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Carlo C Gomez Sep 2021
~
Hark!
He knocks.
Time, it's time,
the Kuroi Jukai within me.

Finding an unordinary
drifting off to sleep point,
a hollowed-out spot,
where I can let
God dream for me.

Whistles in the wind,
in lullaby the sky and sea
seem to trade places,
bending around me
as vertical blanketed surges.

My carcass is a colonization (of bones)
for my dearly departed ones,
forbearers of migration,
seeking endless sea,
until like them,
I settle upon
their ancestral shore.

~
Kuroi Jukai (Japanese, translated as Black Sea of Trees)
robin moyer Jul 2012
Sea of Trees crests at Mt Fuji's feet.
Thick forest of Japanese cypress, red pines
grow neck and neck with alder. Where when
trees fall, they don't: they cant. Rope-like
roots, stymied by volcanic rock, twist and turn,
tortured by ancient lava impeding their desire
to push deep within.

Some voices echo that the trees themselves,
fueled by juices full of malevolent energy
sap the resolve of ones who venture there.
Gnarled branches twisted, tortured
under deceiving feathery moss, rise
above intertwined cypress knees as if
the forest had gone for a stroll and then knelt
when a soul ventured near.

Jukai, of the breathtaking views
where hanging hemp ropes take breath forever away.
Living greens so dense, sounds are swallowed whole:
No one hears the screams in Aokigahara
and there is no one to see until
bleached bones lie in stark relief;
Death thrives next to the rotting.
Sunlight muted beneath canopy
where chilling beauty lies
in perpetual twilight
and the only movements are swinging ropes
where no breeze passes.

Here come the ones who have reached
the end
of their rope or choices: Hanging is
the death of choice in Aokigahara.
Yurei, Japanese spirits who yet cling
to Earthly realm flit between the trees--
white, shifting forms caught only in the
corner of your eye. Leading, perchance,
across cenotes or hollow tubes,
where hidden caves make up your mind
when you travel down the wrong path.

Colorful ribbons, blue, white, red
stream through the forest; strings,
tapes trail behind those who walk
in case they change their minds for
no compass works near volcanic iron.
I am reminded of gaily wrapped presents
but here, what is unwrapped is death--
here, there is only the past where
Theseus unwinds his ball of thread
in the labyrinth of the Minotaur,
in the labyrinth of Aokigahara.
Scavenger hunts lead only
to those scavenged by the forest gleaners.

Death lies in the mists,
in the midst of the living.
An Apollo butterfly
rests on a sign pleading for life--
Apollo, god of light, of plagues, of music
seems to have no place here
but for the plague of suicide
which runs rampant.

Repugnant skulls with hollow eyes
can no longer see their reflections
in the rounds of polished glass
that mirror anguished souls
at the train station in hope
that they will see that they are not
invisible and stay among the seen.
The station is last stop
before they walk the forest path.

Aokigahara, Sea of Trees
looks up to the sun glinting off Mount Fujiyama
but beneath the canopy
are only the fallen.
When I was a kid I had dreams I was being attacked by flowers.
I had dreams.
I had dreams.
I had dreams.
When I was a kid I had dreams I was being attacked.

What is it?
Wouldn't you like to know?
Well, I'm not going to tell you because I like to be mysterious.

Numbers mean nothing to me and neither does tomorrow.
Tomorrow's always new to me and I'm always unprepared for it.
But that's spontaneity isn't it?
and I've always wanted to be an anomoly.
It's always new.
It's a new day...
tomorrow.

I was dipping my toe in water that didn't have a temperature. There was a string choking my joints between my toes and where my foot began. It was a weight with a heartbeat. It was alive and pulling me under. And then the weight moved through my body and into my chest and I couldn't breathe... but I wasn't suffocating either.
I could sense black shadows all around me and I could feel my body twisting and contorting itself against them.
Black shadows.
Black shadows.
Can you sense the black shadows?
They live your closet, you know.

Colors mean nothing to me either.
And now the colors are colder and cooler and I'm from a different place.
And all these places I've been:
All the restaurants
the bathrooms
through the doors and windows
to church that one time;
they don't seem important anymore.

And they said it was all my fault knowing it wasn't at all.
They're evil
and selfish
and victims of all the paper filling up their ugly paper hearts.

When I was a kid I had dreams I was being attacked by flowers.
I had dreams.
I had dreams.
I have dreams.
I still have dreams.
I still have dreams I'm being attacked.
A monologue.
the horse rummages on the track
and the victory is owned by the ****.
soon sleep will engulf my body
like the oblivious quietude of Aokigahara-jukai.
things and their semblance of utmost care.
light begins to burst
and there is little left to see,
wide-eyed, crunched by the efficacy of aches.
taking all to the very heart of hurt
as gamblers wager,
and coming back with the sound of completeness:
a man is a man in his chronology of defeat -
left torn by madness,
a cornered beast pressed against the woods.

the moon plays its lyre, white-washed,
sound wading in the very source of quiet,
hauled out of the Sun, its mother.
this hound stalks the world
with woebegone legs, a reflection of the entire world fractured
by a singular shot at the end.
i hear the guttural snarl of engine
unwavering in its limitations. say, at first light, all exists to paint darkness quicker
than any obfuscated conclusion -- hiding in
itself, its mood for squalors.
the mud dug deep for bones
pared from the slaughter of midnight,
hiding them to mask my defeat:
everything around me sparkles with
the vigor of frailty, all the same.

the nights are too long, scarce as froth
from an opened mouth left flat,
a dry gin bottle.
i imagine sad armies dissolving in pale moonlight, and crosses thumbed down to the snaking hiss of its nondescript prayer.
gears gnash like teeth in anger
of you in your young clothes, the pace of cars
hurrying back to homes.
i remember the splintered wood burning
the last in the round kiln of the Red Lion.
the upholstery of night is the twilight's
catharsis. the coast of dread widens like
the vernal metamorphosis of a young ******* in Gibraltar,
come in, come in with undecided ******.
you can hear the fall coalesce with the levitation of ember, landing like feet blunt
on the asphalt beside desolate bicycles
    in seedy parks.

the surreal tabulation of analogue repetitions:
death's myriad, in all corners screaming
the countenance rebel, against the floored masses.
this thespian ardor.
aokigahara-
jukai, suicide of morning trills.

— The End —