Mein Kampf

‘Der Führer’
Heaves mothers’ children into the fires of hell, like sacks of flour
Throughout travels between devastating concentration camp
Day after day,

Hour upon hour,
Minute by minute.
All of this, to rid the population of ‘imperfect beings’….One of which
He is included.
Breaking backs, bones, and spirits
With each familial separation, stinging like a whip.
Incinerating carcass after carcass, to harvest golden teeth
And demolish the bodies of God’s children.

I don’t understand….
What is this for?
For not meeting the disgusting standards
Of a **** wolf.
I will never understand.
Das ist mein kampf.
(3-16-12)

i hope to vacate a corner of some room,
spider-architect
           who's intrinsic basis is to craft
a spiderweb...
     yawn poetry...
   usualy the kind that's not worth a whole
lot of grit, and is ah, ah... all sighs...
well, hence the intended vulgarity...
  but i know that even that doesn't work
all the time, unless i'd be used to
listening to a waterfall playing the drums...
   and at best: i can only theorise language,
or that's what i think is my adequate role...
the rest of my life is fiction anyway,
a fiction where i don't actually write
a book, but live it... and only invoke
"poetry" to be used as a reference to how:
    nothing happens in philosophy books happens...
the only "adventure", the only "plot"
      is solely thinking...
      and isn't that something to be depressed about?
aparently that's not the case...
    apparently there's a layer of humanity
that prefers a thinking adeventure, to a, say:
   a cruise-ship holiday in the Mediterranean -
nothing happens...
    the only action is the stressor: thought:
or as i like to call it: the ought,
   and the subsequent cascade of choices...
         i can't believe there's a complexity in
thinking, other than making choices...
           making choices and then nostalgia,
euphoria, blessings, regrets...
        it can't be as complicated as it sounds
to the numerous adherents
       of practising the so called art-science that
philosophy deems itself to be...
   i don't know what sort of person you have
to be to read Heidegger over Dumas...
   when i was younger i only tickled myself
with fiction...
                when life became unnecessarily complicated
i decided to read a philosophy book...
     i don't know why, but that's how it happened
and my final bid worth descriptive
        analogies: philosophy books teach
you nothing but lethargy...
     i don't know whether you just dumb-down
and fall into posing a pretesence...
but at the same time... it would be nice to read
a feminine-ego in philosophy that has no origin
based in a "movement" / revolution
currently known as feminism...
   it would be nice to see a woman writing,
hermit like, branching off into a solo expedition...
   it's not that i'm ignorant,
the only female examples in my library are
pop... virginia woolf / ophelia..
   anna kavan and sylvia plath...
      evidently writing breaks women...
      when man came ******* and writing
  with a book... she had a *****...
    well... that too, and castrating men
for the purpose of creating the most perfect
choir-boys of the Vatican...
            i'd like to read what a woman actually thinks
(on the basis of the title, i.e. the two incidents in
the night involving women)...
  but i know i will never come across a naked
woman in writing...
      completely devoid of technique
  aspiring to poetry fakes, fiction fakes,
   always running away: having "fun"...
    i mean: something written by a woman that
could be equivalent of handling beef, or pork,
at a butcher's...
                 but that's not exactly based upon
a care to moan...
        i write on the basis of having a "leisure"
activity... well... i write on the basis of
   having the capacity to forget myself...
    i treat writing as a mode of anti-memory,
writing is anti memory...
              and it can become a sort of forbidden fruit,
given economics and how more bricks are sold
than books and how books can sometimes become
akin to bricks...
        i don't write because i want to,
    i write because: i also have to take a ****
  sometime in the night...
    so out with poetry's ah ah and sighs...
         it's not happening...
       say you watch either romeo + juliet
or tristan + isolde...
    now i use a language that has these myths...
the only polish myths i know are those
concerning the Polish-Lithuanian commonwealth,
the Wawel dragon, the mongols...
  world war ii...
                     i have nothing, not even a puddle's
worth of depth, i use language as i do:
only because i have no soul:
  and that doesn't mean i sold it for private islands
in the Caribbean -
   or fame...
         i literally having one attachment point to
consider:
     to play on theoretics of language akin to linguistics,
but less so, i.e. with "identity",
    best summarised by verb language...
i just use a language...
        i don't necessarily care to have an identity in it...
  perhaps if i was akin to an octopus
with the so many wriggling limbs...
                    ah yes,
life underwater... so much more spectacular than
in the air...
                    and space exploration,
   akin to us with our space projects...
  and in the depths of the seas, life akin beyond
the vacuum of space: humpback anglerfish...
       or what ridley scott depicted...
        funny, that inquiry, that curiosity killed the cat
scenario...
          but being so warm-blooded wasn't enough
for us... i can't help it if i say that i'm not that lazy
in my observation...
    so back into a theoretics of language...
   using the necessary tools a (indefinite article)
     and the (definite article)
   or using the prefix rule a-      and the
         i.e. without a point.... atheism...
                 so just add the suffix -ism to that...
   otherwise known as vogue at certain times in history,
most notably started by either biiologists or
physicists... guess who brought the fireworks? chemists
with Faust and the devil at the fore!
  added fact: no one in the medical profession
    (they're the actually useful "biologists") don't
disregard that it becomes pointless
   to leverage the universe on the basis of
a single theory, a single mind, that's based on
both abstract ideas, and ******* genitals...
well d'uh... well done! clap clap clap clap clap...
       whether that's as a priori / instrinsic / genetic
       / predestination orientation
     as a spider and a spider-web...
                  i like to see that my ego is like
a spider's **** (or whatever you call it... sure,
gland... like a thyroid gland / sweetbreads)
                       that just produces these
god / no god arguments... and the reason is perhaps
obscure... it could be just that,
that i have this artificial intelligence implant in my head
that thinks if not believes in god (i'm not that keen
on the rituals, not a big fan of flagellation)...
      and so saying that: even a vacuum is something...
so you could say: i won't engage in religious Bar Mitzvahs,
but i'll argue for the non-existence of...
                  then back into the theory of language...
   a-          +         -th   (indirect article / direct article rules)...
articles in the pronoun category...
   what could possibly be the perfect e.g.?
   mein kampf...
            we have two examples already,
the obvious one, and the Norwegian one...
        what i want to consider
   is the alternative: ich kampf...
       as odd as it might sound: i consider
  i struggle to be an indefinite expression,
