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What's the probability of probably?
Is the square root of attraction,
You and is the variable me?
You're wicking me out,
All my facts start to feel like fiction,
And 2+2 is starting to look more like you.
Haven't written anything new in a hot minute. Been focusing on her.
Willow Dec 2024
The moon, joined first,
With her long flowing hair,
Looks fondly upon her friend.
She strokes her hand, once, with care,
Reassures her with gentle words;
"To defy you? No one would dare."

The girl whom she comforts,
The heart which she tends,
Soul strengthened with courage and fight.
Across stars, universes, reaches to all ends,
Calls on her family, her comrades,
Her allies and friends.

They answer at once,
Some come quick, some come not,
But the she can gather enough.
Some tensions runs high, relationships taught,
Heartbreak, betrayal, loving and trust,
Scars won from the battles they've fought.

An army of stars, led in by their mother,
A figure so gentle but chiding.
She's clumsy, she stumbles,
But steps up and brings good tidings.
Smile shines, so bright,
That it's blinding.
The rhyming scheme is very off but I'm having fun
Flea Dec 2024
As I was walking out if my place if employment
I saw what looked
Like a coyote
Shape shift
To a wolf
and then from wolf to
Human to crow
In the dead of night
As I see this
My breathe is taken away
As if the wind was knocked out if
Me
Àŧùl Oct 2024
It's not necessary for God to be like they say,
And if God is indeed so limited, then it's not God.

Just think of it, come on now, just think of it,
If God is omnipotent, omnipresent & omniscient,
Then why so limited?

Why assign a gender,
Why call, 'formless,'
Why say, 'sinless?'

If God has a gender,
Why not a female?
If God is formless,
How can It judge?

You believe in men born in the desert,
Dehydrated and hallucinating men.
All your À-Bràhmìk reLIEgions,
They are follower-hungry,
Strains of narcissism.

Accept that your God is weak,
So weak that it can't even take a form,
Or even endure criticism.
My HP Poem #2018
©Atul Kaushal
Garbage Mammal Oct 2024
There’s an ancient myth of immortality that inhabits the minds of tyrants and farmers alike. For the ultimate power – for the ability to avoid their ending. A river that never erodes its bank; a flame that never burns away its wick.
For the twisted, the demented, there’s something more. Mere elevation of life holds no appeal, but the fictional, the bread and circuses of the modern world – that, is something worthy of eternal continuation. The last word should never come, there must always be a new chapter, another episode, one more level.
Because there’s something primal in these fictions, these stories. From the first flames of bonfires, humanity has shared tales, the characters becoming legendary, and the audience holds them in their hearts for the rest of their lives.
We learn to love these fakes, in our own sick way. We learn what they desire, what they fear, what they love and what they hate. We learn about their background, their hopes, their struggles. And through it all, we empathize with them. We cheer for their success and feel remorse at their failure. They’re a one-way friend, one that speaks to you, but that you can never speak back to – but there’s no need to talk back. You just need to be with them, even from a distance. That’s enough.
And then, when the story ends? It elicits a pang in our hearts. It’s as if the characters we’ve loved have died, buried in their Happily Ever After. Our distorted minds, so illogical, take this metaphorical death with a weight. We grieve, perhaps not with the fervor of one who has truly lost a loved one, but we grieve, nonetheless. We are left then with an emptiness, a chasm that can never be filled in exactly the same way; a hole that gnaws at our very core for days, weeks, months – even years.
But why? These people are fake, they were contrived. These worlds are mere imagination, none of it is real. Why can we not, us ****** few, simply throw it away like a used consumable? Why the grief? This lingering pit in our stomachs, this hole in our hearts?
Why?
Why?
Why must it end at all? Why can’t we, hand on book and eyes on screen, make happy evermore? Why can’t we stay wrapped up in our little fantasies, surrounded by our paper friends, swept up in the dream? Why can’t blinking pixels become the north star to our joy; why can’t the credits, our lullaby? Does it really have to end?

