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"bleared" poems
(Lines on the loss of the “Titanic”) I In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. II Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. III Over the mirrors meant To glass the opulent The sea-worm crawls—grotesque, slimed, dumb, indifferent. IV Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind. V Dim moon-eyed fishes near Gaze at the gilded gear And query: “What does this vaingloriousness down here?”. . . VI Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything VII Prepared a sinister mate For her—so gaily great— A Shape of Ice, for the time fat and dissociate. VIII And as the smart ship grew In stature, grace, and hue In shadowy silent distance grew the Iceberg too. IX Alien they seemed to be: No mortal eye could see The intimate welding of their later history. X Or sign that they were bent By paths coincident On being anon twin halves of one august event, XI Till the Spinner of the Years Said “Now!” And each one hears, And consummation comes, and jars two hemispheres.
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The Convergence Of The Twain
The owl-car clatters along, dogged by the echo From building and battered paving-stone. The headlight scoffs at the mist, And fixes its yellow rays in the cold slow rain; Against a pane I press my forehead And drowsily look on the walls and sidewalks. The headlight finds the way And life is gone from the wet and the welter-- Only an old woman, bloated, disheveled and bleared. Far-wandered waif of other days, Huddles for sleep in a doorway, Homeless.
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Old Woman
The blue honda pulls up to the curb. A strange lingering fog is tinged purple. He steps out of the car, and looks around. His phone buzzes in his pocket, but he ignores it in a moment of awe. What meets his bleared city eyes is a sight like no other. Looming in front of him is green woods, seemingly taking shallow breaths in the mist. Then, shadowy swirls form into tentacle-like wraiths. He stood frozen for what seemed like forever. Then a shadow slowly crawled onwards him, slithering on the gravel. It tentatively touches the tip of his shoe and he scrambles back into his car and locks the door, trying to steady himself. After telling himself repeatedly that it was just his imagination. Not real. Not real. Not real. Feeling better, he picks up his phone and calls his wife back. The phone rings, and the normal sound brings him back to the present. He looks towards the woods. He quietly scoffs to himself, what an idiot he was, it was only his imagination. Something catches his eye.He doesn’t see anything. Looking towards his phone something catches his eye again. Upon a second inspection he looks and finds nothing. He looks down on his phone, why can’t his wife pick up already? Something catches his eye a third time and he looks, there is no mistaking the shadows leaking towards his car. he hangs up desperately and attempts to call again.It rings once and the shadows seem to leak into his car, it rings twice, and the shadows seep into the open window, it rings four times, and she finally picks up. Her lone voice rings out Hello? … Are you there? … Honey, are you ok? ...
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Feb 12, 2015
Feb 12, 2015 at 3:23 PM UTC
The car
The blue honda pulls up to the curb. A strange lingering fog is tinged purple. He steps out of the car, and looks around. His phone buzzes in his pocket, but he ignores it in a moment of awe. What meets his bleared city eyes is a sight like no other. Looming in front of him is green woods, seemingly taking shallow breaths in the mist. Then, shadowy swirls form into tentacle-like wraiths. He stood frozen for what seemed like forever. Then a shadow slowly crawled onwards him, slithering on the gravel. It tentatively touches the tip of his shoe and he scrambles back into his car and locks the door, trying to steady himself. After telling himself repeatedly that it was just his imagination. Not real. Not real. Not real. Feeling better, he picks up his phone and calls his wife back. The phone rings, and the normal sound brings him back to the present. He looks towards the woods. He quietly scoffs to himself, what an idiot he was, it was only his imagination. Something catches his eye.He doesn’t see anything. Looking towards his phone something catches his eye again. Upon a second inspection he looks and finds nothing. He looks down on his phone, why can’t his wife pick up already? Something catches his eye a third time and he looks, there is no mistaking the shadows leaking towards his car. he hangs up desperately and attempts to call again.It rings once and the shadows seem to leak into his car, it rings twice, and the shadows seep into the open window, it rings four times, and she finally picks up. Her lone voice rings out Hello? … Are you there? … Honey, are you ok? ...
