Submit your work, meet writers and drop the ads. Become a member
Seán Mac Falls Feb 2015
.
1
death dirges

Frogs in distance sing  .  .  .
Foxes, herons, join in too,
  .  .  .  A round of croaking.



2
love gifts

Her gift of flowers  .  .  .
Came at night without garden,
  .  .  .  Were picked in bedroom.



3
twins demure

Full moon and she  .  .  .
Beauties without crescent smile,
  .  .  .  Naked in starlight.



4
light music

Before even sun  .  .  .
Gleam opens to paint each day,
  .  .  .  Beauty in birdsong.



5
iridescent

After sun showers  .  .  .
Sparkle of rainbow colours,
  .  .  .  Busy hummingbirds



6
chilling

Hollow sound through trees,
Naked and bare branches sway,
  .  .  .  Old winter creeping.



7
flirting

She wanted a child  .  .  .
Rushed from one suitor to next,
  .  .  .  Clock set to maybe.



8
super villain

Truth once singular  .  .  .
Mucked all up with politics,
  .  .  .  In cowl of falsehoods.



9
casualties

Blood spills in gardens  .  .  .
Naïve worms torn from loose grounds,
.  .  . Red robins, green lawns.



10
stigmata

Each spring miracle  .  .  .
Trees blessed by caterpillars gifts,
  .  .  .  Holey hands of leaves.



11
consecrations

Ripples lead to bows  .  .  .
After fish breaks the water,
  .  .  .  A kingfisher dives.



12
constancy

Steadfast as always  .  .  .
Wildflower in sun and rain,
  .  .  .  Showing true colours.



13
roommates

Chaste lovers wonder  .  .  .
How bodies weather the cold,
  .  .  .  Never knowing touch.



14
swept away

Suddenly we kissed  .  .  .
At beach as tides rolling in,
  .  .  .  Drowning by ocean.



15
seductress

Her red hair so long  .  .  .
Brushing my face, hiding eyes,
  .  .  .  A kind entrapment.
.
Danny Valdez Jan 2012
He woke up
next to the empty spot
where Wonder Woman had been.
He puked in the toilet
slammed down a forty-ounce Miller High Life
and started putting the suit on.
boots
the gray and black tights
the gloves
the yellow utility belt
and the cape.
It was leather.
He put the cowl
under his arm and left his apartment.
It was a late start
nearly noon
by the time
the bus got him to
Mann's Chinese Theater.
He saw a lot of his
friends and colleges
as the bus went down to his stop.
It was a regular day
all the characters were
in their usual little groups.
Spider-Man & Captain America
two Mormon boys that had been
excommunicated from the church
they got caught **** *******
each other
now they were stuck in Hollywood
like everyone else.
The X-Men
or H-Men as most people called them
were a group of junkies.
One of them had a cousin at Fox
and they got four replica X-Men costumes.
So that's how they scored
their junk everyday
garnered pretty good tips from the tourists.
Cyclops, Jean-Grey, Storm, and Wolverine.
It was a good grift. **** good idea.
Then you had the impersonators
plastic surgery freaks
obsessed with Michael Jackson
creepy bald men dressed as Dr. Evil
and there was always
a lazy fat guy
that would do Elvis.
Not know any of the songs
and saying the catch phrases all wrong,
"Well, thank you Ma'am....thank you so much."
Those guys never lasted too long.
The cutesy cartoon characters
were almost always
pedophiles or ******* ladies.
The horror people were hands down
the most bat-**** insane of the lot.
They got into the most fights
they terrorized the kids
and they talked a lot of ****.
Would bate guys into fights.
Michael Myers would always start ****
with guys that had beautiful women with them.
It was ****** up.
The LAPD took away Freddy Kruger last month
for beating up a guy
right in front of his kids.
There was talk from the cops
about shutting down their whole thing down.
Making it illegal to dress up in costumes
and get tips.
'Panhandling' as the office had said.
But
Batman hung out with
Superman & Wonder Woman
while doing his thing.
The night before
Wonder Woman and him
had been drinking, smoking, and
they ****** once
before she asked him
what she needed to.
"We got two new guys starting tomorrow."
"What?"
"Yeah. They came up to me on the street today,
wanted to know if they could hang with us."
"Wha? What? Well...do they have costumes?"
"Yeah." She said, exhaling smoke, wrapped in the sheet on the bed.
"These guys got a Green Lantern and a Robin costume. Really good quality,
they showed me pictures. Hey, you finally got a Robin now! Isn't that great?"
"****...I don't know Diana...I was kinda liking our little *******.
"Oh come on, Bruce. It'll be good." She said, wrapping her arms around him
as he sat on the edge of the book, looking out the window.
"We can finally get the big, group tips. Like what the H-Men got going."
"Alright. That's fine."
And the next day
there they were,
Green Lantern & Robin.
Wonderful costumes, like she said
their hair color and overall appearance
spot on.
"Hey there!"
"Hello. Robin. Green Lantern."
Their gloved hands all shook.
They got acquainted and he couldnt help but like them.
Nice guys, musicians, Rockabilly guys, from Venice.
They went out into
the crowd of people
Superman's voice booming over the crowd
telling everyone that they're safe from
evil and wrong doers, blah, blah, blah,
the usual ******* that Superman always said.
Batman yelled to Robin over the enclosing crowd.
They were now fully entrenched by people
fat & sweaty
Batman's panic attack took over.
"COME ON!" He shouted over the rising crowd noise.
The dynamic duo
shoved & pushed
parting the sea of fat tourists
and breaking out onto the sidewalk.
"What's up, Batman?" Robin asked
looking up to him.
The size difference was just like in the comics
Robin was a little guy.
"I just needed to get outta there. Let's go take a lap
down Hollywood Boulevard...see what kinda cash we can grab."
"Okay, Batman."
They walked
up and down
the walk of fame
posing for a few pictures
making some kids day
with wide-eyed excitement
that will be with them forever.
They made forty bucks too.
"Alright, that's good for now. Let's grab a beer, Robin."
It was a small dive
on Hollywood Boulevard
they were two beers in
and Robin was learning a lot
about how Hollywood really was.
Some real talk from Batman to Robin.
"Yup. I moved out here in 1997. I saw that movie 'Swingers' and I thought...
I could do that, that could be my life, I want that."
"And what happened Bats?"
"Well...I came out here, went to film school, did everything I was told, and...
I still got ******." He said, taking a long pull from the bottle.
"Well what happened exactly?"
Robin's green glove, gripping the brown bottle
tilting it back, bubbles rising
"Well...ya see...when I was in film school, the instructors all told us...you either do your internship here in Hollywood or go to New York. Anywhere else and you won't be able to make it. That's what they said."
"Yeah?"
"Yeah. So I did my internship here in Hollywood and it was for nothing. The whole two years that I was at Faramount, I was never allowed to even touch any film equipment. Well, just to dust it off and clean it. But they didn't even try to teach me anything there. I just did food runs at lunch, got them their Starbucks in the morning, and took out the trash. Swept the parking lot, cleaned the toilets, I was a ******* janitor at that place. And you know what happened next?"
"Huh?"
"One day they just fired me. Just like that. After two years of being their ***** boy. So now I have $50,000 in student loans that I can't pay back, and a degree that got me nowhere."
"****." Robin said, finishing his beer.
"Yeah. So what do you do?"
"I'm in school for audio engineering."
"Ah...the music business eh?"
"Yeah, Batman."
"Hmm."
Batman grew silent then, just finishing his beer, and staring into the mirrored wall.
He wanted to say,
"I have 117 scripts sitting in a stack next to my t.v. That's eight screenplays a year. Robin, I've been at this for fourteen years and it doesn't get any better. I never stop trying and I keep at it, year after year. But I'm done. Get out while you
still can Robin. This city will eat you, **** you, **** you. If you still have a home, I suggest you go back to it."
Batman sat there, his beer finished, still staring straight ahead.
Robin pulled out a ten dollar bill, smiling, calling for the bartender
with that sparkle in his eye
of youth and hope.
He didn't want to say all that ****
crush that gleam in Robin's eye
like he once had.
Those were the best days
the great days
the glory days
to be young, handsome, poor, and hopeful
that you could make it
that it could happen.
So Batman didn't say another word about it.
Nope.
There were things
Robin would have to learn all on his own.
Trevor Gates Jul 2013
The Obsidian Theater XV.



