Submit your work, meet writers and drop the ads. Become a member
it is at moments after i have dreamed
of the rare entertainment of your eyes,
when(being fool to fancy)i have deemed

with your peculiar mouth my heart made wise;
at moments when the glassy darkness holds

the genuine apparition of your smile
(it was through tears always)and silence moulds
such strangeness as was mine a little while;

moments when my once more illustrious arms
are filled with fascination, when my breast
wears the intolerant brightness of your charms:

one pierced moment whiter than the rest

—turning from the tremendous lie of sleep
i watch the roses of the day grow deep.
Saumya Aug 2018
It is often when I tend to pause and introspect  on life, my experiences with in in general. It is in such moments, I feel  myself imbibed, yet  so stunned  at the realisation of the fact, that it is so knowingly, yet often most unknowingly that we affect everyone whose life's paths we cross through! It may sure be the case that  we don't mean too much to a person as the other person already does, but then, what we still are mostly unaware of at that moment, is how beautifully, intensely or pathetically does our little acts and attitudes may be already affecting others, and theirs to us. Would our  lives be okay as it is currently, when the same situation is just altered a little by deducting air from it? Would we still be sitting so patiently as we are now, even if everything was same, except the mere deduction of water from our life? The mere absence of shelter and food yet again are the elements, whose mere mention of absolute deductance would be good and great enough to stop the mere throbbing of our heartbeats which might already have slowed or rather started being too swift by now!
It is interesting, how some elements are just a trifle to be valued, before we realise how worse our lives could be
only by their absence, or well departure! Doesn't that same rule applies for us people too? Most don't value  the hardworking yet lowly paid people like a builder or the labourer who builds their House, or mansion, as much as they value their guests and inhabitants that get into it after it's finally finalized. The guest obviously are worth the praise but aren't those
labours?  ask this to yourself for a moment, that what would your house be like if there were no labourers to make that happen! The house that keeps us safe and cosy now, is but many  day and night's struggles of someone who worked hard to make it happen in reality. He, his soul deserves to be praised for making your dream, your dream home come alive! It often makes me smile at some kindered souls whose ultimate profession is working for humanity, it's wellness, It's enrichment, It's improvement, and it's best progress, therefore I can't help but smile wide, when I come across a truly  honest teacher, doctor, mentor, poets or writers ever. They have a spark that's so  refreshing, inspiring and contagioud! They indeed are those eminent souls who nurture and enrich the souls of others so piously and profoundly, and it is often that they are just  so unaware of this preciousness and the greatness they so majestically possess!They pour in us, the true essence of the goodness our world is made up of, and make us feel a like a viable part of it. They brighten our days. it's a blessed blessing to be in the company of such gems, truly!

Afterall, us humans are so alike the state of matter called 'liquid', that is known for its 'adaptability' .It hardens and softens with  the change in temperature. sometimes hardened by our outer world's that haunts us often, yet are very eagerly  inter-convertible. And it is hence, when  the truest, and enlightening essence of  eminent souls touch us, embrace us, we transform in their moulds, sometimes and little and sometimes a lot. Sometimes very finely, and sometimes too coarsely, built in a confined type with the advent of time, and it is then, years after years, we become a person and then a personality that we let time , and the people that tread through it, in our lives transform us into. Every little to large element affects us, in ways we often don't know of. Everything teaches and tells us of life it's stories, it comes with lessons, and our hearts, out consciousness perceives them too, from time to time. We  shape mysteriously, yet so mysteriously   in and into the vessel of life eventually, that we interestingly don't realise the intensity of the change until someone else remarks us of it, and makes us realise it. These changes are just this mystical and inevitable! And change is the law of time.
From my ongoing book, "The Philosophical Lessons Life Taught".(The other chapters have been posted on page too .
Check them out if you wish to)
All your comments, feedbacks, suggestions etc. Are most welcome :)

Thank-you so much for stopping by, and going through the chapter (s) :)

