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‘Oinos.’

Pardon, Agathos, the weakness of a spirit new-fledged with
immortality!

‘Agathos.’

You have spoken nothing, my Oinos, for which pardon is to be
demanded. Not even here is knowledge a thing of intuition.
For wisdom, ask of the angels freely, that it may be given!

‘Oinos.’

But in this existence I dreamed that I should be at once
cognizant of all things, and thus at once happy in being
cognizant of all.

‘Agathos.’

Ah, not in knowledge is happiness, but in the acquisition of
knowledge! In forever knowing, we are forever blessed; but
to know all, were the curse of a fiend.

‘Oinos.’

But does not The Most High know all?

‘Agathos’.

That (since he is The Most Happy) must be still the
one thing unknown even to HIM.

‘Oinos.’

But, since we grow hourly in knowledge, must not at last
all things be known?

‘Agathos.’

Look down into the abysmal distances!—attempt to force
the gaze down the multitudinous vistas of the stars, as we
sweep slowly through them thus—and thus—and
thus! Even the spiritual vision, is it not at all points
arrested by the continuous golden walls of the
universe?—the walls of the myriads of the shining
bodies that mere number has appeared to blend into unity?

‘Oinos’.

I clearly perceive that the infinity of matter is no dream.

‘Agathos’.

There are no dreams in Aidenn—but it is here whispered
that, of this infinity of matter, the sole purpose is
to afford infinite springs at which the soul may allay the
thirst to know which is forever unquenchable within
it—since to quench it would be to extinguish the
soul’s self. Question me then, my Oinos, freely and without
fear. Come! we will leave to the left the loud harmony of
the Pleiades, and swoop outward from the throne into the
starry meadows beyond Orion, where, for pansies and violets,
and heart’s-ease, are the beds of the triplicate and triple-
tinted suns.

‘Oinos’.

And now, Agathos, as we proceed, instruct me!—speak to
me in the earth’s familiar tones! I understand not what you
hinted to me just now of the modes or of the methods of what
during mortality, we were accustomed to call Creation. Do
you mean to say that the Creator is not God?

‘Agathos’.

I mean to say that the Deity does not create.

‘Oinos’.

Explain!

‘Agathos’.

In the beginning only, he created. The seeming creatures
which are now throughout the universe so perpetually
springing into being can only be considered as the mediate
or indirect, not as the direct or immediate results of the
Divine creative power.

‘Oinos.’

Among men, my Agathos, this idea would be considered
heretical in the extreme.

‘Agathos.’

Among the angels, my Oinos, it is seen to be simply true.

‘Oinos.’

I can comprehend you thus far—that certain operations
of what we term Nature, or the natural laws, will, under
certain conditions, give rise to that which has all the
appearance of creation. Shortly before the final
overthrow of the earth, there were, I well remember, many
very successful experiments in what some philosophers were
weak enough to denominate the creation of animalculae.

‘Agathos.’

The cases of which you speak were, in fact, instances of the
secondary creation, and of the only species of
creation which has ever been since the first word spoke into
existence the first law.

‘Oinos.’

Are not the starry worlds that, from the abyss of nonentity,
burst hourly forth into the heavens—are not these
stars, Agathos, the immediate handiwork of the King?

‘Agathos.’

Let me endeavor, my Oinos, to lead you, step by step, to the
conception I intend. You are well aware that, as no thought
can perish, so no act is without infinite result. We moved
our hands, for example, when we were dwellers on the earth,
and in so doing we gave vibration to the atmosphere which
engirdled it. This vibration was indefinitely extended till
it gave impulse to every particle of the earth’s air, which
thenceforward, and forever, was actuated by the one
movement of the hand. This fact the mathematicians of our
globe well knew. They made the special effects, indeed,
wrought in the fluid by special impulses, the subject of
exact calculation—so that it became easy to determine
in what precise period an impulse of given extent would
engirdle the orb, and impress (forever) every atom of the
atmosphere circumambient. Retrograding, they found no
difficulty; from a given effect, under given conditions, in
determining the value of the original impulse. Now the
mathematicians who saw that the results of any given impulse
were absolutely endless—and who saw that a portion of
these results were accurately traceable through the agency
of algebraic analysis—who saw, too, the facility of
the retrogradation—these men saw, at the same time,
that this species of analysis itself had within itself a
capacity for indefinite progress—that there were no
bounds conceivable to its advancement and applicability,
except within the intellect of him who advanced or applied
it. But at this point our mathematicians paused.

‘Oinos.’

And why, Agathos, should they have proceeded?

‘Agathos.’

Because there were some considerations of deep interest
beyond. It was deducible from what they knew, that to a
being of infinite understanding—one to whom the
perfection of the algebraic analysis lay unfolded—
there could be no difficulty in tracing every impulse given
the air—and the ether through the air—to the
remotest consequences at any even infinitely remote epoch of
time. It is indeed demonstrable that every such impulse
given the air, must in the end impress every
individual thing that exists within the
universe;—and the being of infinite
understanding—the being whom we have imagined—
might trace the remote undulations of the impulse—
trace them upward and onward in their influences upon all
particles of all matter—upward and onward forever in
their modifications of old forms—or, in other words,
in their creation of new—until he found them
reflected—unimpressive at last—back from
the throne of the Godhead. And not only could such a being
do this, but at any epoch, should a given result be afforded
him—should one of these numberless comets, for
example, be presented to his inspection—he could have
no difficulty in determining, by the analytic
retrogradation, to what original impulse it was due. This
power of retrogradation in its absolute fulness and
perfection—this faculty of referring at all
epochs, all effects to all causes—is of
course the prerogative of the Deity alone—but in every
variety of degree, short of the absolute perfection, is the
power itself exercised by the whole host of the Angelic
Intelligences.

