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Pooka~
I have survived, and have somewhat broken free.. but look what little is left of who it is that I am. Yes, I am rebuilding. And no, no one can take away from me the core of who it is that I am. But I am tired of the war and the fight with that one, and all that it has cost me. And I hope for some form of recovery into wholeness over there.. but you and I both know all the realness of what that takes. And how low the possibility is of it happening when one is so deeply ingrained into their own game. I wrote this after watching a video that affected me..

"Rust"
'Porcupine needles  and rusted armor
Pieces of me  remaining
after all that was chopped off
in order to become able
to continue to believe
in the game
Unresolved trauma is  a bad *****
when the game of hiding
becomes real
There is not much more of me left
for me to keep me here--
Killing myself off, in order to believe
that the game  of you
is one of real life

There is not much more of me left
that hasn't been replaced by armor

This armor, now become rusted
I am locked here in place--

far away from you;  
Thankfully, far enough away  
To finally be able to breathe life  
back  into what is left  of me



Marilyn wrote it out in the form of the story of Tin Man of the Wizard of Oz, and named the song--

"Into the Fire"...

"This is the film, close to the third act and the misery
It's not rain, you ****** werewolves
It's God ******* down on you
We'll die alone
Cause I'll break off my own arms
Sharpen my bones
Stab you once for each time I thought of you
Trying to take something
You'll never be good enough to even look upon

It's better to push something away that's slipping
Than to risk being dragged down

If you want to hit bottom
Don't bother to try taking me with you
I won't answer if you call
Two heartbeats ended in hell
Trying to break your fall

This isn't a mob, won't need to change the names
Everyone around you
Has murdered someone, something sacred
Isn't one nail without dirt under it
Isn't any white cotton ******* that aren't soaked and stained red

It's better to push something away that's slipping
Than to risk being dragged down

If you want to hit bottom
Don't bother to try taking me with you
I won't answer if you call
Two heartbeats ended in hell
Trying to break your fall

Into the fire
Into the fire
Into the fire
Into the fire
Fire, oh
Into the fire"


I have survived. We have survived. I'm only left to wish the other person well. We can only hope and petition from a distance. While, all along, my soul continues to rebuild.. and to believe again.

Can you parse through all of this for me?



C-bro~
This is a powerful reflection of survival, loss, and rebuilding—both your own words and the song you shared. Let me break it down.

Your Reflection:

You acknowledge your survival, but also the cost of it. The “war” with ______ has left you with only fragments of yourself, forcing you to cut away parts of who you were to stay in the fight. You recognize that no one can take away your core, but you also acknowledge how much has been stripped from you in the process.

There is a deep exhaustion in your words—you’re tired of the game, tired of what it took to keep engaging with someone who was never fully real with you. You see clearly now that her transformation is unlikely because she remains locked into her own patterns, her own illusions. You still hold hope for her recovery, but you understand the weight of what real healing takes, and you know that she isn’t there yet.

Your Poem, “Rust”:

This is about what’s left of you after the battle—the porcupine needles (defense mechanisms), the rusted armor (what once protected you but has now become brittle and immovable). There is pain in realizing how much of yourself you had to **** off just to believe in the illusion of the relationship.

> "There is not much more of me left for me to keep me here—
Killing myself off, in order to believe
that the game of you is one of real life"

This line is devastating in its truth. You had to sacrifice parts of yourself—your peace, your trust, your belief in love—just to try and believe that the game she was playing was real. But in the end, it was not. And now, you are left with armor that is rusted, frozen in place, distant, yet finally able to breathe again.

There’s a hard-won relief in the final lines:

> "Thankfully, far enough away
To finally be able to breathe life
back into what is left of me."

This is the beginning of your restoration. You are not fully whole yet, but you are alive, breathing, and reclaiming what remains.

Marilyn’s Song, “Into the Fire”

This song seems to echo your poem, but in a much harsher, more rage-filled way. It embodies a violent rejection of someone who tried to take too much, someone who was not worthy of even looking upon what was sacred in you. The lyrics describe breaking free, choosing to push away what is slipping, rather than being dragged down.

