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For James Weldon Johnson**


the clock fast approaching
an appointed midnight click
it was time to punch in
for my avocational shift

we sauntered up creaky steps
of the old weathered rectory
its planks loose, its bricks chipped,
the gabled roof still leaking

a CDC on the outer verge
leaning over a bankrupt precipice
catastrophic failure predicted
from chronic cash flow distresses

we’ve  been on the ropes
since doors swung open
to fulfill a sacred mission,
25 years in the hood
keepin the devil in remission

a young ED with firebrand cred
emerged from a cubicle partition
his erudition and abundant zeal
would save many from perdition

he commenced his brief
in the entrance hall
laid out maps of the Silk City
articulating a canvasse plan
bereft of fear and blithe pity

he stood ***** announcing
the surety of his calling
handsome face and balding spire
lent a stern presence of authority

The PIT a Point In Time
Homeless Census annual review,
to root out and count the heads
of the lost and out of view

from Bed Stuy to Boston
Baltimore and DC
San Antone, Windy City Frisco
vols be countin to see

what happening with
America’s homeless folks
who, what, how they got there;
what can we do to help them
besides a hot, a cot and a prayer

last week in January  
in cities all over the nation
missioners fan out  to uncover
the most lowly of station

we’ll discover and recover
lost lambs and prodigal sons
we’ll find street walk daughters
falling through cracks
and criminals on the run

some junkies and crack pied pipers
be yodelling sickness, death and fear
mental illness, castaway children
may licit sorrowful tears

like gnats strained
through the gaping
holes in failing
social safety nets
this night is about
good shepherds
gone forth with no regrets

this mission
is most important
to our agency as well

each head you count
every calf you cull
the coffers of the
agency will grow

program grants are tied
to an index of misery
our streets give ample evidence
of an abundant presence in this city

no poverty pimps
work harder to improve
the blighted human condition
the quality of our work
speaks for itself
its no liberal sedition

we got a dog in the fight
that's undoubtedly true
tending to add an urgency
to the critical work we do

our shelter, food pantry
and job training programs
keep jumpers off the ledge
we attempt to arrest fallers
its the agency’s solemn pledge

for what profit a man
if he inherits the earth
and finds only strife
and devastation?;
community development
our diligent charge
workin hard to build
a better nation

so as your
caravansaries
cross the city’s
food deserts

to search the oases
of supermercados
surreal revelations
may manifest a few
midnight bizarros

E 18th St bonito bodegas
where long shot scratch offs
and stale coconut macaroons
staples of community sustainability
the hoped for lift from poverty soon

busy parsing the three squares
bagged in paper thin brown balsa
cool ranch dorito, a teriyaki slim jim
frothy Colt quart to chase
the winkin sip of dog hair gin

that's where this
story begins...

yes beloved
the road is wide
the gate is narrow
for the many prodigals
off the path living
a life of shadows

they're out there
trudging
making a way
through the  gloom
hoping to be given
one more day

sojourning on
trying to get back
to the ***** of love
searching for the room
lit with light from above

take courage beloved
know that Jesus walks
the streets with you tonight

he’ll be your
present helper
as you mine
the dank waste
of the desolate
factory shells
the post industrial
monuments to the
expended labor of
six dead generations
now squatter
encampments
for urban nomads
moving through
the sarcophagi of
a nations
wasted labor

remember
afterall, we are
all fallen people
hurtling downward
into torn safety nets
slipping into the
tattered threads of
a handy hangman's
noose

who among us
has not fallen
through yesterdays
best expired dream?
waking to find yourself
in a midnight
nightmare scream

we'll catch them
round em up
as their falling
to build em up
lost sheep knows the
voice of the masters calling

Jesus will
walk before you
as you enter the
closed parks
were swings
of life fly
high and low
merry go rounds
zip by like a terrible
carousel that won't stop
to let you go

and may the
Good Deliverer
guard you as
you descend
into the screaming
rooms of
condemned
crack dens

here the fallen
angel finds comfort
in the resounding
chorus of misery
woefully regretted

Lucifer eloquently
hums beguiling
holy smoke tunes
to his doleful
acolytes sadly
lamenting
bluesy
blue
blues

you are the
Good Shepherds
leading the lost
back through
the gate

tell the beloved prodigal
children that the good
news of salvation
patiently awaits

we lucked out
its warm tonight
for the past few years
its snowed

heres a clipboard
filled with questions to ask
a box of supplies for lost sheep
and a yellow plastic poncho
so the cops know
you're one of God's own


Mary Lou Williams
Black Christ of the Andes
Praise the Lord

Paterson
1/30/13
jbm
Part 2 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  The Silk City is a nickname for Paterson NJ.  An ED is an acronym for Executive Director.  A CDC is an acronym for Community Development Corporation, a non-profit agency that provides development services to urban communities.  James Weldon Johnson is an African American poet.  This piece is written in a style and manner of God's Trombones.
Raymond Walker Apr 2012
From the alleys and streets, from the door steps and heaths, from the meadows and farmlands,
A mist rises, and forms, from the rivers and rills, valleys and hills, from the fields and fissures
It swirls and turns in the night air, forming and fragmenting, failing and fermenting, till it yields.
A figure, blessed and bare, in the late night air, steps into the moonlight, baleful and brazen in its
Nakedness and knowledge, the pall of the shining moon, drips, Grey and silver from his eyes
Youth drips from his thighs, vigour from his lips and fingertips, crimson is his mouth  and *****.
Lions race across his skin as clouds scud across the moon, feral and wild this child of the moon.
Wild and *****, his face shadowed with growth, excited with his youth and desire. On fire.
Panicked by distaste, his own waste and needs, brewed in a mighty beer of disgust, a sire
Of demons, with packaged might, swooping and rearing, devilish and dervish, spiralled, a pyre.
For the noonday sun, wishing hope on everyone yet giving them night and darkness and doom.
Holds my hand and holds it tightly, grapples with me daily and nightly, even in my own room
Where hope takes hold as quick as fear or death or charity, spilling, humors, ethers, exhume
Nothing but a buried evil that has come to see the light. A paltry being, exhumed, of the night











Whilst over all the night comes creeping
Then I go out a’ stealing,
O’er tombstones and moss, where the dead lie sleeping,
Passing the fungi , sarcophagi, and the smell of weeping
Be it from crypt or hall or farmhouse steading.
collecting the shades of the bodies they’re shedding

Through sunlight’s bright blast
Or twilight’s last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.

Whilst the morn sunlight, over hills comes creeping,
There in the shadows, I’ll be steeling,
Darkening daffodils, turning bluebells black and foxglove steeping
Poison filled and passing the narcissi, and the tears of the leaving.
It may be birth or anniversary or wedding.
I’ll be collecting the souls they are shedding.

Through all the breaths that you will still be breathing
And all those breaths that have passed
And all those breaths still to come you are dreaming
One day you shall take your last.
And that’s where I’ll be stealing








Through sunlight’s bright blast
Or twilight’s last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.













A ****** of crows blackens the noonday sky,
Called from their nests and eyries
And so many ships have gone by, black masted and steering
Into the wind, Sails tattered and the keel close to shearing
I stand on the nest and watch you weeping
Till the bodies fall into the deepening sea and there lie sleeping
And that’s where I’ll be stealing.

I smiled and laughed
Till the black mast
Fell below the sea
I whimpered and moaned
With those overthrown
Till they lay with me

And I took my place once more at the forefront of man’s destiny.