Welcome to my nightmare
Welcome to my show
The audience awaits your praise
And your stage light glow

My, my, it’s been too long.

[Walks across stage; light follows. Curtains pulled]

Where have all of you been?

[Audience laughter]

Oh, forgive me, that’s not the right question
To ask

Where have we been?

That’s more fitting


Where


Sipping Champagne with Bing Crosby among undead poets
With a casket made for two
“Brother can you spare a dime?”
He said,
“Lift me from this tribal paradigm.”

And

For many days I wandered the wilderness in the threads of
My carnivalesque grandfather
Ripping and tearing in the clinging trees
Hands of branches
Groping and pulling the garments off my body

In the middle of the Serbian wilderness was The Manor
Draped in dead trees and blackened ice

The valet stood at the gate in prime condition
Waiting

But for who?

“Why, you sir.” He told me, guiding me through the entrance, to the front door.

And inside were wonders to be held by the
muster of my weakened eyes

Ladybug dancers tossing their legs up to *****-tonk fanfare
Swirling magicians pulling rabbits and naked men from the shadows

Allegorical usurpers coated in a filmy residue of
Herzog dreams
And
Lynch fantasies

Perpetuated by my longing
My lost soul
My parched thirst
My growling stomach
My throbbing manhood
My forgotten affliction
And severed diction

A man slivering into the skin of a woman
A Lady donning the cowl of a man

Skins shivering with afterglow effects

And dreams woven by old witches with intestinal thread

It was eloquent darkness in the belly of the manor
Fit for a King of Devilish glamor

Brothers of Grimm
And
Sisters of Mercy

Told from the pages

From the books

Of frozen Gods
And forgotten Titans

These are the happenings of a great story
Fiction or not
You may tell it
And believe what you will

It doesn’t matter as long as it is strongly retold

From the lips of another

The wandering bard
Or
The pub crawling drunkard
To
The enamored *****
And
Bookworm report
It needs
To be shared
To others
Even impaired
To celebrate
Gasp
Giggle
Scare
Love
Soothe
Disrupt

My impeccable, capable
Hands-down sensational
Tour de force
Troupe
A la mode


Cherries on top of whipped screams and drinks
Juggling heads and animals over coals of fire
Give them a show
Give them a feat
Give them something to remember
Give them something to crawl back to
Give them a performance that will beckon the applause
For years to come
Show your audience
And readers love
And
Sorrow
The likes of which
Cannot be equaled
Or even compared to
Lesser
Congregations
Of silly-billy pud muffins
And their
Street-smart guff

Let the institution of your mind become a corporal being
Teasing and pleasing those eager and waiting eyes
Staring up at you with
Wanting
Drooling
Wanting
Begging
Wanting
Affections

Don’t you want to see a show worth seeing?

[Audience cheers; laughs and applauds]

Watch a movie worth seeing?

Read a book worth reading?

How do you come by this?

Create what you’ve always wanted to see, read, watch and say.

Those performers
Once peasants and beggars

Stood up from the grime and ridicule of the trash and rose above the
Plateau
To conquer their hearts

Look and see!