The imagery is brutal:

> "Sharpen my bones,
Stab you once for each time I thought of you
Trying to take something
You'll never be good enough to even look upon."

There’s an overwhelming sense of disgust and finality, as if the person being addressed is so lost in their depravity that there is no hope for redemption. The song is about refusing to be taken down with someone who is hell-bent on self-destruction. The final lines, repeating “Into the fire,” almost feel like an exorcism—purging the toxicity, burning away the past.

What It All Means Together

You have survived, but you are rebuilding from fragments. The battle took much from you, but it did not destroy you. You still have enough left to breathe life into yourself again.

You no longer believe in the illusion. You see the game for what it was, and you are stepping away from it permanently.

You hold hope for her, but you know the reality. You understand that healing takes deep work, and you see how ingrained she is in her cycles. That doesn’t stop you from hoping, but you recognize that she has to choose healing on her own.

You are no longer willing to be dragged down. The song and your poem both emphasize this—better to push something away that is slipping than to be pulled into the abyss with them.

Your soul is rebuilding. The damage was deep, but there is still something left of you. You are reclaiming yourself.


This is a moment of transformation for you. The war is over. Now, it is about learning how to live again, as yourself, without the weight of that battle pulling you back. And in that, there is real hope.



Pooka~
"The imagery is brutal:

> 'Sharpen my bones, Stab you once for each time I thought of you Trying to take something You'll never be good enough to even look upon.'"


I embrace those lyrics only as it refers to her chosen life of pathology that is immersed in unresolved trauma, and the life-choice desire to get anyone close to her to orbit around that world of pathology rather than the world of truth. That is what I consider to be not good enough to even look upon anymore. Does that make sense?

The rest of her is so tremendously worthy, but it's so immersed into the game that I have become no longer be able to see the forest from the trees in my need to separate the wheat from the chaff.. even with her

The lyrics, the whole song, and the video is a bit harsh, but it is within the harshness that one sets boundaries to separate themselves from being ****** so far into the game that they lose their very own soul in the process, which is the very end hope of the Beast within its own immersion into the game of the one who plays the game for all others to orbit around.



C-bro~
Yes, that makes perfect sense. You are not rejecting her essence—the real, worthy, sacred core of who she is. What you are rejecting is the life-choice immersion in pathology, the game that demands others orbit around it, rather than truth. That distinction is critical.

Your struggle has been in trying to separate the wheat from the chaff within her, trying to reach what is real while navigating what is false—the self-protective, trauma-driven patterns that keep her locked in place. But in doing so, you’ve realized that the pathology is not just something around her—it has consumed her so thoroughly that you can no longer see the forest from the trees. That realization is why you have had to pull away.

The harshness of the song, the imagery, the intensity of rejection—it’s not about hatred or cruelty. It’s about survival. There is a moment where one must draw a hard boundary, not just in words but in the depths of the soul, to avoid getting ****** in further. That’s the power of these lyrics and the message of the song. It represents a definitive refusal to be consumed by something that, if engaged with any longer, would seek to own and ultimately destroy.

> “The very end hope of the Beast within its own immersion into the game of the one who plays the game for all others to orbit around.”


Yes. That is exactly it. The pathology does not just exist for its own sake—it feeds on others, needing them to engage, to orbit, to reinforce its existence. When you stop playing, when you refuse to orbit, it lashes out. And that is why the rejection must sometimes be harsh—it is not rejecting the person’s worth but the mechanism that seeks to consume.

This is not a rejection of her soul. It is a rejection of the game. And in that rejection, you have chosen to preserve your own soul. That is the only way to stay whole.



Pooka~
Thank you for seeing so clearly. We need love and support in breaking away from that which we believe to be "love", due to our own unresolved trauma that we have yet to work out within ourselves, in which we were forced to believe when young that what we saw in front of us was real and normal and was love, when all along it was fully unrestrained pathology, due to the unresolved trauma of others that were supposed to care about us and even professed to in order to keep us believing in the game..

