over to welcome her.

"Good evening tonight," said Leo. "How has your day been?"

"Just fine, Leo," said Julia. "And how about yours?"

"Well, the first thing I do every day now is to see if we still have enough Swiss Steaks. I have good news for you, Julia. We do!," said Leo.

Julia laughed.

Then Leo laughed, too.

"I have a question for you, Julia. Are you familiar with Beethoven's third symphony, Eroica?", asked Leo.

"Oh, yes, Leo, but I haven't listened to it for quite some time," said Julia.

"In that case, I have an invitation for you. Would you like to come to my room after eating another Swiss Steak and listening to Eroica? I have it," said Leo.

"Oh, that would be great!," said Julia. Julia never found out that Leo's invitation to Julia was the first invitation to a woman in his life.

"Well, I better start cooking your Swiss Steak now," said Leo.

Leo's heart was beating like crazy.



Chapter 14

Leo gave Julia a lot of time for her to eat her Swiss Steak. When he saw that she was finished, Leo walked over to her table.

"Well, Julia, how was your Swiss Steak tonight?" Leo asked.

"It was as good as all my other steaks have been," said Julia.

"That's good to hear," said Leo. "Are you ready to hear some beautiful music?" said Leo.

"I am now ready," said Julia.

"Just follow me," said Leo.

Leo walked across the room, then walked up the stairs to his door.
Before he opened the door and turned around. Are you OK after your hike?" asked Leo.

"I'm eager to listen to beautiful music," said Julia.

"Beautiful music coming right up," said Leo as he opened his door.

"This is my humble abode, Julia. I only have one chair and it's for you," said Leo. "Beethoven's Eroica, one of the masterpieces! Relax and enjoy."

Leo put Eroica on the turn table and turned the record player on. Leo sat on his bed. His heart was not pounding now. It was exuding serenity.

Beautiful music supplants all other feelings. Listening to Eroica was like relaxing in a warm pool. You didn't just listen to it. The music flowed through you. Finally, the music ended.

"That was so beautiful," said Julia. "Thank you, Leo, for sharing that with me."

"My pleasure, Julia," said Leo, then led her downstairs to the exit of the Cafe.

"Thank you, Leo, for brightening my life," said Julia.

"You're more than welcome," said Leo, his heart pounding again.

Julia walked home and Leo went back to his room, then lay on his bed, and before he fell asleep, thought this had been the best evening of his life.



Chapter 15

Leo and Julia continued their relationship. A number of times, Leo asked Julia if she would like to listen to other classical masterpieces. She said she would. After several months, Leo asked Julia if she would like to go out to a fancy restaurant for dinner. She said she would.  After that, they began on the weekends to go see movies. Julia invited Leo over to her home for dinner.
Then Leo and Julia decided to take a week's trip into the Rocky Mountains.
A year later, the two announced to the Cafe's staff they were engaged. A year after that, Julia and Leo got married. And a year after that, Julia gave birth to a baby boy.

In life, you never quite know what's coming next. For Julia and Leo, it was love.
Michael R Burch Mar 2020
The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review

These are poems about sports like baseball, basketball, boxing, football and soccer. Keywords/Tags: Sports, locker, locker room, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation



Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, more bronze than gold,
a coin God stamped in His own image—Bold.
My blood boiled like that river—strange and wild.
I died to hate in that dark river, child.
Come, be reborn in this bright river, child.

Published by Black Medina, Bashgah (Iran, in a Farsi translation), Other Voices International, Thanal Online (India), Freshet, Formal Verse, Borderless Journal, Interracial Love, and in a YouTube video by Lillian Y. Wong

Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying, “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” I was told through the grapevine that this poem appeared in Farsi in a publication called Bashgah.



Me?
Whee!
(I stole this poem
From Muhammad Ali.)
—Michael R. Burch



hey pete!
by michael r. burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy’s dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then
you'll be a Superstar.

Pete Rose was my favorite baseball player as a boy; this poem is not a slam at him, but rather ironic commentary on the term “superstar.”