Sincerely,
Saumya.
Catherine Edgar Aug 2010
Frozen in the darkness silence peacefully shrouds me
hoping that I am breathless, praying he wont see,
this sublime sorrow I am gasping in the pain
swallowing bitter tears seconds from insane.
Defining the emotion each and every time
trying not to echo, balancing on the line,
silence is a killer but not my reason to die
hearing in this deafness will always make me cry.
The shadows over take me, speak the unspoken curse
just as well I am dying can't bear to smell this hearse.
Weighed down by lost tomorrows my memory finally broke,
why is it always my own hands gripped to make me choke?
His hug comforts my stomach blindly in his sleep
not knowing in this darkness my eyes can't help but weep,
obscurity plays around me tries to steal my breath
every time I close my eyes I know I’m close to death.
Panic underestimates the power the black withholds
carving me so gently, painless as it moulds
I sweat out my reaction cause words can't find a voice,
helplessly devoted to lay I have no choice.
Everything suffocates can't bear to close my eyes
repeated optimism as I see how everyone dies,
my mind is there to haunt me it never gives me peace
all the pills digested at will, still wont make it cease.
Night is a blur now confused by chemical reaction
convulsions rage as death excels performing its extraction,
in the mix I see his face traumatised by my choice, it's made
but time has gone his actions futile as sight begins to fade,
regret stabs flesh repentantly too late to change effect
I know he’ll cry forever at his failure to correct.
My selfish, vengeful actions will speak louder than my word
he never seen the suicide…do you think he finally heard?
© Catherine Edgar, 2010
Mateuš Conrad Oct 2017
i tried to assimilate, oh wait, i did, and i speak better native sprechen than the actual natives, and for that? you get the boot, because some camel jockey egyptian mongrel mixed with iranian blood gets the better of you... i guess the "natives" were fans of the eastern european *******, but not the eastern european males, **** it, i'm coming for the ride; can just see the ****** shouting: ooh ooh! their male counterparts are a'coming! and next thing you know, i'll be asking you to play the ******* banjo, with a toothpick!*

and it was always going to be torrential rain,
suspended in a prelude crescendo
of soulfly's song prophecy...
oh all the hoes come from eastern europe,
just like all didlo moulds come from africa,
gotta perfect that "pleasing of the white
******* honey cougar in plastic too, yo, bro..."
black people don't speak the current
lexicon, they are hyper-evolutionary
with their slang impromptus,
gets annoying after a while,
when you stop keeping track of their
ghettosprechen...
      ******* could have said custard,
meant margarine, but i'd still think of
jungle...
                     ghetto *****, get-a-go!
next time you mention all women of
eastern europe as ******, i'll mention
you in my charcoal wish-yo-were-edible
roasts... **** me... i'd prefer eating a leg
of lamb than a ******; shank.
oh, the word offends you,
but doesn't offend you in a rap limerick?
i.e. ***** ***** bab bab *****?
black people invent too much slang,
too much degenerate use of language,
      i try to keep it straight and universal,
off the orangutans go, talking orange is
the new black...
           i still find it hard to fathom
darwinism, who would be mad to begin
in africa, and end up in the arctic circle,
and no china?! common origins *******...
  tried looking for an eskimo in china,
all i found was, a ******* icecube!
      post-existentialism does exists,
it exists in the form of anglo-existentialism,
i.e. a darwinistic blackmailing...
    21st century existentialism is blackmail,
plain dumb & simple...
   and yes, i have a girlfriend, i call her...
sophia...
       and nietzsche was right:
the ugliest of the ugliest? atheists,
intellectually speaking.
       and why would you ever consider
the pristine sophia / ****** mary if not considering
aspasia, phryne, rahab, theodora,
   to counter philosophy,
   why not craft a:
    philospasy, a philophryny,
       a philorahabu, a philothedorum?
guess what, of the most famous prostitutes,
the contestants are philorahabu,
                     and philothedorum,
and all are famous prostitutes;
then the pristine sophia, my "girlfriend";
philosophy has a deity, that although
deemed pristine, has been touched by
many hands, and many strangleholds of ego,
time to turn this princess into a *****;
and the ones that visited a *******,
will look at those that haven't with curious
eyes.
let's not forget the siamese twin prostitutes
safa & marwa, and the matriarch
and true founder of islam ha-gar -
      the concubine of abraham,
  that ******* mother of islam.... hagar...
you really think men invented the islamic
attire for women?
              who's at the chanel catwalk,
straight men, or gays and women?
       you blame anyone, you blame: hagar...
running between the mounts safa & marwa...
islam, that totalitarian reinvention of
"repentant" / "revised" mode of prostitution...
and as i once overheard an englishman speak,
the niqab? satan's postbox.
- the craft began with treating the world as
solely inanimate, to make it as inanimate as
possible, and interact in it,
   as the sole animate agent, obviously with
the obvious hurdles of animate expressions,
nonetheless, these expressions being
outside the vicinity of integrated animate
actors, working around in inanimate surroundings,
conclusively,
  the "supposed" animate expression regain
their inanimate stratum by a repeatedly
predictable observation of
a prior re similis ad infinitum
  (prior to, again, similar toward infinity).
the point was always to make the world
as inanimate as possible,
    collecting books is a starter,
  collecting cooking utensils another,
the point being, to surround yourself with as
much inanimate reality, as to prove yourself
the animate, the "actor"...
             or more expressively: the puppeteer...
it still bothers me, grinding two prefixes...
the penta-      vs.        the tetra-...
   why? well, we are embodied with five sense,
but there are only four elements...