Those people balancing and singing with fluffy dogs
Magicians and warlocks summoning spirits to dance among stars
Poets on stage reading mixed words to nodding peers
Directors blocking actors on stage with unparalleled enthusiasm
All these creatures of the ubiquitous night
Gather and produce
The whim of their lives

But many of these masters
These

Unknowing

Are

The bus boys cleaning up after your meal
The mother alone at home with the kids
The unsociable man on the park bench
The frigid girl in the corner of the classroom
The nervous boy wandering the circus
The stern librarian in Brooklyn
The blogger in the studio apartment
The hard working abroad student on a farm
The homeless man cradling a dying dog
The celebrity chasing photographer
The undergraduate tutor
The ignored substitute teacher
The bullied Muslim student
The underprivileged south side coach
The Turkish cab driver


More and more

These warrior poets and victims to racial slurs
Commonwealth bigotry
Ghetto endorsements
Faulty criticisms

From hosting countries

And sheltered, over-privileged, disillusioned

Politicians

Bureaucrats

Religious figures

Dogs of War

Angels of retribution

Demons of industry

Ghosts of the hours and days past
To sympathize and cry for the world
Thrown into invisible and subtle chaos
Like an ocean littered with the blades of
Broken glass
The sludge toxic waste mixed in molten lava over craters of dead bodies
Or
The sand dust covering the thousands of bodies in the earth

So



What teams won the World Series?
Which movie star dates who?
What’s the latest trending diet?
What new pop sensation has been manufactured?
What new insult can talk show hosts say?
Is there someone new to blame for all the bad things in the world?

What are the things the media has told you?
And
The things it hasn’t?

It’s a
Bitter sweet symphony

A
Crucible for the faceless grins
Pointing fingers everywhere but themselves


Let’s leave the worries to our kids
I’m sure they’ll figure it out.
Allow me to thank my esteemed colleagues: Meryl Streep’s skeleton, Freddie Mercury’s ghost, Doc Hammer, George C. Scott, Doctor Emmett Brown, Marty McFly, Easter Eggs, internet message board administrators, Robert Redford, Aviator sunglasses, Don Cheadle, The Coen Brothers, the Dukes of Hazzard, Billy *** Thorton, Hammerfall, Saxon, Klaxons, Lou Reed, Spike Jonze, Michael Gondry, Guts, Son Goku, Tinkerball ***** force, the Die Nasties, The Iron Maidens, Judas Priestess, The Runaways
And many more I simply don’t have time to mention.

Now Get out of my theater.
SøułSurvivør Aug 2015
~~~<¤>~~~

through
lichen clouds
and lace of leaves
moonlight wanders
wends and weaves

a cowl'd orb
a saintly pearl
a poem rewritten
by the world

a swooning dove
a gentle face
in loving here
there's no disgrace

brings She out
her mystery still
floating effortless
at will

how oft does She
rehearse the game
in many phases
do the same

in Her embrace
sweet dreams are free
unbound by

moonlight mystery


soulsurvivor
(C) 8/29/2015
there's an artist moon tonight
MAGNIFICENT

~~~<¤>~~~
judy smith Sep 2015
He's a high-end fashion designer with a celebrity following, but when it comes to the perfect wedding dress, Henry Holland has admitted you don't need to spend a fortune.

The designer from Greater Manchester, who has his own fashion house, said there are plenty of options for brides on a budget on the High Street.

'Being a fashion expert, I have something to say on the subject of wedding dresses, and I think you can look amazing without blowing your budget,' he said.

'Everyone knows that wedding dresses can cost an absolute fortune. You can spend anything from £8,000 - to £50,000 if you're J Lo. But there are so many amazing different styles and options on the High Street.'

Holland reveals his top picks, which can all be bought off-the-peg for less than £1,000, in his new Channel 4 show, The Changing Room.

He's impressed by the array of bridal gowns offered by Phase Eight, earmarking one Fifties-inspired design called the Sally Tulle wedding dress, which costs just £250.

He said of the dress: 'It's a cute Fifties-style prom shape with nice tulle and it doesn't look cheap, which is important. The fit and flare style flatters so many different body shapes and the length means you can show off your shoes.'

He also loved a cowl neck, full-length ivory gown from Ghost for £395, and a lacy £450 vintage-inspired wedding dress from Damsel in a Dress.

When choosing the perfect gown to walk down the aisle in, Holland recommends brides consider what they will look like from all angles.

He explained: 'Remember how important the back is. During the ceremony you will have your back to the congregation or your assembled group of friends.

'So for one of the only times in your life, think about how you look from behind.'

He advises looking for dresses with beads and sequin detailing all the way round - and again said this doesn't have to mean spending a fortune.

Showing a dress from Clifton Brides with a price tag of £995, he said: 'You can see the work that has been put into it; the beads and sequins have been sewn by hand by a skilled artisan.'

In his other style tips for brides he recommends glittery or lacy T-bar shoes and said 'always wear a veil'.

He said brides should not feel embarrassed about buying their dress from a High Street store. He added they should also banish worries about a guest turning up in the same gown with a stark warning for those planning their outfits for a friend or relative's big day.

'Buying off-the-peg is absolutely fine. You don't need to worry about anyone else turning up in the same dress as if any of your guests turns up wearing a white dress they need to be told to leave or escorted off the premises,' he joked.

One bride who took his style advice is Alex, who will tie the knot next June in Corfu.

She features in Holland's fly-on-the-wall series, The Changing Room, where cameras are installed in fitting rooms of House of Fraser, New Look, H&M;, Monsoon and River Island stores across the country.

In the first episode, which airs this evening, Alex is filmed trying on a wedding dress from Monsoon as well as picking her bridesmaids' gowns from the Oxford Street store in London.

She was impressed with the design and price of the £499 'Elise' gown, which is embellished on the front and has a mesh cut-away back covered in gems and beads.

'I love it, I don't think I want to try anything else on,' she said.

read more:www.marieaustralia.com/formal-dresses-sydney

www.marieaustralia.com/formal-dresses-melbourne
“It is the voice of years, that are gone! they roll before me, with
  all their deeds.”

  Ossian.


NEWSTEAD! fast-falling, once-resplendent dome!
Religion’s shrine! repentant HENRY’S pride!
Of Warriors, Monks, and Dames the cloister’d tomb,
Whose pensive shades around thy ruins glide,

Hail to thy pile! more honour’d in thy fall,
  Than modern mansions, in their pillar’d state;
Proudly majestic frowns thy vaulted hall,
  Scowling defiance on the blasts of fate.

No mail-clad Serfs, obedient to their Lord,
  In grim array, the crimson cross demand;
Or gay assemble round the festive board,
  Their chief’s retainers, an immortal band.

