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A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
Cinzia May 2018
It was an arbitrary day
at the arboretum
the ferns were all wondering why
a rash of rogue rhododendrons
were roughing up the azaleas
while mighty magnolias stood meekly by

A patch of tiny cyclamen giggled girlishly
while witch hazels waved green wands
and the willows wrung their hands
and wept and wept
'cause they knew what was really going on
Oddly this had been deleted. Not by me! Hacked?
I was stung by a bee right between the eyes when I was casting one of those cheap little Mickey Mouse fishing poles. I froze as two hands lifted me onto a counter, and ******* dabbed chilled ointment on my skin. I sobbed quietly in humiliation. I was 4, and it was the first time I realized that Mother Nature could be a real *****. 

My father fell in lust (not love, he swore) with some curvy young something which hovered around the company where he and my mother both worked. He drove us back to Oklahoma, then left again. I spoke girlishly with him on a pay phone near an elementary school once, but I didn't see him for two years. I always knew the color of his hair was close to mine, but his face was a mystery. I was 6, and it was the first time I realized that you can love someone, even when you shouldn't. 

I swam past a little boy in the community pool, which belongs to the University in town. He told me plain as day that I was fat, blunt as a butter knife. I cried for half an hour lying on a hot beach towel in the sun, then all over again in the changing room. He was ten years my junior and I am now an adult, but to this day, I glance at my waistline every time I pass a mirror. I was 14, and it was the first time I realized that people can be unhappy with themselves, even when they don't need to be.

It was the second Saturday in March when my work phone rang, and my mother screamed that my stepfather was dead. She yelled at God the whole way home, angry with Him for taking her heart away. They were supposed to grow old together, she muttered, through thick curtains of tears, and I remember the ambulance lights, my aunt holding my mother to her in a way that only a sister can. My brother was silent and white-faced as my uncle kept repeating things like, "It shouldn't have been his time, he was too good of a man..." Some woman said later that my stepfather was already an angel, that he just needed to go home, as if that was supposed to help. I was 17, and it was the first time I realized that things happen for a reason, even if you don't believe.

I watched a tow truck haul away my first car, which still ran, but conveniently equaled my share of rent when drug across a scale and stripped for parts. I was hungry, I was tired, and in my head, I was all alone. I had never felt so burnt-out, used-up, and sad in all my short years. A few phone calls and hugs goodbye later, I packed my things and moved across the state. The feeling of leaving left me smiling and shaking like hell. I was 21, and it was the first time I realized that sometimes your only choice can be your best choice, and that jumping in head first makes the water look less black and cold. 

I fell in love with the same person twice. We let each other down, no doubt about it, but I was never the kind to strip a human of his dignity. I mistakenly hoped he'd have the same understanding. What I was left with was the feeling of being knocked down to my knees, when no hands had ever touched me, and I finally stopped trying to be part of a life I had no stake in. I was 23, and it was the first time I realized that heartache should be treated in a hospital, for it lies dormant inside every living body, deadly and unsterile, but it will never be curable simply because you can't touch it.

I was driving to work this morning and saw a little girl waving from the backseat of a Buick in another lane. I smiled and waved a little "Princess Di" back, feeling my heart flutter and rise oddly like a healing bird when she grinned happily over the back seat. And so I turned up whatever song was playing just then and said a little prayer for her. She was probably 4 (making me recall that bee sting), probably fresh to pain and grief, so I said: "Little one, there are things in this life which will make your heart bleed and your body sore, but hold on, add them up, and you'll see that living's worth the hurt because someone out there will love you, and you will love someone out there too." I'm still 23, and this is the first time I've realized what it means to be free.
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
Donall Dempsey Mar 2017
CHOCOLATE EXPLANATIONS

“Right. . .!”

I try to explain it
with chocolates

that she( girlishly )
keeps trying to eat.

I pick a luscious
dark chocolate seahorse

And I say “Now this is. . .”

( and she finishes my sentence for me )

“. . .your hippocampus!”

She squeals. . . delighted with herself.

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self

. . .with all its past and future mysteries!”

“Yes. . .yes. . .that’s it!

She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.

And this twisted twirl of almond
with a real almond in the centre of it

“. . . is your amygdala!”

She blurts out before me.

“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

. . .with the proper emotion

. . .the right feeling.

. . .whether you just like

or love it”

“Oh, I love it. . .I love it!”

She almost sings.

“Now, explain it to me again!”

I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.

“I love your explanations
about what’s wrong with my thingy”

She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know

her name

or who

or what

she is.