    vision
audition
gustation                       yes, but there's only
  olfaction
     somatosensation

                    air, fire, earth, water...
      this is almost gagging a schematic,
  we can see fire, earth and water,
  we can hear fire, air, water and earth,
      we can taste...
      we can smell fire, air, water, earth,
we can touch fire, water, earth...

this, by the way is crude...
   and is limited by not adding particular
observations...
   but the ratio 5:4 is in place, akin to
the mad hatter's 10/6 = 0.666...
         and that missing one is: ad infinitum,
might as well call it the lazy eight with 4:5...
since the elements came prior to the senses.

i'm guessing the "fifth element" to compliment
the five senses is a far greater posit than
a sixth sense, in that, this "fifth element"
is a plagiarism of kierkegaard,
  i.e. the "changelessness of god",
namely the eternally immovable object,
an object of constantly perpetuated friction,
so stationary that it moves all things,
which also precipitates into an eternally
recurrent subject matter,
immovable, ergo, inexhaustible.

- and i will die believing that anglo-existentialism
is an argument from the perspective
of blackmail, esp. since it's overtly-repetitive
and unoriginal,
  and if the english found continental
existentialism boring, a continental european
like myself, will find some hidden interest
in this "boring" artefact of time,
   but nothing can redeem repetition,
not even a boring artefact of writing,
   since when reading a boring "effort" of
writing, you can actually wake up,
and yawn...
  but when the same "effort" is repetitive,
you never get a chance to yawn,
you're still asleep, "apparently" enthralled.

- and to give a conclusion...
if an irishman thinks you write akin to
the psychiatric slang of "word salad",
ask him if he has read any james joyce,
if the answer is no, and he replies that he prefers
video game narratives, and has ambitions of
writing a book citing the cliche moonlight sonata
of beethoven... it's one of those times
you can't even laugh, internally, or externally.

- eventuality vs. actuality -
whereby actuality is a reactionary stance
that drags past events into present and future
events...
   whereby eventuality is a liberal stance
that drags past events into a wall,
   the present into a status quo,
  and the future into a snooze button phase
of a clockwork orange.

- no, i don't like this darwinistic blackmail of
continental existentialism,
  this monochromatic monolith...

- better start calling philosophy by its proper name,
philorahabu / philothedorum
(were not underlined on the pixel canvas,
thereby bypassing the oxford dictionary panel
for nuo-verbum acceptance) -
      keep that ****** of yours sophia
in a cage, because your thinking,
like your body, will become contaminated;
but one thing is for sure,
that concubine hagar running between
safa & marwa looking for water...
    can't imagine any other grander matriarch...
a reformed *** slave, who gave birth
to the niqab...
            i really can't imagine jannah
that way... i think it looks like:
1 man + 72 prostitutes,
              and 1 woman + 3 holes stuffed.
Aaron Wallis Nov 2012
A man is only half of what he is; always leaning towards the dim
Lacking a flouted need which whorls in the mute within him
A man bigots an ideal and will lark it away at the hold of his routed pith
A smile is not worthwhile if the smile does not have anything to receive or to give

