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Oh Doris day oh Doris day
How much we will miss you
Oh Doris day oh Doris day
You were an excellent person
Just thinking of your acting career
Like movies like calamity Jane
And pillow talk and your sitcom
Called the Doris day show
Yes you lit up our lives
Oh Doris day oh Doris day
She looked after the animals oh yeah mate yeah
Oh Doris day oh Doris day
You gave us high hopes
You gave us high hopes
You gave us high apple pie in the sky hopes and every time I feel bad
I watch your sitcom and it makes me feel like happy families come to thee
Yes Doris day was great
Que Sara Sara
Whatever will be will be
The future is ours to see
Que Sara Sara
Oh Doris day oh Doris day
I like your Tom boy attitude
Oh Doris day oh Doris day
You inspired the world from way back then to now
You helped people understand
That women could be anything they want
Oh Doris day oh Doris day
R I P our grand old lady
See you Doris day miss you lots
Chapter 9

“Startled, I pulled away from the man’s grasp and looked at his face. Although he wore a tag that read “Hotel Security” I sensed that there was much more to him than that.
“What’s this about?” I asked sharply, noticing that he was avoiding eye contact.
Clenching his jaw, the man grabbed my arm again, this time more firmly. “Don’t worry, Red, you’ll find out soon enough.”
I hated it when guys called me Red. It was always in a smug way. “Hey, let me go!” I demanded, trying to get away from the *******. But he was strong. Immortally strong.
He ****** me against him and whispered, “Calm the hell down and you won’t get hurt.”
“Are you one of Vlad’s men?”
“You’ll have your questions answered in a few minutes. Just chill out, will you?”
“Not really having any other choice, I allowed the man to usher me away from the restaurant, toward the back of The Veil. Hotel guests watched us curiously.
“Are you okay, dear?” asked an older woman in her seventies. She had a cane and looked about ready to hit my captor with it.
“She’s fine. We don’t allow prostitutes in the hotel,” he said loudly.
Normally I wouldn’t care, but my cheeks burned with shame as the old woman stared at me with disgust.
“Harlot,” she said, glaring at me.
“I’m not a *******,” I said, gritting my teeth. Furious at the way I was being treated, I tried pulling away from him again, but he only dug his fingers into my skin deeper.
“Would you just relax?” he said, as we turned down another hallway. “I’m doing this for your own good.”
“Doesn’t feel that way on my end,” I replied angrily.
“If you’d stop fighting me, I wouldn’t have to resort to this.”
“Then tell me what the hell this is about!”
“You’ll find out soon enough.”
I sighed loudly.
We stopped at a door that was marked ‘Security’ and he led me inside. To my surprise, there was a long conference desk with two men sitting next to it.
“Is this her, Nate?” asked one of them, a blonde Nordic-looking guy in an expensive suit.
“She’s just as he described. Plus, she has the mark,” said the guy, releasing my arm.
I rubbed the skin where his fingers had pressed cruelly. “You mean the mark on my wrist from your fingers, *******?”
“Sorry,” said Nate, addressing the two men at the table more than me. “She kept trying to get away.”
“Leave us,” ordered the blonde, frowning at Nate.
“Yes, sir.” Nate turned and walked out the door.
I sighed wearily, wishing I would have never gotten out of bed. “So, who in the hell are you people?”
“I’m sorry, lass. My name is Aiden Rylan and this is Maximus Johnson,” said the blonde, his Irish accent noticeable now.
I folded my arms under my chest, studying both men. Both of them were undeniably rugged, handsome, and obvious big-shots. “And why should that matter to me?”
Aiden’s lip[…]”
“Natel’s part in it. The ******* had made me look like a cheap *****. “Who is this mutual acquaintance?”
“Doris Hart,” said Maximus.
Another surprise. “Really? And how do you know Dorian?” I asked, now sitting down.
“The three of us are long-time friends,” said Aiden.
“But you’re lycan,” I replied. From what I’d gathered over the years, most weren’t too chummy with vampires.