But she loves this story of

HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves

each sound

each word

each letter

each pause

of the chocolate

explanations.
Austin Heath Sep 2016
It's as gorgeous to see the first stick with a sharp rock at the tip, as well as the last mirror polished heavily ornamented spear someone used to try and ****** another human in the name of that quest for greatness, and remember that somewhere in between Jesus Christ was nailed to a flagpole and stuck with the same instrument.
      "Lives Forever."
      To some rate we stopped making weapons to **** mankind, and started building weapons with the destructive power to **** entire branches of thought, philosophy, ideas, and religions. We committed to Hiroshima to tell the world, "Your future is ours." We committed to Iraq and Afghanistan to say, "Thou shalt not interfere with the moral ambiguity of the nuclear superpowers." We fight the idea of terror abroad with real weapons to unrighteously protect the idea of freedom here, dead black men and children in the streets, and in their own homes.
      
      I'm no longer surprised what little effort it took me to stay alive.

      A friend comes to me lovingly and spitefully because they are depressed. Life is hard. People are cold. Nearly every lover requires a stroke to the ego that tells them they are special or great. We build God in the people we ****, and we're baptized in our ******, not the draining of fluids, but the soft verse that "reminds" us we are "objectively good."

       "Pillowtalk; the prayer for forgiveness."
       She comes to me for forgiveness twice and disappears forever. Jacob calls it, "ghosting". It's casual, really.
       They say the universe is comprised of strings sometimes and it sounds like an idea writers can ******* into dust, but I think they do well connecting human bodies without; part metaphor, part science.
      I attend a party and flirt with a stranger. She says we met before. I make out with her friend. She appears out of nowhere. I flirt with her again. I make out with her friend again. Her friend rubs her hand over my pants around the outline of my steel hard **** and hangs her mouth open to girlishly illustrate shock at her own action. We don't ****.
      I finish twelve hours later into the mouth of an amateur **** artist/cam girl and kindergarten teacher for the second time. Her uber driver told her how ****** took the life of his wife and best friend. We laugh at this. We fall in love to some extent.
      I had a dream I saw my father in a hospital bed and told him I forgave him despite my actions. I wake up fully comprehending that he will die without a son.
     I write haiku for a year because everything else lacks structure.
Carla Marie Feb 2012
There are elevated thick spots
Directly beneath the finger next to the pinky…
From my share… and on occasion
Other folk’s shares of
Hard work… and
I don’t mind…
These aged hands… that
Once gestured prettily to
Wave away a swoon… or
Disperse the heat… or
Point a direction… or
Pat him on his chest while
Girlishly giggling “boy you so craaazy…”
Now with their
Raised and rugged veins… a
Narrative of my life… like
My Mother’s hands… and
My Mother’s Mother’s hands… and
I don’t mind these aged hands… that have
Patted the babies… and
Held faces to kiss away tears… and
Spanked some tail so the police would never have to…
No-  I don’t mind…
These hands that have
Stroked… and
Rubbed… and
Massaged…and
scrubbed… are now
No longer so pretty…
No longer so dainty…  but like
My Mother’s hands… and
My Mother’s Mother’s hands…
Each line is a tale of it’s own… and
Every ache an account of the past… and
Every callous a memoir… and
I have lived a love filled life… and
The years have given so much to these aged hands …so
I don’t mind…
Jeanelle Averett Feb 2016
In Mrs. Schmutz’s first grade class
In nineteen sixty-two
I took a babe for show and tell
DelRae, that babe was you!

I held you up for all to see
Then passed you down the aisle
The little girls all ooh-ed and ah-ed
To see your toothless smile

The little boys were less impressed
Until you passed some gas
Then thought you were the coolest kid
In Mrs. Schmutz’s class!

You seemed to like the accolades
And shot a little spray
Mi amigos that ain’t nada
Is what you seemed to say!

The teacher ran to wipe it up
All frantic and befuddled
Then slipped and fell right in that spot
Where you, DelRae, had puddled!

The girls giggled girlishly
The boys let out a roar
The principal came striding in
Take that and raise you four!

You burped a *** of curdled milk
Torpedoed in his eye
I don’t recall another time
I’ve seen a grown man cry!

He banned you from that first grade class
I guess his pride was smarted
‘Cuz you were kicked out of that school
And hadn’t even started!

Some fifty years have come and gone
Since all that stuff you did
So Happy Birthday, DelRae Scott!
You’re still the coolest kid!
Donall Dempsey Mar 2019
CHOCOLATE EXPLANATIONS

“Right. . .!”

