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 Dec 2024 st64
Gerry Sykes
The Jewel
 Dec 2024 st64
Gerry Sykes
An oyster’s grit accumulating
new layers of aragonite
and calcite, contributing, plating
the growing bright translucent white
and crystalizing hard, pellucid
wan pearl – that forms within the mucid
molluscan slimy dank inside –
a creamy gem is calcified.

Diaphanous and lustrous jewel
or septic and necrotic stone
that’s like a canker which has grown
into an opulent fat spherule?
A pearl forms round a piece of grit,
my childhood at the heart of it.
An attempt at a Pushkin's Stanza. I think this is the hardest form I've tried so far: it was quite a challenge to get the female/male rhymes in (more or less) iambic tetrameter (obviously an extra syllable  for female rhymes). Never thought I would use "aragonite" in a poem.
 Dec 2024 st64
Gerry Sykes
Miley and I walk down the street
      ignoring the cannabis scented clouds:
      she stops – sniffing every urinated message,
      occasionally leaving a reply.

My dog passes the laughing gas canisters,
    polystyrene boxes and broken glass
    searching for discarded bones, bread and tissue paper
      to eat, rip or claw.

We stroll through the park
      once yellow smiling daffodils grin brown and withered.
Squirrels multiply – fecund rats in the trees,
      Miley too slow to control the rodent population.

Despite urban desolation
      look harder:
        see the green canopy
            grass, birds,
              sometimes even a butterfly.

The world isn’t dead –
      we still have time.
Just a few thoughts about the planet as I walk my dog. We walk through littered streets and a run down park but there are also signs of hope if humanity gets its act together.
Gaia is totally ******* -
Her world mistreated for so long,
She has finally had about enough -
Vowing revenge for her mistreatment.
She has gathered every weapon
At her command and flung them at us
One by one:
Fire and Flood and moving mud;
Snow with icy coverings;
Wind that trashes homes and lives;
Ground that moves and breaks apart;
Rain that drowns the roadways;
The changing faces of disease
That replicates among us.
But we refuse to hear her cry
The bombs and bullets ever fly
And the clock is striking midnight.
ljm
What else is there to say.
 Dec 2024 st64
Orion Schwalm
Fish
in a pond

in a room in the sky

pond is beginning to dry.


Squirrel in a
Tree
in a park

in a town that is old

after dark
the city is cold.


pond .
**** .
little
lights
in
her eyes
teach me to hum

darkest nights
coldest lungs
barely hearing
what is sung

i have become
wretched and numb

abhorrent to face
incredibly small, insignificant
unremembered
a discarded cassette

sometimes, i can laugh at it
how silly to be
powerless
and wrong
worse than *** sandwich, **** flan switch

"giggle"
<spoken in an empty room repeatedly
   <for forty two days
     <with no bathroom breaks and
       <no bathroom humor

words may pass so fast they become
bee *** and glass
                       breaks
a loving body falls fifty six stories to the ground
                              telling sixty two stories of how i met you
                              to seven closest companions
                                                          concretizing
every
little
metafloor

koi meets squirrel
head over hurl
floored.

floor 56 look out at the skyline isn't it beautiful? look at the lights!
not as beautiful as you dear.
oh stop.
no really, they make your eyes look all shiny. it's amazing.
well we're in the Center of the city after all.

I wouldn't Trade this for the World.


in the sea
there are
plenty
of fishes
and one
gasping
gilled
breath
not of the earth
but someday

to feel the hard ground underneath,
walk among
                     the bright lights                 and
                            cold stares                    of
                            calloused lovers
steps upon cold concrete
in tempo allegro
holding on
to a hum
from very good
one