“Yes. We’ve learned to push our differences aside,” said Andrew, his eyes twinkling.
“The truth is that we don’t judge anyone unless they pose a threat,” said Maximus. “And we’ve known Doris Hart for several years. He’s done us favors and now we’re returning one for him.”
“And that is to protect me?” I said, flattered that Doris was still worried about me. He must have really loved my mother.
“Yes. He was very adamant on that. Sorry for your loss, by the way,” said Andrew, his face turning somber.
At the mention of my mother’s death, I looked down at my nails, trying not to tear up. “Thanks.”
“I never met Lilith, but Andrew knew her,” said Maximus, his voice kind.
Surprised, I looked at Andrew. “You did? Really?”
“Actually, I only met[…]”
“He leaned back in his chair, a faraway look now in his eyes. “I guess it was mostly about Vlad and her dealings with him.”
“Why would she confide in you about him?” I asked angrily. The fact that she’d spoken openly about Vlad with him, a stranger, and not me, hurt.
“Because she knew that we were enemies,” said Aiden. “I had no idea that you were his daughter, however. Not until Doris mentioned it on the phone. Your mother obviously didn’t trust anyone with that information”
I relaxed. “What else did Doris tell you?”
“He’s worried about you,” said Andrew . “He says that your life is in danger and you’re not taking it seriously.”
“Believe me, I’m taking it seriously,” I said, smiling grimly.
“Do you know exactly what you’re up against?” asked Maximus.
“I know that Vlad wants me dead.”
“You should also know that he usually gets what he wants,” said Aiden, frowning.
“And that’s why Doris asked if we’d offer you protection,” added Maximus. “You need our help.”
“Thanks for the offer but I don’t need protection from you or Doris ,” I said, running a hand through my hair. “I can take care of myself[…]”
“and is bent on capturing you. Believe me, he has the money and the resources to do just that.”
“Don’t be fooled by my appearance. I might look easy on so many levels, especially in this outfit,” I mused, “but I’m not. If I don’t want to be caught, I won’t.”
“Your confidence is commendable, but it’s going to get you killed,” warned Maximus. “Believe me, I know. I’ve caught many criminals with that same attitude. They get too cocky for their own good and make mistakes.”
So he was a cop. “I’m not being cocky.” I stood up. “I’m just saying that this is my problem and I’ll handle it on my own.”
“Even if you don’t have to?” asked Maximus, as I walked toward the door.
Sighing, I turned around. “Look, I certainly appreciate the offer, I really do. But, I’ll be fine.”
“At least do us a favor and disappear,” said Aiden. “Get out of town before they find you.”
“I’m planning on it,” I admitted. “By the way, how did you two know where to find me?”
“Your partner, Alex Shafer,” said Maximus. “I take it he didn’t call you to tell you we’d be[…]”
“started on stock options. Please.”
Aiden chuckled. “I’ve helped you, haven’t I?”
“Yes, and for that I’m very grateful,” replied Maximus.
“So, when did you talk to Alex?” I asked, changing the subject. I had no interest in talking about stocks, bonds, or anything financial.
“About thirty minutes ago. He said you’d be doing a job here,” replied Maximus.
I dialed Alex’s number, but he didn’t answer. Sighing, I sent him a text, telling him to call me. Then I slipped my phone back into my purse. “Well, I wish I could say it was a pleasure meeting the both you. I’m sure under different circumstances,” I smiled wickedly, “the pleasure would have be all mine.”
Andrew ‘s eyes roved over my body and he grinned. “Oh, lass, I doubt that. I’m pretty sure that the pleasure would have been mutual.”
Laughing, Maximus stood up and held out his card. “In all seriousness, please give me a call if you need help.”
I took it. “Thank you. Detective Maximus Johnson, huh?”
“Call me Max.”
“Okay, Max. Thanks again.” My cell phone began to vibrate. I pulled it back out of my purse and noticed that Alex had sent me a[…]”