I try to explain it
with chocolates

that she( girlishly )
keeps trying to eat.

I pick a luscious
dark chocolate seahorse

And I say “Now this is. . .”

( and she finishes my sentence for me )

“. . .your hippocampus!”

She squeals. . . delighted with herself.

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self

. . .with all its past and future mysteries!”

“Yes. . .yes. . .that’s it!

She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.

And this twisted twirl of almond
with a real almond in the centre of it

“. . . is your amygdala!”

She blurts out before me.

“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

. . .with the proper emotion

. . .the right feeling.

. . .whether you just like

or love it”

“Oh, I love it. . .I love it!”

She almost sings.

“Now, explain it to me again!”

I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.

“I love your explanations
about what’s wrong with my thingy”

She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know

her name

or who

or what

she is.

But she loves this story of

HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves

each sound

each word

each letter

each pause

of the chocolate

explanations.
As if accidentally
a Sunday fell over me
apologetically at first
mumbling a prayer or it
could have been a curse

stumbling down the street
going somewhere else to meet
someone else
drunkenly swaying to the
chorus of bird song.

Presently
which is always later than I think
I too
fell into a steaming coffee
and with no apology
yawned.

The sun
hiding in the branches of a tree
winks boyishly or maybe girlishly
at me
I'm not sure about the sun, but it's
a bit of fun guessing.

Trying to spread my wings
I found it's
no use using butter.
Jonny Angel Apr 2015
It's quiet here
at this time,
except
for the light rain,
its tears rolling
down my pane.
It's moments like these
when I cry inside
remembering,
remembering you
lying here
next to me
in the dark.
I traced
your sweet lady-form
with my finger
and you giggled girlishly,
holding my heart.
It was wonderful darling.
I remember too,
I remember
how much you loved the rain
& our quiet
tender moments.
And now all I trace
are my lips
missing you.
Ankit Dubey Mar 2019
Letter

What exactly do you want from me?" She asked tenderly. Her eyes searching mine for an answer, compelling me to break my silence.

Me? I don't know. I've said that enough through my eyes but if you want me to put it in words so I'll explain it in the most obvious way. I want you. Your attention and your time. It's not that I'm some crazy psychopath dying to get an eye from you. I'm just a splintered soul who finds his solace in you.
I want to be with you. Either in person or just clung to your thoughts. I want to wake up next to you, to see your serene face shrouded with dim morning sunlight. I want to wake you up everyday differently. I want to giggle around you and to see you giggle with me, to let your laugh echo in my room of silence, sedating my soul, letting me feel vibrant.

I want to cook with you without thinking about our bad cooking skills. I want to twirl around you sheepishly while trying a hand in cooking recipes that are way beyond my capabilities. I want to sing dramatic duets doing salsa on our kitchen floor. I want you to make faces on having my delicious food and appreciate my horrible cooking experiments to save me from getting dull.

I want to have a garden full of roses and lavenders to water it with you and then playfully want to get indulge into some water fight against the green grass. I want to see your wet face with perfect smile laughing girlishly to let my head imagine how beautiful you must have been in your teenage.
I want to have pets with you. I want you to hold my hands to make me learn how to play with them touching their fur and befriend them without running from them. I want you to entangle your fingers with mine while crossing roads where I can barely open my eyes. I want you to cover me in crowd. I want you to hold me right to let me know you care. I want you to respect my tears knowing this heart of mine is fatuously emotional.

I want to sleep peacefully against your heartbeat, giving rest to the storms of my head if only you know I'm an insomniac with millions of mood swings. I want to ***** about how my workplace ***** and then rest my head on your shoulder crying myself to sleep. I want you to cover me up when I throw blanket in midnight. I want you to rest your head against mine to let me feel your warmth while asleep to fight back each witching hour of darkness.
I want to explore the world with you. That never meant to go on trips that are beyond our financial potential. I want you to wake me up in midnight to take us on some adventurous roadtrips to explore the fun we've missed while living and running this futile race of life. I want to drive insanely to scare the hell out of you. To go on long walks in cities of no recognitions and unknown faces. I want to go on adventure sports with you. Hiking up the mountains, diving skies and waters. Hence plunging deep in the ocean of togetherness.