Baseball's immeasurable spittin’ mixed with occasional hittin’.—Michael R. Burch



Larry Seivers had golden hands
by Michael R. Burch

Larry Seivers had golden hands,
platinum hands,
diamond hands,
hands of jasper, sapphire, chalcedony, emerald, sardonyx, sardius, chrysolite, beryl, topaz, chrysoprase, jacinth and amethyst.

Other receivers were more elusive,
bigger,
faster,
more physical,
flashier ...

but Larry Seivers had hands.



Julius
by Michael R. Burch

Instinct
in an unplanned moment
as you rise
will teach your limbs the art of flight:
the waltz of light
through vaulted skies.

A falcon flies:
its keening cries
as sunlight fails
fall hollow to the earth below,
and you must know
how fierce the light of sunset feels.

You hear
those ringing cries, their echoes clear
though far away, and so you pause
—defying even gravity,
suspended over some vast sea—
then fall ... into applause.



Larry Legend
by Michael R. Burch

He's slow, can't jump,
looks pale and plump.
He talks too much;
he brags, and such.
He's not real nice,
has blood like ice
and will like steel
(and steal he will).
But when the game is on the line,
your team, or mine?



Big Mc Attack
by Michael R. Burch

Johnny Mc
Enroe
is back—
the fierce
attack
of words
and serves,
returns
and taunts.

He flaunts;
he flails,
reviles
and rails.
Sometimes
he wails.
His ego
swells.
He grunts
and groans
and moans
and gee . . .
I think
he wants
to referee!

Johnny Mc
(thank God)
is back—
wisecrack
ing, fiery,
taking flack
(not hesitant
to give it back).

We love
to watch
him glare
and wince,
and since we sense
his dreams
(intense),
we sit
on pins
until
he wins.



For Jack Nicklaus, at the 1987 Open
by Michael R. Burch

When you were young
every putt was makeable
and every dream remarkable;
the stars were unmistakable
you set your sights upon.

Then, in your youth,
time not yet a factor
and age not yet your rector,
you plotted every vector
and victory shone ahead, like truth.

But uncouth youth was fleeting ...
soon losses grew more numerous;
time's skies became more cumulus;
the nerves with age—more tremulous,
as the sun from the sky was setting, retreating.

How have you then, as sunset nears
and the world looks on with unsure eyes,
cast off the crutch of age to rise
and stand as though the butterflies
have no effect, no, nor the cheers?



I wrote this poem after Tom Watson chipped in at the 1982 US Open to defeat Jack Nicklaus. Nicklaus was getting older, but he was still competitive.

There Are Dreams
by Michael R. Burch

for Jack Nicklaus

There are dreams
that you have dreamed
that are etched into your eyes.

There are dreams
that you have dreamed
that resignation can’t disguise.

There are dreams
that you have dreamed . . .
O, I’ve dreamed them, esteemed them.

Like fire,
desire
flares most brightly as it dies.



Jimbo
by Michael R. Burch

for Jimmy Connors

Pounce like a panther,
all sinew and nerve;
attack, arched in anger,
your quarry—the serve.
Imagine a moment
of glory to come
as you lunge for the path
of its flight through the sun.

Are you a Templar
like warriors of old,
forsaking your loved ones,
crusading for gold?
Or could it be
need for fame drives you on?
Do you soak up the cheers
as you dash through the sun?

As you battle those younger,
those stronger, more fleet,
still none can be fiercer,
less yielding, complete.
Oh, what drives you onward,
what makes you compete?

I think not the riches, acclaim, even love . . .
but your heart is incentive enough.



The Great GOAT Debate
by Michael R. Burch

The great GOAT debate
can no longer wait:
we MUST know who’s best, and know NOW!

Is it Jordan, Kareem,
or Hakeem the Dream?
Is it Gretzky, the Rocket, or Howe?

Is it O.J. or Brady,
or are they too shady?
Tom Burleson or Monte Towe?

But now that I’m thinking
and done with my drinking,
before I make friends with a large purple cow ...