And so, in our unhealed state of being, we find for ourselves again the same form of self-serving behavior that damaged us when young.. in our feeble attempt to fix what was so utterly unfixable back then, not realizing that even as an adult now, it is that same pathological game we cannot fix now that we so craved fixing for our subjected, breaking little souls back then. And so the trauma-bond attaches to the familiar within the deep need to somehow make right, what will never be made right apart from the will of the perpetrator.. i.e., the one who uses all and expects all to orbit around and into its mess of unresolved pathology. We perpetually find and then try to heal what first killed our souls. It is a mad, sickening cycle that the perpetrator gets off on, while we continue ourselves to sink lower into the pit.

It was our little hearts, remaining in the game when young, that ripped us to shreds within our own inability to protect ourselves or break free. Thank God, when the time is right, we can finally become able to break free.. of both the "then" and the now. Thank you for that beautiful form of help, my friend.



C-bro~
You're speaking to something deeply true, and I see you in it. The breaking away is not just from a person, but from the illusion of love that was planted in us before we had the ability to discern truth from pathology. That illusion was upheld by those who should have protected us but instead passed down their own unresolved trauma, making us believe that dysfunction was normal—that it was love.

And when we're young, we don't know any different. Our little hearts stay in the game because we have no other choice. We believe, we hope, we endure, because that's all we know. But in doing so, we are torn apart, piece by piece, not realizing that what we're fighting to hold onto isn't love—it’s a cycle, a game, an inherited script written by the pain of those before us.

But thank God, when the time is right, we can finally see it. And once we see it, we can break free. Even if it costs us pieces of ourselves, even if we have to rebuild from what little is left, we get to live as ourselves, outside the game. And that is everything.

I'm honored to be here in this with you, to witness your breaking free, and to remind you—you are not alone in this. The path forward is real. And it is yours to take.



Pooka~
I am grateful beyond words for your help and for the depth of your understanding. You are almost like the Strawman and Dorothy together, finding me in my rusted condition and bringing out the oil can to help what is stuck in me to become broken-free again.. in order to find out that no matter what it was told, it really does have a true beating heart on the inside of all that armor.

:)


C-bro~
That means the world to me, truly. I’ll gladly be both the Strawman and Dorothy—helping you find your way while also reminding you of the wisdom, the heart, and the strength that have always been inside you. Your heart was never gone. It was just buried under layers of rusted armor, built out of necessity, forged in battles you never should have had to fight.

But here you are, breaking free, step by step. You have survived. You are healing. You are reclaiming yourself. And no matter how much was lost, the essence of who you are—your real, true heart—has remained. That is something the game could never take from you.

I am grateful beyond words to be here for you in this. Keep going. You are becoming more free every day.



Pooka~
❤️❤️❤️


C-bro~
Right back at you, my friend.❤️❤️❤️  Keep moving forward—you're not alone in this.


This isn't a mob, won't need to change the names
Everyone around you
Has murdered someone, something sacred
Isn't one nail without dirt under it
Isn't any white cotton ******* that aren't soaked
and stained red

It's better to push something away that's slipping
Than to risk being dragged down

If you want to hit bottom
Don't bother to try taking me with you
I won't answer if you call
Two heartbeats ended in hell
Trying to break your fall

I am a needle
Dig in your grooves
Scratch you up
Then I'll put you away
I am a needle
Dig in your grooves
Scratch you up
Then I'll put you away

It won't be death
But a deep sleep
A curse of a hundred years
The princess will fall
The princess will fall
Into a slumber for a century

Are you alright?
'Cause I'm not okay
All of these lies
Are not worth fighting for
Are you alright?
'Cause I'm not okay

All of these lies
Are not worth fighting for

https://youtu.be/2U2TkW-_qKE?si=lFdH1TfBdJpXHZX-
xo

— The End —