I want you to surprise me on my birthday at 12 when I'm least expecting it to be remembered by you. To see you sing a happy birthday song and realise how horrible your croaky voice sounds. Yet the butterflies in my tummy flutters to show how elated they're to found you. To just get cute notes over fridge, desk and tv saying how annoying I'm and yet how my presence makes you feel alive. I want to have intellectual conversations about love, life and future yet I want to suddenly turn the table towards lame dance numbers. Dancing with you till my feet ache and breathing gets shallow.

I want to unravel secrets you've been concealing from this utterly judgemental world. I want to sit on rooftop at 2 am with you talking about how life must've origined and why death is scary. Admiring stars, moon and chattering about galaxies. Foremostly I would like to get lost in the galaxy your deep eyes allure me of.
I want to watch some over the top emotional movie and end up curling in your lap crying my heart out. I want you to pat my back and tell me how it's just a movie and my dumb head need to fathom out the difference. I want you to startle me with bitter truths rather than soothing me with comforting lies.

I want to lend an ear to your pain and smile in your contentment, I just simply want to be with you, till my breathes last and to make you feel whole with me. Holding your hands, fighting, reasoning, laughing, blushing and living I'm just a young mind with an old heart, heart which may not necessarily believe in clichéd fairy tales but wants to feel that corny romance, romance that's beyond age and time, time that binds our hearts together to make our own little infinity, infinity that entwines our dark souls conjointly.

I just want to get old with you, that's all I want.
this is all what I ever want to say you whenever you asked me what I want from you
my dear love : shreya
There'll be no jury duty for you, you non-judgmental pixie boor... [It's unusually me when it is not someone other than me. I'll wait here, or within 50' of here. I live in the woods. I can *** anytime. Whatever Lola charges keeps her in ****. My chihuahua's crazy fo' cheese. Who'da thunk it? Everybody compliments my toes, especially army boot wholesalers. So far, no ruptures nor herniations...Girls! Girls! Girls! Pin my saucy piñata sasswards, as I am back-engineering a girlishly-featured future, or a girlishly-futured feature. Perspective. Perspection. It is cowardly to complain on a full stomach.] Y/o [Knowledgeably the coroner said, "cardiologist Pearl McBroom is dead."] Y siempre [It's raining yet my bony dog is dog-bone dry.]
Trevor Lee Oct 2017
She used to look at me that way
the way shes now looking at her.
She tries to hide her smiles but the corners of her lips and that gleaming sparkle in her eyes betray her lies.

We used to talk all night about everything under the sky, about both of our lives. We’d kiss till our tongues could no longer tell, to which of us they belonged. Now the only time her tongue is twisted and tied is when she talks to her.
When did I become obsolete? When did us and we become I and me? So much time seems to have passed, lost in her beautiful eyes a lifetime gone just in that first moment we met. but time, it seems has actually slipped by much to fast, one blink of an eye and its gone in a flash. How do I get it all back?

Now my eternity belongs to her, with her long dark hair and her girlishly good looks. That soulful sound she makes when she opens her mouth. I cant compete, I wouldn’t even know how...?
Her voice carries more than words to her ears, as she sits and listens to her sing all the while watching her so intently while she plays. She used to look at me that way.
When she looks at me now its never more than a quick glance. Her looks of boredom and dissatisfaction remind me, that for me there is no chance. My time came and went, I’ve used all of what I had. Now she looks at her with hidden smiles and hidden thoughts as she turns back the hands of her clock. My clock isn’t like hers with no hands to turn back or button to reset, My time only goes forward it moves without pause and without rest and my time with her may already be at its end. As I sit here and look at her still in the same way I always have, I know in my heart that now things may never be the same because she used to look at me that way!
Is this too confusing? Does it make any sense? Any feedback is appreciated. Mahalo!
Pin my saucy piñata sasswards, as I am back-engineering a girlishly-featured future, or a girlishly-futured feature. Perspective. Perspection. It is cowardly to complain on a full stomach.
Donall Dempsey Mar 2018
CHOCOLATE EXPLANATIONS

“Right. . .!”

I try to explain it
with chocolates

that she( girlishly )
keeps trying to eat.

I pick a luscious
dark chocolate seahorse

And I say “Now this is. . .”

( and she finishes my sentence for me )

“. . .your hippocampus!”

She squeals. . . delighted with herself.

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self

. . .with all its past and future mysteries!”

“Yes. . .yes. . .that’s it!

She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.

And this twisted twirl of almond
with a real almond in the centre of it

“. . . is your amygdala!”

She blurts out before me.

“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

. . .with the proper emotion

. . .the right feeling.

. . .whether you just like

or love it”

“Oh, I love it. . .I love it!”

She almost sings.

“Now, explain it to me again!”

