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There's still an imprint of
your hand on my face,
from the day you first struck me-
a love story between
paper skin and
iron fists.
It's been long since the redness faded
(long, not gone)
a bruise visible to not another soul
but mine.
š˜ š˜–š˜œ š˜‹š˜š˜‹ š˜›š˜š˜š˜š.

It smiles back in pictures
mocks me in mirrors
follows me on the street.
You created the mark
but I gave it a life,
a name- a structure
and decorated it with my self worth.

Bruised knuckles smeared in betrayal
š˜­š˜°š˜°š˜¬ š˜¢š˜µ š˜¶š˜“ š˜Æš˜°š˜ø
Snake infested waters
š˜ š˜øš˜Ŗš˜“š˜© š˜øš˜¦ š˜©š˜¢š˜„ š˜„š˜³š˜°š˜øš˜Æš˜¦š˜„.
~my poet friends and friendly poets~

(written in anger, then sorrow,
tinged with regret, but in the end one
has no choice but to forgive and forget)

<ā€¢>

the ghood poet knows no boundaries,
lays down tracks of a New England
pond of nirvana,
or across Siberian froze wastelands,
another
salves the wounds of dying soldiers,
and gives away comfort to the dying
with the freeing oxygen of
comforting words

the world of self,
that thing we know best,
thus encouraged by the textbooks,
well,
to have at it, plays whacamole
with yourĀ Ā owned flirtatious emotions,
none too imperious or low down or
garbage dump *****, that yet
cannot be validated by exploratory
over-the-line words pithy

even the florid, tiresome nickel & dime ing
rhyming scheming crutches,
we so oft employ,
yields up stuff that ainā€™t half bad,
periodically,
though, the blunt of words well crafted
needs
no such delimiting amusing playthings
or imprisoning
I-am-amoebic-pen-tata-meter

take you inspiration from here and there,
the proverbial deep dark of the mindā€™s recessed corridors of
corrupted consciousness,
or, the
contrail whiffs of the steaming steaming of the contradictions of a
newborn first dayā€™s contrast of-
the wet dew on toes cooling,
while the simultaneous sun warms all
the cheeks,
heats the blood with
a thanks-god-Iā€™m-alive
overwhelmingly overall tickling,

or
not.

write with the tools you have, but keep
them well sharpened, with
insight and revelation,
exploring the rainā€™s windowed
navigable rivulets,
the musical tempos
of waves and their multi-mystical variations,
and the readers will come like
pilgrims to yourĀ Ā holy land,
wearied and yet so delightedly hopeful,
with tingling contrasting dictions,
to capture and release,
by shattering any
stale notions of adulation
will bring your
audience of holy voyagers and voyeurs
to imbibe so deeply your creativity for the quenching, and the
amen gasp escaping tween
their lips is just a simple holy,
gentling thank you

discard the bad words as ornery and
distracting, veiled in pomposity and
highfaluting, self-saluting, arrogance of
those deeming themselves critical thinkers,
who thrive in the low mud flats of
self-pretension and the reassurance
of a mirrorā€™s reassurance

write straight from the heart,
fill our eyes with the
complexity of the simple
and
grant us the write to share,
in your humanity

craft the work
and
the work
will repay
so stealthily
by secretly
crafting you





Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā  nml
3:43 am 2/16/25

p.s,always fixyour typos
Weā€™re just being ourselves
Weā€™re not presenting ourselves
on a plate, commodifying ourselves.

Weā€™re refined and pared-backā€”plain
but with an intriguing complexity.

Weā€™re simple and indestructible,
our diasporic styles, assembled in a frenzy
by spontaneous instinct, need no audience.

Youā€™ll find us in the coffee shops, the libraries
streaming and scrollinā€™ to unheard, noise-cancelled, beats
or in the bars kickinā€™ā€”let the music playā€”I canā€™t talk much about it.

Weā€™re not overly thought-out, sure, we ruminate, but then weā€™re
automatic rather than laboured, creative without overthinking.

