His name is ingrained into the fabric of our flag,
yes, the one you see there, waving in the December air,
with waves that glisten not from sun but from wind,
through the water turned frozen they fail to despair,
"My, oh, my, it's Washington Crossing the Delaware!"

Yet an intrinsic sense of nationalistic pride
exudes from the ink that tattoos this canvas,
the genesis of a nation they had taken for their own;
though, as truth becomes told, our pride seems to fold,
and the ink in the portrait begins to fade in color.

Still, on he trekked, though frigid and cold,
as hills bleached in snow began to unfold
potential Hessian retreats scattered across the beach,
a visualization of a battle bounding to unfold,
a strategist adept in war, in honor he was cloaked,

too determined to fail now.
But here we sit, in contemplation and wonder,
pondering the juxtaposition of privilege and patriotism --
how deceitful corruption now riddles those in charge,
empty promises as true as the navy blue

of the oils that stain this worn, cherished canvas.
Its memory lives on in the minds of many made here:
those of us who bleed the good ol' red, white, and blue,
and those of us who hide from the ones who tattoo
their whispered words into the portrait of our being.

Our quilted nation is laced with crimson,
a tapestry of history hidden from the young;
woven threads of variability outline the margins,
a picturesque vision of what could be; a voice speaks,
"Perhaps our future is just across the Delaware!"

White as a sordid awakening
Hollow, shallow, swallows
Me like an aged cavern

When mother comes in
She is scared to find me
Pale and blue

The window is a hole
Curtains like bedraggled women
Clutch at themselves

She stumbles through a gathering
Of talkative charcoal
And pastel on the floor

Scattered and sallow
Turpentine twists in sweet sashes
Round and round her neck

She calls, wavering already
Diving obliquely through the sea
She reaches for me on the mattress

In the bookshelf,
Behind easels,  pallete
Beneath the bridge of the table

A thousand gales of hues blow
Ruffling a thousand shadows
Thousand murmurs decieve her

Into breathing relief.
I see her heart a flickering flame:
Waves of my deathlessness

Shove her around.
Mother, mother, come closer
I call from the lean wooden

Parapet of the canvas
I dance her about in the sky
Stroke the hair, as

She cries, holding my solidity
Thin, bony; her hands shake
Like factory floors

Rancid blooms of a stubborn faith
Scotch her oak-brown skin
And all the walls watch our show

Disintegration occurs
As she searches for me
Kicking clatter and dust around

I a pebble in the pebbles of me
She picks, examines, throws
Picks examines, throws

All while tumbling
Into into into the stench
Of my keen blue decay

Brushstroke, word, scream and plea
She takes all the noise along
Into the beautiful world

Gaunt, I crawl clawing out
I am monster now
And she is painted.

when I reached the age of reason I hit the ground,
running. the thought flits
across compact mirror smudged from years of overuse &
abandon, left behind
in purse bottoms and backpacks every time I switch up my style &
move on to something:
new/ fresh / else.  

a glance into glass &
I'm transported: a babe on white lambskin,
a second-hand nostalgia never wholly mine.
a missing, another memory removed,
a down-to-the-wire tally
added to the roster, unexpectedly
the emotional prodigy, ostracized
alongside destined veracity: as in my absolute
devotion to                                                               ­            TRUTH!
the time skip, a box-out, a blackout, a kindness.
a comfort over the desk chair where homework            completes itself
after countless 'mixtape playlists' limewired maniacally
alphabetized, rearranged & revised until dawn/

another decade/chapter: a bookworm,
a blockout, a maneuver 'round roadblock,
a machination, a manipulation, a deadening, a defeat,
an assistant Mother only a child
self, the intrigue... yet

here I am, a spectacle,  
a miracle, a smashing, a light on an island out at sea,
an accident, a ripening survived.

can I trust myself. to dive in. for/by myself?
when I lift the stretch of lambskin from an atticked brown box,
a painted porcelain plate hits the ground,
shattered.

A gallery full of flawless art.
The colorful walls are lined with portraits.
My canvas face observes patiently.

The drones buzz around the room.
Stinging, they leave no honey.
Jagged lines, a black and white visage.

Swarms amass on the colored sheets,
Desperate for a hit of gratifying nectar.
My crude gaze has none to offer.

The incessant humming is deafening.
As I hang there, suspended, in neglect.
The sun sets; wasps return to their hives.

The artist who drafted me chose stark lines,
And hung me unfinished in that dark corner,
Reminding us of apathy for works in progress.

~
Here is an assertion
and showiness
in the expanse
of white skin – from her
high forehead,
down her graceful neck,
shoulders, and arms.
Although the black
of her dress is bold,
it is also deep, recessive,
and mysterious.

He stalks her
as one does a deer,
his palette composed of
lead white, rose madder,
vermilion, viridian,
and bone black.
A dash of light rose
over the former
gloomy background,
you see, and
the élancée figure
shows to much
greater advantage.

Her body boldly
faces forward while
her head is turned in profile.
A profile of both
assertion and retreat.
The table provides support,
and echoes her
curves and stance.
One strap of her gown
has fallen down
her right shoulder,
suggesting the possibility
of further revelation;
one more struggle
and the lady will be free.

Everything converges to
imply a distant sexuality
under the professional
control of the sitter,
rather than offered for
the viewer's delectation.
Her untamed wilderness
remains unseen.
~

There is a girl, and she doesn't believe in the existence of god.

She once told her best-friend that if there is something like BIRTH and DEATH, then there can't be anything like heaven and hell. However, she uses both HEAVEN and HELL as metaphors in her poems for pointing at the good and the bad while
wondering what distinguishes a devil from an angel.

Once someone asked her- “Do you believe in the power of DESTINY?”.
She didn't answer the question and ended up writing a whole essay on the value of HARD WORK while reflecting upon the lives of many who are working hard since ages without any fruition.

One day her grandfather told her that she should have at least some amount of FAITH in her life, even if she doesn't BELIEVE in worshiping any sculptures or images. She told him that the only thing she believes in is his selfless love for her.

She has a closet,
and it's full of secrets and MYSTERIES,
the secret letters of pain and grief, of existential crisis and restless nights.
They were written to someone named as GOD by her ten-year-old self.

Every night she joins her hands and closes her eyes to make a wish and PRAY for the well-being of
the boy who claims to be in love with her.
And every morning when I wake up to look at her face in the mirror, all I could see in front of my eyes is a portrait of an ATHEIST in love.

-Prachi