       and my struggle to be a definite expression...
   i.e. it's mine, i am the possessor of the struggle...
   ich kampf can very literally be an airy-fairy approach,
a pinata, hanging off a fishing-rod while sitting
on a scythe / crescent moon...
or: against the taboo of scientists feeling,
admiring art, reading novels...
    i can not not see the taboo against scientists not being
fully "human"...
       completely detached from art, from humanism,
never mind philosophy being the mediator
not really helping, that strand of it attacking
poetry...
                   but given a and the are the primodial
tools: say, hammer and scissors...
   and applying them to migrate from their
original grammatical boundary,
   it is necessary that they first experience pronouns...
    which is counter to what you might have
considered the pronoun i to be stressing...
given we're of the mortal caste,
   neither thinking nor being, or however argued
by Heidegger as being there / here allows...
given the numbers of us: it's still a case of indefinite
notation... or a Simon says / Solomon notes type of game...
    it's all vast, and empty,
    man's quest to be akin to a god's footprint
or a fingerprint...
                 with his copper statues of world war ii
heroes, or mentions of Achilles...
               but that's how it works,
there are theoretical physicists and there are men who
build actual atomb bombs, and that thing beneath
Switzerland...
                      it was in my belief to suggest that
black holes are 2 dimensional objects in 3 dimensional
space... a bit like those ferns in the Lara Croft video games,
the first types... from the 1990s...
    i believe that black holes are actually two-dimensional
objects, enclosed in a hyper-dynamic
           surrounded by three-dimensional space...
i haven't seen one up-close, sure... but i've never seen
jupiter either...
   so you guess is as good as mine...
i mean: how to transcend the harrowing experience
of writing poetry and fiction and write theory...
   to become a linguist without
              having to be burdened with a linguistic
alphabet...
   i.e. [flaj-uh-ley-shuh n] / (flāj'ə-lā'shən) /
flagellation doesn't really do it for me...
   can't feel a hard-on with that crap...
                        flaj? jammy ******* dodger...
   dodge ball more like...
                  i'm bilingual, i get the picture,
   and given the close proximity and the evident difference
i can have my little chemistry set, and a shed...
   evidently if i was bilingual from Hong Kong
i'd be a a yarn ball enclosing a silver tea-spoon,
that i'd later shove up my *** to question whether that's
a privilege...
    a bit like that mad lady with 20 cats...
  or thereabouts...
           so it has to be a case of ich kampf categorising
the pronoun as indefinite...
    there's me tomorrow, the struggle might not be...
my, as a definite article:
    say: keeping grudges... count de monte cristo's
zeal...
         in the same vein:
    they / them are usually noted into ditto /
ambiguity... hence they are indefinite pronouns
(working from the base of article)...
                    such as we / us being likewise noted
but based on an enclosure, endorsment,
a definiteness...
   thus said: how can a grapheme be the smallest
unit, when it encloses two vowels?
   aren't vowels and consonants the smallest units
of encoded sound?
         well... evidently not...
so why read books where nothing, absolutely nothing
happens...
   well... the last time i checked books were
not invented to compete with movies,
there's a clear dichotomy in that "∞",
   what at best i can ditto to invoke: relationship...
O 0, ∞ 8... look who's the fatty...
                      hard to see why the only
books worth appreciating are the books translated
into a movie, kinda makes the original books
a tad bit pointless, what, with the abandoned
mental effort of actually having read them
   (past tense of reading can't be grounded
within the colour red...
   keeping the grapheme as become more and
more bewildering)...
   reed, read, read.... no Persian is coming near this
soil, no Iranian is going to blow himself up,
by the looks of it... the Shiite Muslims
are the only sensible ones these days:
     you need to allow for a schism...
i also note that, Christianity has become
   omni-schismatic, and, well... that's just
ridiculous...    
                                  it's too much pick-and-choose,
buy and sell for 99 pence...
                    it's hardly as romantic as
r.e.m.'s losing my religion,
i pledge nothing to the cross, nor
   the shadow of the cross,
                  i have no allegience
to it, or the crescent moon,
in scientific terms: i'm a free radical.
     but what i really wanted to "talk" about were
my two incidents in the night concerning women,
i must have probed the right buttons on this thing called
universe to get this sort of reply...
the 2nd example (stated first) was just weird...
walking down the street with a beer and cigarette in hand...
a Mazda MX-5 pulls onto the pavement...
i walk past it...
    30 metres down the road
this blonde runs up to be with a rollie cigarette
   and asks for a lighter...
i notice all the power-cursors of a ring on
her right hand... the car she owns...
            i'm really the pauper and she's really
the queen bee...
            the weird aspect is that she ran 30 metres from
her car to ask me for a cigarette lighter...
    the first incident is even more demanding
a written absolution...
    in a pharmacy...
                  asking for my sleeping pills...
ordered in the afternoon... most likely arrive in
  3 rather than 2 days... 2 days if ordered in the morning...
   and there she is, the brunette deer,
  i swear to you, English girls have deer eyes,
  not dumb-like, wild ready for unknown...
i should know... i spent 22 years in this ****** country,
drank the local milk, ate the local beef,
   never had a local girl to bed...
                     boo, hoo... which just makes them
all the more fascinating...
        it was one of those: love at first sight moments...
there she was, pristine milken skinned anglo rose...
    with braids either side of her cranium...
   a very slavic accent...
              she moved from beyond the far-away counter
to a counter near me
while i asked for my prescription...
             and waited, and she looked at me,
or rather: eat me with a nearing claustrophobia i
felt in my chest...
           this really does sometimes happen...
this realisation of love at first sight, the love:
without a fight...
             those eyes can cannibalise you in an instant,
esp. in the locket of an english girl's cranium...
      my **** and ***** shrivelled up,
my heart imploded
     and could only fathom a fear in my head
that didn't arouse a single, god-identifying word
of sanity and action, or adventure,
and the whole nine-yards of marital contract...
      just this girl in the pharmacy...
      how she moved, how she eyed me...
   well... my face isn't exactly a da Vinci...
but it isn't exactly a Picasso's impression
of a pig's buttock...
            i can only stress a hypnotic moment,
as if impregnated by her...
        i was only there asking for my insomnia
pills... and i left that place thought-******
       and emotionally ***** by those daring eyes...
as if the whole point of woman was
to ascribe a man to her delving in utilising a womb,
meaning i was almost inside a stomach,
        meaning i was no ego, meaning
i was foetus...
                oh sure sure... Helen didn't send a postcard
to 1000 Ships