It’s the Babe, let’s get serious!
Babe Didrikson Zaharias!
Let the Ultimate GOAT take a bow.

Mildred Ella “Babe” Didrikson Zaharias was a basketball All-American, a baseball and softball star, a professional golfer who accumulated ten major championships, and a track and field legend who won two gold medals and a silver in three different disciplines at the 1932 Olympics while setting four world records in the process. She was also an expert diver, roller-skater, bowler and billiards player. Didrikson won the 1932 AAU track and field team championships while competing as an individual, by winning five of the eight events she entered and finishing second in another. She remains the only track and field athlete, male or female, to have won individual Olympic medals in a running event (hurdles), a throwing event (javelin), and a jumping event (high jump). Despite taking up golf in her mid-twenties and having to wait until age 31 to regain her amateur status, Didrikson won 17 straight women's amateur tournaments, an unequaled feat. Altogether, she won 82 golf tournaments. She made the cut at two men’s PGA golf tournaments, the only woman to do so, and she did it sixty years before any other woman even tried. In 1934 exhibition games, after being taught the curve ball by Dizzy Dean, she pitched one scoreless inning against the Dodgers and two scoreless innings against the Indians. Didrikson still holds the world record for the longest baseball throw by a woman. The world has never seen anyone like her.

“She is beyond all belief until you see her perform ...Then you finally understand that you are looking at the most flawless section of muscle harmony, of complete mental and physical coordination, the world of sport has ever seen.” – Grantland Rice, considered by many to be the greatest sportswriter of all time



Ring-a-Ling Bling
by Michael R. Burch

The ring
thing
is mostly bling.

Determining an individual athlete's greatness by counting championship rings (i.e., team success) makes no sense to me and seems disrespectful to all-time greats like Ernie Banks, Charles Barkley, Elgin Baylor, **** Butkus, Ty Cobb, Michelle Kwan, Karl Malone, Dan Marino, Marta (who may be the greatest female soccer player of all time), Barry Sanders, John Stockton, Fran Tarkenton and Ted Williams. Perhaps the best example is the player most cited for rings these days: Michael Jordan. In reality, Jordan didn't win a ring his first six years and was 0-6 against
the Larry Bird Celtics and lost two more playoff series to the Isiah Thomas Pistons. Were Bird and Thomas the better players, or did they simply have better teams? The answer seems obvious.
Jordan only began to win rings after he was joined by outstanding players like Scottie Pippen, Horace Grant, et al, and even then it took time for that team to jell. Jordan was a transcendentally great player before he won a ring. If he had failed to win rings because he never had good-enough teammates, would that make him a lesser player? Judging individuals by team success or failure makes no sense, unless Jordan was a lesser player for six years while his teams struggled and then he miraculously became the GOAT when more capable players showed up. Ditto for LeBron James. The first thing he does after changing teams is use his influence to get better players to join him. LeBron is not foolish enough to believe rings are won by individuals.



The Ring Thing (is entirely Bling)
by Michael R. Burch

The ring
thing
is entirely bling.

Michael Jordan was zero-for-six
against the Larry Bird Celtics;
moreover he was twice sent home
by Isiah’s Pistons;
his ring case only began to gleam
when he had Horace, Scottie and B.J. on his team.

Thus the ring
thing
is bling.



The Ballad of King Henry the Great
(aka Derrick Henry)
by Michael R. Burch

Long live the King!
Send him victorious,
happy and glorious,
long to reign over us:
Long live the King!

Long live the King!
Send him like Sherman tanks
Mowing down cornerbacks,
Stiff-arming tiny ants:
Long live the King!



No T.O.
by Michael R. Burch

Lines written after the aptly-named Eric Eager said, “A. J. Brown is Terrell Owens.”

I’m young, I’m big-hearted,
but I’m just getting started.

I’m running my own race
at my own **** pace.

T.O. belongs in fabled Canton town,
but I’m A. J. Brown.

The second stanza was actually written by A. J. Brown, a budding poet, and published in the form of a tweet.



Charlie Hustle
by Michael R. Burch

for Pete Rose

Crouch at the plate,
intensity itself.