the song about            
when you remembered
to come back for me
and i remembered
          how to breathe...
 Dec 2024 st64
Orion Schwalm
I felt trapped in an endless single moment of time.
Nothing was real except the deafening silence of the dynamic between my mother and father and the lie of a white picket fence we had been gritting and grinning our teeth to trick the world into building for us.
Every thing slipped slowly backward, as in a dream of falling down hill, not quite real enough to feel the fall, but not grounded enough to move away.
If it were not for daily walks in the nearby almond orchard, I would Not have known that the grass still grew in the spring. I forgot that the spiders still built webs that were taken down each new rain. I forgot that the bees were kept, and that people were fighting addiction in order to make it home to see their nephews.
I found freedom in the silence at some point. A sandbox world for me to wander in, no real consequences to my actions. It was a loneliness like the womb. Eventually I tried to escape. Many escape attempts. How many miles put between me and that room? How many cars busted down on the side of the road, running away from home. I discovered new worlds I never knew could exist. I watched the leaves turn in different biomes. I made love to other lonely people, unhappy and afraid of the world and their place in it,
not when we were together though.
together we were infinite, real, in awe of the fact that we could be so
unmasked.
naked and unafraid.

I watched the masks of my parents relationship deteriorate with
the advent of disease and age.
I watched the pain and patterns of abandoning I had felt my whole life play out in their pantomime before me, day after wretched day.

I stared at a wall.
I slept with my guitar.
I slept with more lonely people with perfect hearts.
I invested in the means to transmute all these...feelings...into art, audiovisual storytelling, and physical creativity.
And once I had built a temple to my pain,
I boarded the doors and windows. I never went inside.
I just sat on the stoop, obsessively trying to work out all of the world's problems- my problems as an inextricable part of the world- by thinking.
If I could just strategize a way to never get hurt,
Then I wouldn't need to deal with the inconvenience of pain.
If I could concoct a cocktail of constant cope,
I could cruise forever without feeling the ocean
of space
between us
all.

If it were not for the orchard, I would have forgotten that frost formed on the ground. Even with the endlessly straight rows of trees, the square grid of houses, and the box-like hospital next door...a tiny twig out of place or a clover, remembered me that there is wild growth, that I am wild growth, unfettered and untethered by the paltry attempts at geoscaping.

Inland, I remember how vast the ocean is.



how vast




the space







between






us











all









and







­
still









still













still











Inland, I yearn for the ocean.
Remembering that I have always felt most free in the water.
a healing reflection on four years of suffering and that started with a heart failure, a heart break, and a pandemic.
 Dec 2024 st64
diamond star
Her eyes, like pools of jade so deep,  
A sirens call, both soft and deep.
They pierce the soul with gentle flame,
And stir the heart to wild acclaim.

A murmur floats upon the breeze,
The rustling hymn of shadowed trees.
Yet in her gaze, the tides arise,
Of love, of loss, of fleeting skies.

A sign within the hearts of all,
Her gaze, a promise sure to fall.
Luring them into an abyss of hope,
Where yearning blooms, yet none may cope.

Her eyes- a beacon, pale and bright,
That guides them deeper into night.
A love they chase, yet cannot claim.
A dream that flickers, still the same.
First poem let me know what you think
 Dec 2024 st64
Bonnabelle Reed
3 dollar kalimba
from the thrift store
only eight notes
never any more
3 dollar kalimba
plays a little tune
got it as a gift
of plastic hewn
3 dollar kalimba
heart shaped acrylic
lets the light through
of nothing in specific
3 dollar kalimba
that doesn't reverberate
too small a structure
to support sound ornate
3 dollar kalimba
with some added stickers
one of a rainbow
the other a faded picture
3 dollar kalimba
the eighth note is flat
but its melodies continue
in despite of that fact
3 dollar kalimba
how i love you so
your metal teeth ring
from high to low
3 dollar kalimba
forget what time it is
when i hear your sound
don't care what your price is
an appreciation of the smaller, imperfect things in life.
 Dec 2024 st64
Vince
Escape
 Dec 2024 st64
Vince
Humanity is blessed by the arts.
Drama, painting, drawing, music, writing—
all at our disposal to escape life,
to force
everything to the
back
of our minds
and only focus on what our
eyes
and
ears
receive, even if only for a few
minutes.
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