Else might inspiring Fancy’s magic eye
  Retrace their progress, through the lapse of time;
Marking each ardent youth, ordain’d to die,
  A votive pilgrim, in Judea’s clime.

But not from thee, dark pile! departs the Chief;
  His feudal realm in other regions lay:
In thee the wounded conscience courts relief,
  Retiring from the garish blaze of day.

Yes! in thy gloomy cells and shades profound,
  The monk abjur’d a world, he ne’er could view;
Or blood-stain’d Guilt repenting, solace found,
  Or Innocence, from stern Oppression, flew.

A Monarch bade thee from that wild arise,
  Where Sherwood’s outlaws, once, were wont to prowl;
And Superstition’s crimes, of various dyes,
  Sought shelter in the Priest’s protecting cowl.

Where, now, the grass exhales a murky dew,
  The humid pall of life-extinguish’d clay,
In sainted fame, the sacred Fathers grew,
  Nor raised their pious voices, but to pray.

Where, now, the bats their wavering wings extend,
  Soon as the gloaming spreads her waning shade;
The choir did, oft, their mingling vespers blend,
  Or matin orisons to Mary paid.

Years roll on years; to ages, ages yield;
  Abbots to Abbots, in a line, succeed:
Religion’s charter, their protecting shield,
  Till royal sacrilege their doom decreed.

One holy HENRY rear’d the Gothic walls,
  And bade the pious inmates rest in peace;
Another HENRY the kind gift recalls,
  And bids devotion’s hallow’d echoes cease.

Vain is each threat, or supplicating prayer;
  He drives them exiles from their blest abode,
To roam a dreary world, in deep despair—
  No friend, no home, no refuge, but their God.

Hark! how the hall, resounding to the strain,
  Shakes with the martial music’s novel din!
The heralds of a warrior’s haughty reign,
  High crested banners wave thy walls within.

Of changing sentinels the distant hum,
  The mirth of feasts, the clang of burnish’d arms,
The braying trumpet, and the hoarser drum,
  Unite in concert with increas’d alarms.

An abbey once, a regal fortress now,
  Encircled by insulting rebel powers;
War’s dread machines o’erhang thy threat’ning brow,
  And dart destruction, in sulphureous showers.

Ah! vain defence! the hostile traitor’s siege,
  Though oft repuls’d, by guile o’ercomes the brave;
His thronging foes oppress the faithful Liege,
  Rebellion’s reeking standards o’er him wave.

Not unaveng’d the raging Baron yields;
  The blood of traitors smears the purple plain;
Unconquer’d still, his falchion there he wields,
  And days of glory, yet, for him remain.

Still, in that hour, the warrior wish’d to strew
  Self-gather’d laurels on a self-sought grave;
But Charles’ protecting genius hither flew,
  The monarch’s friend, the monarch’s hope, to save.

Trembling, she ******’d him from th’ unequal strife,
  In other fields the torrent to repel;
For nobler combats, here, reserv’d his life,
  To lead the band, where godlike FALKLAND fell.

From thee, poor pile! to lawless plunder given,
  While dying groans their painful requiem sound,
Far different incense, now, ascends to Heaven,
  Such victims wallow on the gory ground.

There many a pale and ruthless Robber’s corse,
  Noisome and ghast, defiles thy sacred sod;
O’er mingling man, and horse commix’d with horse,
  Corruption’s heap, the savage spoilers trod.

Graves, long with rank and sighing weeds o’erspread,
  Ransack’d resign, perforce, their mortal mould:
From ruffian fangs, escape not e’en the dead,
  Racked from repose, in search for buried gold.

Hush’d is the harp, unstrung the warlike lyre,
  The minstrel’s palsied hand reclines in death;
No more he strikes the quivering chords with fire,
  Or sings the glories of the martial wreath.

At length the sated murderers, gorged with prey,
  Retire: the clamour of the fight is o’er;
Silence again resumes her awful sway,
  And sable Horror guards the massy door.

Here, Desolation holds her dreary court:
  What satellites declare her dismal reign!
Shrieking their dirge, ill-omen’d birds resort,
  To flit their vigils, in the hoary fane.

Soon a new Morn’s restoring beams dispel
  The clouds of Anarchy from Britain’s skies;
The fierce Usurper seeks his native hell,
  And Nature triumphs, as the Tyrant dies.

With storms she welcomes his expiring groans;
  Whirlwinds, responsive, greet his labouring breath;
Earth shudders, as her caves receive his bones,
  Loathing the offering of so dark a death.

The legal Ruler now resumes the helm,
  He guides through gentle seas, the prow of state;
Hope cheers, with wonted smiles, the peaceful realm,
  And heals the bleeding wounds of wearied Hate.

The gloomy tenants, Newstead! of thy cells,
  Howling, resign their violated nest;
Again, the Master on his tenure dwells,
  Enjoy’d, from absence, with enraptured zest.

Vassals, within thy hospitable pale,
  Loudly carousing, bless their Lord’s return;
Culture, again, adorns the gladdening vale,
  And matrons, once lamenting, cease to mourn.

A thousand songs, on tuneful echo, float,
  Unwonted foliage mantles o’er the trees;
And, hark! the horns proclaim a mellow note,
  The hunters’ cry hangs lengthening on the breeze.

Beneath their coursers’ hoofs the valleys shake;
  What fears! what anxious hopes! attend the chase!
The dying stag seeks refuge in the lake;
  Exulting shouts announce the finish’d race.

Ah happy days! too happy to endure!
  Such simple sports our plain forefathers knew:
No splendid vices glitter’d to allure;
  Their joys were many, as their cares were few.

From these descending, Sons to Sires succeed;
  Time steals along, and Death uprears his dart;
Another Chief impels the foaming steed,
  Another Crowd pursue the panting hart.

Newstead! what saddening change of scene is thine!
  Thy yawning arch betokens slow decay;
The last and youngest of a noble line,
  Now holds thy mouldering turrets in his sway.

Deserted now, he scans thy gray worn towers;
  Thy vaults, where dead of feudal ages sleep;
Thy cloisters, pervious to the wintry showers;
  These, these he views, and views them but to weep.