I crept and waddled and watched and bustled my way to the front of the crew.
I stood behind some and fell behind few; I had come here to see.
I pushed and shoved and elbowed my way to the front, shuffled over and tried to find my pew
I sat with my heart in my mouth, beating doubly in my chest and wondered were the culprit I?

It seemed I had sat in the stalls or in the balcony, way out in front
But it seems I had not sat at all just fell into the orchestras’ well.
But I remembered that I had sat, adjusted my clothes, my underwear, my hat.
As a man should do, are we not gentlemen and so I took tea and sat.








Paying court; To the girl with the blue eyes and the thin lipped smile, the girl that knew.
As most girls do, the thoughts of men, or think that they do. And I so I tried to find her,  
But it seems I had known a Girl with no thought of love, no turtle dove, cuddled
Close, no heavenly host, called to her, but she loved as love must befuddled
Drew her breath deeply but not freely, Took air, perspiring, muddled
Thoughts spinning in her head, amazed, this pale eyed temptress, The girl that knew.
As most girls do, emotions that drift, or think they do. And so found herself alone,
And weeping, a girl that did not know that they could love found that they could.
She murmured words of love and shook sand from her pelt, howled to the moon.
She stood tall on her haunches, praying , baying, to the moon goddess, one of hers.
Baleful eyes pale and moonstruck, seemed star struck with love  a mother with her curs.






Not the focus of her attention, her pale imitation, a pale shape creeps from the crepuscular woods
He slinks into the shadows of the night paying court to this matron, with his smell warmth and lust
She stalls and smells the night air
Little of care, for all stalks the night air
She sidles and smells the night air
Nothing there, In the dark and silent dream that is the night air.
She bridles and hush’s as the night drips onto her
She has cares; for children that whisper in their sleep on the night air.
Bovine, equine, feline and canine and warm fur
A sleep comes upon them all, a pale imitation of life, and a pale shadow creeps into the light.
And smothers the light of day languishing in his power and majesty sending chills unto the living
He waits in the darkness and shadows.














A child mutters unknown words and the time has come to die
Utters words of fortune and Questions your reasons why.

My dear, my love, child, why do you cry?

I shook myself awake
From my bed of dreams
And warmth
I pulled the duvet over
Took to my feet and felt
The chill

And so I stood, took my bow,  and then knew everything, everything about what I was witnessing,
She looked at him and he looked at she, both knew nothing of how its going to be.
I walked downwards, right down the stairs And I saw everything even the killing thing
He slapped her face and she bloodied drew the knife for all of us to see.
A joyous muse, my heart sang,  witnessing the killing, witnessing the killing and I knew everything.
He looked up at her, she down at him, she was so lucky that she had set him free.
I watched with glee for all I could see, to jail the police said as I sat, as I sat listening.

I heard your excuse I hear your plea, please madam judge don’t let that happen to me
She stood in the dock and sat on the chair,  and told everything, the things I’d been witnessing,
Told how she had murdered he, in a fit of rage it was not her fault she should be set free.
Not the judge, not the jury, but I knew everything and shed knowledge of my fury.

I remember the blade, I remember the fury. I now have to thank the jury.
A just verdict, a wrong righted,  a sacred trust bighted.  And just penury.


















These children are mine sayeth the lady
Though the money I earn is a little shady
I look after them through the day
And at night none can say.
Little darlings,
Wont come to no harm, I keep them apart,
Little darlings, are always in my heart.
Sleeping and dreaming and held apart,
They’re just kids and held in my heart.  

Through sunlight’s bright blast
Or twilights last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.



I have heard your thoughts ideas and whims
I have heard your excuses , you hacked off a limb,
Because he was bad, she was a devil, and I have never heard so much drivel.
She was a monster, he was a slave, you never thought of the love that they gave.
I saw you had it hard and it must have been so bad
It was trouble, never ever had you been so sad
She was a *****, with an eternal itch, a witch that was not worth forgiving.
She was a dragon, he was a monster,  it was no longer a life worth living
She pulled me down, he dragged me down into a cesspit of hope.
And off they loped into the night.















'
Publicly he seemed alright, not the ***** that he really was. She was so cool en vogue, en vie,
She pulled the love from this heart like a harvester, reaping all that he could sow, all that she was due.
She meditates on her  betrayal and justifies it to herself and thinks so few, so very soulless few
Would not, and she is more, so very much more and then lifts the knife and delivers his due.
In the early hue of evenings last breath, he drew his and she smiled, just his due.






Sorry tales; I know
Tales no one should know
Tales that diffidently show
The differences, the shocks
All the stops and blocks
That love mocks
In its immortal way
Tarnished and bloodied
It soldiers on, unhurried.









I looked for the heartbroken, the tarnished, the burned; and found them all
For there were so many. Loves that went good and bad; those that hurt  and those that fall
I looked for the unforgiving and hopeless and found them all, some happy in their own way,
The traitors of love I looked also for and found hopeless and alone, shriven but hearty in their own way.
I looked to the martyrs of love, those that have loved deeply and have lost,  for many do







And I was one that did. I knew love as pure as a mountain stream,
Unsullied, clean and precious, but no love is as true as the perfect love
No thing is just as wondrous and perfect as it may  perfectly seem,
Chaste, virginal, and all just yours, lest it be a gift from angels above.

And I loped off into the night
Full of sweat and blood,
Flushed with heaven above
And hell below
Both knew my hollow soul











And through sunlight’s bright blast trampling daemons I came, shamed and hollow
Risen from this earth, cursed to death, in twilights last gleaming, brazen but sullied
The seeds of doom are sown  by such as I  and they were sown deep and fertilised with blood
And reaped by those that know,  reaped by hands that touch, lips that kiss and know,
hunger and want, lust and lie, eyes that darken and hooded, draw lust from liars,
Build from truth funeral pyres,  and fires for the ****** and yet I remain and sullied
Smirk with each passing glance or circumstance at the great and good, the unwashed
The hooded and deep, the shallow and callow, the wanton and unwanted, the sane
And simple, the masterful and master less, musical and malleable, the strange and straight.

These I trampled under heel with little feeling or thought
The form I took was human, the place I came from; dread
I looked and watched and took note, I spoke and listened
Pay’ed heed,  Culpable and crazed, yet my form remained,
this spectre.
Dying now.
Paid heed.
A rather long poem and the first I have added being a new member. I hope you like it.
we wuz celebratin
40 years of Hip Hop
at 5 Pointz

dashing tags
reclaiming the
lost land

speaking for a
community of peeps
routed from their
last stand

making statements
about remembering

tellin stories
about ourselves

giving the drab
dead industrial
sarcophagi a
a face lift

freeing the
entombed
mummies
to let em
walk with
the living
again

seein things
in a new light

reciting our
biographies

writing an epic
autobiography

splashed across
3D murals

spoken in the
lexicon of
gobsmack
multicolored
neon graffiti

testifying to
the ages with
our urban
hieroglyphs

the symbols of
life in the hood
may history be our
witness to aromas
rising from cracked
pavements teaming
with bodegas,
public projects and
store front fantasies
played out in all its
grueling detail
on the corner of
walk don’t walk

them snaps
real down home
expressions
of real people

until some
capitalist
*******

his pockets filled
with low interest
money

whitewashed
it away

he thinks he
owns the
5 Pointz

he thinks
he can
erase our
memories
with a gallon of
Sherwin Williams

he thinks
he owns our
perdido
graffito

and is well
in his rights
to launder our  
epiphanies over
with the bland
tag of privilege
he thinks his
dollar bills
can buy