Adolf ******
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"******" redirects here. For other uses, see ****** (disambiguation).
Adolf ******

Adolf ****** in 1937
Führer of Germany
In office
2 August 1934 – 30 April 1945
Deputy
Rudolf Hess (1933–41)
Position vacant
Preceded by Paul von Hindenburg
(as President)
Succeeded by Karl Dönitz
(as President)
***** Chancellor of Germany
In office
30 January 1933 – 30 April 1945
President Paul von Hindenburg (until 1934)
Deputy
Franz von Papen (1933–34)
Position vacant
Preceded by Kurt von Schleicher
Succeeded by Joseph Goebbels
Leader of the **** Party
In office
29 June 1921 – 30 April 1945
Deputy Rudolf Hess
Preceded by Anton Drexler
Succeeded by Martin Bormann
Personal details
Born 20 April 1889
Braunau am Inn, Austria-Hungary
Died 30 April 1945 (aged 56)
Berlin, Germany
Nationality
Austrian citizen until 7 April 1925[1]
Citizen of Brunswick after 25 February 1932
Citizen of the German ***** after 1934
Political party National Socialist German Workers' Party (1921–45)
Other political
affiliations German Workers' Party (1920–21)
Spouse(s) Eva Braun
(29–30 April 1945)
Parents
Alois ****** (father)
Klara Pölzl (mother)
Occupation Politician
Religion See: Religious views of Adolf ******
Signature
Military service
Allegiance German Empire
Service/branch Bavarian Army
Years of service 1914–20
Rank
Gefreiter
Verbindungsmann
Unit
16th Bavarian Reserve Regiment
Reichswehr intelligence
Battles/wars World War I
Awards
Iron Cross First Class
Iron Cross Second Class
Wound Badge
Adolf ****** (German: [ˈadɔlf ˈhɪtlɐ]; 20 April 1889 – 30 April 1945) was an Austrian-born German politician and the leader of the **** Party (German: Nationalsozialistische Deutsche Arbeiterpartei (NSDAP); National Socialist German Workers Party). He was chancellor of Germany from 1933 to 1945 and dictator of **** Germany (as Führer und Reichskanzler) from 1934 to 1945. ****** was at the centre of **** Germany, World War II in Europe, and the Holocaust.

****** was a decorated veteran of World War I. He joined the German Workers' Party (precursor of the NSDAP) in 1919, and became leader of the NSDAP in 1921. In 1923, he attempted a coup in Munich to seize power. The failed coup resulted in ******'s imprisonment, during which time he wrote his memoir, Mein Kampf (My Struggle). After his release in 1924, ****** gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, antisemitism, and anti-communism with charismatic oratory and **** propaganda. ****** frequently denounced international capitalism and communism as being part of a Jewish conspiracy.

******'s **** Party became the largest elected party in the German Reichstag, leading to his appointment as chancellor in 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into the Third *****, a single-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. ****** aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the denunciation of restrictions imposed on Germany after World War I, and the annexation of territories that were home to millions of ethnic Germans, actions which gave him significant popular support.

****** actively sought Lebensraum ("living space") for the German people. His aggressive foreign policy is considered to be the primary cause of the outbreak of World War II in Europe. He directed large-scale rearmament and on 1 September 1939 invaded Poland, resulting in British and French declarations of war on Germany. In June 1941, ****** ordered an invasion of the Soviet Union. By the end of 1941 German forces and their European allies occupied most of Europe and North Africa. Failure to defeat the Soviets and the entry of the United States into the war forced Germany onto the defensive and it suffered a series of escalating defeats. In the final days of the war, during the Battle of Berlin in 1945, ****** married his long-time lover, Eva Braun. On 30 April 1945, less than two days later, the two committed suicide to avoid capture by the Red Army, and their corpses were burned. Under ******'s leadership and racially motivated ideology, the regime was responsible for the genocide of at least 5.5 million Jews, and millions of other victims whom he and his followers deemed racially inferior.

Contents
Early years
Ancestry
Childhood and education
Early adulthood in Vienna and Munich
World War I
Entry into politics
Beer Hall Putsch
Rebuilding the NSDAP
Rise to power
Brüning administration
Appointment as chancellor
Reichstag fire and March elections
Day of Potsdam and the Enabling Act
Removal of remaining limits
Third *****
Economy and culture
Rearmament and new alliances
World War II
Early diplomatic successes
Alliance with Japan
Austria and Czechoslovakia
Start of World War II
Path to defeat
Defeat and death
The Holocaust
Leadership style
Legacy
Religious views
Health
Family
****** in media
See also
Footnotes
References
Citations
Sources
External links

