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wordvango Jul 2017
A flea and a fly in a flue
Were imprisoned, so what could they do?
Said the fly, "let us flee!"
"Let us fly!" said the flea.
So they flew through a flaw in the flue.

Ogden Nash
Michael R Burch Apr 2020
Limericks VII - Naughty, *****, Risque, Absurd

There continue to be modern sequels of the famous "Nantucket" limericks, including this ***** one of mine:

There was a lewd ***** from Nantucket
who intended to *** in a bucket;
but being a man
she missed the **** can
and her rattled john fled, crying: "**** it!"
—Variation on a classic limerick by Michael R. Burch

Here's another take on a golden oldie:

There was an old man from Peru
who dreamed he was eating his shoe.
He awoke one dark night
from a terrible fright
to discover his dream had come true!
—Variation on a classic limerick by Michael R. Burch

Here are some lewd, crude originals:

There once was a multi-pierced Bull,
who found playing hoops far too dull,
so he dated Madonna
but observed, “I don’t wanna
get married . . . the things she might pull!”
—Michael R. Burch

There once was a forward named Rodman
who said to his best man—“No problem!
When I marry Electra,
if the ring costs extra,
just yank a loop right off my ****, man!”
—Michael R. Burch

A formidable pugilist, Mike,
in a fit of pique called his mom “****.”
She frowned ear to ear,
then said, “You listen here,
I can still whip your ****, you dumb tyke!”
—Michael R. Burch

A cross-dressing dancer, “Dee Lite,”
wore gowns luciferously bright
till he washed them one day
the old-fashioned way ...
in bleach. Now he’s “Sister Off-White.”
—Michael R. Burch

There once was a bubbly bartender,
a transvestite who went on a ******.
“So I cut myself off,”
she cried with a sob,
“There’s the evidence, there in the blender!”
—Michael R. Burch

Our president’s *** life—atrocious.
Asian markets are all hocus-pocus.
Politics—a shell game.
My brief moment of fame—
flashed by before Oprah could notice.
—Michael R. Burch

Bill Clinton's a man we admire;
his opinion polls soar ever higher.
He gets much more flack
for a Big Mac attack
than for his ****** high-wire.
—Michael R. Burch

There is a new term, “Clintonian,”
which means, “Stop your naggin’ and moanin’.
He’s only a man
doing all that he can
to put kneepads in the Smithsonian.!”
—Michael R. Burch

Low-T Hell
by Michael R. Burch

I’m living in low-T hell ...
My get-up has gone: Farewell!
I need to write checks
if I want to have ***,
and my love life depends on a gel!

Grave Offense I

Is Ogden Nash gnashing his teeth,
upside-down in his grave, full of grief
that the term “limerick”
has been plagiarized? Quick—
dial 9-1-1; get the police!
—Michael R. Burch

Grave Offense II

Is Ogden Nash gnashing his teeth,
upside-down in his grave, full of grief
that his wit and his art
share this name I impart
to my “limerick?” Am I a thief?
—Michael R. Burch

Ghostbusters!

Is Ogden Nash gnashing his teeth?
Is his ghost rolling ’round in wild grief
that the Post would make crimes
of his “imperfect” rhymes?
Call Ripley’s—it stretches belief!
—Michael R. Burch

NOTE: The Washington Post in all its great wisdom would ban Ogden Nash’s imperfect rhymes from its limerick contests!

Keywords/Tags: limerick, nonsense, light, humor, humorous, ***, naughty, risque, lewd, *****, ******
Jim Sularz Jul 2012
(Omaha to Ogden - Summer 1870)
© 2009 (Jim Sularz)

I can hear the whistle blowin’,
two short bursts, it’s time to throttle up.
Conductor double checks, with tickets punched,
hot glistenin’ oil on connectin’ rods.

Hissin’ steam an’ belchin’ smoke rings,
inside thin ribbons of iron track.
Windin’ through the hills an’ bluffs of Omaha,
along the banks of the river Platte.

A summer’s breeze toss yellow wild flowers,
joyful laughter an’ waves goodbye.
Up ahead, there’s a sea of lush green fields,
belo’ a bright, blue-crimson sky.

O’er plains where sun bleached buffalo,
with skulls hollowed, an’ emptied gaze.
Comes a Baldwin eight wheeler a rollin’,
a sizzlin’ behemoth on clackin’ rails.

Atop distant hills, Sioux warriors rendezvous,
stoke up the locomotive’s firebox.
Crank up the heat, pour on the steam,
we’ll outrun ‘em without a shot!