Chapter 9

“Startled, I pulled away from the man’s grasp and looked at his face. Although he wore a tag that read “Hotel Security” I sensed that there was much more to him than that.
“What’s this about?” I asked sharply, noticing that he was avoiding eye contact.
Clenching his jaw, the man grabbed my arm again, this time more firmly. “Don’t worry, Red, you’ll find out soon enough.”
I hated it when guys called me Red. It was always in a smug way. “Hey, let me go!” I demanded, trying to get away from the *******. But he was strong. Immortally strong.
He ****** me against him and whispered, “Calm the hell down and you won’t get hurt.”
“Are you one of Vlad’s men?”
“You’ll have your questions answered in a few minutes. Just chill out, will you?”
“Not really having any other choice, I allowed the man to usher me away from the restaurant, toward the back of The Veil. Hotel guests watched us curiously.
“Are you okay, dear?” asked an older woman in her seventies. She had a cane and looked about ready to hit my captor with it.
“She’s fine. We don’t allow prostitutes in the hotel,” he said loudly.
Normally I wouldn’t care, but my cheeks burned with shame as the old woman stared at me with disgust.
“Harlot,” she said, glaring at me.
“I’m not a *******,” I said, gritting my teeth. Furious at the way I was being treated, I tried pulling away from him again, but he only dug his fingers into my skin deeper.
“Would you just relax?” he said, as we turned down another hallway. “I’m doing this for your own good.”
“Doesn’t feel that way on my end,” I replied angrily.
“If you’d stop fighting me, I wouldn’t have to resort to this.”
“Then tell me what the hell this is about!”
“You’ll find out soon enough.”
I sighed loudly.
We stopped at a door that was marked ‘Security’ and he led me inside. To my surprise, there was a long conference desk with two men sitting next to it.
“Is this her, Nate?” asked one of them, a blonde Nordic-looking guy in an expensive suit.
“She’s just as he described. Plus, she has the mark,” said the guy, releasing my arm.
I rubbed the skin where his fingers had pressed cruelly. “You mean the mark on my wrist from your fingers, *******?”
“Sorry,” said Nate, addressing the two men at the table more than me. “She kept trying to get away.”
“Leave us,” ordered the blonde, frowning at Nate.
“Yes, sir.” Nate turned and walked out the door.
I sighed wearily, wishing I would have never gotten out of bed. “So, who in the hell are you people?”
“I’m sorry, lass. My name is Aiden Rylan and this is Maximus Johnson,” said the blonde, his Irish accent noticeable now.
I folded my arms under my chest, studying both men. Both of them were undeniably rugged, handsome, and obvious big-shots. “And why should that matter to me?”
Aiden’s lip[…]”
“Natel’s part in it. The ******* had made me look like a cheap *****. “Who is this mutual acquaintance?”
“Doris Hart,” said Maximus.
Another surprise. “Really? And how do you know Dorian?” I asked, now sitting down.
“The three of us are long-time friends,” said Aiden.
“But you’re lycan,” I replied. From what I’d gathered over the years, most weren’t too chummy with vampires.
“Yes. We’ve learned to push our differences aside,” said Andrew, his eyes twinkling.
“The truth is that we don’t judge anyone unless they pose a threat,” said Maximus. “And we’ve known Doris Hart for several years. He’s done us favors and now we’re returning one for him.”
“And that is to protect me?” I said, flattered that Doris was still worried about me. He must have really loved my mother.
“Yes. He was very adamant on that. Sorry for your loss, by the way,” said Andrew, his face turning somber.
At the mention of my mother’s death, I looked down at my nails, trying not to tear up. “Thanks.”
“I never met Lilith, but Andrew knew her,” said Maximus, his voice kind.
Surprised, I looked at Andrew. “You did? Really?”
“Actually, I only met[…]”
“He leaned back in his chair, a faraway look now in his eyes. “I guess it was mostly about Vlad and her dealings with him.”
“Why would she confide in you about him?” I asked angrily. The fact that she’d spoken openly about Vlad with him, a stranger, and not me, hurt.
“Because she knew that we were enemies,” said Aiden. “I had no idea that you were his daughter, however. Not until Doris mentioned it on the phone. Your mother obviously didn’t trust anyone with that information”
I relaxed. “What else did Doris tell you?”
“He’s worried about you,” said Andrew . “He says that your life is in danger and you’re not taking it seriously.”
“Believe me, I’m taking it seriously,” I said, smiling grimly.
“Do you know exactly what you’re up against?” asked Maximus.
“I know that Vlad wants me dead.”
“You should also know that he usually gets what he wants,” said Aiden, frowning.
“And that’s why Doris asked if we’d offer you protection,” added Maximus. “You need our help.”
“Thanks for the offer but I don’t need protection from you or Doris ,” I said, running a hand through my hair. “I can take care of myself[…]”
“and is bent on capturing you. Believe me, he has the money and the resources to do just that.”
“Don’t be fooled by my appearance. I might look easy on so many levels, especially in this outfit,” I mused, “but I’m not. If I don’t want to be caught, I won’t.”
“Your confidence is commendable, but it’s going to get you killed,” warned Maximus. “Believe me, I know. I’ve caught many criminals with that same attitude. They get too cocky for their own good and make mistakes.”
So he was a cop. “I’m not being cocky.” I stood up. “I’m just saying that this is my problem and I’ll handle it on my own.”
“Even if you don’t have to?” asked Maximus, as I walked toward the door.
Sighing, I turned around. “Look, I certainly appreciate the offer, I really do. But, I’ll be fine.”
“At least do us a favor and disappear,” said Aiden. “Get out of town before they find you.”
“I’m planning on it,” I admitted. “By the way, how did you two know where to find me?”
“Your partner, Alex Shafer,” said Maximus. “I take it he didn’t call you to tell you we’d be[…]”
“started on stock options. Please.”
Aiden chuckled. “I’ve helped you, haven’t I?”
“Yes, and for that I’m very grateful,” replied Maximus.
“So, when did you talk to Alex?” I asked, changing the subject. I had no interest in talking about stocks, bonds, or anything financial.
“About thirty minutes ago. He said you’d be doing a job here,” replied Maximus.
I dialed Alex’s number, but he didn’t answer. Sighing, I sent him a text, telling him to call me. Then I slipped my phone back into my purse. “Well, I wish I could say it was a pleasure meeting the both you. I’m sure under different circumstances,” I smiled wickedly, “the pleasure would have be all mine.”
Andrew ‘s eyes roved over my body and he grinned. “Oh, lass, I doubt that. I’m pretty sure that the pleasure would have been mutual.”
Laughing, Maximus stood up and held out his card. “In all seriousness, please give me a call if you need help.”
I took it. “Thank you. Detective Maximus Johnson, huh?”
“Call me Max.”
“Okay, Max. Thanks again.” My cell phone began to vibrate. I pulled it back out of my purse and noticed that Alex had sent me a[…]”























Sent from my iPhone
RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
Todd Paropacic  May 2021
Doris I
Todd Paropacic May 2021
Kool-Aid and calculated risk taking,

A brisk walk on the mild side

Has left you wanting more.