i know of Knausgård -  sure, and i share this concerns for
the art of taking to lumber and chopping,
  as novelists tend to do, write with an axe,
philosophise with a hammer...
          metaphor turned into imagery
counter-turned into literalism...
   i once imagined him not being there -
i once wrote ich kampf, stressing
that it was an indefinite expression
of expression, primarily due to the content
of the pronoun... and i was referring also
to the definite expression (much obliged,
atheism, a- without, and the- with,
or indefinite and definite articulation) -
the English eye sees one stance as definite,
and another as indefinite, and juxtaposes
the two interacting...
                          they duly interchange...
i can say ich kampf and say i internalise
verbs: a movement of the hand,
   a strutting or a waltzing circumstance
of owning a body... that's what it's indefinite...
that's why Sartre slithered in counter to
his expanse in philosophy: because i really loved
his novels...
                          but in terms of a mein or
a mit (including me) struggle i find not
ease... no one dares to devalue ****** as a human,
not talking about the past history in purely human
terms urges the postscript of a dictator,
it actually elevates him to a godly status...
           not realising the human is to make flaws
of what the en masse does: raises him to a godly status...
     Zeus had a beard... not a Charlie Chaplin moustache...
right now he's laughing in his grave...
                      old Aldous ******...
   and aren't dictators born because people find their
surnames a little bit funny? it starts so
innocently...          and then it morphs...
   and it becomes an unstoppable morphing...
    yes... i know of a certain number of fellow
      contemporaries... because i want to? no,
because i have to. like rewatching the 2015 film
android - some films you have to rewatch...
   what's being debated? autism and artificial intelligence...
   hyperactive autism, i grant you that...
        it dawned on me... at autistic person could
fake a normal human response treating it as
      artificial... artificial also means mimicked -
  it means that "smart" guy at a bar reciting poetry
he hasn't written... artificial intelligence or the study of it
or even creating it has nothing original about it...
it's not groundbreaking in the same sense that
discovering champagne or penicillin is...
or l.s.d., because these examples have the magic of
being discovered by chance... humanity has been
artificially simulating intelligence since time
immemorial... it's that natural consequence of not being
endowed with a peacock's array of feathers
   to create a soothing, and sickly gentle wind of a woman
resting in a hammock under the shade of a palm tree...
artificial intelligence was inherent in us...
       it's the unravelling of the historical noumenon of man,
the per se that has only crept up on us,
   and before the reality of such a foundation being
established... the humanities create the "prophetic"
citations of it being true: in the "near" / impeding future.
    if god is a noumenon, then man cannot be a
phenomenon... but he is and paradoxically the two
of mutually compatible on a basis of exclusive rather than
an inclusive naturalisation...
               we are talking nature:
  we are talking god naturalised by the medium
suggesting: for i am bound to create obstacles and test
the body, rather than the mind of man...
    as so is man, also naturalised by the medium
of the elements, saying: for i am bound by a body,
   and have to utilise the body first, to overcome the wind
and the snow and the furthermore, until i reach
the labyrinth of the mind...
  and man has done just that, he has bypassed the struggles
of the body, and created entertainment using
the body that once struggled against the elements...
   for he has created the god Minotaur: and the psychic
labyrinthe... as with the Titans whom the gods
usurped, so too comes the twilight of the gods...
but being usurped by demigods...
       Minotaur was a demigod... who usurped the gods
of the trinity that were Zeus, Poseidon and Hades...
        for only the Greeks could create a Judaic bewilderment
as to why a sign was given unto an infant...
           but that's getting technical...
the film, android (2015)? it supports the misconception,
the anguish of a highly functioning autism...
      whereby showing a woman's carelessness in the realm
of adaptability with what some would claim to be
the beginning point of: overcoming the elements...
sure the odd tsunami and earthquake...
   but there's also the tiger, and winter, and parasite,
   and diseases of so many variations...
              man has not been endowed with complete
control over his surrounding... but in becoming partially
overlord of the ones tamed, he has created a mental
labyrinth... a world of such complexity that will
inevitably produce instances of autistic genius...
                 artificial intelligence is already imbedded in us,
just as cloning and Islam has already existed
(Christianity is too schismatic to be considered a cloning
definition... and Judaism as a monotheistic principle
has a heresy embedded in its orthodoxy that it simply
ignores: reincarnation... the Malachi heresy...
  that a second Elijah comes... and god becomes a half)...
   we see artificial intelligence everywhere...
        if the myth goes that woman fed man the original
lie of Eden... then man has nothing else to do than
attempt to polymer that one single lie...
       and repeat it... a reverse intrusion to what "could"
have been an utopian splendour.
      we all see artificial intelligence rummaging about
in the choices people make... it's called lying
   to gain access to a ****** gratification...
  or as i like to call it: a way to compensate our falling short
of the norm, a norm that focuses upon creating
   the most complex startup a Silicon Valley genius
can't comprehend... a family.
    these times prescribe such a bewilderment...
              families are artefacts of what some believe
precipitated into barbarity so close to us: the 20th century...
        and all those arguments you hear that might
discourage the opposite ***, as in damning your parents
for a piece of seashore **** fest of the *****?
   probably came from a person born from a surrogate
mother... well... an incubator, a very expensive *****...
   homsexuality created the evolution of prostitution,
once bound to the genitals... now bound to the womb...
     i.v.f. kids calling natural kids ******...
   i never liked the matrix movies in all honest...
but we're seeing the reversal of the original idea...
                 in the matrix of knowledge... hearts become
piñata: chockies sweet, sensations abundant,
  the spectrum is yours.
                but this poem isn't really about that...
i can sip a whiskey and actually find these things when
i start to utilise these symbols... it sometimes happens
that they fall through... all i was really thinking about
is the "theoretical" score of 147...
                      i'll call them billiards rather than *****
to excuse a "he-he" Michael Jackson laugh at a chance
of "nuance"...
       yellow (2), green (3), brown (4), blue (5), pink (6), black (7)...
and plenty of red (1)... points in bracket respectively...
                  of course from childhood memory i sided with
ronnie... also from Romford... an obscure town in Essex
that oversees the shard and canary wharf from
a distance...                    but watching snooker as a child...
          not too bad at pub-snooker: i.e. pool...
and that game show when snooker was hot back in
the 1990s... big break, with jim davidson as host...
    and of course: john virgo as the rejuvenated
                         ghost of alex higgins... this whiskey
swiggly is on me al.
                 but this final... ****! at one point it was
a century after a century...
                     chess with mathematics, trigonometry
and Pythagoras in motion...
                                    the gods playing with saturn
and jupiter neptune planetary arrangements...
            i can't word it properly... but it'll definitely sound
better than a concussion after too much rugby and
the rough-stuff of "manhood" strutting with bulging
muscle tensions... rather than this Japanese warrior-monk
in a waistcoat and bow-tie swirling a stick in the air...
           i just thought of one thing...
15 wildebeests on an African savannah...
       out comes one lioness...
    and she nibbles at the pack... and she picks off
the weakest of the 15 wildebeests...
              she nibbles the pack before the pack breaks away...
         she looks left (red) and then looks right (yellow,
green, brown, blue, pink, black) -
                      and she picks at the pack, one by one
they fall... but there are two games going on...
   there's the no-man's land snooker where the game is
about entrenchment, and snookering the opponent
for a foul... and then there's the tsunami snooker...
which kinda looks like one person playing chess...
     with no opponent other than a chance mistake...
misjudgement on the case of instinct and how they ******
well know what angle to fudge the white lioness
                onto the billards... and with what force...
      tsunami snooker, or cascade snooker is basically
a monologue...
                             after seeing 3 centuries in a row
you get to crave classical snook -
                                       the mind games of safety shots...
   and teasing, and tempting, and teasing, and tempting,
before the Rubic cube unravels itself,
   and you find that light at the end of the tunnel...
                        and the black pops into...
i'll be honest, i haven't watched snooker for a long time...
        maybe that's why i feel so enthusiastic about it...
       it's sometimes good to be fed this mundane diet
of sport-fanaticism that football is in accordance with
religious dogma... it's a good thing...
             then you end up watching a game of snooker
and all these things start firing up your brain...
   and you end up saying:
      the Taj Mahal can be there for all i care...
the Grand Canyon can be there for all i care...
                    such things don't really require a photograph
with my gimp-face trying to make other people jealous
by actually being there: only to take a photograph,
rather than feed into the air and the thrill of being there...
        as they say... it's a small world after all...
better get used to it being much bigger inside your head.