‘Cross the Loup River, just south of Columbus,
on our way to Silver Creek an’ Clark.
We’re all lookin’ forward to the Grand Island stop,
where there’s hot supper waitin’, just befor’ dark.

On our way again, towards Westward’s end,
hours passin’ without incident.
I fall asleep, while watchin’ hot moonlit cinders,
dancin’ Eastward along the track . . . . .

My mind is swimmin’ in the blue waters of the Pacific,
dreamin’ adventures, an’ thrills galore.
When I awake with a start an’ a **** from my dreamland,
we’re in the midst of a Earth shatterin’ storm!

Tornado winds are a’ whirlin’, an’ lightnin’ bolts a’ hurlin’,
one strikes the locomotive’s right dash-***.
The engine glows red, iron rivets shoot Heaven sent,
it’s whistlin’ like a hundred tea-pots!

The train’s slowin’ down, there’s another town up ahead,
must be North Platte, an’ we’re pushin’ through.
Barely escape from the storm, get needed provisions onboard,
an’ switch out the locomotive for new.

At dawn’s first light, where the valley narrows,
with Lodge Pole’s bluffs an’ antelope.
We can all see the grade movin’ up, near Potter’s City,
where countless prairie dogs call it home.

On a high noon sun, on a mid-day’s run,
at Cheyenne, we stop for grub an’ fuel.
“Hookup another locomotive, men,
an’ start the climb to Sherman Hill!”

At the highest point on that railroad line,
I hear a whistle an’ a frantic call.
An’ a ceiling’s thud from a brakeman’s leap,
to slow that creakin’ train to a crawl.

Wyomin’ winds blow like a hurrican’,
the flimsy bridge sways to an’ fro.
Some hold their breath, some toss down a few,
‘till Dale Creek disappears belo’.

With increasin’ speed, we’re on to Laramie,
uncouple our helper engine an’ crew.
Twenty round-house stalls, near the new town hall,
up ahead, the Rocky Mountains loom!

You can feel the weight, of their fear an’ dread,
I crack a smile, then tip my hat.
“Folks, we won’t attempt to scale those Alps,
the path we’ll take, is almost flat.

There ain’t really much else to see ahead,
but sagebrush an’ jackalope.
It’s an open prairie, on a windswept plain,
the Divide’s, just a gentle *****.

But, there’s quite a few cuts an’ fills to see,
from Lookout to Medicine Bow.
Carbon’s got coal, yields two-hundred tons a day,
where hawks an’ coyotes call.

When dusk sets in, we’ll be closin’ in,
on Elk Mountain’s orange silhouette.
We’ll arrive in Rawlins, with stars burnin’ bright,
an’ steam in, at exactly ten.

It’s a fair ways out, befor’ that next meal stop,
afterwards, we’ll feel renewed.
So folks don’t you fret, just relax a bit,
let’s all enjoy the view.”

Rawlins, is a rough an’ tumble, lawless town,
barely tame, still a Hell on wheels.
A major depot for the UP rail,
with three saloons, an’ lost, broken dreams.

Now time to stretch, wolf down some vittles,
take on water, an’ a load o’ coal.
Gunshots ring out, up an’ down the streets of Rawlins,
just befor’ the call, “All aboard!”

I know for sure, some folks had left,
to catch a saloon or two.
‘Cause when the conductor tallies his final count,
we’re missin’ quite a few!

Nearly everyone plays cards that night,
mostly, I just sit there an’ read.
A Gazetteer is open on my lap,
an’ spells out, what’s next to see –

‘Cross bone-dry alkali beds that parch man an’ beast,
from Creston to bubblin’ Rock Springs.
We’re at the backbone of the greatest nation on Earth,
where Winter’s thaw washes West, not East.

On the outer edge of Red Desert, near Table Rock,
a bluff rises from desolation’s floor.
An’ red sandstones, laden with fresh water shells,
are grooved, chipped, cut an’ worn.

Grease wood an’ more sagebrush, tumble-weeds a’plenty,
past a desert’s rim, with heavy cuts an’ fills.
It’s a lonesome road to the foul waters of Bitter Creek,
from there, to Green River’s Citadel –

Mornin’ breaks again, we chug out to Bryan an’ Carter,
at Fort Bridger, lives Chief Wash-a-kie.
Another steep grade, snow-capped mountains to see,
down belo’, there’s Bear Valley Lake.

Near journey’s end, some eighty miles to go,
at Evanston’s rail shops, an’ hotel.
Leavin’ Wahsatch behind, where there’s the grandest divide,
with fortressed bluffs, an’ canyon walls.