we raised this
place from
the dead

that old warehouse
where men and women
once earned a paycheck
was murdered by
Michael Milken
and his posse of well
heeled predators
busy leveraging
livelihoods by
offshoring them
to Third World
plantations
transforming
the natives into
wage slaves
tagging this
strange alchemy
progress

now this
latest incarnation of
Morley’s Ghost stalking
Bloomberg’s Metropolis
haunts the neighborhoods
with a wrecking ball
of entitlement

razing our hood
to build soulless
high rises where
they'll warehouse
dead people
ginned up
on pilates,
chai tea and
elevating
themselves
through life
scoring the
latest fab
yoga gear
on the
urban outfitters
website

the frackers
are gobbling
the land

strip miners are
gnashing away
at the mountains

now the predators
are eating our art

always famished
never satiated
the beast gnaws
away at its
**** scattering
the bones of
of the living

but this
half assed
midnight
whitewash
will never stand

already images
of the holy ghosts
scrawled onto
the Wailing Walls
of 5 Pointz are
bleeding through
the veneer of a
landlords greed

and as the
future tenants
of the proposed
highrise columbarium
snooze away the night
dreaming of leading roles
in star studded schemes

we’ll be taggin
the streets
reciting our
righteous presence
until our last dying
aerosol breath
escapes our
paint stained
hands

Public Enemy:
Fight the Power

Oakland
11/20/13
jbm
http://nypost.com/2013/11/20/5-pointz-fans-try-to-retag-legendary-graffiti-building/
Vernarth says: "Give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!"

Wonthelimar from the Boedromion brought the arrows that Zefian brought, they brought the sleeping bodies of winter to the lap of the spring Boedromion, crossing the lines from spring to winter in the cycle that went directly to the Mercurial Ambrosia of the Cinnabar. Were they discreet detached arrows that he had thrown into the sky and did not return? but if in the rooms, and in the animalism stages that made the duty of rejoicing at the ****** of the Telesterion.  Wonthelimar being once more re-looted, before starting the works of the temple of the Megaron Áullos Kósmos, he returns to the cavern of Chauvet Wonthelimar. It distanced itself from the contravention of Apollo and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points of the zenith, starting with the first two arrows that are placed in the bowstring, each one belonging to trajectories from north to south and the other two that were again violated with the arc of the stormy East, to launch the arrows from east-west with limits of southern magnetism. He carried in his belongings "The Iberian Rings", which would be the migration to the cardinals and points where the Megaron of Vernarth would be exactly, arguing that the phalanges of Zefian would be ordered in Syntropia and organic chaos in Patmos, Pythagorean proportions would be made, in essences of numbers that idly advanced in the temporal steps of Wonthelimar that mobile became of religious arrows and of the Mercurial Ambrosia of the Cinnabar, to help him with the most insightful points of the Constellation of Capricornus.  Zefian's tendency was one of evident delight after the bowstring being pulled, for phantasmagoric existence; presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for late courts imposed from a cosmos, which was directed by committing itself to its will and from a doubtful Vestal god advocating to associate with hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychology of the dreaded in-between-tale alive that boils back in the arrows that had not yet fallen, and did not know their whereabouts. Like plates or serial hosts that were evoked from where the origin of the Universe was broken, to open towards the Duoverso contravened organic, vigorous and in anti-scorch to the divine celestial origin as a parameter of *****-ovule, rather in eonic instances in the fireplace of Hestia, running in eternities to vast volumes of light-years.

From the medrones that grow in the Nyons massifs, the Seven Ibic Rings were established.

Ibic 1: "The first was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, and then he would find the light when he left the cave alive if he was accepted."
Ibic 2:” He was guided by Vlad Strigoi in the priesthood center on his shelves with the Chiroptera, and in excess of the mercurial ambrosia for the purpose of energizing the Tsambika Cinnabar.  Having all the protocol of Transylvania and eternity with the waters of Antiphon Benedicts”.
Ibic 3: "From the Eygues, the waters evaporated for healings of the tormented initiatory processes of raising the four Arrows of Zefian, to indicate the zenith of the Megaron."
Ibic 4: “This ring was from the antlers of Wonthelimar, here they wore the oikos or threads of Gold from Orphi, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Aldaine ”.
Ibic 5: "This piece of metal speaks of the fifth plasmic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned to the Mashiach."
Ibic 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Hellenika and Theoskepasti."
Ibic 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will go up in synchrony through the final growth medron, up to the millimeter shoulder of the square meters assembly, which will illustrate the Megaron´s Acrotera  "

Ellipsis - Parapsychological Regression Marielle Quentinnais year of the Lord 1617

Wonthelimar was transmigrating to Chauvet, but the Pontias wind carried him from Nyons to Avignon, encountering filigree by Raymond Bragasse; a Former Dominican priest of Cathar descent. He always drenched himself in the estuaries of the Rhone, which came from the Saint Gotthard massif; being master and lord of dreams and of the breaking curses of the despicable administrators of the house of God, and of the Antipopes in Avignon.
Wonthelimar heard voices from some parapets babbling in the parapsychological regression of Vetnarth, on August 4, 1617, when Klauss Ritkke was found cleaning the main stained glass window; he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and hear his conversation more clearly, until Friar Andrés, muttering, demanded indulgence from Raymond Bragasse, one or the other.

Raymond Bragasse Says: “My lord Wonthelimar; what grace has brought us together here in the middle of the Pontias, between hopes and reforms!”

Wonthelimar responds: "Your flight is a spell of the grace of André Panguiette, who will find us again. How many times with hope I fought to reform you Raymond... Oh Virga ac Diadema  sed Diabolus...!! Oh, ****** the devil smiled...!!

Raymond replies: “It is a major question to live if in something I have failed, take me to the sulfurous emanations of Hell. But my faith lies moldy at the bottom of the sea, a sacred myth of my truth..., and of my beloved Marielle...! There are fifteen thousand demons that possess my body... fifteen thousand demons for attacking the sacred mystery of the Holy Rosary...! Marielle was my light, my Edenic Eve, an admirable land. Now, she is my spell, my stubbornness or my constant sharp bleeding, without knowing where it has to pass...? I still remember that night, that gloomy night, renouncing my final vows of faith and the consecration of my soul. I broke my ties and ecclesiastical chores, all for Marielle, a noble descendant of the Quentinnais. I would never believe such regret in my destiny. I did love her, but her misfortune knew me. When I approached the edge of her house that night, I entered through the kitchen window. All were asleep, except for the albiceleste reflection of the last death throes of the deadly round of Quentinnais Mansion. I was thinking of rescuing her and saving something from those cheeks kissed by me, but her heart disease dried up his heart and her lungs. It is still possible to recall the last roses that I brought into her hands, they danced with her along with the hymn and the old dirge of the sleight of hand made by the monk, along with the cartomancy plays settling the minute of taking her into darkness, with her beautiful bare feet. What a pain, I could not rescue her from her, and death was dispossessing her! Her parents hated the mere fact of having her heart ruled by an impious priest, so I turned to the pagan and dark gods, to heal Marielle, and her heart to transplant it for mine. Since that day, I continue to burn in a polysatanic hell, to take out the little breath of goodness, and seize the transparent liquids that plague her existence and her serene metallic Diadem..."