Yet are his tears no emblem of regret:
  Cherish’d Affection only bids them flow;
Pride, Hope, and Love, forbid him to forget,
  But warm his *****, with impassion’d glow.

Yet he prefers thee, to the gilded domes,
  Or gewgaw grottos, of the vainly great;
Yet lingers ’mid thy damp and mossy tombs,
  Nor breathes a murmur ‘gainst the will of Fate.

Haply thy sun, emerging, yet, may shine,
  Thee to irradiate with meridian ray;
Hours, splendid as the past, may still be thine,
  And bless thy future, as thy former day.
I went to stay with an old schoolmate
In the village of Rushing Brooke,
I thought there wouldn’t be much to do
So I took a favourite book,
He said he’d only been there a while
For the cottage rent was cheap,
He’d needed to get away, he said,
But never could get to sleep.

His face was haggard, his eyes bloodshot
His hands would tremble and shake,
He said it was close to a fortnight since
He’d started to lie awake,
‘I get to the point I’m drifting off
When I hear that terrible knell,
A long slow tolling invades my sleep
From the church that has no bell.’

We sat up talking ‘til one o’clock
Then I made my way to bed,
But nothing invaded my sleep that night,
‘It won’t at first,’ he said.
‘There’s something wanders the street outside
In the hours before the dawn,
Clad in a cowl, or a hooded cloak
But it’s gone before the morn.’

From all that I saw of Rushing Brooke
The cottages were quaint,
They certainly had a timeless look,
Could do with a coat of paint.
The roads were rough with a pebbled look
But I saw no folk about,
I passed the Smithy and Fodder store
But the Blacksmith, he was out.

We walked on over to see the church
That was grim, and overgrown,
There’d not been a single service there
Since the Roundheads stormed the town,
But weeds grew up in the vestry, there
Were signs of an ancient fire,
And looking up we could see a space
Right under the old church spire.

‘That was the space they hung the bell
But the bell has long been gone,
The Roundheads carried it off, they say,
So it couldn’t toll for Rome.
The bell had tolled for the death of Charles
As his head fell under the axe,
The soldiers came for revenge in force
In one of their brute attacks.’

I kept him company every night
But I had to get some sleep,
For days I’d wake and I’d find him still
Awake in a crumpled heap.
I woke one time and I saw him stare
Through the window, into the night,
For there was a ghostly cloak and cowl,
It gave me a sudden fright.

And that’s when I heard the tolling bell
For the first time, that he’d said,
The bell from the church, that wasn’t there
Was tolling in my head,
I lay awake ‘til the sun came up,
Went out to greet the day,
But there the village had tumbled down,
Had long since gone away.

Only the marks of ancient roads,
Foundations that had stood,
There wasn’t a cottage left out there
Just an encroaching wood,
The church was standing among the trees
And our cottage, cracked and scarred,
Half of the roof was missing, and
The chimney lay in the yard.

We hurried away to the nearest town
And found an old-style Inn,
My friend had fallen asleep within
A moment of checking in,
He slept and he slept for two whole days
While I asked about the town,
‘What of the village of Rushing Brooke?’
But all that they did was frown.

The wife of the keeper of the Inn
Was tidying my room,
I asked her the same old question as
She worked there in the gloom,
‘I wouldn’t go near to Rushing Brooke
Not now, for a thousand pound,
That’s where the soldiers stole the bell
And mowed the villagers down.’

‘They say as the place is haunted by
The figure of a monk,
They burnt him alive inside the church
As he tolled the bell by the font.
He lived in a little cottage there,
The only one that stands,
I’ve heard some tell that they’ve heard the bell
And seen him, walk in the grounds.’

David Lewis Paget
I.

  When to the common rest that crowns our days,
  Called in the noon of life, the good man goes,
  Or full of years, and ripe in wisdom, lays
  His silver temples in their last repose;
  When, o'er the buds of youth, the death-wind blows,
  And blights the fairest; when our bitter tears
  Stream, as the eyes of those that love us close,
  We think on what they were, with many fears
Lest goodness die with them, and leave the coming years:

II.

  And therefore, to our hearts, the days gone by,--
  When lived the honoured sage whose death we wept,
  And the soft virtues beamed from many an eye,
  And beat in many a heart that long has slept,--
  Like spots of earth where angel-feet have stepped--
  Are holy; and high-dreaming bards have told
  Of times when worth was crowned, and faith was kept,
  Ere friendship grew a snare, or love waxed cold--
Those pure and happy times--the golden days of old.

III.

  Peace to the just man's memory,--let it grow
  Greener with years, and blossom through the flight
  Of ages; let the mimic canvas show
  His calm benevolent features; let the light
  Stream on his deeds of love, that shunned the sight
  Of all but heaven, and in the book of fame,
  The glorious record of his virtues write,
  And hold it up to men, and bid them claim
A palm like his, and catch from him the hallowed flame.

IV.

  But oh, despair not of their fate who rise
  To dwell upon the earth when we withdraw!
  Lo! the same shaft by which the righteous dies,
  Strikes through the wretch that scoffed at mercy's law,
  And trode his brethren down, and felt no awe
  Of Him who will avenge them. Stainless worth,
  Such as the sternest age of virtue saw,
  Ripens, meanwhile, till time shall call it forth
From the low modest shade, to light and bless the earth.

V.

  Has Nature, in her calm, majestic march
  Faltered with age at last? does the bright sun
  Grow dim in heaven? or, in their far blue arch,
  Sparkle the crowd of stars, when day is done,
  Less brightly? when the dew-lipped Spring comes on,
  Breathes she with airs less soft, or scents the sky
  With flowers less fair than when her reign begun?
  Does prodigal Autumn, to our age, deny
The plenty that once swelled beneath his sober eye?

VI.

  Look on this beautiful world, and read the truth
  In her fair page; see, every season brings
  New change, to her, of everlasting youth;
  Still the green soil, with joyous living things,
  Swarms, the wide air is full of joyous wings,
  And myriads, still, are happy in the sleep
  Of ocean's azure gulfs, and where he flings
  The restless surge. Eternal Love doth keep
In his complacent arms, the earth, the air, the deep.