I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.

“I love your explanations
about what’s wrong with my thingy”

She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know

her name

or who

or what

she is.

But she loves this story of

HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves

each sound

each word

each letter

each pause

of the chocolate

explanations.
I've noticed that people frequently kick the **** out of you ******, and that you've had many *** partners. How could this be if you're only 16? My favorite gay **** said, "Don't worry!" But I worry 'cause I'm a ***** in a hurry...I think that I don't get it a little bit in a big way. You're wise with 2 brown eyes, fluent in Italy's Catholical, Piedmontese language. There'll be no jury duty for you, you non-judgmental pixie boor... [It's unusually me when it is not someone other than me. I'll wait here, or within 50' of here. I live in the woods. I can *** anytime. Whatever Lola charges keeps her in ****. My chihuahua's crazy fo' cheese. Who'da thunk it? Everybody compliments my toes, especially army boot wholesalers. So far, no ruptures nor herniations...Girls! Girls! Girls! Pin my saucy piñata sasswards, as I am back-engineering a girlishly-featured future, or a girlishly-futured feature. Perspective. Perspection. It is cowardly to complain on a full stomach.
CHOCOLATE EXPLANATIONS

“Right. . .!”
I try to explain it
with chocolates

that she
( girlishly )
keeps trying to eat

I pick a luscious
dark chocolate seahorse
and I say “Now this is. . .”

( and she finishes
my sentence for me )
“. . .your hippocampus!”

she squeals. . .
delighted
iwth herself

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self with all
its past and future mysteries!”

“Yes. . .yes. . .that’s it!
she claps her hands
thrilled to bits

by the familiar
telling
the reassurance of sounds

"And this twisted twirl of almond
with a real almond in the centre of it
“. . . is your amygdala!”

she blurts out before me
“You got it”
I smile

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled

into a sense of self
. . .with the proper emotion
. . .the right feeling.

. . .whether you
just like
or love it.”

“Oh, I love it. . .I love it!”
she almost sings
“Now, explain it to me again!”

I give her
the finished explanations
and she eats with exaggerated

mmmmming & ohhhhhing
“I love your explanations
about what’s wrong with my thingy”

she knocks upon her head
like it was a door
to a self that she had

locked
herself
outside of

most times
she doesn’t even know
her name

or who
or what
she is

but she loves this story of
HIPPOCAMPUS AND
ITS FAITHFUL AMYGDALA

she loves
each sound
each word

each letter each pause
of the chocolate
explanation
Donall Dempsey Mar 2020
CHOCOLATE EXPLANATIONS

“Right. . .!”

I try to explain it
with chocolates

that she( girlishly )
keeps trying to eat.

I pick a luscious
dark chocolate seahorse

And I say “Now this is. . .”

( and she finishes my sentence for me )

“. . .your hippocampus!”

She squeals. . . delighted with herself.

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self

. . .with all its past and future mysteries!”

“Yes. . .yes. . .that’s it!

She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.

And this twisted twirl of almond
with a real almond in the centre of it

“. . . is your amygdala!”

She blurts out before me.

“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

. . .with the proper emotion

. . .the right feeling.

. . .whether you just like

or love it”

“Oh, I love it. . .I love it!”

She almost sings.

“Now, explain it to me again!”

I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.

“I love your explanations
about what’s wrong with my thingy”

She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know

her name

or who

or what

she is.

But she loves this story of

HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves

each sound

each word

each letter

each pause

of the chocolate

explanations.
Donall Dempsey Aug 2020
CHOCOLATE EXPLANATIONS

“Right...! ”
I try to explain it
with chocolates
that she(girlishly)
keeps trying to eat.

I pick a luscious
dark chocolate seahorse
And I say “Now this is...”
(and she finishes my sentence for me)

“...your hippocampus! ”
She squeals... delighted with herself.
“That’s correct! ”
I praise her
“...it’s shaped like this seahorse! ”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self
...with all its past and future mysteries! ”

“Yes...yes...that’s it!
She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.
And this twisted twirl of almond
with a real almond in the centre of it
“... is your amygdala! ”
She blurts out before me.
“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

...with the proper emotion
...the right feeling.
...whether you just like
or love it”

“Oh, I love it...I love it! ”
She almost sings.
“Now, explain it to me again! ”
I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.
“I love your explanations
about what’s wrong with my thingy”
She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know
her name
or who
or what
she is.
But she loves this story of
HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves
each sound
each word
each letter
each pause
of the chocolate
explanation.

— The End —