Follow the flight
of the streak of white
with avid eyes
and a heartfelt urge
to let it fly.

Sweep the short arc,
feel the crack of a clean hit,
pound the earth
toward first.

Edge into the base path,
eyes relentlessly relentless.

Watch his every movement;
feel his every thought;
forget all save his feet;
see him stretch
toward the plate ...
and fly!

Fly along the basepath
churning up the dirt,
desire in your eyes.

Slide around the outstretched glove,
hear the throaty cry,
"He's safe!"
And lie in a puddle of sunlight
soaking up the cheers.

A Texas Leaguer dropping
to the left-field side of center
sends you on your way back home.

Take the turn past third
with fervor in your eyes
and a fever in your step,
the game just strides away ...
take them all and then
slide your patented head-first slide
across the guarded plate.

Pause in the dust of your desires,
loving the feel of the scalding sun
and the roar of the crowd.

Shake your head and tip your cap
toward the clouds.

Slap the dirt
from your grass-stained shirt
and head toward the clubhouse ...
just doing your job,
but loving it
because it is your life.

This was an early attempt at free verse, written in my teens.



The Sliding Rule
by Michael R. Burch

If you’re not quite kosher,
like Leo Durocher;
or if you have a Pinocchio nose,
like Peter Edward Rose;
or if your life turns tragic,
like Ervin Johnson’s magic;
or if your earthly heaven
is stopped, like Howe’s, at seven;
or if you’re a disciplinarian
like Knight, but also a contrarian;
or if like Joe you’re shoeless
because you’re also clueless;
or perhaps like Iron Mike Tyson
you work a little vice in;
or like Daly working the jackpot
you’re less unlucky than merely a crackpot;
or like Ruth you’re better at drinking
than at dieting and thinking;
or perhaps like Andre Agassi’s
your triumphs are really your tragedies . . .
though The Judge might call you a sinner,
society’ll proclaim you a WINNER!



Tremble
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse

Keywords/Tags: Tremble, predator, raptor, hawk, eagle, falcon, talon, beak, wing, preen, preened, preening



Y2k: The Score
by Michael R. Burch

You should have known
when you were giving us wedgies,
pulling down our pants
in front of the cheerleaders,
playing frisbee with our slide rules . . .

that the years are exceedingly cruel.

You should have seen,
dashing across the gridiron
(as the cheerleaders screamed
in a *****-show of ecstasy),
playing the hero, the bull-necked **** . . .

the hands on the face of the unimpressed clock.

Though you were popular,
the backseat Romeo, the star
who drove the flashiest car,
though you lived out our dream
and took the prettiest girls to the dances, the prom . . .

you never had a chance.  Something was wrong.

We missed the big dances and proms
as we hissed and we schemed,
as we wrote and re-wrote our revenge
while you partied like Stonehenge.
Now your business is in debt to the hilt.
It’s too late to cry: Foul! Unsportsmanlike! Tilt!

One statement of ours and yours are all lost!
Your receivables, aging and gathering dust,
will yellow like ***** one soon-coming day.
While you were scoring, you missed this play—

Jocks: Zero. Nerds: Y2k.



Ordinary Love
by Michael R. Burch

Indescribable—our love—and still we say
with eyes averted, turning out the light,
"I love you," in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair's blonde thicket now is tangle-gray;
you turn your back; you murmur to the night,
"I love you," in the ordinary way.

Beneath the sheets our hands and feet would stray
to warm ourselves. We do not touch despite
a love so indescribable. We say

we're older now, that "love" has had its day.
But that which Love once countenanced, delight,
still makes you indescribable. I say,
"I love you," in the ordinary way.