The line is breaking,

But be careful what you fish for.

There’s a knock on the door

And it’s for you,

Yeah, so it’s for you.




I remember stepping into the brine

As you tip tapped the tick tock

To keep it in line.

It was running out of rhyme and time

Was set to trickling

And tickling from inside.




Doris day and Doris night!

The stars about won’t start a fight

If you talk to them like that,

My dear.

Celestial bodies are not fans

Of blood,

And blood breeds bad seeds

That shoot at the moon

Like thieves.




The gull are shook,

Rattling frigid looks,

And the crooks are creeping

Up the hall.

Oh, Doris,

I can see them all,

And they call like crows

In a catered carrion free for all.




As the sun fades

Into its aquatic grave,

I save a test from the ******* past

And, Doris,

You have loaned stones to my

House of glass.

You’ve crashed,

And you’ve bashed,

And you’ve lashed yourself

To a mast

That you aren’t willing to steer.

In this instance,

I can still hear the bruising pier,

Cheering and jeering,

Until it believed its last.
This is part one in a ten part narrative poem. The whole thing tells the story of some unidentified incident, a nasty time in an unknown person's life. Doris may be many things. Doris may be nothing.
Olivia Kent Feb 2014
Doris bought herself a bike when she were 93.
Thought a trip to John 'O'Groats, would keep her flying free.
Started off at Lands End, from there on she did wobble.
Rode past the tanker.  
****** driver,what a ******.
He nearly knocked her off.
She noted down his registration number.
Took it to the cop shop.
Wasn't feeling very happy, poor old darling needs a *****.

Got back on her bike, to resume her hike.
The raindrops poured and granny snored.
Had a kip while on her bike, maybe Granny needed a trike.
Got as far as the corner shop.
She fancied a little nibble.
Noticed it was getting dark.
She checked out the sky.
Decided cycling was too hard work.
So off she went.
Decided to fly.
Grabbed her broomstick from the hallway.
Off she flew, up, up and away.
Wahey Doris.
Witch granny on an away-day.
(C)LIVVI 2014
Given the apparent magical surrealism that the months of April is the month of fate for and death of writers, artists, dramatis, philosophers and poets, a phenomenon which readily gets support from the cases of untimely and early April deaths of; Max Weber, Miguel de Cervantes, William Shakespeare, Francis Imbuga, and Chinua Achebe  then  Wisdom of the moment behooves me to adjure away the fateful month by  allowing  me to mourn Gabriel José de la Concordia García Márquez by expressing my feelings of grieve through the following dirge of elegy;
You lived alone in the solitude
Of pure hundred years in Colombia
Roaming in Amacondo with a Spanish tongue
Carrying the bones of your grandmother in a sisal sag
On your poverty written Colombian back,
Gadabouting to make love in times of cholera,
On none other than your bitter-sweet memories
Of your melancholic ***** the daughter of Castro,
Your cowardice made you to fear your momentous life
In this glorious and poetic time of April 2014,
Only to succumb to untimely black death
That similarly dimunitized your cultural ancestor;
Miguel de Cervantes, a quixotic Spaniard,
You were to write to the colonel for your life,
Before eating the cockerel you had ear-marked
For Olympic cockfight, the hope of the oppressed,
Come back from death, you dear Marquez
To tell me more stories fanaticism to surrealism,
From Tarzanic Africa the fabulous land
An avatar of evil gods that are impish propre
Only Vitian Naipaul and Salman Rushdie are not enough,
For both of them are so naïve to tell the African stories,
I will miss you a lot the rest of my life, my dear Garbo,
But I will ever carry your living soul, my dear Garcia,
Soul of your literature and poetry in a Maasai kioondo
On my broad African shoulders during my journey of art,
When coming to America to look for your culture
That gave you versatile tongue and quill of a pen,
Both I will take as your memento and crystallize them
Into my future thespic umbrella of orature and literature.