A ***** duct tape silences my mouth
People say blood is thicker than water
Yet your thunderous voice screams at me
Does daddy cherish his daughter?
So why can’t your eyes open and see
You’ve become a Mein Kampf tyrant?
You want my obedience and silence!

A ***** duct tape silences my mouth
As it leaves a residue of disgust
Must this be our memory?
Though silent my heart feels unjust-
Must you **** all my energy;
Leave me to feel lost and astray
As mental state starts to decay

A ***** duct tape silences my mouth
Will your anger subside and be quiet?
Fear suffocates vulnerable heart;
Wrathful words ready for a riot;
Confidence crushed as it’s torn apart.
Verbal abuse moves like a torrent flood,
Affecting those who share the same blood!

(c) 2018 Joanne Chang

as i once wrote... and i’m not about to change my mind
as to how i managed to spot the two major tools
in language, but for added SHOCK value,
ich kampf... the pronoun takes on an indefinite nature,
as does the complete expression,
it expresses future struggles more than past struggles,
and thus with future struggles there is a process of becoming
rather than being, hence there is no possessiveness
in relation to the past, for a translation into the future;
utilising the definite and indefinite articles within the pronoun
category is my keenest of all observations - the struggle in itself
is as indefinite due to the coupling with the pronoun that allows
dis-possessiveness of concepts, whether they be being at ease
or struggling... as such i know this is incoherent
because the meanings of certain words are so tightly knit that
it is bound to happen, a bit like red and crimson / blue and azure,
but that is as much due to schizoid conditioning of a symptom,
whereby a schizoid conditioning is a complex splintering of
what was once wholly unified, and upon dis-unification the unified is trapped
in a trans-grammatical state of symptom, without any categorical
orientation, whether that’s with nouns, verbs etc.,
primarily stressed by what i can only fathom as pre-nouns
(you know, the vocabulary unit
before new words enter our vocabulary, mostly nouns -
since the quality of things rarely changes -
like sodium and lady gaga, the pre-noun is almost
like a pronoun, although the pre-noun is kept
in a dark room and the pronoun is kept in
a room with a lightbulb),
that which could be uttered and is unnecessarily “thought.”
so through this medley i was only crafting a revision as to whether
call the compound ich kampf within the orientation of:
ich is a definite pronoun or an indefinite pronoun?
and if so... which pronoun orientation in terms of articulation makes
the second aspect of the compound definite or indefinite
for the overall persuasion?
well... anyway... it will make me think rather than read knausgård,
i already read kierkegård - søren
(ø = cut open o for a u, and angstrom = aa, i.e. roll over beethoven):
this is why english is problematic compared
with all the other latinised languages of europe...
due to its diacritical ****** / lack of accent stressors,
ø = u and oo: ***** / luck / pull -
the second use of u is less stressed in the sense that it's short,
a short / dwarfed u (ù), rather than the third example of u,
which is a long / pronounced u (ú)...
or as in the first example the elongated u (ū)
by god,
this is like forging a new linguistic system
in english from all the other languages of europe...
avoiding the linguistic notative system,
characteristic with: /ˈæŋstrʌm; -strəm/;
but obviously that would make spelling words in english
look pretty ugly... but not as ugly as LOL *** ***?!
i never got the hang of the teenage acronym alphabet,
even though i lived as a teenager, and the acronyms were already
in use.

I.

The pen,
The mighty sword.
The ink,
The blood runs black.
The pen,
That which changes the world.

II.

Mein Kampf,
The Communist Manifesto.
The pen,
The mighty sword.
The pen,
That which tears apart.

III.

The Bible,
The Torah.
The pen,
The mighty sword.
The pen,
That which brings together.

IV.

Common Sense,
Uncle Tom’s Cabin.
The pen,
The mighty sword.
The pen,
That which starts revolutions,
That which changes the world.

V.

But wherein does the music lie?
In the strings themselves,
Or in the hand that plucks them?

Wherein, indeed,
Do the words reside—
In the pen itself,
Or in the hand that wields it?

and in my "hiatus" period of absence, circa 15th of April and 15th of December (minutes from a yesterday)... i've come to regret the Russians not having any... no... rather the bare minimum of orthography... surprise surprise! there's plenty to choose from! i had to return to a time when i was drilling greek into my head... naturally: a time for cyrillic was on the horizon... but... i couldn't do it with english alone... i need my mother tongue, a tongue that employs diacritical markers... again and again: english can do away with its j... it goes missing when raised to stand from a sitting position ȷ(J)... and it can cut the head off its I(standing)... ı(sitting)... to make an emphasis... i have been busy... drinking aside, have a look where i have been for the past... april, may, june, july, august, september, october, november, december:

ź = зь and ż = зъ

i'm drinking - and i am my most content - the world burns and goes about its usual wordly theatre... i'm huddling with a cameo role in the background... i am drinking content... my 3rd or 4th rejection letter! this time from : austin macauley publishers (london, cambridge, new york - sharjah - where the **** is sharjah?!) - i remember sending them a "manuscript" and a book already printed, bound... they said it would take them 6 weeks to reply... i didn't enclose an email address... i had to wait for the snailmail... my my... what lovely handwritting of my name and address... in the letter i did state: it's e(sch)lert... she omitted the (sch)... a rebecca crib admin assistant, of the editorial... 6 weeks though... hmm... i posted the letter and manuscript and the book way back prior to visiting my grandparents... circa 8th of september... it's a rejection letter... that much is true... but i'm drinking in celebration! i was making dinner in the afternoon and was asked: why are you so angry? i wasn't... i tried to figure out what i'd feel when enough of ms. amber was in me... i replied: i'm being apathetic... but now it's clear: i'm jovial! there's even a signature! an authentic signature... in all honesty... a rejection letter means something... if it is physically mailed... of course i'm celebrating! i exist! i exist outside the realm of getting spam snail-mail! of course i will reply... i'll tell them: destroy and recycle the manuscript - it really wasn't a manuscript to begin with... i pour my "efforts" on the manuscript canvas that's the html... but the already printed book? can you please not burn in... rather... keep it? i'd appreciate no 1933 Säuberung... and you know (kind reader) - i'll send this introspection to the same publisher... like it is... pop / pulp or whatever mongerel of style this has had to be... but a reply! i want to see how one might escape formal language, formal affairs, social affairs, esp. in letters - a dear ms. X / to whomever it might concern Y... kind regards / yours faithfuly Mr. Z... this has to be celebrated... given what's on the horizon... the norwegian novel viking a'comin'! the buldozer autobiography... the demand for a "death" of fiction... otherwise i'm still "here"... a "here" that truly is so distant that its distance allows my petty leeching and the world's grand fiasco theater of fire and smoke and mirrors! - after all... i'm not mad enough to be welcome to a cage if i'm a sparrow... a cage of rhyme, form and all those shackle devices / identifiers of "poetry"... the future is narrative... and the current narrative says? if you asked me to dress proper, for an opera... to don the shirt the tux and the bow (tie)... the well ironed trousers... perhaps... beside the point: air's in the head and i just wish i could heat it up... for a baloon of quasi-egoism effect... otherwise what is there... a former journalist becomes an isolationist essay-scribbler? all the best journalists retire from the profession and become essayists... polemicists... whatever... this "poet" says: no poet ever writes a novel... the real life is too fictive already... and most certain this "poet" adds: begone! lyricism and rhyme! i'll sing like the humming drone cleric of the hive of ambient refrigerator sounds at 2am when everything is sleeping...

capital: oh... so that's what it was... back circa 1990 - when inflation of currency was rife all over Poland? that's when foreign capital was flowing in: foreign money... the economy was flooded with pounds and dollars... and given the exchange rate: i remember a time when you could get circa 7zł for every 1 £ sterling... so why would a nation start to print its own money? well... because more foreign money is coming in - at the given exchange rate: apologies: i was born yesterday - i need to explain certain things, from scratch... as was once stated - there's only a finite amount of money in circulation... physical money... "apparently"... and no... if you were to materialise all the wealth in this world into either fiat or gold: there wouldn't be enough of it... but how else would inflation happen in a country like Poland circa 1992? foreign investement: the wild west of eastern europe when the soviet barricade fell... i do remember being asked a question as a child: which is more... these copper coins... or this piece of paper? on the piece of paper was written 5, 000, 000zł - i said the copper coins... i wasn't either right or wrong - the person asking the question laughed... i don't think it was a question of: there are more copper coins in the hand... than a single piece of paper... after all... perhaps i acted all trans-****-sapiens and became chimp and saw less zeros on the copper coins than on the piece of paper? how else does does a currency inflate - when foreign currency is poured into it... it's the opposite of foreign aid... you put £1 into an economy - with an exchange rate: currently you'd get circa 4, 50zł out of... so where is all this "excess" money to come from? the moment when foreign money is invested... is the moment you have to start printing your own money... imagine... if the word BLACK was worth more than CZERŃ (чернь): oh, we'd readily translate BLACK = CZERŃ... but we also need a sentence for that "to make sense"... and there i was... thinking that russian doesn't apply diacritical markers... oh... right... they're not as discrete with accents like some of us... notably? нь = ń... and so and likewise... wait wait... źródło (source)... in russian it would look, look: oh so ugly... зьрoьд-ł-ł-o... (wh)en (wh(en) but now i know this (w)oe: the soft sign (acute)... and the hard sign for... e.g. życzenia (wishes)... зъыченя (perhaps зъычениa) - point being: ź = зь and ż = зъ... now does language come to me...it never left me... but now ai appreciate the minor details... i see the english and their language and how they speak it... how they churn out metaphysics and how they call forthe help of **** similis to give history the rusty coating of: nothing between a today and tomorrow: there's only the hanging off a tree from a a tail that the chimpanze doesn't thave... everything is so very metaphysical: it's never orthographic! тe два: tak - тe: оба (there's a wikipedia mistake... U+0411 / U+0431... not o'bah... oo'b'ah...): щекaць: szczekać! to bark... eh... greek became too rigid... i could remember all the letters... always buckling on ζ (zETA) and ξ (11), upsilon (υ) and nu-nu-nu (ν)... and this is, practically nonsense to anyone with a base literacy knowledge... to exagerrate... who does mind such pedantic pleasures... when they could be somewhere else: skiing! but it's worthwhile to know how a nation's currency can be inflated... foreign money flows into the country - and whatever the exchange rate is... there is no such thing as a "grafitti compensation": then again, there is... perhaps literacy has been inflated... inflated for a second literacy of coding to be assured? otherwise? bypassing the orthodox print... bypassing orthodox editorial scrutiny... was... "nice"... until the moment when the mediator sought to see fit that the reader had more authority over the written word: having re(a)d it - over the person who had / has: written it! we do part our ways with the russians on the "debate" concerning the "cedilla" involving A(ą) and E(ę)... cedilla: yes yes... akin to garçon - waiter! waiter! please - that greek sigma at the end of a word: and all its ασπεκτς... aσpectς - that really is an orthographic statement... only Ssssssss'igma is a letter with "three dimensions" suited for it... a handwritten element... otherwise in the news this week? the apostrophe society is no more... like when you don't put a possessive article if the thing in "question" ends with an S, in english? e.g.? the colours' (sez sirs - alt. colours's sez sirs... ses-esses) imbued harmony... and that is a possesive article, isn't it? with an apostrophe: 's? it's not a plural identification - there would be no need for the apostrophe to begin with! pounds' worth: no... not a pound's worth - the worth of a pound... pounds' worth: the worth of pounds! - what's that german word... glücke! nein nein... etymological root: glück 'luck' (etymology is the new history... it bypasses journalism and serves some journalistic cousin that's powdered in dust of cremated bookworms) - and yes, a hypen can come to the fore: after a full-stop and the opening of a new sentence with a conjugation: - with disbelief / - and!

i'm not buying how the media narrative will turn Cymru into a "K-affair"... sim sim: similie or else... but these have been my greek buckles: ξ (oh... that's why i wrote 11... XI - ksi...) - it's rare to see ξ sometimes: esp. in philosophy books... rubric!

