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***
Your skin doesn't lie,
Your lips don’t either.
The soft touch of hand,
Upon body,
You give in.
Sweat, spilled wine and swoon,
Your heart skips a beat,
Only to match mine
In sync.
Lights on, lights off.
Beat harder,
Breathe faster,
Using our bodies to see each other.
Stop and go
Holding our breath,
Gripping the sheets
Until it’s over.
Go ahead and tell me of my faults,
You who perfection from exalts,
I believe you not to have the broom
To come and my doorstep to groom,

Don’t come and claim the splinter
From my eye,
When a log of great timber,
Does so in your pupils lie,

I wish not to hear of the words
You believe to preach,
The words you do not of practice two thirds
But wish to teach,

Don’t come here with your empty
Accusations,
Don’t come here with your plenty
Condemnations,

For I know of all my that my heart
Has tinted black,
But I have the resentful part
That you in your words do lack,

My heart is not of ideal
Bled red,
But it knows the things I feel,
The things I’ve done and said,

There are like all
The things I do not preach with pride,
But even though to sin I have befallen,
I have redemption on my side,

So go ahead and tell me of my faults,
You who perfection from so exalts,
But my closet was cleaned long ago,
But of your skeletons you will owe.
He had been her light,
At the end of a dark and lonely tunnel,
He had been her fight,
To end all that her did trouble,

But she was just a number to him,

He had been her reason to get up,
The reason that she dreamed,
The reason she’d stay up,
And the reason that she gleamed,

But she was just a number to him,

He had been her smile,
At the end of a dull and dreary day,
He had been that extra mile,
Before from everything she almost had walked away,

But she was just a number to him,

He had been the rainbow in her storm,
The sun in her cloudy sky,
He had been the fire that kept her warm,
And why feelings in her did not yet die,

But she was just a number to him,

She had been his newest achievement,
The he could not get,
And once he obtained her appeasement,
She became just a number whose name he would soon forget.
Hey there little puppet girl,
Sowing at your broken heart,
Puppeteer can’t pay his bill,
While you just fall apart,

Hey there little puppet girl,
I bet you where once new,
But now your cloth begins to furl,
And that heart of yours is two,

I see your dusty rags,
And patches of different cloths,
Your mouth it sags,
And you’ve been nibbled by moths,

Hey there little puppet girl,
Puppeteer he neglects you,
Once kept you shiny-now keeps you dull,
Puppeteer he forgets you,

But I see you reaching out,
Begging for his touch,
Mouths sown shut can’t shout,
And only one button eye can watch,

Hey there little puppet girl,
I know that you can’t cry,
But you reek of lost will,
And a need you can’t gratify,

Hey there little puppet girl,
I bet you where once new,
But now your cloth begins to furl,
And that heart of yours is two,

I see you little puppet girl,
Ripping at your stiches,
You’re no longer rational,
Your mind is specious,

Hey there little puppet girl,
Ripped to little pieces,
Puppeteers little pearl,
Your value he decreased it.
The walls speak to her.
They are so ugly and bare. And thats how she feels, ugly and bare.
She have no wounds to show, only wounds to tell.
And they become more and more of tales to tell,
surrounded by undistorted walls.
How does she not know these are not hers and they belong to someone else's?
How does she not know she was created and injected memories?
That sick little girl is no longer her,
and she is not and never was that sick little girl.
What is change?
is it a gift or an experience
I say change is life

Because in order to live we must change
it can sometimes be for the better
in different times worse

Even in society things change
and to cope we change along with it
even if its just bit by bit

No matter how safe you may feel
or how fast your wounds heal
and how much time will steal from you
change will always be real

Because by this simple act of reading
you are already believing
in the great power that is
**Change
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