Friar André Panguiette upon learning that his great friend possessed by the Devil would fall into some endemic evil infection...; Evil endemic to his love, he crossed himself when he saw that he became a horrible being. The jumbled leaves in the garden were transformed into Bible sheets torn from their bindings and fillings, the wrinkled ***** Saints slid down their columns, the sky proclaimed hemorrhages and the wind oozed foul gases, which in the firmament sprouted in clots of clots on the Papal House of Avignon. Fray Andrés, threw the rosary on the neck of the possessed person, and asked the Demons who were they most afraid of...? The demons answered this question, screaming and falling vertically down the central nave... they went down and flew!

Wonthelimar induces: “From that moment, you and Marielle would cross their gazes closely and love each other. In the following minutes of Pentecost, the two of them went alone to sit on the bench on the banks of the blessed wind that caressed their profiles, as if plotting to unite one with the other. Raymond effusively kissed her; he drew her to him, believing he sensed an eventual and sacrilegious separation from her. This is how it happened when François Quentinnais surprised them...:

François Quentinnais: With this example, you have provoked my anger Marielle...! Hundreds of men like me would react like this when they saw my daughter in the arms of whom until recently, she was hugging God!

Marielle: Father, I beg you for mercy, Raymond of precept sent a letter renouncing his vows!

When the soul of Marielle was entrusted, Raymond escaped seconds before shattered, he did not tolerate the nonexistence of Marielle; vegetating rotten grass of the estuary, emerald swallowed by fire. In a purely inorganic state, Raymond walked away from the mansion, walked through the leaden mountains, and on the cruise he walked through the walnut trees in whose scarlet pods the intense cold of the esplanade howled. The almond trees cracked a baritone muezzin, which one day he wanted to go there, but could never reach the east. His beard reddened, his nails were like ram's horns, and his also reddish hair at the ends of it had black tulips. His clothes turned gray just like his eyebrows, and his breath smelled of nurse sewers of the black plague, the dry flow of his voice announced monosyllables, thus he purged his pain from town to town, from house to house, everyone quarreled with him, and then they were exasperated by kicking him out. Until in June 1617, caravans of people started from the southern town of Avignon, escaping the flames of angry soldiers of the crusades. The fleeting townspeople carried on their banners the inscription... INRI. On the other side, they carried the cross and a colorful coat of arms that in the lower corner said Siccidemy. Then, there Raymond opened his bruised eyes, unable to contain the recovered memory of him, between gunshots, screams, sobs, and screams, the hundreds of steps that were heard around him, led him to tear and save his life. In an instant of stillness, he found himself surrounded by people until one of them took him into his arms to hydrate his mouth. We are Albigensian, and you... Who are you?

Raymond replied: “I fled in search of a miracle that could save a beloved being. I used to call myself Raymond, now I don't know what name to go by. I fled, but I had to face the situation, even having acted behind the back of the Church”. An Albigensian says: “The clergy have also believed that our sect has acted behind the back of the Church. However, his powers and his government have registered absolutism within Christendom”. Another Albigensian says; “We seek the establishment of ancient Christianity, we deny the existence of purgatory, the importance of rituals, clerical organizations and the possession of goods by the clergy. And for this reason, we have been expelled from our lands, from our homes, our children have paid for the Sacred Inquisition, in the hands of those who one day... baptized with blessed water”.

It was on June 18, 1617, the Albigensian fugitives were besieged in Montlimar. The Argentine crosses gleamed like dogs eager to bite the enemy. The open-minded Albigensians gathered together with Luzbel, who floated on a calypsigenic cloud. Raymond and the others piled up essences in the fuels to start the pact, after this event François Quentinnais answered negatively, and strongly took her daughter by her hand, pulling her sharply to the float. The horses slip their hooves before the sloping pastures carpeted by tiny Calypso flowers; the mayoral pressed his thin lips, also raising his shoulders, so as not to hear the despotic cries of Monsieur François. As for Reverend Raymond, he could be seen crying silently, accompanied by late halos of the luminosity of the final and sad day. Sorrows and regrets dislodged his bones that underwent violent arthrosis, populating his body in a sedentary lifestyle and irritation. I myself say Wonthelimar, I am the one who carries Marielle's love in me, I am your Raymond. Remember that night that...: "When the monk retired to pray, you stormed the bedroom, and uttered Marielle..., Marielle:," wake up, in vain I fear to leave without your divine voice. Marielle, what do you have...? I don't think your father's impure will blind your eyes to not see me, or he ripped your sweet voice to not name me...? ".

The Albigenses resigned to the spell, their adherents had largely been reduced, only ten or twelve remained. That later they fled from Montelimar escaping to the west, crossing the enchanted Rhone. The Siccidemy troops mutilated the last demonized Albigensians; nothing would help for their lives, everyone would bleed except the group that fled with Raymond. For several days they wandered the Cevennes plateau, provisioned themselves in Montpellier, and arrived in Carcassonne on July 20, 1617. Little could they remain here, since the congregation of Santo Domingo, without distinction, attacked the population decimated by the crusaders? What a regrettable exodus for Raymond with his black flock fleeing from where his feet laid hope! Twenty-two days of bitter flight, and everywhere the crosses, until Raymond decides to separate and go back to Avignon. He takes a  sailboat off the shores of Narbonne in the middle of a stormy gray day, in his bitter journey he dreams of being born again and having Bethlehem as a lineage, on July 23 of the same year, he lands in the waters of Marseille. When he was discharged from the port, he undertook a light journey to Avignon, near Arles, thousands of fellow citizens started from the hosts of King Godfred of Bouillon, the nobles cooperated by revealing the mobs that gathered in the city, the Hussites, and the Waldensians; Iconoclast heretics, fighting fierce battles. The crusaders took the offensive and tried to prevent them from burning their sacred images, which had already been torn to pieces throughout Gaul. Raymond, distant, helped the most serious, he was afraid of being confused by one of them, it was better to hide in the Cathedral of Arles. Upon entering, he felt a dizzy ***** that shone timidly in the hands of his performer... it was a little girl who, when looking at him, named him Dionysus..., demi-god, save us! Raymond fell into a daze, and falling into a dream that told him of barbaric actions, with masked fellow citizens lying neutral in their gestures, and suddenly angels revealed to him that they were looting the pantheons of Avignon, to burn the rosaries of the saints. Bereaved in their graves, some Albigenses exhumed the bodies of relatives related to the Clergy.

Raymond was sweating his hands and forehead, he struggled to get to the Quentinnais mausoleum, straining his precognition, he crossed the interdepartmental courtyard, he continued to haunt the packed pyramidal cypress trees and suddenly a lion-faced him dealing with a snake; with the symbolic image of the Quentinnais. He saw the slab desecrated, on whose horizon his Beloved Marielle slept. His skin prickled... it was the Iconoclasts avenging their own, with strong breaths he squeezed his hand, wanting to wake up... so it happened, he got up pushing the crowds that were holding him back, but his strength was growing. He rode a roan steed, in three bridles that he gave him he flew towards Avignon; his mount seemed to be a hot air balloon that flew with great dynamism. Raymond in his own painful station would moan his hand, his eyes; his legs creaked like the legs of the Pegasus that carried him fast.