A chasm’s ahead, Hanging Rock’s slightly bent,
a thrillin’ ride, rushin’ past Witches’ Cave.
‘lot more to see, from Pulpit Rock to Echo City,
to a tall an’ majestic tree.

It’s a picnic stop, an’ a place to celebrate –
marchin’ legions, that crossed a distant trail.
Proud immigrants, Mormons an’ Civil War veterans,
it’s here, they spiked thousand miles of rail!

We’re now barrelin’ down Weber Canyon, shootin’ past Devil’s Slide,
there’s a paradise, just beyon’ Devil’s Gate.
Cold frothy torrents from Weber River, splash up in our faces,
an’ spill West, to the Great Salt Lake.

It’s a long ways off, from the hills an’ bluffs of Omaha,
to a place called – “God’s promised land.”
An’ it took dreamin’, schemin’, guts an’ sinew,
to carve this road with calloused hands.

From Ogden, we’re headin’ West to Sacramento,
we’ll forge ahead on CP steam.
An’ when we get there, we’ll always remember –
Stops along an American dream.

“Nothing like it in the World,”
East an’ West a nation hailed.
All aboard at every stop,
along the first transcontinental rail!
This is one of my favorite poems to recite.   I wrote this after I read the book "Nothing Like It In the World" by Stephen Ambrose.  The title of this book is actually a quote from Seymour Silas, who was a consulting engineer for the Union Pacific railroad.  Stephen's book is about building the World's first transcontinental railroad.   Building the transcontinental Railroad was quite an accomplishment.   At it's completion in 1869, it was that generation's "moonshot" at the time.   It's hard to believe it was just another hundred years later (1969) and we actually landed men on the Moon.   "Stops Along an American Dream" is written in a style common to that period.   I researched the topic for nearly four months along with the Union Pacific (UP) train stops in 1870 - when most of the route's stops were established.    The second part of the companion poem, yet to be written, will take place from Ogden to Sacramento on the Central Pacific railroad.   That poem is still in the early formative stages.   I hope you enjoy this half of the trip on the Union Pacific railroad!   It was truely a labor of love and respect for all those who built the first transcontinental railroad.    It's completion on May 10th, 1869 opened the Western United States to mass migration and settlement.

Jim Sularz
Nat Lipstadt  Jul 2013
Mashup
Nat Lipstadt Jul 2013
Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
Belinda lived in a little white house,
With a little black kitten and a little gray mouse,
And a little yellow dog and a little red wagon,
And a realio, trulio, little pet dragon.

Now the name of the little black kitten was Ink,
And the little gray mouse, she called her Blink,
And the little yellow dog was sharp as Mustard,
But the dragon was a coward, and she called him Custard.

Custard the dragon had big sharp teeth,
And spikes on top of him and scales underneath,
Mouth like a fireplace, chimney for a nose,
And realio, trulio, daggers on his toes.

Belinda was as brave as a barrel full of bears,
And Ink and Blink chased lions down the stairs,
Mustard was as brave as a tiger in a rage,
But Custard cried for a nice safe cage.

Belinda tickled him, she tickled him unmerciful,
Ink, Blink and Mustard, they rudely called him Percival,
They all sat laughing in the little red wagon
At the realio, trulio, cowardly dragon.

Belinda giggled till she shook the house,
And Blink said Week! , which is giggling for a mouse,
Ink and Mustard rudely asked his age,
When Custard cried for a nice safe cage.

Suddenly, suddenly they heard a nasty sound,
And Mustard growled, and they all looked around.
Meowch! cried Ink, and Ooh! cried Belinda,
For there was a pirate, climbing in the winda.

Pistol in his left hand, pistol in his right,
And he held in his teeth a cutlass bright,
His beard was black, one leg was wood;
It was clear that the pirate meant no good.

Belinda paled, and she cried, Help! Help!
But Mustard fled with a terrified yelp,
Ink trickled down to the bottom of the household,
And little mouse Blink strategically mouseholed.

But up jumped Custard, snorting like an engine,
Clashed his tail like irons in a dungeon,
With a clatter and a clank and a jangling squirm
He went at the pirate like a robin at a worm.

The pirate gaped at Belinda's dragon,
And gulped some grog from his pocket flagon,
He fired two bullets but they didn't hit,
And Custard gobbled him, every bit.

Belinda embraced him, Mustard licked him,
No one mourned for his pirate victim
Ink and Blink in glee did gyrate
Around the dragon that ate the pyrate.

