some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
there won't be any more, abstract or otherwise;
there'll always be mony and ****** and drunkards
down to the last bomb,
but as God said,
crossing his legs,
I see where I have made plenty of poets
but not so very much
poetry.

If hell is engulfed in fire
as bright as the sun,
And heaven is lit
by a divine light,
Then I shall die with sunglasses.

how strange; you leave me
hanging on to your words
like parachutes, a smile
dancing across my gratuitous
face; appalachian eyes
the color of melancholy
and mouth of a sailor.

you said, I never thought
that I would miss you
quite this much.
...and my very heart
swooned at the idea of
you, so very far away,
so close to me.

come home to me,
darling, I want to tell you
how much I've missed you.

Opia. Noun. The ambiguous intensity of looking into someone's eyes, which can fell simultaneously invasive and vulnerable.

As you lie in my arms, watching the television, you don't notice that my undivided attention is focused on you. Something I've been dreaming of for weeks, and it's finally come true. Even better, from your angle, you can't see me staring into your eyes, so I don't feel the nervous compulsion to turn away. Whether directly or not, I could drink in your eyes with mine, for hours, and they would be among the best hours of my life.
Then there's the other hand, held tightly by trepidation. I love the prospect of your eyes staring into mine, but it's not without its fears. I'm afraid you'll see all the pain and fears that I've spent the past seven years working to overcome. I'm afraid you'll see all the insecurity and doubts I have about myself. I'm afraid you'll see all the words that I long to whisper in your ear, but can't, because I'm terrified of scaring you away. I'm afraid you won't like the fact that, behind these eyes lies only pictures and thoughts of you. But most of all, I'm afraid that, unlike me, who loves every detail, and lives for moments like these, you won't love the things you see. I long for the day when you stare happily into my eyes, but I'm frightened that you won't enjoy the secrets they reveal.

I do not like this phase of a heart break.

When you purposely avoid love songs,
Or sometimes you play them just to make yourself feel like your hearts still pounding.

When the person you loved and hid from every waking soul is brought into a conversation.
Or when he isn't.

When you see other lovers who have made it years without the cruel hand of fate ripping their love from them.
Or when you see they haven't.

When you notice him writing you smaller, casual messages when they use to be breathtaking and beautiful.
Or when he doesn't write at all.

When I ask you if I am pushing you away and you say no.

"Alright, happy birthday! Text me later tonight?"

"Will do"

When every hidden goodbye ends with those two words. And my broken, belittled heart.

(i. r.)