Gabriel Garcia Marquez, an eminent Latin American and most widely acclaimed authors, died untimely at his home in Mexico City on Thursday, 17th April 2014. The 1982 literature Nobel laureate, whose reputation drew comparisons to Mark Twain of adventures of Huckleberry Finny and Charles Dickens of hard Times, was 87 of age. Already a luminous legend in his well used lifetime, Latin American writer, Gabriel Garcia Marquez was perceived as not only one of the most consequential writers of the 20th and 21ist centuries, but also the sterling performing Spanish-language author since the world’s experience of Miguel de Cervantes, the Spanish Jail bird and Author of Don Quixote who lived in the 17th century.
Like very many other writers from the politically and economically poor parts of the world, in the likes of J M Coatze, Wole Soyinka, Nadine Gordimer, Doris May Lessing, Octavio Paz, Pablo Neruda, V S Naipaul, and Rabidranathe Tagore, Marguez won the literature Nobel prize in addition to the previous countless awards for his magically fabulous novels, gripping short stories, farcical screenplays, incisive journalistic contributions and spellbinding essays. But due to postmodern global thespic civilization the Nobel Prize is recognized as most important of his prizes in the sense that, he received in 1982, as the first Colombian author to achieve such literary eminence. The eminence of his work in literature communicated in Spanish are towered by none other than the Bible, especially  in its Homeric style which Moses used when writing the book of Genesis and the fictitious drama of Job.
Just like Ngugi, Achebe, Soyinka, and Ousmane Marquez is not the first born. He is the youngest of siblings. He was born on March 6, 1927 in the Colombian village of Aracataca, on the Caribbean coast. His literary bravado was displayed in his book, Love in the Times of Cholera.  In which he narrated how his parents met and got married. Marguez did not grow up with his father and mother, but instead he grew up with his grandparents. He often felt lonely as a child. Environment of aunts and grandmother did not fill the psychological void of father and mother. This social phenomenon of inadequate parenthood is also seen catapulting Richard Wright, Charlese Dickens, and Barrack Obama to literary excellency.Obama recounted the same experience in his Dreams from my father.

Poverty determines convenience or hardship of marriage. This is mirrored by Garcia Marquez in his marriage to Mercedes Barcha.  An early childhood play-mate and neighbour in 1958. In appreciation of his marriage, Marquez later wrote in his memoirs that it is women who maintain the world, whereas we men tend to plunge it into disarray with all our historic brutality. This was a connotation of his grandmother in particular who played an important role during the times of childhood. The grand mother introduced him to the beauty of orature by telling him fabulous stories about ghosts and dead relatives haunting the cellar and attic, a social experience which exactly produced Chinua Achebe, Okot P’Bitek, Mazizi Kunene, Margaret Ogola and very many other writers of the third world.
Little Gabo as his affectionate pseudonym for literature goes, was a voracious bookworm, who like his ideological master Karl Marx read King Lear of Shakespeare at the age of sixteen. He fondly devoured the works of Spanish authors, obviously Miguel de Cervantes, as well as other European heavyweights like; Edward Hemingway, Faulkner and Frantz Kafka.
Good writers usually drop out of school and at most writers who win the Nobel Prize. This formative virtue of writers is evinced in Alice Munro, Doris Lessing, Nadine Gordimer, John Steinbeck, William Shakespeare, Sembene Ousmane, Octavio Paz as well as Gabriel Garcia Marquez. After dropping out of law school, Garcia Marquez decided instead to embark on a call of his passion as a journalist. The career he perfectly did by regularly criticizing Colombian as well as ideological failures of the then foreign politics. In a nutshell he was a literary crusader against poverty. This is of course the obvious hall marker of leftist political orientation.
Garcia Marquez’s sensational breakthrough occurred in 1967 with the break-away publication of his oeuvre; One Hundred Years of Solitude which the New York Times Book Review meritoriously elevated as ‘the first piece of literature since the Book of Genesis that should be required reading for the entire human race. The position similarly taken by Salman Rushdie. Marquez often shared out that this novel carried him above emotional tantrums on its publication. He was keen on this as his manner of speech was always devoid of la di da.so humble and suave that his genius can only be appreciated not from the booming media outlets about his death, but by reading all of his works and especially his Literature Noble price acceptance speech delivered in 1982.
Eryri Aug 2018
Struggling for a gift again,
Every year a new idea needed.
What can I get an agnostic who has everything?

Another Tiffany charm
Won't do any harm.

A clay pigeon shooting experience couldn't possibly miss

How about Afternoon Tea...
With me?

Wait, an idea that's viable,
A personalised Bible
Where, rather than 'God',
Her name instead:
"In the beginning Doris-Ann created the Heavens and the Earth"
Right through to:
"I am the Alpha and the Omega, says the Lord Doris-Ann"

What a revelation,
A new gift to sweep the nation!
A personalised Bible
Whose sales will rival
The good book itself.

Such a gift might be great,
Until, at St Peter's gate,
Doris-Ann might have to explain
That she was once God on Earth
And that should be good enough
For an agnostic not to be rebuffed.
bones Mar 2015
My green fingered great uncle Maurice
ran away with a stripper called Doris
she takes off her clothes
wherever she goes
and she's got ***** hair like a forest.
She did epitomize all that was good
her voice was as flighty as a larks
she never had a bad word to say
most positive was sweet doris

She always had that look
like she had greatness within her
she did light up my life
with all the love she gave

Her heart was of solid gold
her smile was kind as a summer day
and if you asked her nicely
Doris would daydream away

By Christos Andreas Kourtis aka NeonSolaris
ESSAYS ON
LEADERSHIP FRONTIERS OF AFRICAN LITERATURE
By
Alexander   k   Opicho




Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

TABLE OF CONTENTS
Contents                                                                                                                Page
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE 4
THE CURRENT EAST AFRICA IS NOT A LITERARY DESERT 27
AFRICAN WRITERS HAVE CULTURAL RIGHTS TO FORMULATE AND CREATE ENGLISH WORDS 31
LIKE PUSHKIN, AFRICAN WRITERS MUST CREATE THEIR OWN PROFFESSION OF LITERATURE 35
THERE IS POWER IN THE NAME ‘ALEXANDER’ 40
KENYAN COURTS AND PARLIAMENT ARE BETRAYERS OF HUMANE GOVERNANCE 47
AFRO-CHRISTIAN RESPONSE TO RADICAL LITERATURE IS GOOD AND SWAGGERISH 50
YUNUS’S SOCIAL BANKING IS A GOOD BENCHCMARK FOR THIRD WORLD ENTREPRENEURS 54
HEROISM IS NOT GREATNESS BUT HUMILITY IN SERVICE TO HUMANITY 57
KENYAN STUDENTS; YOUR MOBILE INTERNET CULTURE IS ANTI- ACADEMICS 61
WHAT IS THE MAGIC IN THE WORD ‘DRINKARD’ OF AMOS TUTUOLA 63
SOCIETIES IN AFRICA HAVE TO MENTOR BUT NOT CONDEMN THE LIKES OF JULIUS MALEMA 66
AMERICA WILL NOT WIN THE WAR ON GLOBAL TERRORISM 69
AFRICA CAN OVERCOME A MENACE OF **** IN EVERY 30 MINUTES 71
COMPARATIVE ROLES OF AFRICAN-BRAZILIAN LITERATURE IN THE POLITICS OF RACIAL AND GENDER DEMOCRACY 76
NEO-COLONIALISM IS NOT THE MAIN VICE TO THE GAMBIAN POLITICS 85
RELATIVE MEDIA OBJECTIVITY IS ACHIEVEABLE IN AFRICA AGAINST POWER CULTURE AND TYRANNIES OF TASTE 89
READING CULTURE IS GOOD FOR BOTH THE POOR AND THE RICH 96
VIOLENT DEATH IS THE BANE OF AFRICAN WRITERS AND ARTISTS 100
AFRICAN WRITTERS AND ARTISTS MUST ASPIRE BEYOND A NOBEL PRIZE 104
WHAT ARE CULTURAL RIGHTS OF AFRICAN ENGLISH SPEAKERS? 109
WHY IMPRISONMENT OF WRITERS CONTRIBUTED MOST TO AFRICAN LITERATURE 113
DORIS LESSING: A FEMINIST, POET, NOVELIST, WHITE-AFRICANIST AND NOBELITE UN-TIMELY PASSES ON 121
Amilcar Cabral: Beacon of revolutionary literature and social democracy 127
How the State of Israel is brutally dealing with African refugees 131
Historical glimpses of language dilemma in Afro-Arabic literature 146
THIS YEAR 2013; IS THE YEAR OF GREAT DEATHS 153
AFRICAN LITERATURE WITHOUT POETRY IS LIKE LOVE WITHOUT VAGINAL *** 156



















PROLOGOMENA
BARRACK OBAMA READS MOBY ****
Barrack Obama is reading Moby ****
American president is reading Moby ****
Ja-kogello is reading Moby ****
Ja-siaya is reading Moby ****
Ja-merica is reading Moby ****
Jadello is reading Moby ****
Ja-buonji is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because untimely death took his father
Barrack Obama is reading Moby ****
Because untimely death took his mother
Barrack Obama is reading Moby ****
Because untimely death to his brother
Barrack Obama is reading Moby ****
Because untimely death took the grannies
His lovely Oeuvre of Melville Herman  
And what are you reading?

Barrack Obama is reading Moby ****
Baba Michelle is reading Moby ****
Baba Sasha is reading Moby ****
Baba Malia is reading Moby ****
Baba nya-dhin is reading Moby ****
Sarah’s sire is reading Moby ****
Ja-sharia is reading Moby ****
The ****** is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because here ekes audacity of hope
Barrack Obama is reading Moby ****
Because here ekes dreams of fathers
Barrack Obama is reading Moby ****
Because here ekes yes we can
Barrack Obama is reading Moby ****
Because here ekes American dream
His lovely Oeuvre of Melville Herman
And what are you readings?

Barrack Obama is reading Moby ****
Because American president is like whale hunting
Barrack Obama is reading Moby ****
Because Obama is a money making animal
Barrack Obama is reading Moby ****
Because hunting Osama is whale riding
Barrack Obama is reading Moby ****
Because hunting Gaddaffi is whale riding
Barrack Obama is reading Moby ****
Because coming to Kenya is whale riding
Barrack Obama is reading Moby ****
Because Guantanamo prison is a bay of whales
Barrack Obama is reading Moby ****
Because Snowden is a Russian whale
Because launching drones is whale riding
His lovely Oeuvre of Melville Herman
And what are you reading, Moby ****?