But presently up spoke little dog Mustard,
I'd been twice as brave if I hadn't been flustered.
And up spoke Ink and up spoke Blink,
We'd have been three times as brave, we think,
And Custard said, I quite agree
That everybody is braver than me.

Belinda still lives in her little white house,
With her little black kitten and her little gray mouse,
And her little yellow dog and her little red wagon,
And her realio, trulio, little pet dragon.

Belinda is as brave as a barrel full of bears,
And Ink and Blink chase lions down the stairs,
Mustard is as brave as a tiger in a rage,
But Custard keeps crying for a nice safe cage.
Prince of humorous verse Ogden Nash
Fred Feb 2018
There are three versions of this poem. only one of them is available on the internet. This first version is from the New Yorker in a 1941 issue. It is the earliest version and the one that is quoted all over the internet.

To My Valentine

    by Ogden Nash (1902-1971)

More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.

I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than gin rummy is a bore,
And more than a toothache hurts.

As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than the subway jerks,
I love you as much as a beggar needs a crutch,
And more than a hangnail irks.

I swear to you by the stars above,
And below, if such there be,
As the High Court loathes perjurious oaths,
That's how you're loved by me.

The next version is the lyric of a song from the Broadway musical "One Touch of Venus" (1943) by Ogden Nash, J S Perelman and Kurt Weill. Nash wrote this lyric. It is not on the internet that I could find. I got it from the sheet music.

HOW MUCH I LOVE YOU

More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.

As a sailor's sweetheart hates the sea,
Or a juggler hates a shove,
As a wife detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than a hangnail hurts.
I love you more than commercials are a bore,
And more than a grapefruit squirts.

I swear to you by the stars above,
And below, if such there be,
As a bride would resent a blessed event,
That's how you are loved by me.

More than a waitress hates to wait ,
Or a lioness hates the zoo,
Or a batter dislikes those called third strikes,
That's how much I love you.

As much as a lifeguard hates to swim,
Or a writer hates to read,
As Hays office frowns on low cut gowns,
That's how much you I need.


I love you more than a hive can itch,
And more than a chilblain chills.
I yearn for you in an ivy clad igloo,
As a liver yearns for pills.

I swear to you by the stars above,
And below, if such there be,
As a dachshund abhors revolving doors,
That's how you are loved by me.

The third is from the book "Marriage Lines: notes of a student husband" It was published in 1964 and contains a revised version of the poem with a much different ending. This too is not on the internet. I got it from the book.

TO MY VALENTINE

More than a catbird hates a cat,
Or a criminal hates a clue,
Or an odalisque hates the Sultan's mates,
That's how much I love you.

I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than commercials are a bore,
And more than a toothache hurts.

As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than the subway jerks,
I love you truer than a toper loves a brewer,
And more than a hangnail irks.

I love you more than a bronco bucks,
Or a Yale man cheers the Blue.
Ask not what is this thing called love;
It's what I'm in with you.
Hope you enjoy comparing these three. They all have their virtues but I prefer the last. I feel the ending is the best and the truest sentiment.
Andrew Philip Sep 2018
For some awfully
Long time now
I’ve felt like
A blind man
Playing tennis,
Listening for the ball
To bounce in front of me
And swinging with all
Of my might
Hoping to hit it back away.
And while it’s away
I’ll have peace
Until I hear
The ball bounce
Before me again.
It’s just that when
It passes me
I feel like I’m losing.

Last night I saw something
Very clearly
For the first time in a while.
It was her and I
Woven together
Like a basket
Made of sand-sized
Stars.
I heard the bounce
And stood as still as I ever have.
I feel like I’ve won.
K Balachandran Nov 2011
Ogden Nash-
is hard cash,
in demand
day and night.
Alternate version:Ogden Nash/is hard cash/in currency/everywhere
brian mclaughlin Mar 2015
What we know as a limerick were truly his swan
And over the poet we often did fawn
They were wrote in a flash
By the great Ogden Nash
But it seemed when he died they were gone
poetry is stupid
it makes no sense
how does a turltle in the sea of immortality
translate to life is good
poetry *****
it should all be burned
id rather eat 10,000 ducks
poetry is the worst
and i am not the 1st
to say that poems are crap
they are better when they are rapped
ogden nashes poems are to short
while charles bukowski is a flat out perver
there is so much stuff better than poetry
like playing on a minecraft server
or watching TV or playing video games
even going to school influences less pain
poetry is for fools
that only like to drool
in front of a piece of paper
and write poems, well im a hater
and rhoald dahl makes the worst poems
critisizing the television
how do u get the news and the weather
and learn about politicians
so i end here
and if ur reading this
ur a queer

— The End —