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8
When my grandfather passed away, my brothers and I held my dad with slanted eyebrows and stiff, silent upper lips. Because we are young and foolish and still learning. Because we’d never really had to do the holding before and, as far as we knew, this is how men mourn. We dusted antique left-behinds with delicate, moth-wing hands that fluttered here and there and never stopped trembling -- dead giveaways that within the corridors of our arms our heartbeats went stampeding, arrhythmic. We couldn’t quite bend them into the proper shape for prayer, so instead we ran them, with touch somewhere between float and feel, along every ashtray and age-stained picture album. In that moment I think we each wished that memory read like braille, but no one ever said as much. Because this is how men mourn. We honored our patriarch with whiskey, hidden away for what must have been twice my age, between the carved out pages of old stacked books. We drank like secrets. His portrait played witness. We promised between our teeth with tinged lips tight, keeping words in that might otherwise crumble us like great ancient empires. We singed and smoldered in a burn that coated our throats, quelling a choke that kept climbing its way up from a chest that never quite stayed sunk. Boys grow up loving the clinking twist of unlocking deadbolts but men peek through keyholes. Because this is how men mourn. Silent and straight with head only slightly slanted. But when my father betrayed his rigidity with words that clicked clean like unfastening locks, we traded this stale air in for wind laced with the electric taste of thunderstorms. We forgot how men mourn. When my grandfather passed away, my brothers and I held my dad with lightning behind bleared eyes. Because we are young and foolish and still learning. Because we have umpteen days left to dress in bittersweet vestiges and, as far as we know, this is how men live on.
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Jan 5, 2014
Jan 5, 2014 at 2:32 AM UTC
The Mourning of Men.
When my grandfather passed away, my brothers and I held my dad with slanted eyebrows and stiff, silent upper lips. Because we are young and foolish and still learning. Because we’d never really had to do the holding before and, as far as we knew, this is how men mourn. We dusted antique left-behinds with delicate, moth-wing hands that fluttered here and there and never stopped trembling -- dead giveaways that within the corridors of our arms our heartbeats went stampeding, arrhythmic. We couldn’t quite bend them into the proper shape for prayer, so instead we ran them, with touch somewhere between float and feel, along every ashtray and age-stained picture album. In that moment I think we each wished that memory read like braille, but no one ever said as much. Because this is how men mourn. We honored our patriarch with whiskey, hidden away for what must have been twice my age, between the carved out pages of old stacked books. We drank like secrets. His portrait played witness. We promised between our teeth with tinged lips tight, keeping words in that might otherwise crumble us like great ancient empires. We singed and smoldered in a burn that coated our throats, quelling a choke that kept climbing its way up from a chest that never quite stayed sunk. Boys grow up loving the clinking twist of unlocking deadbolts but men peek through keyholes. Because this is how men mourn. Silent and straight with head only slightly slanted. But when my father betrayed his rigidity with words that clicked clean like unfastening locks, we traded this stale air in for wind laced with the electric taste of thunderstorms. We forgot how men mourn. When my grandfather passed away, my brothers and I held my dad with lightning behind bleared eyes. Because we are young and foolish and still learning. Because we have umpteen days left to dress in bittersweet vestiges and, as far as we know, this is how men live on.
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8
Something black somewhere      in the vistas of his heart. Tulips from Tates teazed Henry in the mood to be a tulip and desire no more but water, but light, but air. Yet his nerves rattled blackly, unsubdued, &suffocation; called, dream-whiskey'd pour sirening. Rosy there too fly my Phil&Ellen; roses, pal. Flesh-coloured men&women; come&punt; under my windows. I rave or grunt against it, from a flowerless land. For timeless hours wind most, or not at all. I wind my clock before I shave. Soon it will fall dark. Soon you'll see stars you fevered after, child, man, & did nothing - compass love to the pencil-torch! As still as his cadaver, Henry mars this surface of an earth or other, feet south eyes bleared west, waking to march. from The Dream Songs
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Jun 14, 2014
Jun 14, 2014 at 1:25 PM UTC
Room 231: the fourth week (by John Berryman)
In a dead baby’s eyes, chest no longer heaves, throat no longer cries, lies, dead, the choices of Humanity; Individual choice or Social vanity. And, either way, the way we go leads us to and leads us fro. When the last grave is filled; When the last enemy lies killed; When the last smoke from the last fire rises up and up and yet no higher; When the last tear is worthlessly shed; When the last lament is sung for the dead; When the valley of the shadow of death is no longer feared; When evil and good disappear into the past, bleared; Then and only then will time beat swords and plows to rust and leave the stage clear for whomever must stand triumphant, Adam and Eve, upon the stage Humanity left in a silent and useless rage. Lost, we did, the forest for the trees, blind to what a dead baby sees . . .