- ζ
- ν
- υ (i can be forgiven, these two letters
are not suited for print... unless working
with a microscope) - unlike a roman Vv...
- ξ

but this is just the greek... if you ever read some modern... you'd think: and i just don't know, where they get their ideas from - with all those diacritical excesses that heidegger notes...

but now... for my cyrillic mini-adventure:

from Miньsk (Mazowieцki): with love

it might be said, that if i just the bare minimum -
if i even do not write anything at all -
but i have too many petty griefs during the day
to much else than the odd, occasional chore;
at the same time i do not want to sound
amused, bewildered, bored or un-used...
it's just that i find writing and drinking before
falling to my 343rd death -
my 343rd labour for mask and then exfoliated
in a dream: that might come...
or might not come...
unless a known audience... a wake sized nieche
privy... i find either unconscious or subconscious
struggles to warm up to an anonymous crowrd...
unless it was me being propped up on stage...
flooded by light... and the audience in the din:
with barely a shadow to scratch...
perhaps: then and only then...
but i've found that: it would be best that i sentence
the 2hs spare i have for merely drinking
and loitering from one video to another:
perchance something new in music is to emerge...
"coquettish" with a "something" that will never
have any realism-focus for me to undertake
a second's day carnality of the banal...
perhaps all this: "going out of my own way"
has been too much - or just enough...
to make me drink more and take more pharma
knock-out enzymes...
a naproxen and an amitriptyline...
perhaps the focus was elsewhere...
to stand frozen in awe...
when someone might "add": from one big void:
ex nihil a priori to... nihil a posteriori...
and all this cameo theatre in between!
mein gott... i can also convene to praise those
brutal breeders of sorts...
enough time to occupy two decades...
perhaps even three...
and then the grim reality of: should my child
die... or... some other worse:
the mortal should not be inflicted by...
"not reading into the genetic clues": properly:
"all at once"...
oh i would be so much happier to take this mind to sleep:
to not make some idle focus -
to entertain some eyes while i turn aside all things
hyper-inflated in purpose...
to die of a heart-attack in one's sleep...
but otherwise to simply focus on a welcome tomorrow...
that would be...
a gracious beginning to posit the day's slouching
zenith... or... i'm not sure whether this be a coming
zenith or a nadir...
but there's still that clear-cutting focus
regarding russian orthography...
cutting it with two tongues... slit at the tip...
with english the "placebo": no diacritical markers evident...
well: a TILDE over a ȷ is no more necessary...
than a "tittle" (not thai-tle... ty'ttle) over an ı...
to borrow the greek phrase: cut one head of hydra -
two emerge... cut the two heads...
i come toward the russian mish-mash of diacritical
application...
it's not be-au-ti-ful... it's messy... it's what it is...
but already i can see what this: cutting off the heads
of the english j-i hydra looks like...
it's not enough to simply enlarge them to state: CAP(I)TAL-(J)...
the knitty-gritty... why then the tilde atop of 'em?
prior "corrections": łen and when...
is not akin to... wrak or wreck... although these two words
have the same meaning...
unless: "partisan" V comes in...
very - weary... Cracow or Krakov?
a W = a Ł = a W = a V ≠ a Ł...
Ęwa and Ądam (e nosinė) are not covered by
Russian orthography...
the list is as follows:
ż (зъ) and... ć (ць), ń (нь), ó (oь), ś (сь), ź (зь)...
the graphemes? i'll call them graphemes for simplicity...
even though: they're not the smallests units...
as are vowels... or the syllables of consonants
in the latin choir of B'ee, C'ee... e'M... etc.
ж alternatively RZ (Ż) or Ž... otherwise the fwench:
je (suis)... this is nothing more than...
an encyclopedic evaluation...
a trainwreck proposal of: should i ever be stuck in
in russia... and i would have to: read... (ee'd - r'ah)...
chop off a TILDE off the torso of the english:  ȷ...
a crescent moon lying back emerges in the russian... й...
but it's not the english: jeep! it's an english: yeep!
or a  ȷeep! alternatively: yawn could be:  ȷawn...
but not if: it's jaws... coming into play: to chatter from
the siberian cold... how else to explain?
if not by... example?
then there's the "exploration" of the greek F...
as much as in english...
фoughts on θilosoφy...
good to know the russians only "borrowed"
one of the greek Fs... "culturally appropriated" or...
wasn't St. Cyrill born a greek?!
and away from greek we move...
since χ (chi): yep: perpleX... a Ks to a Ts
(note, revision found below)...
otherwise hidden... in non-vowel binding consonants...
like... ч- and -х (although... that's not quiet a Ch-ur-hC -
but sure... some altar for siц and... no... no siPS)...
cholera! which is not: SHow me the CHow mein...
for that we need CARONs...
that's when ч becomes CZ (in polish) or otherwise:
Č... long have i wanted the polish to adopt this version...
to hide the SZ and the CZ (es'zed, х'zed) respectively...
how else to write: szczekam?
a russian would write... щекaм...
out of a "simple" ш out pops out a щ (this letter...
is probably the only "etymological" route to bind russian
to the oddities of Ęva and Ądam (e nosinė)...
ш (š) becomes щ (šč) -
whoever was to undermine the old rules
of engagement when the ruling parties gave up
a monolopy of literacy? you can literally hide an entire
letter / meaning by using a hachek...
hook...
as i begin to wonder:
how much did the slavic tribes "appropriate" greek...
and how much did the two greek saints...
try to make sense of the slavic glagolitic script?
em... Ⱋ looks pretty intact if you cut off the body... E:
reclining...
but i do come from the western lands of the eastern
lands... hence? hardly any cyrilic influence...
but i too: with my own oddities... already mentioned...
come to think of it? the bulgars joined
the "party"?
beside that? what other, russian"oddities"?
orthographic - i.e. aesthetic dictations / rubrics...
ю really is a я... the russians have this english tendency
to stress their pronouns...
i this... i that! i walked up a street! and kicked a black
cat 13 times down the street to ease my luck!
you can talk in polish for days... and never stress the I / я
pronoun... really...
and ю is just a variation of я...
throw in the remaining vowels and you'd probably
come up with some "new" russian letters...
like ye... good point... i did make a "mistake"...
щэкaм! i'm barking!
unless... that's only an orthographic question...
notably? if you're going to: zerkać...
peer in / at "on and off"... casually...
зэркaць... em... it must be an orthographic question...
ergo? i wasn't exactly "wrong"...
just bad taste... зeркaць...
i've already shown the difference between (ъ) and (ь)
in a latin script: that uses more diacritical markers
than english "supposedly" escapes with focusing
on the rather pointless TILDE over the J and I...
this "oddity": ы... ɨ  clearly it's not exactly a ł...
minor details... like a mona lisa smiling...
best example of close proximity?
take a... no... that's a hollowed out "why"...
i know how it sounds... and there are no diacritical marks
needed for it... since there's a clear distinction
that i know of, between: I J Y...
tY... this little sucker is born from the fact that...
western slavs have a name for this letter...
iGREK... funny... the russians borrow more greek lettes...
and have to have...
ё (yo), e (ye), у (which they treat like a greek would U -
never mind the greeks themselves
making the following ref. Υγ / Γυ) -
and of course the я (ya)... so no wonder i see this
"letter" (ы) as an absolutely oddity...
i could stomach: ż (зъ) and ź (зь) differences...
well that's as far as i would come in learning russian...
spot the odd ones out... proper...
й (j) and ё... which is some german loan vowel with
that ******* umlaut... otherwise...
this poo'em was born from trying to **** the english
hydra of "orthography", with its mighty bounty
of the ȷ-ı TILDE! my my... what a ride!
come to think of it... now i think i can sleep.
- it hasn't been such a waste of an hour... drilling this in:
into my head...
after all... what did the professional clarinet player
say then asked about playing professionally
in a travelling orchestra? after 30 ******* years of
blowing hard into this thing...
guess what i still end up doing?
it's not so much learning... i'm still practising!