Weā€™re emotional and immediate, but clearly avoiding
slightly scurrilous ****** entanglementsā€”yeah
ā€”there are reasons. true, true, true, true true.
.
.
Songs for this:
Let the Music Play by Papik & Sarah Jane Morris
Soda Pop Confusion by Variety Lab & Kidsaredead
BLT Merriam Webster word of the day challenge 02/11/25
Ruminate = think carefully and deeply about something
Have you ever heard
a parking lot bird
rejoice in the sun?
No, parking lot birds
donā€™t have much fun,
constantly busy
looking for scraps
that arenā€™t really there,
they stare at the
undersides of cars,
they peck at nothing
thereā€™s no food there,
no plants, few bugs,
they ought to be
full of despair,
but a parking lot bird
never complains,
and sings as if
he hasnā€™t a care.

They fly under cars
looking for crumbs
from hungry bums
who eat their meals
behind steering wheels,
then open the door
and brush their laps
and parking lot birds
grab up the scraps.

Have you ever heard
of a parking lot bird
being struck by a car?
No, by far, they boast
the most incredibly skilled
virtual acrobatics
of low-flying flight,
they flit and alight
and never are killed,
none are hurt,
they all fly free,
when you crank up
your trusty Subaru
they always manage
to get away from you.

A parking lot bird
hasnā€™t much to hope for,
lost from his woods
and full of woe, he
just has nowhere else to go;
they grew up under
the big marquees
of some of the finest
groceries, and
they just keep singing,
never complaining,
hoping one day
youā€™ll bring them a scrap,
a morsel, a tidbit
a crumb or two,
leave it on purpose,
itā€™ll be good of you.
The aspens quiver, brittle spines trembling,
a broken orchestra of gold and ache,
her feet carve the earth raw,
mud smears like confession,
the world swallows her,
skin slick with its wet approval.

Here, the sky does not accuse.
It hangs, mute and thick,
secrets buried beneath roots,
writhing like forgotten daughters.
Her smallness presses against the weight,
a quiet scream lodged in her ribs.

The ground hums its absolution,
a Eucharist of dust and decay.
She, unmothered, unfathered,
folds herself into the soilā€™s indifference,
her anger spilling like blood in the light.
Good morning beautiful poets, wishing you a great week aheadā£ļø
i am all alone
please don't lie and say
i am loved
because that's simply not true
life is pointless
why would you ever say
there's hope for me

(now read bottom up)
He stands at the edge,
where the tide forgets the shore,
where silence is an answer
but never a comfort.

His voice is a clenched fist,
striking the air,
fighting with ghosts
that call him by name.

A silver fish drifts
through darkened waters,
but he is not the fish.
He is the stone,
a weight in the deep.

Like the current,
he undoes the problems,
taking away the pain.
I love his mischievous eyes,
the way they catch light,
the way they catch me.

Somewhere between the sky and the sea,
between strength and surrender,
your handsā€”useful, steadyā€”
unravel the knots,
find the spaces between words,
and press them into me.
We were made for each other.
Have a great Sunday hellopoetry friends, very under the weather today X
I watch the harbor through the falling snow
the sky and sea form one vast, gray tableau
the sun is nothing but a weak, background glow
the scene draws me, as if hypnotically.

Five mileā€™s lighthouse warnings go unvoiced
its strobes not lashing out, so whatā€™s its point
it stands majestically but disappoints
replaced electronically

A tiny lobster boat makes its landward way
towards the inlet from the wider channel bay
a powdery blizzard is underway
which melts into the mirror sea.

Ospreys still hunt round the lobsterman's pride
snowflakes stain them as they soar and glide
other seabirds huddle side by side
shivering and crowing lividly.

Through the narrows the lonely boat steams
past icy Luddington Rock and East Breakwater's breech
its berths and moorings, within minutes reach
and sadly, itā€™s time for me to leave.
.
.
Songs for this:
Far Far Away (Charles Tone Mix) [feat. Brenda Boykin] by Tape Five
Nobody by Mitski
BLT Merriam Webster word of the day challenge 02/15/25:
Livid = angry, indignant, or enraged.
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