CHAPTER ONE
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE

I am writing this article from Kenya on this day of 23 September 2013 when the Al shabab, an Arabo-Islamic arm of the global terrorist group the Al gaeda have lynched siege on the shopping mall in Nairobi known as the West Gate where an average of forty people have been killed and a hundreds are held hostage. The media is full of horrendous and terrifying images. They have made me to hate this day. I hate terrorism, I hate American foreign policy on Arabs, I hate philosophy behind formation of the state of Israel and I equally hate religious fundamentalism. Also on this date, all the media and public talks in Kenya are full of intellectual and literary tearing of one Kenyan by another plus a retort in the equal measure as a result of the ripples in the African literature pool whose epicenter is the Professor Taban Lo Liyong .He is an epicenter because he had initially decried literary mediocrity among the African scholars and University professors, Wherein under the same juncture he also quipped that Kenya’s doyen of literature Ngugi wa Thiong’o never deserved a Nobel prize. Liyong’s stand has provoked intellectual reasons and offalities to fly like fireworks in the East African literary atmosphere among which the most glittering is Chris Wanjala’s contrasting position that; who made Liyong the prefect and ombudsman of African literature? This calls for answers. Both good answers and controversial responses. Digging deeper into the flesh of literature as often displayed by Lo Liyong.
Liyong is not a fresher in the realm of literary witticism. He is a seasoned hand .Especially when contributions of Liyong to east African literary journal during his student days in the fifties of the last century during which he declared east Africa a literary desert. In addition to his fantastic titles; Another ****** Dead and The Un-even Rips of Frantz Fanon, Professor Taban Lo Liyong also humorously called Amos Tutuola the son of Zinjathropus, what a farcical literary joke? I also want to appreciate this Liyong’s artfulness of language in this capacity and identify him in a literary sense as Taban Matiyong Lo   Liyong the son of Eshu. He is an ideological and literature descended of the great West African Eshu. Eshu the god of trouble which was dramatized by Obutunde Ijimere in the imprisonment of Obadala and also recounted by Achebe in the classical essays; Morning Yet of Creation Day. I call him Eshu because of his intellectual and literary ability to trigger the East and West Africans into active altercation of literary, cultural and political exchanges every other time he visits these regions. Whether in Lagos, Accra or Nairobi.
Now, in relation to Ngugi and intellectual quality of Kenyan University literature professors was Liyong right or wrong?  Does Liyong’s stand-point on Ngugi’s incompetence for Nobel recognition and mediocrity in literary scholarship among Kenyan Universities hold water. Are Liyong’s accusations of East Africa in these perspectives factually watertight and devoid of a fallacy of self-aggrandizement to African literary prefecture as Professor Chris Wanjala laments. Active literary involvement by anyone would obviously uncover that ;It is not Liyong Alone who has this intellectual bent towards East Africa, any literary common sense can easily ask a question that; Does Ngugi’s literary work really deserve or merit for Nobel recognition or not ? The answers are both yes and no. There are very many of those in Kenya who will readily cow from the debate to say yes. Like especially the community of alumni of the University of Nairobi who were Ngugi’s students in the department of English in which Ngugi was a Faculty during the mid of the last century. Also the general Kenyan masses who have been conditioned by warped political culture which always and obviously confine the Kenyan poor into a cocoonery of chauvinistic thought that Ngugi should or must win because he is one of us or Obama must win because he is one of us or Kemboi must win because he is the son of the Kenyan soil. These must also be the emotional tid-bits upon which the Kenyan Media has been based to be catapulted into Publicity feat that Ngugi will win the Nobel Prize without reporting to the same Kenyan populace the actual truths about other likely winners in the quarters from the overseas. I am in that Kenyan school thought comprising of those who genuinely argue that Ngugi’s literary work does not befit, nor merit, nor deserve recognition of Nobel Prize for literature. This position is eked on global status of the Nobel Prize in relation to Ngugi’s Kikuyu literary and writing philosophy. It is a universal truth that any and all prizes are awarded on the basis of Particular efforts displayed with peculiarity. Nobel Prize for literature is similarly awarded in recognition of unique literary effort displayed by the winner. It is not an exception when it comes to the question of formidability in a particular effort. However, the most basic literary virtue to be displayed as an overture of the writer is conversion of theory into practice. This was called by Karl Marx, Hegel, Antonio Gramsci and Paulo Freire, especially in Freire’s  pedagogy of the oppressed as praxis.History of literature and politics in their respective homogenous and comparative capacities has it that ;There has been eminent level of praxis by previous Nobelites.Right away from Rabitranathe Tagore to Wole Soyinka, From Dorriss Lessing to Wangari Mathai.Similar to JM Coatze ,Gao Tziaping,Alexander Vasleyvitch Solzhenystisn and Baraka Obama.This ideological stand of praxis is the one that made Alfred Nobel himself to to