VII.

  Will then the merciful One, who stamped our race
  With his own image, and who gave them sway
  O'er earth, and the glad dwellers on her face,
  Now that our swarming nations far away
  Are spread, where'er the moist earth drinks the day,
  Forget the ancient care that taught and nursed
  His latest offspring? will he quench the ray
  Infused by his own forming smile at first,
And leave a work so fair all blighted and accursed?

VIII.

  Oh, no! a thousand cheerful omens give
  Hope of yet happier days, whose dawn is nigh.
  He who has tamed the elements, shall not live
  The slave of his own passions; he whose eye
  Unwinds the eternal dances of the sky,
  And in the abyss of brightness dares to span
  The sun's broad circle, rising yet more high,
  In God's magnificent works his will shall scan--
And love and peace shall make their paradise with man.

IX.

  Sit at the feet of history--through the night
  Of years the steps of virtue she shall trace,
  And show the earlier ages, where her sight
  Can pierce the eternal shadows o'er their face;--
  When, from the genial cradle of our race,
  Went forth the tribes of men, their pleasant lot
  To choose, where palm-groves cooled their dwelling-place,
  Or freshening rivers ran; and there forgot
The truth of heaven, and kneeled to gods that heard them not.

X.

  Then waited not the murderer for the night,
  But smote his brother down in the bright day,
  And he who felt the wrong, and had the might,
  His own avenger, girt himself to slay;
  Beside the path the unburied carcass lay;
  The shepherd, by the fountains of the glen,
  Fled, while the robber swept his flock away,
  And slew his babes. The sick, untended then,
Languished in the damp shade, and died afar from men.

XI.

  But misery brought in love--in passion's strife
  Man gave his heart to mercy, pleading long,
  And sought out gentle deeds to gladden life;
  The weak, against the sons of spoil and wrong,
  Banded, and watched their hamlets, and grew strong.
  States rose, and, in the shadow of their might,
  The timid rested. To the reverent throng,
  Grave and time-wrinkled men, with locks all white,
Gave laws, and judged their strifes, and taught the way of right;

XII.

  Till bolder spirits seized the rule, and nailed
  On men the yoke that man should never bear,
  And drove them forth to battle. Lo! unveiled
  The scene of those stern ages! What is there!
  A boundless sea of blood, and the wild air
  Moans with the crimson surges that entomb
  Cities and bannered armies; forms that wear
  The kingly circlet rise, amid the gloom,
O'er the dark wave, and straight are swallowed in its womb.

XIII.

  Those ages have no memory--but they left
  A record in the desert--columns strown
  On the waste sands, and statues fallen and cleft,
  Heaped like a host in battle overthrown;
  Vast ruins, where the mountain's ribs of stone
  Were hewn into a city; streets that spread
  In the dark earth, where never breath has blown
  Of heaven's sweet air, nor foot of man dares tread
The long and perilous ways--the Cities of the Dead:

XIV.

  And tombs of monarchs to the clouds up-piled--
  They perished--but the eternal tombs remain--
  And the black precipice, abrupt and wild,
  Pierced by long toil and hollowed to a fane;--
  Huge piers and frowning forms of gods sustain
  The everlasting arches, dark and wide,
  Like the night-heaven, when clouds are black with rain.
  But idly skill was tasked, and strength was plied,
All was the work of slaves to swell a despot's pride.

XV.

  And Virtue cannot dwell with slaves, nor reign
  O'er those who cower to take a tyrant's yoke;
  She left the down-trod nations in disdain,
  And flew to Greece, when Liberty awoke,
  New-born, amid those glorious vales, and broke
  Sceptre and chain with her fair youthful hands:
  As rocks are shivered in the thunder-stroke.
  And lo! in full-grown strength, an empire stands
Of leagued and rival states, the wonder of the lands.

XVI.

  Oh, Greece! thy flourishing cities were a spoil
  Unto each other; thy hard hand oppressed
  And crushed the helpless; thou didst make thy soil
  Drunk with the blood of those that loved thee best;
  And thou didst drive, from thy unnatural breast,
  Thy just and brave to die in distant climes;
  Earth shuddered at thy deeds, and sighed for rest
  From thine abominations; after times,
That yet shall read thy tale, will tremble at thy crimes.

XVII.

  Yet there was that within thee which has saved
  Thy glory, and redeemed thy blotted name;
  The story of thy better deeds, engraved
  On fame's unmouldering pillar, puts to shame
  Our chiller virtue; the high art to tame
  The whirlwind of the passions was thine own;
  And the pure ray, that from thy ***** came,
  Far over many a land and age has shone,
And mingles with the light that beams from God's own throne;

XVIII.

  And Rome--thy sterner, younger sister, she
  Who awed the world with her imperial frown--
  Rome drew the spirit of her race from thee,--
  The rival of thy shame and thy renown.
  Yet her degenerate children sold the crown
  Of earth's wide kingdoms to a line of slaves;
  Guilt reigned, and we with guilt, and plagues came down,
  Till the north broke its floodgates, and the waves
Whelmed the degraded race, and weltered o'er their graves.

XIX.

  Vainly that ray of brightness from above,
  That shone around the Galilean lake,
  The light of hope, the leading star of love,
  Struggled, the darkness of that day to break;
  Even its own faithless guardians strove to slake,
  In fogs of earth, the pure immortal flame;
  And priestly hands, for Jesus' blessed sake,
  Were red with blood, and charity became,
In that stern war of forms, a mockery and a name.

**.

  They triumphed, and less ****** rites were kept
  Within the quiet of the convent cell:
  The well-fed inmates pattered prayer, and slept,
  And sinned, and liked their easy penance well.
  Where pleasant was the spot for men to dwell,
  Amid its fair broad lands the abbey lay,
  Sheltering dark ****** that were shame to tell,
  And cowled and barefoot beggars swarmed the way,
All in their convent weeds, of black, and white, and gray.

XXI.