Of course, it does. It always does. The book will have its final chapter; a movie, its final scene; a game, its final interaction. And left in its place will be the ending. The ending that it was all leading up to. The entire point of the story in the first place.
And us twisted, demented, distorted, sick, ****** few, will hate it. We’ll cover our eyes and ears like a petulant child. We’ll reject the ending, taking up pen and keyboard to make our own path, to extend the escape. Forsaking the creator, we know we can do better. We can, somehow, keep the flame lit, keep the wicker solid, keep the wax formed.
And in doing so, we can live forever, in a dream of our own design. We know it’s illogical: we’ll be stuck in the past, and everyone else will be marching towards the future. But the pain of this loss, however illogical, denies us any other recourse. All we want, all we need, is to float in an endless narrative, accompanied by the ones who were never real to begin with. To bask in their wonderful perfection, to find the comfort and companionship we know they can provide. We’ll never have to be alone again; nobody will have to die.
We’ll be deluded,

but we’ll be happy.
And for us, maybe that isn’t so bad.
This is a pretty long poem, but I like the way it turned out, so I'm not going to remove lines or anything.
Sofia Sep 2024
I love the deep hatred of a character,
The want to ****,
But the seeking of restraint,
I love their murderous gaze,
Their intent full of disgrace.
I hate the knowledge that it will most likely change,
That they will grow,
Learn to love,
To reciprocate,
And not to throttle their wrong doer by their necklace.
Their hate is perfect,
Like an art of perception,
Because only true love comes from the hate of deception.
Emery Feine Sep 2024
A cemetery filled with tombstones everywhere
Even though their lives never existed
And she wrote their lives to be a never-ending tragedy
And maybe it would've changed if they coexisted

They went on so many adventures in her mind
Even if it was just to escape reality
And she then began to lose track of time
Lost in her own mentality

She erased their stories as she got older
But never against her they rioted
And no one could ever scold her
Because they had been quieted

But she still grieved when she thought about them
And she cried over their non-existent tombs
And she wondered what they could have become
If she let them live for infinite moons

If you look closely into the late night
You can see a girl holding a rose of fiction
And if you look deeper, you can see she might
Put it on a grave with no inscription
this was my 35th poem, written on 10/26/23. I don't like how this one turned out; it was supposed to be abt daydreams being lost, but the girl just seems like a manipulator idk
Gaurav Gurung Aug 2024
There erupts a quarrel between the five senses,

Who among them has the most significance,

Is it the eye who is the perceiver?

Is it the ear who is the observer?

Is it the nose who is the moisturizer?

Is it the skin who is the sensor?

Or is it the tongue who is the taster?



The Eyes says it's him who is the mightiest!

He sees the beauty, perceives the stars; the shiniest!

Sees the flowers, trees, bugs; even the tiniest,

However, he lies, he says he sees the inner beauty,

But we know, he's after the external; he's guilty!

He can't see purity- limited is his duty.



The ear goes next, she is the master of interpretation,

She gives us pleasure, the sound of nature and it's creation,

The calm sound of streams and birds without filtration,

However, she is not perfect, she prefers to hear gossips,

She is the reasons for dispute and strains in friendships,

She is evil and intrigued to break relationships.



It is the nose's turn, he gives us sensory pleasure,

He identifies odor- sweet, bitter, lovely-All flavors,

From flowers to soaps, ranging to natural odor,

However, he fails to smell the foul in the air,

Gives us dissatisfaction, sensetive to anything near,

It gives up instantly, as soon there is something it can't bare.



Skin's turn is up next, she comes in all colors,

Unique and special in it's own tone, like flowers,

She senses all natural gifts, she senses nature's showers,

However, she is unruly, she is a distinctive status,

Only favoring some, it becomes an inferiority apparatus,

Between sensory love and physical lust, towards the latter it is gratus.



Finally, it's the tongue's turn, he presides over taste,

Gifts of God- fruits, edibles, he engulfs without haste,

Anything that gives him joy, he never throws it to waste,

However, he is highly defective, he likes drugs,

The taste of it, puts his adrenaline high- sugar rush!

Verbal abuse is his thing, after this don't expect for hugs.



Hence, we conclude.... All the senses have their pros and cons,

The eye with blindness for internal beauty,

The ear with deafness to morals,

The nose with blockage to nature,

The skin with insensibility to hugs and love,

The tongue with nullness to moral taste....
A fictional debate among the five senses that constitute us
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