stick to his gun of intellectual  values and deny Leo Tolstoy the prize in 1907 because there was no clear connection between rudimentary Tolstoy in the nihilism and Feasible Tolstoy in the possible manner  of the times .In a similar stretch Ngugi wa Thiongo’s literary works and his ideological choices are full of ideological theory but devoid of ideological praxis. Evidence for justification in relation to this position is found back in the 70’s and 80’s of the last century, When Ngugi was an active communist theoretician of Kenya. His stature as a Kenyan communist ideologue could only get a parallel in the likes of Leon Trotsky and Gramsci. This ideological stature was displayed in Ngugi’s adoration of the North Korean communism under the auspice of the Korean leader Kim Yun Sung. This is so bare when you read Ngugi’s writers in politics, a communist pamphlet he published with the African red family. By that time this pamphlet was treated equally as Mao tse Tung’s collected works by the Kenya government which means that they were both illegal publications and if in any case you were found with them you would obviously serve nine months in prison. And of course when the late Brigadier Augustine Odongo was found with them he was jailed for nine months at Kodhiak maximum prison in Kisumu ,Kenya .O.K, the story of Odongo is preserved for another day. But remember that, this was Ngugi only at his rudimentary stage. But when Ngugi got an opportunity to get an ideological asylum, he did not go to Russia, nor East Germany, Nor Tanzania, nor China but instead he went to the USA , a country whose ideological civilization is in sharp contradiction with communism; a religion which Ngugi proffessess.In relation to this choices of Ngugi one can easily share with me these reflections; is one intellectually  honest if he argues that he is a socialist revolutionary when his or her employer is an American institution like the university of California in Irvine ?
Ngugi was not the only endangered communist ideologue of the time. There were also several others. Both in Kenya and without Kenya. They were the likes of; Raila Odinga, George Moset Anyona, ***** Mutunga and very many others from Kenya. But in Africa some to be mentioned were Walter Rodney, Yoweri Museven,Isa Shivji,Jacob Tzuma ,Robert Mugabe and others. The difference between Ngugi and all of these socialist contemporaries of him is that; Ngugi went to America and began accumulating private property just like any other capitalist. But these others remained in Africa both in freedom and detention to ensure that powers of political darkness which had bedeviled Africa during the last century must go. And indeed the powers somehow went. Raila has  been in Kenya most of the times,Anyona died in Kenya while in the struggle for second liberation of Kenyan people from the devilish fangs of Moi’s dark reign of terror and tyrany.Walter Rodney worked in Tanzania at Dare salaam University where he wrote his land mark book; How Europe underdeveloped Africa. Later on he went back to his country of birth in Africa, Guyana where he was assassinated while in the revolutionary struggle for political good of the Guyanese people. Yoweri Museven practically implemented socialism by fighting politics of sham and nonsense out of Uganda of which as per today Uganda is somehow admirable. Isa Shivji has ever remained in Dare salaam University, inspite of poverty. He is now the chair of Mwalimu Julius Nyerere school of Pan African studies. Jacob Tsuma and Robert Mugabe they are current presidents of South Africa and Zimbabwe respectively. The gist of this reference to African socialist revolutionaries as contemporaries to Ngugi wa Thiong’o is that a socialist revolutionary must and should not run away from the oppressor in to a zone of comfort. But instead must remain and relentlessly fight, just like in the words of Fidel Castro; fight and die in the battle field as long as it is a struggle against the enemy of the revolution. This view by Castro is pertinent as it’s a Revolutionary praxis which actually is redolent of practice of an ideology that has to be held for ever above ideological cosmentics.Ngugi scores badly on this. So if the Nobel academy looks at Ngugi in terms of defending human rights then it must be reminded that Ngugi have no marks on the same because he only ran away from the practical struggle. Anyway, Politics and ideology has its own fate. But let us now come back to literature. Ngugi and his books. As at  this time of writing this essay  Ngugi has published the following works; Weep not Child, The River Between, A Grain of Wheat, Black Hermit, Petals of Blood, Devils on the Cross,Matigari,Homecoming,Decolonizing the Mind, Writers in Politics, Ngugi Detained, Pen Points and Gun Points, Wizard of the Crow,Globalectics,Remeembering Africa, Dreams in Times of War and I Will Marry When I Want as well as the Trial of Dedan Kimathi which he wrote along with Micere Githae Mugo.Out of this list the only works with literary depth that call for intellectualized attention are ;A Grain of wheat, Wizard of the crow and Globalectics. The Grain of wheat is simply a post colonial reflection of Kenyan politics. Its themes, plot, lessons and entire synechedoche is also found in Wole Soyinka’s Season of Anomie as well as Achebe’s Anthills of the savannah. My argument dove-tails with those of Liyong’s stand that rewarding Ngugi’s Grain of wheat and forgetting Achebe’s Anthills of the Savannah and A man of the people would be a literary ceremony devoid of literary justice. Wizard of the Crow is indeed a magnum opus. I am ready to call it Ngugi’s oeuv

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