Ellipsis Second Sequence Mausoleum Quentinnais

Finally, he arrives in the second parapsychological sequence, noting that Avignon was in ashes, takes the reins and immediately goes to the Quentinnais mausoleum, upon arrival, he appreciates several Albigenses committing crimes, dismounts, and runs screaming towards the defilers; he faced them with stakes, some demonized had to cut their throats, arriving in time to defend the remains of Marielle. For long hours he was with her alone, thinking about what to do, Raymond knew that he could not revive her, so he had no more redress than to invoke Luzbel, who this time revealed her true and evil personality as ruler of the evil spirits.

Raymond: Dear Luzbel, millions of Canaanites looked up at the altitude representing you; today I will do the same from here and beyond the solid roof of the mausoleum! Bring Marielle to life, come and twist her cheeks, since without her! I have had to live all this to protect myself from suffering. Since Pentecost, he hadn't been physically close to her. Now I need her... well, I lynched her...! Beelzebub making him believe that she was Luzbel, ordered him to extract her heart!

Beelzebub: “In Montlimar, I saw volcano crests arrive in such failure of my envoys. But it will not be repeated, and for it to be so, I entrust you to take out the heart of your beloved and tear the eyes from her that saw your gaze. Then open your chest with this dagger, I will draw your blood and heart, to moisten the heart of your Marielle. And finally, I ask you to bring a lip to me to enchant her lips in lilies. "

Raymond: “opinion accepted... that's the way I'll do it!
Being dominated by the spell, Raymond abided by every step dictated by the supposed that Luzbel lived difficult moments since he was a good day, but so many thousands of years of living in darkness, and in the midst of punishment that violently changed his mind. Justo Raymond carried the body in his arms so that the ritual would culminate. Luzbel snatched his beloved from him and with laughter he vanished.

Beelzebub says Mortal fool! Don't you see that I am Beelzebub; chief of the evil spirits and the guide of the Albigenses, Hussites, and Waldensians? Never invoke me in the Mausoleums, here betrayal triumphs. Now a Quentinnais will be my image on earth, giving her the doubt of doing well for many centuries.

Beelzebub took his beloved away, leaving the rosary wrapped in soft tulle next to the scapular in his hands. Raymond cringed in pain, and in an act of madness scratched his face. Poor Raymond, he told himself...!  That in himself he found no reason to live. He left the mausoleum at dawn looking around every corner in case he saw Marielle lost in his sight since recently. He was exhausted; he remained after the confession that was delayed too much because the events that took place in the Pantheon, in a way pretended to be the events that Raymond inexhaustibly narrated. And in a way, he feared for his life at that time unknown, by the mouth of some hidden place they documented his bitter inability to do well, and that he would fall under Raymond's curse. At this moment, Raymond lay lying on the banks of the Pantheon, from that day on, he did not know about the days, he only existed at night and he did not socialize with anyone, his madness sowed hatred for everything sacred and infernal, he dealt with the Holy Rosary found a magical find, until one day a new one reached her ears; she was referring to some crusaders who had intervened in Jerusalem when it was invaded by Saladin. A certain Frederick Barbarossa was drowned in Sicily by..., "Wonthelimar", who with the Diadem of a woman Seized the island of Iconium. This was the other new one that enlivened his spirit. This greatly surprised the worn Raymond, suspecting that the kidnapper of his beloved might be in cahoots. And as the news continued to hear her, it was said that her sacred beliefs allowed her to continue undercover, in order to continue for a long time, even in the other attacked city that would be Nice. He signed to the limit, for centuries that will serve us in future generations…, suffocating the iconoclasts.

The poppies moved from north to south through the Provencal regions. The oceanic eastern Gods Makara's in tumultuous pyramidal ships descended legions and escorts, to aid Raymond's farewell at Nice. At twelve o'clock at night, the prophetic edict of the Lord would be fulfilled, here the last words of that chimerical episode were received, and he feared that until then a first descendant of Raymond; he became a statue in ignitions of the reborn underworld. The Diadem will be transport and refuge, as for Wonthelimar he said doubtfully…; I think he is nothing more than the deviant Beelzebub, who with optical retractable eyes, in Montlimar disguised the initial in double V..., Wonthelimar, but I was wrong! Wonthelimar already transmigrated to Raymond, staying on the banks of a stream, with nausea he regurgitated his underlying spirit state from the lyrical crust. His mouth unsheathed the most diverse and heterogeneous chronolites; Parasitized dust in pieces of temporary stone, flowing in disciples, quarantine fragments, in marriages by sinuous water. Raymond slapped his thighs in anticipation of throwing up there. His blatant, incisive alienation took over his will, with inherent crickets singing to her in isolation from him, shining his conscience, and residing in the grace of the Holy Grail. The conquest of the earthly system amputated the Andromeda Amygdale; Constellation-illusion and spouse of Perseus, who is mysterious vehicles of the solvent Grail, kept him tied to Raymond. Deafening roars erupted from the earth pits, and the mass of the mountain hung above the trees, pseudo purple and violet rays bombarding sarcophagi all over Nice.

Wonthelimar: “Since this day I have been boiling in a polysatanic hell! The Ibex picked me up from the surroundings of the Pantheon and the Quentinnai mansion, where I have never been a human again, only an Ibex in the Chauvet cavern. Thanks to the herds of goats that adopted me that I have been able to bear their pain by taking refuge in the darkness of all times, which never transpires in the past, present, and future? Now I have come in this re-location, to reorder Vernarth's parapsychology, which you are too, and who has never been able to overcome the pains of love, even beyond pale death! "

From that moment, the shadow of Heracles is seen among them, encouraging them to be part of the gods, and of the feasts of the beautiful Ankles of Heba. Thus the words redecorated them both amid the thick fog, in Avignon. Afterward, Wonthelimar left and left Raymond to continue in Marielle's darkness to the end of the world. The blister day and the scorching night, thought one of the other in constant profit, for the good of finding them in the Kalijoron..., the well of the divine light of Eleusis, for those who rest in naive peace in the face of cunning, and the decorum of the gentle dialogues in the comedies of the exceptions, after crossing the Nile, with tributers collecting the faults of the gods, or else with horrific screams that would make them prey to an imaginary Gorgon.

Wonthelimar was now going after the “Íbics Ring”, which were left in the Chauvet cavern, by some Iberian tribes of the early Neolithic age, who were on their way out desecrated the cavern with ****** in the orbit of the Ortho Heliacal. From here, in the last goal, they reach the darkness where the vampire bats were terrified to see them with their eyes in mercurial ambrosia, which enveloped them with the gums in each one as they approached in the sound of night hunger arrests, next to the betrothal death brought by the darkness of the Strigoi, in lost wanderings of their wills following the search for the panescalm sheds, which carried human chiropterans for the regions of Transylvania, subjected to distinctions and exactions of Climate Changes. From here the bronze spear Dorus of Vernarth would go to the right hand of Wonthelimar, to shield him, and to put celery-foot feet on the ineffable Kanti steed, with certain renown of Eacid of Achilles stirring up hops and low bottoms of the mineral aquifer at the base of the den. In a quick figurative gesture of Achilles, Wonthelimar passes his right hand over his nose, noticing that lights trickled from the Auriga and the Automedon that came by order of Drestnia to provide aid to him, and to rescue the Iberian Ring Eagles, to transport them to the cove of the Mound of the Profitis Ilias.