A man is skyless; bound to his back with his dreams fixed on a rapture
He gorges upon tasteless feasts gasping for that sup he hungers to recapture
He does not know nor recall the times that did once befall
Of the lossless suffers and how they ever meant anything at all

He will become the most that he can ever endeavour
Be the creature he needs to be and whichever
Way it may engross him and how it moulds or claims him
It will be still him but leaning not so far in the dim

He would be a whole man who would give himself wholly
Who would be more and only more to her and her solely
His full heart would be tendered for it would not be his own
If it was still partial of the heart that had since budded and grown

A man would be raised and the sky would be without border
A bliss amid clouds where the undiscerning muddle finds order
There would be a sense to the road an approach to the wander
A reason for all a kiss a need to ponder no longer

There would be such rise in his depth and a contest behind bit teeth
To fight for the purposed kiss to hold her and keep her from grief
To offer her all embrace not too tense and not too slack
For her to breathe is to breathe; now half new he would never give it back

To be back upon his back with eyes busy to the sky
His bones broken as her feet glide indifferently by
Over his stare among cloud where she impelled his descent
He’d lay fallen and broken beaten and bent

If Half a man became whole does a whole man not become naught?
If he fights for a dearest never afore dreamt dream then what is left to be fought?
Was it his minds misgivings that would lead to such a trite giving reliving to doubt?
That surfaced more than he knew; the intended whisper instead a floundering shout?

Would it have been his heart that threw him from his felicity?
Could his relish overwhelm and mutate into potent toxicity?
Could it be fact that without thought nor without tact he impelled her?
Either overthought or over loved he would have fallen the hardest and he would not rise
No he would not rise anymore

If there ever was such a man and ever such a she
He would have her for as long as that may be
Her greatest gift is after saying all this to you
Is that after knowing all that you could you would feel the same way too.
Poetic T May 2019
I think the moulds were broken with humanity,
for if we were perfect
there wouldn't be so many faults
                                    in the mould.

But we learnt to smooth over the  cracks
                      and realise
                                            that we aren't perfect
but together we can mould a better future together.
Tell me, O tell, what kind of thing is Wit,
      Thou who Master art of it.
For the First matter loves Variety less;
Less Women love’t, either in Love or Dress.
      A thousand different shapes it bears,
      Comely in thousand shapes appears.
Yonder we saw it plain; and here ’tis now,
Like Spirits in a Place, we know not How.

London that vents of false Ware so much store,
      In no Ware deceives us more.
For men led by the Colour, and the Shape,
Like Zeuxes Birds fly to the painted Grape;
      Some things do through our Judgment pass
      As through a Multiplying Glass.
And sometimes, if the Object be too far,
We take a Falling Meteor for a Star.

Hence ’tis a Wit that greatest word of Fame
      Grows such a common Name.
And Wits by our Creation they become,
Just so, as ***’lar Bishops made at Rome.
      ’Tis not a Tale, ’tis not a Jest
      Admir’d with Laughter at a feast,
Nor florid Talk which can that Title gain;
The Proofs of Wit for ever must remain.

’Tis not to force some lifeless Verses meet
      With their five gowty feet.
All ev’ry where, like Mans, must be the Soul,
And Reason the Inferior Powers controul.
      Such were the Numbers which could call
      The Stones into the Theban wall.
Such Miracles are ceast; and now we see
No Towns or Houses rais’d by Poetrie.

Yet ’tis not to adorn, and gild each part;
      That shows more Cost, then Art.
Jewels at Nose and Lips but ill appear;
Rather then all things Wit, let none be there.
      Several Lights will not be seen,
      If there be nothing else between.
Men doubt, because they stand so thick i’th’ skie,
If those be Stars which paint the Galaxie.

’Tis not when two like words make up one noise;
      Jests for Dutch Men, and English Boys.
In which who finds out Wit, the same may see
In An’grams and Acrostiques Poetrie.
      Much less can that have any place
      At which a ****** hides her face,
Such Dross the Fire must purge away; ’tis just
The Author Blush, there where the Reader must.