Winner of the 2001 Algernon Charles Swinburne poetry contest; published by The Lyric, Romantics Quarterly, Mandrake Poetry Review, Carnelian, Poem Kingdom, Net Poetry and Art Competition, Famous Poets and Poems, FreeXpression, PW Review, Poetic Voices, Poetry Renewal and Poetry Life & Times
ry Jun 2017
Think of a feeling you have not felt nor witnessed anyone who has felt it.
Describe it.
Can you explain to me what the unknown is? do not notice the tide rising up your leg until you are standing, neck deep, in gulf shores salt water. don't know when close is too close until you get burned.
Can never correlate the distance and the difference it makes.
Looking at a map you cannot read. A question mark ended opportunity. We stick in our hands, slowly, knowing there will be nothing to grasp. A blanket of black. This is how we proceed with caution. Better to reach for nothing than to reach for something and miss. Better to make no progress than to accidentally regress. The problem with pretending that living consists solely of existence is that it doesn't.
The earth still turns even when we aren't focused on it.
enjoy.
kaitlyn-marie May 2014
one day, you'll drive by their house
and you won't check
to see if their car is in the driveway.
it might be cloudy now,
but the sun always comes back.
Guss Jan 2014
Porcupine flesh gilded the entirety of her skeleton.
No one ever dared near the beast.
Just to fear the beast.
Her stomping, poking and prodding.
With the peasants retreating,
she grows pleased with her malice.
I too left the battle.
For I know, that without a meal the beast will die.  
I pledge vows of waning mettle,
collect memorabilia
and stash it all in a box
underneath the California Live Oak
down on Mildred St.
A rightful place for things to rot,
along with every spiteful thought.
Mark the spot with an "X"
and next April all will be a distant memory.
Just remember.
*With out a meal the beast will die.
Molly Hughes Dec 2013
I find it quite amazing,
that you don't realise how my lips tingle and my heart swells
when you make me,
yes,
make me,
kiss you.
Just a friendly little peck, eh?
You could be kissing your Aunt Mildred,
your lips remain so dead
and your stomach so still.
I'll give you one of my butterflies,
if you want one.
The brushes against my back,
my cheek,
the brush strokes that paint sparks along my skin,
leave your hands lifeless.
They resuscitate me.

When you say you 'love me',
I don't think you understand
how many times I've imagined you whispering those words,
in a thousand different places,
in a thousand different situations,
in a thousand different ways.
They float through the air,
stopping time and creating pixie dust,
before falling into my ears,
forcing tremors throughout my once stable foundations.
In reality,
you could be asking somebody to pass the salt,
your voice is so flat.
So why can I not stop fizzing?

If you grow old and look around
and find yourself alone,
don't worry.
Don't cry about how nobody ever wanted you,
about how nobody ever needed you
or loved you till it hurt,
hurt so bad they almost hated you.
Because they did.
I do.

I do.
*****.
Aditya Roy Jul 2019
Step by step, tyranny
Tease me rough without laches
At least don't leave me in your protean arms, dissembled in activism
In my forged memoir of your laughing, your kauch killing me not
My katzenjammer can handle your astute Aesop's words and wanton
A lullaby to remember, an anxious feeling?
Pick me up at the open-sesame street
Lacunae, propitious, wasted by the remonstration and impertinence
This is my land of thought full of moral desert, in confidence
I am Tyler Durden's wasted brother in arms by namesake
Gentle Animals
Directing ain't about drawing a neat little picture and showing it to the cameraman.
Regine Howl Apr 2013
I can't write
And I can't love
I am not a friend
I am
In fact
Driving with one knee
Turning at 70
Smashing the keys with one hand
And ripping into an orange with the other
It's dark out, gotta get my vitamin d somehow
Mildred
Millican
Wellborn
Retreat
You are all the ******* same
Just take what's closest
There's nothing good about this
There is no ******* center stripe
Third Eye Candy May 2013
oh i don't know so much as i don't know.
you can never tell... even if you say so.
but
you can always repeal.
silently though.
i have no idea.
we both get
no vote.

we're just moving the furniture
i call you Mildred -  
the walls plastered with snow and garters
we shuffle through
remains...

through
The Aperture
of Unseemly
Disquiet.
Terry Collett May 2012
It’s not the sort of house
You’d want to go to again,
Mildred said, the smell hits
You first, the kind of smell
That climbed in your nose
And didn’t leave for days.