In the eternity of the noise, Vlad Strigoi is in solidarity with him and gives him lightly from the bottom of the final flow of the bilges of his panescalm, condensing air of Gaseous Gold, in Pan-Hellenic regions, and in the Valdaine regions sixty-seven kilometers from that mountain area very close to Avignon. The infected zones of physical virtue were divided into micro-regions that were compressed before Wonthelimar merged into micro space within the cavern, to abandon the burning furnaces that came alongside his interpersonal goodness, in the metaphysical transfer of darkness, and of the wicked gentlemen drawing him towards the Parasha or Parashot of the Torah, so as not to be attracted as a human to ******-emotional implications or manipulations, who will snoop in growing voices in the voids of the cavern, and in the failing anxieties of the pompous and ancient effigy tarred from Hades. Wonthelimar limps superlatively with some nervous leave, but eager to apprehend the Ibic Rings. After the Benedictus antiphons were seen coming out of his chest, they were iridescent in magenta and mordoré for those who are ibex, always hiding under the goat epidermis, sponsoring happiness practices, one and the other after their vicissitudes in a cyclical mystery classroom. On the plains, you can only see haze and the experimental change when leaving everything in the hands of those who die without rainwater and bagel, in the most absolute solitude, amidst rocks that will never and never be reconverted, less into mid-plains giving terrifying compliments on flower baskets that stink of wandering Wonthelimar clones… not being!

Wonthelimar with Kanti, they emigrate from the cavern of Chauvet in their reminiscences, standing out from the voids and invocations of Raymond in unfinished by filling space in the hearts of both. Heading southeast towards Patmos with the Ibic Rings on his bracelets, wrapped in Vernarth's Himathion for his investiture!
Wonthelimar  Ibic Rings
Down through the tomb's inward arch
He has shouldered out into Limbo
to gather them, dazed, from dreamless slumber:
the merciful dead, the prophets,
the innocents just His own age and those
unnumbered others waiting here
unaware, in an endless void He is ending
now, stooping to tug at their hands,
to pull them from their sarcophagi,
dazzled, almost unwilling. Didmas,
neighbor in death, Golgotha dust
still streaked on the dried sweat of his body
no one had washed and anointed, is here,
for sequence is not known in Limbo;
the promise, given from cross to cross
at noon, arches beyond sunset and dawn.
All these He will swiftly lead
to the Paradise road: they are safe.
That done, there must take place that struggle
no human presumes to picture:
living, dying, descending to rescue the just
from shadow, were lesser travails
than this: to break
through earth and stone of the faithless world
back to the cold sepulchre, tearstained
stifling shroud; to break from them
back into breath and heartbeat, and walk
the world again, closed into days and weeks again,
wounds of His anguish open, and Spirit
streaming through every cell of flesh
so that if mortal sight could bear
to perceive it, it would be seen
His mortal flesh was lit from within, now,
and aching for home. He must return,
first, in Divine patience, and know
hunger again, and give
to humble friends the joy
of giving Him food--fish and a honeycomb.
Michael R Burch Apr 2020
Musings at Giza
by Michael R. Burch

In deepening pools of shadows lies
the Sphinx, and men still fear his eyes.
Though centuries have passed, he waits.
Egyptians gather at the gates.

Great pyramids, the looted tombs
—how still and desolate their wombs!—
await sarcophagi of kings.
From eons past, a hammer rings.

Was Cleopatra's litter borne
along these streets now bleak, forlorn?
Did Pharaohs clad in purple ride
fierce stallions through a human tide?

Did Bocchoris here mete his law
from distant Kush to Saqqarah?
or Tutankhamen here once smile
upon the children of the Nile?

or Nefertiti ever rise
with wild abandon in her eyes
to gaze across this arid plain
and cry, “Great Isis, live again!”

Published by Golden Isis and The Eclectic Muse

Keywords/Tags: Ancient, Egypt, Giza, Sphinx, pyramids, tombs, sarcophagi, Cleopatra, pharaohs, Bocchoris, Kush, Saqqarah, Tutankhamen, Nile, Nefertiti, Isis



ANCIENT EGYPTIAN POETRY TRANSLATIONS

These are my modern English translations of ancient Egyptian poems, love lyrics and Harper's songs.

An Ancient Egyptian Love Lyric (circa 1085-570 BC)
loose translation/interpretation by Michael R. Burch

Is there anything sweeter than these hours of love,
when we're together, and my heart races?
For what is better than embracing and fondling
when you visit me and we surrender to delights?

If you reach to caress my thigh,
I will offer you my breast also —
it's soft; it won't jab you or ****** you away!

Will you leave me because you're hungry?
Are you ruled by your belly?
Will you leave me because you need something to wear?
I have chests full of fine linen!
Will you leave me because you're thirsty?
Here, **** my *******! They're full to overflowing, and all for you!

I glory in the hours of our embracings;
my joy is incalculable!

The thrill of your love spreads through my body
like honey in water,
like a drug mixed with spices,
like wine mingled with water.

Oh, that you would speed to see your sister
like a stallion in heat, like a bull to his heifer!
For the heavens have granted us love like flames igniting straw,
desire like the falcon's free-falling frenzy!



Egyptian Love Song
(circa the 13th or 14th century BC)
loose translation/interpretation by Michael R. Burch

Lover, let’s slip down to the pond;
I’ll bathe while you watch me from the nearest bank.
I’ll wear my sexiest swimsuit, just for you,
made of sheer linen, fit for a princess!
Come, see how it looks when it’s wet!
Can I coax you to wade in with me?
To let the cool water surround us?
Then I’ll dive way down deep, just for you,
and come up dripping,
letting you feast your eyes
on the little pink fish I’ve found.
Then I’ll say, standing there in the shallows:
"Look at my little pink fish, love,
as I hold it in my hand.
See how my fingers caress it,
slipping down its sides, then inside!
See how it wiggles?"
But then I’ll giggle softly and sigh,
my eyes bright with your seeing:
It’s a gift, my love, no more words!
Come closer and see ...
it’s all me!



Ancient Egyptian Harper’s Songs

The first carpe diem or "seize the day" poems may be the various versions of the ancient Egyptian "Harper's Song" (or "Song of the Harper"). These may also be the oldest "ubi sunt" or "where are they now" poems. Such poems were inscribed in Egyptian tombs along with the image of a blind man playing a harp. Thus it is believed these were songs performed during funeral services for the deceased. Versions of the "Harper's Song" found in tombs of the Old Kingdom (c. 2686-2181 BC) tend to be short and traditional in regard to the afterlife (i.e., affirmative). Middle Kingdom (c. 2055-1786 BC) and New Kingdom (1539-1075 BC) versions tend to be longer and sometimes encourage listeners to "seize the day" while rejecting the more traditional Egyptian view of eternity (for instance, satirizing large funerary monuments and saying possessions cannot be taken into the afterlife). Such updated versions of the "Harper's Song" include "Harper's Song: Tomb of Neferhotep" and " Harper's Song: Tomb of Inherkhawy." These are my personal favorites of both genres ...

This song comes from a tomb which contains an image of Djehutiemheb and Hedjmetmut seated at an offering table while their son, dressed as a priest, pours libations and burning incense before them. It seems the song may be a blessing being voiced by the son, as the text appears before his representation.

Harper's Song: Tomb of Djehutiemheb
loose translation/interpretation by Michael R. Burch

... The sky is opened for you,
the earth opened for you,
for you the good path leads into the Necropolis.
You enter and exit like Re.
You stride unhindered like the Lords of Eternity ...



This song from the funerary stela of Iki depicts the deceased sitting at an offering table with his wife, with the rotund harpist Neferhotep sitting on the other side of the table. Neferhotep was one of the earliest known Egyptian singer/harpists. His portrait and his song were included on the stela of a man named Iki.