because this will not end like some sort of "summary"...
i will remember each letter if i weave it into
this latin letter by letter...

the refleξive (x)
in that one might have χeated (ch) -
again!
what it is about an ξ-ray that is also an
"χ"-ray? the "ex" k'ss k'ss cuss...
is this what james joyce's finnegans wake
should have looked like?
again!
the cruξ of the matter...
whenever a question was to be raised about:
any χoice to be had...

i have come to grips with russian orthography...
i'll repeat... the crescent moon over и ("e")
to state: this must be elongated: й ("y") stands outs...

best examples are given by sports commentators,
notably in ski jumping...
suffiξes of surnames...
akin to -cki endings...
yes... you're seeing what i'm seeing...
we'll need some russians to work this one
out... how a C is not an S...
and how it's not KK either...
-цки... hello wet drum-kit snare!

of course not: you're not seeing N:И...
let alone: нaйт (night...
evidently -igh- is a bit complicated...
with ref. to the surd in knight - kappa and
the gamma and the ha ha ha ha tetragrammaton
left arm... vowel catcher i'd be most inclined
to borrow from the hebrews...
whenever they're not busy actually using it...
and not being a bunch of 'ebrews -
electronic brewing of tea?)
сo дaрк (so dark)...

which is the equivalent of writting english
grafitti "backward"... how it sounds...
and not for: what's the formality?
i figured: take the small steps, the trickle...
burn the eyes out with incremental poppy-seed
acts of progress... like the grand Pilgrim Emeryk
from the Świętokrzyski region of Poland
(holy cross)...
each year the pilgrim shuffles to the top of
the mountain with a speed of:
a poppy-seed's worth of distance each year...
by the time he reaches the top of the mountain:
the end of the world will arrive...

am i the next Delmore Schwatrz?
no... i don't have a Lou Reed to contend with...
am i obsessed with Finnegans Wake?
well i didn't spot any "additions" to the letters...
i didn't see any diacritical markers...
a book that shouldn't be translated since...
it ignores... a worthwhile mention
of the concept of orthography -
which is my escape from any western vogue
of metaphysics... i hide behind the omniscient
niqab of orthography... my face can be forever
hidden... but my eyes need to be on... fire!
fire! i want you to burn!

so i went to see the russians having
left the greeks... about any "nuance" bound
to the... ****-naked english language
with its magic act of the disappearing heads
off of J and I...
as you do... you "forget them" and also have to:
somehow "remember" them to be used...

do i still enjoy drinking and listening to
teutonic chants in german?
god almighty! when wouldn't i not listen to german
medieval music... when drinking?!
is that such a terrible sin?

also? i finished the trilogy of H. Sienkiewicz...
and i read some Boris Pasternak...
there was Nietzsche in polish - paul's leash said:
he's more bearable in this language,
than in english...
and how could i forget! there was...
Knausgård... Karl, Ove... volumes 1 and 2
of mein kampf...

now a "summary": hmm... ż (зъ) and... ć (ць)...
could... now... hard sign (ъ) is not exactly worth
ascription if... or rarther: because...
you don't treat a caron over an S or a C...
to "hide the english H" or the Aesti Z when coupled...
there's no need to write чъ... since?
that's pretty much in-itself given č of the nature
of чeap...
ć / ць is different in that... you'd have to hear
it first...
however... the one exception of this "rule" is already
self-enclosed in ж... which is зъ... somehow...
but not зь... examples?

жart / зъart... żart (joke)...
зьrebi... well there's no 'ę' in russian
to name: źrebię - mustang colt...
is there?
so... i was "wrong"...
in that ź = зь and ż = зъ is true...
but? ź = зь and ż = зъ = ж...
so from a "quiet unique" perspective...
and: mein gott! who's to see, travel,
and subsequently marvel at the pyramids of giza...
i'm a different version of what's
considered to be "tourism"...

give me this sole equation:
ź = зь and ż = зъ = ж
and i'll be happy for a month.
as i have been...

oh i'm back... and things have taken
SPEC-TAC-U-LAR turns and twists!
****-naked english over 'ere is gonna make
a chariots of fire runner...
i bet it will... when it comes against a juggernaut
like me.

tinted postcards
from Vienna-
Munich oils on canvas-
a self portrait
on a stacked-stone bridge-

rejected, the painter painted
yellow stars-broken glass
Judenstern and Kristallnacht

no starry night,
no van Gogh-
der Führer was no master,
Mein Kampf no masterpiece.

r ~ 8/25/14

grab the scissors and cut the teather clean
i found a laugh that works for me, but it's leaving
i've been warned of similar desires
through the vessel of their words, i fell to slick design

this endeavor
to forever
takes its toll
on a passion

erase you, i will
i'll take you on through the sunrise
erase you, i will
we'll take  this outside

my favorite letter, i'll cross you to a "t"
as most demonic faces sit in leering
in this way, indifference has obliged
here, the challenge wakes in lies, as false prophets defy

this endeavor
to forever
takes its toll
on a passion

erase you, i will
i'll take you on through the sunrise
erase you, i will
we'll take this outside

distance fuels the long to use
to mistake, and to abuse
find them, find ten
lose them, lose none