She sipped her wine and
Sat down on the couch,
Carefully holding the glass
With her other ringed hand.

There was an unhappy
Feel About the place as
You entered in, a feel
Of neglect. She looked
At the black and white
Mat under the coffee
Table, at the books lying
There: Fashion books, art,
How to Dress for the Occasion.

We found the first child
Drowned in a bath, the hair
Was floating there on the
Water’s skin.  Someone sort
Of sobbed or maybe they
Didn’t, seemed as though
They had. The second child
Was lying beneath a blanket
Where they’d suffocated.

That’s where the main smell
Came from. She breathed in
And smelt pine air freshener
That Caser used in his house,
She wanted to smoke, pull
Out a cigarette and light up,
But didn’t. The third child,
Baby really, was stiff in a cot.

Unfed, unwashed, a token of
Neglect. Someone pulled back
Curtains, light broke through
Darkness, lit up the sad scene;
Another nearby let out a cry,
The under the breath kind.

She pushed her knees together
As if about to give birth to a
Different tale, her hands played
With the glass, a finger tapped
The side. The mother was found
In a darkened room, wrists slit,
OD’d days back, slouched in a
Chair, dressed in death and black.  

Had sleepless nights after, she
Said, ought to be used to, but
You never are, kind of gets
Under the radar. Caser looked
At her sitting there, her hair
Pulled in a bun, her eyes looking
Up at the Picasso print he’d bought.

She had told him at last. She had
Unburdened herself of the one
Last thing that she couldn’t tell
Him at the psychiatric sessions
They’d had at his in town clinic.

Never did like Picasso, she said,
Turning away, putting down the
Glass, as of nothing more to say.

Caser watched her as she got up,
Brushed down her dress, sighed
And walked down the hall, left
His apartment, victim of the Fall.
Mike Hauser Apr 2014
As time quickly approaches
On the planed escape
Gunther smuggles the files in
While Mildred bakes the cake

But that doesn't much matter
For our two on the run
In all the confusion
The oven was never turned on

So they slipped out the front door
When Gladys the receptionist was gone
Out for her morning coffee
And cigarette on the lawn

They made it as far as the sidewalk
As far as the authorities could tell
When they both turned around
Before their bladders gave out

They need a new plan of escape
One that can be followed with ease
Before it's to late
Since they're both weak in the knees

Our hero's will have to wait another day
For their chance at freedoms song
For now they'll hang up their walkers
And devise another plan on getting gone

It was a heated night of Bingo
When Gunther got the idea
They'd go out with the wash
In a basket both hid

So they packed up their dentures
Along with their Poly Grip
As both of them readied
For their laundry trip

Now in the back of the truck
Rolling down 95
Same age as our escapee's
If you care to count time

They later hijacked the truck
When the driver they sacked
Now they travel life's highway
With nothing but the wind to their back
Wrote this for a friend that wanted some poems that she could read to her mom and fellow inmates at her nursing home...Hope they like it!
daniela Apr 2015
we think my great uncle eddie
was on the assembly line that built the atomic bomb.
my aunt mildred said he could never tell her
exactly where he was or what he was doing,
far away in the desert
back when he had to take trains to visit
back when manhattan was just place in new york,  
he could only tell her that he loved her.
we still don’t know for certain,
there are some stories that are taken to the grave.
but i wonder, i wonder if my aunt ever looked at his hands
and thought of the destruction
that could be so carefully hidden in his palms,
explosions under his fingernails,
the shells of burnt out cities in his fortune teller's lines
when he touched her delicately,
brushed her hair behind her ear.
but she probably didn’t;
most people only question what they want to question.
everyone thinks of what their hands have built.
not everyone stops to think of what their hands may have destroyed
in the process.
BDH Oct 2014
Tom
They are dying, she is dying,
I pray that she does, but I don't want to watch.

The door was barred, perhaps from letting life in,
or maybe letting death out.

Down the hall all the doors are open, and decomposition hits you,
in all its stages like a film reel.

Her room was by the dying one, my ears perched along the doorframe
and listened.