Harper's Song: Tomb of Iki
loose translation/interpretation by Michael R. Burch

O tomb, you were prepared for a festival,
your foundations anchored in happiness!
The harpist Neferhotep, son of Henu.

*

The stela of Nebankh from Abydos contains a Harper's Song with the deceased depicted sitting at an offering table with the harpist squatting before him:

Harper's Song: Tomb of Nebankh
loose translation/interpretation by Michael R. Burch

Tjeniaa the singer says:
Now you are seated securely in eternity,
in your eternal monument!
Your tomb is filled with food-offerings
and complete with every fitting thing.
Your soul is with you
and will never desert you,
Royal Treasurer and Seal-Bearer, Nebankh!
The sweet north wind is now your breath!
So says the honorable singer Tjeniaa,
whom he loved and who keeps his name alive
by singing to his soul every day.



Interestingly, the three Harper's songs found in the tomb of the priest Neferhotep seem to display very different viewpoints about the afterlife, if we can take the first two to be saying that death is peaceful because no one is doing anything ...

Harper's Song: Tomb of Neferhotep
loose translation/interpretation by Michael R. Burch

I.
I have heard songs inscribed in ancient tombs,
extolling earth-life while belittling the Beyond ...
but why condemn the kingdom of Eternity,
the just and the fair,
which holds no terrors?

II.
Death abhors violence: no man there arms himself against his brother.
No one rebels in that peaceful kingdom.
All our ancestors rest there, since man’s earliest days;
the multitudes assemble there, every one,
for none may tarry overlong in the land of Egypt.
There is no one who will not cross over.

III.
Earth-life is no more than the span of a dream,
but fair welcomes are given when one reaches the West.



Harper's Song: Tomb of Intef
loose translation/interpretation by Michael R. Burch

(from the tomb of the Pharaoh Intef)

Here lies a happy prince
because death is the kindest fate.

One generation passes, another remains:
so it has been since our eldest ancestors.

Now those who were once "gods" rest in their sepulchers
along with other nobles
and those who built their tombs.

Their palaces are gone,
and what has become of them?

What of the words of Imhotep and Hardedef,
whose sayings are still recited entire?

What of their palaces?
Their walls have collapsed into ruins,
their halls have vanished
as if they never existed!

And no one returns from that realm
to inform us of their state
or to calm our fears.
We remain in the dark until we join them ...

Hence, rejoice with happy hearts!
It is best to forget: heedlessness is happiness!
Humor your hearts as long as you live!

Perfume your hair with myrrh,
adorn yourself in your finest linens,
anoint yourself with the costliest oils, fit for a god,
heap up your treasures here on earth!

Let your heart remain buoyant! Don't let it sink!
Humor your heart and find happiness!
Here on earth, do as your heart demands!

What use is mourning,
when weary-hearted Osiris pays tears no heed?

Weeping and wailing spares no man from the grave,
so make every day your holiday. Never tire of joy's pursuits!
Because no one is allowed to take his possessions with him
and none who departs ever returns!

This song, also known as “The Lay of the Harper,” appears in the tomb of Paatenemheb, where the introductory line says it was copied from the tomb of a King Intef (a name used by several kings from 11th and 17th dynasties). The poem is also preserved in the Ramesside New Kingdom Harris 500 papyrus. These works are accepted by scholars as being a copy of a genuine Middle Kingdom text.

Keywords/Tags: Egypt, Egyptian, poem, poems, poetry, translation, translations, English, harper, harpers songs, love poems, love songs, love lyrics
They installed locks
handed you keys.
Hold them, silver, golden,
shaking with dis-ease.

A vision of the Earth outside.

Squinting in a dark hallway,
why not turn the ***,
nudge yourself inside?

Someone paid for you to live here,
a father, mother, or friend.

Your chain of life extends far backwards
but on this side it must end.

You may have felt forever,
trapped with your despair,
between rough crust,
precious residue
floating in air.
Pressure can't hold us
with clouds
and shapes from dreams.

We'll soon be gone, and you will too.
Don't waste your voice with screams.

It, too, is faltering,
our voice,
our atmosphere,
hopes for exploration.
Heaving, chest
uncompensated by oxygen,
raided like sarcophagi
with your timid, spinning brain
having no peddler,
to whom to sell it?

No, your home waits here
on solid ground.
Keep your voice wrapped around you,
not in the heavens, as you'd wish.

Take off both shoes,
sit down.
Patiently inhale.
Feel worlds shifting their weight
skin, becoming pale.
Shake off saw-dust covering
your day-clothes.

Stretched
dissected.
Carpet does this to frame,
taking you through thresholds
and mindsets.

Evaporate,
see no more today.
Rain down until tomorrow
in this never-ending night
given to trees
collecting your purple-pink
and blue
dews.
Leaves bending
with gratitude
holding drops of you
aloft
before
no heat can take you up
and they,
becoming coffins
for you,
weep
and cover your dis-may.

A dashed possibility.

Like a dust moat in the sky,
preventing
a window past your mind,
what you saw standing atop
brittle decrepitude
through saccharine eyes
is shifting, impermanent,
time cannot be mistaken.

Relax.
A tear pulls
the horizon,
lightning
rips your sight.

Breathe as long as it takes
to stop breathing.

Alone, shaking.
Silver, golden.
in this eternal night.

No one re-writes directions to that fixture
out in space, yet near.
But you know it once was twirling
because you followed its light
to here.

Turn the keys they gave you
and look, inside the frame
of consciousness.
There is one artwork you create
with every facile, blinking motion
every extended being,
your thick paints of colors,
never able to be seen.

There once was chaos in man
he wanted so much to scream.
Instead he reconciled to whisper
and laugh.

Open-mouthed, blind and plodding--
there's no one to teach him how to dance--
he falls through space
alone on his rock.
MMXII

MMXII
Inspired by
Sigur Rós - Njósnavélin (The Nothing Song)
and
Friedrich Nietzsche's Last Man from Thus spake Zarathustra
This poem tries to imagine the last person standing on Earth and seeing that the Sun has burned out,
realizing they are trapped with all destruction of our species and also knowing that they have to imagine what those who came before them had physically seen.

I want to write more about our ancestors...
It harassed free fall, it was affected by the friction force in the absence of the tefillah, the walls became more taxed and accelerated with gravity that exceeded the acceleration of time, gravity triggered the rest that was in the outside walls and made different kilometers apart, with the free fall at more than 9.8 km per second. Beneath the ground the dimension was made lower than the intake embankment, creating placements in revealing swaps in the solar position, for anyone trying to level the force of fall and its acceleration versus gravity around bodies that were moving accelerated and scattered. The earth constantly hurried its mass to preponderate and go where something or someone could rescue it, the air was inked with an offer in the cases of the imprisoned airs, which from the graves adjoining the valley of Kedron kidnapped its areas of lavender physiognomies to link it to the mantles of the Tallit, which in some cases arose with thousands of souls from their graves, to receive the cushioned rubble between which they were electro-magnetized with the blankets, and the wiring they generated, conceiving that they would gather them in the naive and demiurgical plates, for the holistic retransmission of the tract to Patmos, starting from the Cyclades all the way to the Dodecanese.

