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 Mar 2014 Sharon Carpenter
Ady
They tell me I am a passing fancy,
that kissing the vapor of my skin is
like the ***** of sacred chambers.
They tell me I am cancer of the skin,
that my cells divide, unstoppable,
ignite the flesh at a lethal price of taste.
They whisper in my ear, sorrowful
pleas and sinful lullabies of promise;
and when tears slither acidic and sear
rosy imprints of a trail in the apples of
their cheeks,
they'll snivel and sniffle:
“But by God, I loved you.”
Despite the surly mood they often displayed,
like the tongue of silver from a metallic
taste of venom on the planes of my skin.
So, I told them I tire of synonyms of a same
word;
that loving a different person of different flesh
remains the same as long as character does not
fluctuate.
 Mar 2014 Sharon Carpenter
Ady
It is a priviledge to be loved by a poet,
to be embraced by the meter and the rhyme
and caressed by soft metaphors and sharp alliterations.
To be painted a universe with words and run-on sentences
that converge in a single thought expressed with
similes and repetitions of a single symbol.
It is an honor to be loved by a poet,
to be celebrated with odes, mourned with elegys
and elevated to a pedestal by a canticle.
It is a marvel to be loved by a poet,
to be the muse of long, weary nights of concentration
and be part of passionate lines in dramatic monologues
as each is recited with the intonation of rising ardour.
To be submerged in sizzling appreciation of one's quirks
and virtue.
To be loved and to love.
To provoke an inspiration and a sigh of ephemeral longing
and bring about a remedy to the mourning.
It is a misery and joy to be loved and be of unrequited
provocative inspiration to the riveting mind of a lone
and solitary poet.
So, who or what is your inspiration?
 Mar 2014 Sharon Carpenter
kgl
She
 Mar 2014 Sharon Carpenter
kgl
She
there's a girl whom we both know
a demon in disguise
and though she sweetly smiles at me
it never meets her eyes

she looks at you with longing
on her face, as clear as day
pretends to like the things you like
repeats the things you say

she likes to give me daggers
when she thinks you cannot see
but though she thinks she's got it all
she simply isn't me.
 Mar 2014 Sharon Carpenter
kgl
Something I never understand,
(but ponder quite a lot)
is how boys get away with things
that girls simply cannot.
A man can boast about his feats,
and all pronounce him clever,
but a woman is conceited
if she speaks of her endeavor.
And tell me, why is 'bachelor'
a more attractive word
than the female term of 'spinster'
and the concept that's inferred?

It's this gender inequality
that renders women shamed
by the ****** exploitation
for which they're always blamed.
Whilst men are given status for
the women they've undressed,
so after this, please tell me now;
which gender has it best?
her hands are cold,
her cheeks are sunken,
her bones are brittle,
she is beautiful, pale, icy, and wrong.
her dark glimmering eyes hold secrets everyone glimpses,
but no one has the courage to ask.
her arms are sticks,
her wrists are twigs,
and her fingers are needles.
shes so thin, your afraid she will brake, at the slightest touch.
her parents don't notice, that nothings consumed,
until its to late.
today, this is the goal.
don't eat, don't speak, don't stop.
she's smart.
you cant see the scars,
and anything visible,
is from the cat.
her ankles are shredded,
her shoulders are scratched,
her hips are black and blue.
shes a vision,
a haunting ghost,
a apparition.
her hope is to escape,
escape this dreadful skin,
a prison to her perfection that she knows is hiding just under the surface, so close,
yet so far away.
she wants to be, needs to be perfect,
it feels like she is always so close,
but its never enough.

she can see it, she is not perfect,
and you know she feels it,
deep in her bones,
at the edge of her mind, the tip of her tongue,
the plume of her lips.
and it drives her crazy,
she knows, deep down, that this is not right.
but she cant help it.
it is not a choice,
this is a need, an addiction,
and she cant stop alone.

whats truly sad,
is that we all see it,
we all know, that when she cry's for help,
when she  screams the warning,"i'm fine."
that she is lying.

yet we choose,
we choose,
to believe it.
There was never before heard
Such a cacophony
As the day I witnessed
The vegetable medley

'Since you've bean gone'
They blasted out
The runners and broads joined in song
They could have rocked it all night long

But it was Taters turn
They  rocked  the stage
The veggies went wild
The 'monster mash' was all the rage

Then was petit pois chance to shine
He wowed them with a dance
Then made the broccoli sway and weep
With 'Give peas a chance'
Perhaps when she looks at you
and she smiles
and says "I'm okay"
she is saying
the most
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*lie
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