’Tis not such Lines as almost crack the Stage
      When Bajazet begins to rage.
Nor a tall Meta’phor in the Bombast way,
Nor the dry chips of short lung’d Seneca.
      Nor upon all things to obtrude,
      And force some odd Similitude.
What is it then, which like the Power Divine
We only can by Negatives define?

In a true piece of Wit all things must be,
      Yet all things there agree.
As in the Ark, joyn’d without force or strife,
All Creatures dwelt; all Creatures that had Life.
      Or as the Primitive Forms of all
      (If we compare great things with small)
Which without Discord or Confusion lie,
In that strange Mirror of the Deitie.

But Love that moulds One Man up out of Two,
      Makes me forget and injure you.
I took you for my self sure when I thought
That you in any thing were to be Taught.
      Correct my error with thy Pen;
      And if any ask me then,
What thing right Wit, and height of Genius is,
I’ll onely shew your Lines, and say, ’Tis This.
wandabitch Apr 2013
when we laugh we cry
into a comic masterpiece.
in slow motion we control
what moulds peace
into a letter.

what touch soon grows
attached to the soul
electricity

to close and yet far away
metallic bonds the
cigarette to the hour  glass


and i fold
this is what must be said, about the electrons
that thread,
our lives into a piece of art.
Daniel James Jan 2012
I knew a man once who could read the trees
He'd stand in a field with nothing on
And look at them for hours
(He couldn't talk to flowers)
But he would pour over every branch
Trace every knot and feel their bark
He translated a sycamore for me once
But oaks and beeches were his favourite
He said he just preferred their type.
The elbow bends told him of seasons
The trunk's tilt told the prevailing winds
Their denseness in relation to their neighbours
Told him all manner of gossipy things.
The colours and the hues told of the soil
The moulds and lichens the local fashions
He'd tell you if they'd ever been frightened
By hippies, chainsaws, axes or lightening.
And as I looked on, I realised something
As I read his naked body with no clothes
This man was obviously a stark raving lunatic.
I'll ask you not to turn off the lights,
I want them to blind me
with their brilliant filaments
until the bulbs break
like a vase on a tiled floor,
the walls, the door go back
to being charcoal black
as they have been so many times before.

I have started to abhor
the roads that define me,
the words that describe me
and my traits,
the way I must walk in wintery air
to a migraine inducing wilderness
to be squashed into old moulds,
will this be adequate for you now and when?

What is this fall,
does it affect you, your actions,
your jumbled jigsaw piece thoughts?
These bruises are purple,
this brain is strained,
inject me with zest
until my wrist pains
so much it must combust.

Out of the glass is nothing,
a candyfloss cloud, a tree, a lawn,
it bores me,
an artist is needed,
paint a new canvas
swathed in colour
and things from my weekend dreams
lucid and intense.

I am a ******* up ball
of paper, unfold me, still legible?
Fold it again, an airplane
chucked into an angry breeze
or please,
if the lamps are tough enough,
watch my words illuminate,
drool across the table.
Written: October 2012.
Explanation: A poem written in my own time, also available on my WordPress blog. An excerpt of this piece was uploaded as a Facebook status update.
Moulds and mold
Shape it right or let it rot
Meanings to words
As you seek
Tete Rudo Jan 2019
We are all born
Creative
Early childhood is all about
Being creative.

Soon, however, life
Steps in.
It tries to ***** out
Our creative instincts
By labelling us
Rebellious
Naughty
Selfish
When we try to do
Our own thing.

It tries to ***** out
Our creative self
By fitting us into
Life's boxes
Life's moulds.

Doctor
Lawyer
Engineer
Accountant.

Go the safe route
Life urges
Go the secure route
Life urges
Follow convention
Be serious!

The adult creative
However
Is the child who
Survives
This onslaught
This manipulation
This war on the
Creative self
And chooses instead
To follow their own path
In life.

The road less travelled.

Where
Fun
Freedom
And
True fulfillment
Await.
Kamimi  Mar 2019
Moulds to break
Kamimi Mar 2019
No green in the park shines for story,
No face in the dark wants to save,
No color in the light scatters for glory,
Life has moulds to break.

— The End —