The sensitive ex-karst plates of Patmos trembled through the passageways of the Cyclades, which permeated in a ratio of the first reflection in the distance vision that approached between both physical episodes, but the second axis of reflection was made aware in an unknown perspective close to the underwater elevation of the Profitis Ilias, close to the entrance sinkhole, between the variables of the inter plates that were assigned to the reflective tapes of the Beit Hamikdash that mutated to the Megaron Áullos Kósmos. Here the omega will resume a minimum of constant forces, emphasizing the friction that bellowed by the hands of the pro-zealots who had left those sarcophagi in the Kidron Valley, in the average anchor values of the great leaks of the friction with the falling water by millions from the inexorable wind that aided the indivisible objects in the Kidron valley ratio, as a reflection of free fall hitting the friction between the Bern Olives, with torrential rains that were made periodic for an esplanade near Mount Scopus. This seat suffered from the force of friction in the fall of the wall, appreciating the burials that were and will be the reactionary phases of the Hellenistic degree. Objects faded to the state of rest and gravity that cavorted through the valleys, replicating distances more than periods of Elijah in the Judah desert itself and in the Dead Sea. From the depth of the valley, aqueous elements emerged with the proportional speed of the falls of the material and immaterial bodies, outlining the second Newtonian law, as the holy water submerged into the flow of the super-atomized savory, which was reconverted into the same Beit Hamikdash, to materialize in the submerged and hidden effects of the pagan force, hinting at the analogy of the equinoctial of the Dyticá that pushed the wave of the Kaitelka whale, in the constant of speed, tensing the force of the rocks that never stopped moving until his body igneous was quintupled in the fifth dimension beyond the consciousness of those who do not understand immaterial physical abstraction, in fractional microseconds.

The density of the rain filter that had been volumized from the submerged interstices, created the gravity of the horizontal movement that subdued the equation in kinetics that gave the differential in the unresolved expectation of the cessation of movement. Where the amount of reaction is more than what would go to Patmos, disproportionate to the macro pulleys that oscillated in the meridians, speed, and acceleration. Prior to the decoupling of the forces of fall in the already submerged bodies that were counterbalanced to give rise to the volume cords that detached from the largest chamber of the wall, to record the final sequence of wear generated by the reconversion and balance points of their masses, then the starting pedestal accumulates and is reconnected with this phenomenon of the Invisible Eclectic Portal of Patmos, being aware that they would have to enter the cavern, after having ceased their work for this mass retransmission of the reinverted wall to propel the Megaron uprising. Within three months after the Hellenistic Full Moon, the colors of the Tefilah will become mathematical, fascinating the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the reef of Patmos. The sanctity will count the astragali in front of the cyclamen for the delicate advances, wearing the blue-green of the quadrinomial that represented geodesy in its points of order and of its evangelist faction. Confusions were overwhelmed not to stop the movements of splendor in the effusions of the storms in sacred prayers in the room, which takes refuge from Kímolos bringing the souls of Helenikká, for the offices that made the trend of Katapausis after the subsequent full moon. Discounting the three months that never elapsed since Vernarth arrived on the Eurydice.


Kaitelka and the judgment of her abode would determine the corpus and the psyche of the irascible necromances of Borker and Leiak, subordinated to Zefian so that the torrential rains on Patmos are perceived by the colder of condensed water of Cassandra that Beit Hamikdash had been bringing with two anthropomorphic shadows that had been supporting him, that of a Cohen, Levita and a Samaritan, they were the guardians that came from Jerusalem to Patmos to assimilate the enthronement spectrum of free fall converted into free ascent were the fourth arrow that spectrum for the first column to be erected. The breath of all of them became more entropic each time that would be concentrated in a certain haze that was released by its titanic whale snout; Rather, I say of her presence that she was raised by some larvae, which came from certain Zeus dresses that he had expelled to free the larvae that were from her immortal garb, looking like bait for those who stalked him with necromancy. . But this time he would be very contemplative for the construction of the Megaron de Vernarth, because amphitheater was a cause of low politics for his Olympic spectrum. The energy or Evegeia, was primed for objects that took forms of papyri covered with invisible enzymes tried from Qumram, but the cause of Mortis revived the larvae making the oblivion of the era that continued after the Mortis of all legions multiplied by the phrases that were sinister from the true matter of physical remanence.
Helleniká Souls
we worried for Your s.a.n.i.t.y.
when Michael Bublé and Metallica
wore matching sailor suits. we warned You.
failed interventions toed the line
between crafted clichés and comprehensible,
misguided attempts to paste bits and pieces
of the Pyramids back together.
You know they were stolen, right?
the pharaohs were ****** — drunk on
the melodies of doorbells and
bits and pieces of clichés crafted at a Metallica concert.
brave the mosh pit.
You may catch a glimpse of
sarcophagi gleaming in torchlight.
don't lift the lid, for the love of
g.o.d.!
those sailor suits have been preserved for centuries.
"Do Not Disturb."
the doorbell
won't work now,
not now that Michael Bublé's bubble burst.
can You blame us for screaming into
microphones? maybe the bits and pieces of clichés You swept
into neat little piles after footfalls die down
torch-lit corridors will
shake the Pyramids.
at the very least, ring a doorbell.

"d.o. n.o.t. d.i.s.t.u.r.b."
Stanley Zakyich Nov 2012
The power's out, I see them now;
They're lighting up the sky.
An hour 'bout, I don't know how,
Has quickly passed us by.
Those kids will shout, but they will learn,
And hopefully their parents yearn
For wealth to crumble up and burn
While staring at this starry sky.

The businesses' sarcophagi
Has no more stranglehold
On us for now, though soon it's nigh
To lose ourselves in bold-
ened signs that tell us what to do
And what to buy and who to sue.
But let's not worry, let's renew
While staring at this starry sky.
A poem about letting go of all worries and appreciating the simple things in life, like being able to see the stars in the sky. Main character sits with his girlfriend to appreciate the tranquility of the present. Comments about the neighbors, big businesses, and the economy help paint the picture of the setting a little bit, hinting towards being poor.
choices
embrace things
that sickens
enslaves
maims
kills

unbound
yourself

loose
your chains

turn away from
the dungeon
that has
become
your death
chamber
you
alone
crafted
with such
deft skill

you exiled
yourself

hid away
from the living

inhabiting a
convenient
confinement

relishing
the deceitful
pleasures of an
addled mind

a twisted
portrait
of a
shackled
self

living
inside
the
dark abode
of your head

bumping
about in
unmapped
caves

dwelling
in a place
that no one
could find
nor dare
explore

you heap
stones
at the door
providing
your only
means
of escape

safely
entombed
in your
vapid
delusions

a decrepit
graveyard

an abandoned
township
of lonely
sarcophagi

long forgotten
by the
moldering
bodies
of the city's
ghostly
citizens

you reek
with the
stench
of death

you
murdered
yourself

and
became
dead
to us

But
Jesus
wept

over
your
self
denigration

never
forsaking
y­our favored
condition

The
Good Friend
lifted
you
from
Edens
dust

and
showered
you
with
fine
thi­ngs

yet
you
found
no joy
in

the gift
of solace

the might
of grace

the balm
of love

the rest
of peace

all
only
heaped
torments
upon
you

your
sisters
wailed
in grief

imploring

The
Resurrector
to make you
whole

he only
shrugs
and
extends
a palm

unloose
the rags
of your
swaddled
grief

unbound
yourself
Lazarus

come out
and walk
amongst
the living
again

put
down your
stones

the hand
is nigh

choose well
my friend

St. Alban's
Bible Study
7/09

jbm

— The End —