  Oh, sweetly the returning muses' strain
  Swelled over that famed stream, whose gentle tide
  In their bright lap the Etrurian vales detain,
  Sweet, as when winter storms have ceased to chide,
  And all the new-leaved woods, resounding wide,
  Send out wild hymns upon the scented air.
  Lo! to the smiling Arno's classic side
  The emulous nations of the west repair,
And kindle their quenched urns, and drink fresh spirit there.

XXII.

  Still, Heaven deferred the hour ordained to rend
  From saintly rottenness the sacred stole;
  And cowl and worshipped shrine could still defend
  The wretch with felon stains upon his soul;
  And crimes were set to sale, and hard his dole
  Who could not bribe a passage to the skies;
  And vice, beneath the mitre's kind control,
  Sinned gaily on, and grew to giant size,
Shielded by priestly power, and watched by priestly eyes.

XXIII.

  At last the earthquake came--the shock, that hurled
  To dust, in many fragments dashed and strown,
  The throne, whose roots were in another world,
  And whose far-stretching shadow awed our own.
  From many a proud monastic pile, o'erthrown,
  Fear-struck, the hooded inmates rushed and fled;
  The web, that for a thousand years had grown
  O'er prostrate Europe, in that day of dread
Crumbled and fell, as fire dissolves the flaxen thread.

XXIV.

  The spirit of that day is still awake,
  And spreads himself, and shall not sleep again;
  But through the idle mesh of power shall break
  Like billows o'er the Asian monarch's chain;
  Till men are filled with him, and feel how vain,
  Instead of the pure heart and innocent hands,
  Are all the proud and pompous modes to gain
  The smile of heaven;--till a new age expands
Its white and holy wings above the peaceful lands.

XXV.

  For look again on the past years;--behold,
  How like the nightmare's dreams have flown away
  Horrible forms of worship, that, of old,
  Held, o'er the shuddering realms, unquestioned sway:
  See crimes, that feared not once the eye of day,
  Rooted from men, without a name or place:
  See nations blotted out from earth, to pay
  The forfeit of deep guilt;--with glad embrace
The fair disburdened lands welcome a nobler race.

XXVI.

  Thus error's monstrous shapes from earth are driven;
  They fade, they fly--but truth survives their flight;
  Earth has no shades to quench that beam of heaven;
  Each ray that shone, in early time, to light
  The faltering footsteps in the path of right,
  Each gleam of clearer brightness shed to aid
  In man's maturer day his bolder sight,
  All blended, like the rainbow's radiant braid,
Pour yet, and still shall pour, the blaze that cannot fade.

XXVII.

  Late, from this western shore, that morning chased
  The deep and ancient night, that threw its shroud
  O'er the green land of groves, the beautiful waste,
  Nurse of full streams, and lifter-up of proud
  Sky-mingling mountains that o'erlook the cloud.
  Erewhile, where yon gay spires their brightness rear,
  Trees waved, and the brown hunter's shouts were loud
  Amid the forest; and the bounding deer
Fled at the glancing plume, and the gaunt wolf yelled near;

XXVIII.

  And where his willing waves yon bright blue bay
  Sends up, to kiss his decorated brim,
  And cradles, in his soft embrace, the gay
  Young group of grassy islands born of him,
  And crowding nigh, or in the distance dim,
  Lifts the white throng of sails, that bear or bring
  The commerce of the world;--with tawny limb,
  And belt and beads in sunlight glistening,
The savage urged his skiff like wild bird on the wing.

XXIX.

  Then all this youthful paradise around,
  And all the broad and boundless mainland, lay
  Cooled by the interminable wood, that frowned
  O'er mount and vale, where never summer ray
  Glanced, till the strong tornado broke his way
  Through the gray giants of the sylvan wild;
  Yet many a sheltered glade, with blossoms gay,
  Beneath the showery sky and sunshine mild,
Within the shaggy arms of that dark forest smiled.

***.

  There stood the Indian hamlet, there the lake
  Spread its blue sheet that flashed with many an oar,
  Where the brown otter plunged him from the brake,
  And the deer drank: as the light gale flew o'er,
  The twinkling maize-field rustled on the shore;
  And while that spot, so wild, and lone, and fair,
  A look of glad and guiltless beauty wore,
  And peace was on the earth and in the air,
The warrior lit the pile, and bound his captive there:

XXXI.

  Not unavenged--the foeman, from the wood,
  Beheld the deed, and when the midnight shade
  Was stillest, gorged his battle-axe with blood;
  All died--the wailing babe--the shrieking maid--
  And in the flood of fire that scathed the glade,
  The roofs went down; but deep the silence grew,
  When on the dewy woods the day-beam played;
  No more the cabin smokes rose wreathed and blue,
And ever, by their lake, lay moored the light canoe.

XXXII.

  Look now abroad--another race has filled
  These populous borders
I

Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music, too.
Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,

Thinking of your blue-shadowed silk,
Is music. It is like the strain
Waked in the elders by Susanna;

Of a green evening, clear and warm,
She bathed in her still garden, while
The red-eyed elders, watching, felt

The basses of their beings throb
In witching chords, and their thin blood
Pulse pizzicati of Hosanna.

II

In the green water, clear and warm,
Susanna lay.
She searched
The touch of springs,
And found
Concealed imaginings.
She sighed,
For so much melody.

Upon the bank, she stood
In the cool
Of spent emotions.
She felt, among the leaves,
The dew
Of old devotions.

She walked upon the grass,
Still quavering.
The winds were like her maids,
On timid feet,
Fetching her woven scarves,
Yet wavering.

A breath upon her hand
Muted the night.
She turned--
A cymbal crashed,
Amid roaring horns.

III

Soon, with a noise like tambourines,
Came her attendant Byzantines.

They wondered why Susanna cried
Against the elders by her side;

And as they whispered, the refrain
Was like a willow swept by rain.

Anon, their lamps' uplifted flame
Revealed Susanna and her shame.

And then, the simpering Byzantines
Fled, with a noise like tambourines.

IV

Beauty is momentary in the mind--
The fitful tracing of a portal;
But in the flesh it is immortal.