‘Oinos’.

But you speak merely of impulses upon the air.

‘Agathos’.

In speaking of the air, I referred only to the earth: but
the general proposition has reference to impulses upon the
ether—which, since it pervades, and alone pervades all
space, is thus the great medium of creation.

‘Oinos’.

Then all motion, of whatever nature, creates?

‘Agathos’.

It must: but a true philosophy has long taught that the
source of all motion is thought—and the source of all
thought is—

‘Oinos’.

God.

‘Agathos’.

I have spoken to you, Oinos, as to a child, of the fair
Earth which lately perished—of impulses upon the
atmosphere of the earth.

‘Oinos’.

You did.

‘Agathos’.

And while I thus spoke, did there not cross your mind some
thought of the physical power of words? Is not every
word an impulse on the air?

‘Oinos’.

But why, Agathos, do you weep—and why, oh, why do your
wings droop as we hover above this fair star—which is
the greenest and yet most terrible of all we have
encountered in our flight? Its brilliant flowers look like a
fairy dream—but its fierce volcanoes like the passions
of a turbulent heart.

‘Agathos’.

They are!—they are!—This wild
star—it is now three centuries since, with clasped
hands, and with streaming eyes, at the feet of my
beloved—I spoke it—with a few passionate
sentences—into birth. Its brilliant flowers are
the dearest of all unfulfilled dreams, and its raging
volcanoes are the passions of the most turbulent and
unhallowed of hearts!
Holy Clown Jul 2013
Verily the exordium told anent a beauty engirdled in her fedora
soliciting those whoever descried her into her mere servile admirer
eight trenchant tinctures upon her body invigorate like a cadenza
I dare not to contradict the verity that I am beguiled afore her

whilst the snain distilled faintly enwreathed her in unctuous silk
concordantly she devote herself earnestly to the impeccable rain
that emanate her fragile poetry with prestidigitation in a whisk
forsooth she is but the vernacular sobriquet to the soul of the rain

recall me otherwhile during the rainstorm champagne did coerce
and the sunset's glass of wine exude her ingratiating persona
like a myriad of aphrodisiac summarized in a single verse
when harmony and lyrics danced in the crepuscular crescendo

all of that needed to be enunciated is it is you
do not harshly let me be thy unrequited dilettante
la May 2014
slow, sad kiss
you gave me
as our tounges collided
with bursting nebula
emotions,
i yearn for the
warmth of your
hands on my body.
there are galaxies
exploded on my mouth,
i searched for the sun in
our cosmos
but in lieu, i encountered
the cold moon engirdled
on my lips.
Asmita Ray Aug 26
A shard of vintage hope
Stained with no scope
Painted for an antique emotion
Which was drowning in a deep ocean
Woefully against all of my notion

On the edge of a chasmic cliff
A forlorn shade of my soul, stands stiff--
She stares down in the fathomless abyss
Not fearing the abysmal crisis
In which, she will plunge in a gorge of vices

Flames dance and flicker towards her heart
And, breaking the iron-wrought cage apart
Alas! To only find a ghastly grim cavern
Engirdled between lungs and ribs,
Her once-alive heart--was torn to shreds
All whilst, a monster gently caressed
Towards the harrowing path of an eternal rest
I wrote this poem after a friend of mine had came out as aromantic. The speaker had once fallen in love but betrayal had hit her so hard that the feeling of love was taken away from her--with her first love.
Yikes, aside from mental
     health re: psychotherapy,
     which haint the worse
cyst phase of being
     objectionably being called "old man",
     this poem doth tack
     toward the no body,
     and will address

     no illusory (no
     app for) pretensions
     alluding to verse,
the slow-mo ravages
     of aging, evincing
     and inching into
     solid AARP universe
suddenly (moon if fish int lee)
  
     impinges on endurance
     even crimping poetic
     raptures tubby terse
though (oh my this
     muttering ole hound) chronologically
     traversing that arbitrary, elliptically,
     and imaginary Maginot line
     i.e. almost three score year,

thy esprit de corps unlike
     complaining crotchety curmudgeon
     folks living here
Highland Manor situated
     in Schwenksville, Pennsylvania,
not much older
     than me do daily air
lamentations kvetching even

     on days pitch perfect and clear
find some bugaboo to gripe about
     which dispositions hardly
     makes them endear
ring at least to myself,
     a baby boomer
     (lix orbitz licked) gear
ring up to enter

     sixth decade of life,
when a tell tale battle
      of the bulge paunch
      finds mine equatorial zone
somewhat flabby, a mockery
     of washboard blubbery
     abdominal sculpted tone
engirdled with loathsome

     ample "NON FAKE"
     lovely jowly handles
which I hate, though
     human flesh naturally prone
to the lowest point of resistance,
     and finds these
     lovely bones to groan.

— The End —