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Feb 5, 2014
Feb 5, 2014 at 9:34 AM UTC
A Dead Baby’s Eyes
i remember going back to the now bleared moment, where it burgeons in its ruinous hands. they demolished the hearth long ago and the dearth only fills the air together with the splinters of what was once yours — the wind is much tenser there, and there too is the bleak behemoth-shadow cast by the towering bell of the cathedral juxtaposed to the many a pompous mango tree enshrouding it like parasols to young, tender loam. we were akin  to those moments of death, lauded by the assuage of its avid fondness — when it has died, we can hardly tell that it were stripped out of life and when it continued to live, we denied it inside us that it was no more than an ephemera enjoyed. rain obscured the dry land seeking till, and sooner than we knew,         the leaves have abandoned the trees and we were underneath a shade of        our own.
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Nov 16, 2015
Nov 16, 2015 at 12:50 AM UTC
Shade
Hi! And welcome to earth, me and you are gonna break a half a century old cycle together! I know you can do it, and I will do my best to buffer the waves of lies, manipulation and selfishness that has plagued a name nobody will say right I will not be a bleared eyed, slurred shadow of your future, I will be loving and put you first, above my wants and my ideals I will step back and allow you to learn and outsmart me one day Love, Your father and his scars
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Nov 25, 2014
Nov 25, 2014 at 10:44 PM UTC
Letter to my non existent son
your half-smile that slight pull at the corners of your mouth the coiling of your lip into your cupid's bow withdrawing from our kiss the details of your face coming into focus as i move further away your eyes lazily bleared, easily staring back at me. there's a knowing nature about your expression, that i can't play coy, can't play the game of teasing lovers you know exactly where you stand, and i stand vulnerable.
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Feb 20, 2013
Feb 20, 2013 at 10:08 PM UTC
your palms, my flesh
was exhumed by stern-faced defeat as all others revel in victories. i only watch the limpid light slowly frittering back to its console as the barkeep hands me my 7th beer of the night as i handed them the first defense of the inveigling tactic i have yet to put them through and send their young minds to equipoised trial. i have felt ears poor without understanding but the welcoming warmth of the light shone against my already bleared body pierced through the unclear of words, as i read them littlest of my far-slung poems, bardic and resolute yet rogue upon sound thinly hanging, barely on a spindle of plaudit. the barkeep bestows me my 8th bottle and i have felt some slow ease encroach me with lighter burnt retreat, as i left, unfinished.
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Sep 14, 2015
Sep 14, 2015 at 11:08 PM UTC
A Poetry Reading In Roxas Boulevard
Spritzed me with rain, this morning.    Rooftops unravel inner coating like old scabs    to wounds. Quiescent mercy of the Sun    bleared behind curtains of cumulus. There is a far    more in-depth correlation between an insurmountable   ex-facto and the fruition of affront: something a sutured lip unwraps, a sotto voce.                                                               Murmuring murmurings,        tousled the leaves to a zither like salad on a depthless bowl:     a coarse susurrus unattainable through lip-reading: tongue’s the    scythe and the message that rummages athwart, something                                  that rushes in the blood, a scrape on the sinew                  as I coil in pain like a thing in womb revealing its fetal nature.                               something that speaks for another one – ventriloquism                        in its keenest sense,        speak for me, you, both of us lost                                 in frenzied translation.
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Jan 27, 2016
Jan 27, 2016 at 1:44 AM UTC
Translations
Creeping phlox blossoms, star-blanched, crawl gently in choir in the thunder yard, like soft fare for the silver river fee. Linen immortelle, shadow-bleared, knotted aegis against a raw, wracking world: smeary cloth-stalks lengthen duskily. Rain-pinked palm, sloe-blotched: tawny token of revival from those who idle beneath rude thunderheads.
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Sep 4, 2022
Sep 4, 2022 at 11:32 PM UTC
"Deathless"