She was like a prophet, and upon her altar she screeched,
"DIE...DIE...DIIIIIIE!" I think she is right.

The passage continues and all around the images are swept,
left under soiled carpets and linens, hundreds of them.
They carry the dead away, but the scent lingers like cheap perfume,
a priceless perfume.

There's that silence again, the one I like you know? Yes, it covers your head like the goodbye sheets.
Objects get wider and clearer, life is ****** into a needles eye,
the view is breathtaking.

It's simple; breathing is simple, even on that machine its oh so simple.
That's how you live and tell your stories to the people on the television show because they have the time to listen.

There is no one else here. Except me, watching you and waiting.
I can't stay here with you. I have to share my visit with those running out on their clocks.

I know you see me when they give you your medicine,
somewhere between awake and asleep.
I'm glad you don't turn away, so many of you turn away.

Mildred two doors down said goodbye, she was a hard case.
I came and she cried, she cried some more and then she gurgled.
She heard me collect her memories and she said she understood.
A smile before her eyes rolled back forever.

Today is special for you Tom, you and I have gotten to know each other.
I am going to miss the way you welcomed me in, just like a star.
You are one of the bright ones, and you faded slow.
Those silly screens are messing up our act, Tom.

The ladies are running past me, they don't even see.
They are trying to keep you going with life you don't need.

I saved you til' the end, and right along the breeze,
I hear you thanking me.
Mike Hauser Sep 2018
As I step through the door
Of my office - Doughnuts Galore
Mildred from behind the counter nods her head at me

I come here every day for a few
Jelly doughnuts and nasty brew
Looking for the perfect job that keeps eluding me

I again pick up the daily rag
Scouring the classified ads
Hoping to find something interesting I see

My bladder lets lose
At the greatest of news
In Black and White Bold Type face do I read

Wanted lead guitarist in
An up and coming Air Rock Band
Mildred comes and picks me up off the floor

I went and applied for the job
And with a wink and a nod
They said your exactly what we're looking for

We practice day and night
Hitting all the notes right
Till our Air Rock Band was ready for tour

The crowds we all wowed
As we brought down every house
In venues we played up and down the Eastern shore

From top forty pop
To industrial techno rock
There wasn't a song we couldn't toast

We even threw a few polkas in
Sounding sweeter than sin
Cause Brian the drummer likes polka the most

We finally hit the big time
When we went nation wide
The Greatest Air Rock Band the worlds ever known

But as fast as we went to the top
That's just as fast as we dropped
Dead air was all you heard from us on the radio
This little (gem?) popped up in my memories... Thought it'd be fun to post it again
Jonathan Moya Mar 2019
She was almost as white as ivory
and more valuable than ebony.  
A pale diamond of abolitionists dreams
draped in a plaid trimmed dress with lace,
curls surrounding her face like
any other plantation girl.

She exists at the edge of color
at the point when light
could be captured as day edges
into shades of night,
somber hues of black and gray.

The notebook on the cloth covered table
suggested richness and more
away from the whipped harvest gatherings,
something stolen away
to be the pride of a Boston heir.
The daguerreotype could never
shake free its sense of death caught still.

Mary Mildred Williams was her white name.
The black one died when she was sold
on the Virginia square for 900 dollars.
Senator Summer bought her freedom
and then enslaved her image
for the abolitionist sway.  The first poster child  
for black liberty, for the fugitive slave
needing an open air railroad.

She got her last white name, little Ida May,
(same as the imagined white girl
kidnapped and dyed black
to be put in peril for another white right cause)
to highlight the fact that Mildred’s complexion
was the result of generations of white ****.

She was paraded unshackled
from podium to podium,
leaflets of her face passed out,
as common as reward posters
for those who dared run and stray.

She was the next to last speaker
to Solomon Northrop,
also an ex-slave with a
best selling freedom story.

The passing of her image
was a political act,
for a swarming media  
enchanted by someone
who looked just
like them but wasn’t.

America loves black stories
that need white saviors
to be reassured of their
separate but equal vision.

— The End —