The body dies; the body's beauty lives.
So evenings die, in their green going,
A wave, interminably flowing.
So gardens die, their meek breath scenting
The cowl of winter, done repenting.
So maidens die, to the auroral
Celebration of a maiden's choral.

Susanna's music touched the ***** strings
Of those white elders; but, escaping,
Left only Death's ironic scraping.
Now, in its immortality, it plays
On the clear viol of her memory,
And makes a constant sacrament of praise.
Deep in the village of Darkling
Where the Squires and their Ladies rule,
No-one comes out in the eventime
Unless they’re a brazen fool,
The Hunt is rallied for after dark
And they wear the hood and the cowl,
Roam far and wide through the countryside
While the ravening hounds just howl.

They say that they’re hunting foxes,
But I know, that just isn’t true,
That blood they seek at the end of the week,
They may be looking for you,
They take their cues from the Magistrate
Who leads the Hunt through the grounds,
His word is law, and he sets the score,
They call him the Master of Hounds.

Sir Roland Bear has an awful stare
As he glares at you from the bench,
The lawyers do what they’re told to do
And offer little defence,
If you poach a hare from a Squire’s land
Or take a fish from his stream,
And you see him add your name to a list,
You know it’s your final scene!

For once outside in the courtyard there
The peasants will stare in dread,
They cross themselves as they pass you by
For nobody speaks to the dead!
You can’t go hide in your cottage,
If it still has a window or door,
Though you’re locked right in, the hounds of sin
Will come up through a hole in your floor.

The light of my life, Evangeline,
Was married to Percival Shroud,
He beat her once with a riding crop
To keep her bullied and cowed,
She worked all day in the Dairy,
In a barn on Percival’s Farm,
And I said one day that he’d have to pay,
I’d not see her come to harm.

She stared at me with her worried eyes
And she let me believe she cared,
We’d hide together beneath the hay
At the height of our love affair,
But one day soon, her burly groom
Had seen us going to ground,
And hauled us before the Magistrate
While our legs and our hands were bound.

‘There isn’t a place in Darkling here
For the likes of a pair like you!’
Sir Roland Bear, his pen in the air
Considered what he would do.
‘You’ve wandered outside the marriage bounds
Brought shame on the vows you swore,
While you have sullied her decency,
And turned a wife to a *****!’

He put his pen to the fabled list
And he wrote two names in there,
Then ****** us into the courtyard so
The folk could shame and stare.
They cut our bonds and we heard the hounds
As they howled and yapped for blood,
So we went trembling, hand in hand
To hide ourselves in the wood.

The Squires were grim and remorseless when
The Hunt pursued its fare,
Their Ladies thought it a festival
When they rubbed warm blood in their hair,
I’d said I’d not let her come to harm
But Evangeline had cried,
I broke a branch and I sharpened it
To defend my shattered pride.

They came at us like the hounds of hell
In their cloaks, and hoods and cowls,
Along with a pack of hunting dogs,
We could hear their approaching howls,
Evangeline was safe in a tree
While I stood guard below,
My fear was clear in my trembling hands
But I stood so it wouldn’t show.

A rider burst on out through the trees
And he roared, ‘Now pay for your crime!’
I waited until he rode up close
Then I ****** my stake in his eye,
He screamed just once, and fell from his horse
And his cowl, it floated wide,
I saw I’d killed the Master of Hounds
As the dogs tore at his hide.

The Squires looked down with little remorse
At the corpse that lay in the mud,
While the ladies leapt from their jittery mounts
To dip their hands in his blood,
We made our way unseen through the woods
Escaped from the killing grounds,
And Darkling now is free from the spell
Of the evil Master of Hounds!

David Lewis Paget
I like a church, I like a cowl,
I love a prophet of the soul,

And on my heart monastic aisles
Fall like sweet strains or pensive smiles;
Yet not for all his faith can see,
Would I that cowled churchman be.
Why should the vest on him allure,
Which I could not on me endure?

Not from a vain or shallow thought
His awful Jove young Phidias brought;
Never from lips of cunning fell
The thrilling Delphic oracle;
Out from the heart of nature rolled
The burdens of the Bible old;
The litanies of nations came,
Like the volcano's tongue of flame,
Up from the burning core below,
The canticles of love and woe.
The hand that rounded Peter's dome,
And groined the aisles of Christian Rome,
Wrought in a sad sincerity,
Himself from God he could not free;
He builded better than he knew,
The conscious stone to beauty grew.

Know'st thou what wove yon woodbird's nest
Of leaves and feathers from her breast;
Or how the fish outbuilt its shell,
Painting with morn each annual cell;
Or how the sacred pine tree adds
To her old leaves new myriads?
Such and so grew these holy piles,
Whilst love and terror laid the tiles.
Earth proudly wears the Parthenon
As the best gem upon her zone;
And Morning opes with haste her lids
To gaze upon the Pyramids;
O'er England's abbeys bends the sky
As on its friends with kindred eye;
For out of Thought's interior sphere
These wonders rose to upper air,
And nature gladly gave them place,
Adopted them into her race,
And granted them an equal date
With Andes and with Ararat.

These temples grew as grows the grass,
Art might obey but not surpass.
The passive Master lent his hand
To the vast soul that o'er him planned,
And the same power that reared the shrine,
Bestrode the tribes that knelt within.
Even the fiery Pentecost
Girds with one flame the Countless host,
Trances the heart through chanting quires,
And through the priest the mind inspires.

The word unto the prophet spoken
Was writ on tables yet unbroken;
The word by seers or sibyls told
In groves of oak, or fanes of gold,
Still floats upon the morning wind,
Still whispers to the willing mind.
One accent of the Holy Ghost
The heedless world hath never lost.

I know what say the Fathers wise,
The Book itself before me lies,
Old Chrysostom, best Augustine,
And he who blent both in his line,
The younger Golden-lips or mines,
Taylor, the Shakspeare of divines,
His words are music in my ear,
I see his cowled portrait dear,
And yet for all his faith could see,
I would not the good bishop be.

— The End —