He's like a cat
creeping across piano keys.

Deliberate,
discordant,
and dear.

This one time, my mom
and I said goodbye
to Juan's mom and we
walked from her apartment
to wait for the elevator.

Mom didn't like it
when I wouldn't stand still-
sometimes she'd smack me
upside my head just to
make sure I was there
(accompanied by her
motherly calls of malcriado)-
so I'd look in any direction
for a distraction or two.

Through the window a few feet
from my left, I could see two
older ladies in curler hairdresses
bochinchando like caffeinated hens
about the awfully friendly suelta
living next door to gallina #1
(they hung their hand-me-down
nightgowns and their husband's
boxers with such professional care;
if any article escaped the grasp
of family clotheslines, it was
roadkill forever).

I turned to the right
of the elevator doors,
counted the tar-black patches
of decade-old gum on the floor,
finished the half-written
sentences sprayed in *****
rainbows on the sweaty walls
by the zig-zag flight of stairs.

A boom and a click,
and the door creaked open
with the sideways grace
of a crab.
My toddler's impatience
boiled past the brim, I
exclaimed "FINALLY"
and began to walk forward.

Not a second later, I heard a
"NO" behind me, my mother
grabbing the back of my
cartoon mouse t-shirt,
letting out an ay cono, pendejo
that echoed eight stories down,
past the empty space substituting
for an absent elevator shaft,
soaring down that rusty freefall
at ten thousand times the
speed of a human boy's body.

Letting out a long exhale,
my mother did not allow
her emotions to brim over
the barrier-she recomposed
herself, all the while silently
chanting hymns of gratitude
in dedication to fate
and her reflexes.

We decided to take the stairs.
In my youthful oblivion,
I noticed a toy store
right outside the building
from the corner of my eye-
I plan to start begging when
we're at the bottom,
if we ever get there.

My mother took her sweet time
walking down those many steps,
reveled in the scratchy bristle
of the concrete against her sandals,
cultivated a newfound admiration
for my atonal imitation of a
Washington Heights car alarm-
it was a sign I was still there.

Without the souls of Trouvere, will he aspire to spheres from where he can replicate himself in the ductile state of the ceremonious Energeia...? The naive action is univocal as the first practice modulated in inclinations and lexical motricities, where they die within their fears, failing to hope and convalesce their desecrated wounds congruent in concepts of Energeia, as an arbitrary neologism to move what in itself is not self- scrollable. Vernarth after witnessing Stratonice's intermission decides to run barefoot for those who banish needs on the parental scale of his range. Succeeded by the need of Energeia towards the impudent sense of being enraptured in possibilities, and supernatural substantialities that transported him in the Epistle even to his desiring hands, but in natural causes, and kinetic emotionality in the destiny of the principles of a movement that dialogues by a spinning spin; alembicated in particles of displacement time eccentricity, towards itself in the synonymous statics, providing intrinsic angles to be associated with the rotation of time and Epistolary demands so that the quantum light can relate the energetic spiritual emotionality, with the own dissociated relationship in the spaces of appearance; where it is to be believed that there is a moment of bias provided in the emotional-movement rooted in linear memories of the temporality of the Hellenic mental axis. Everything is proper in the coordinates of the speculating, which is adduced and duplicated in Poielípsis or unveiled generation of relativistic emotions. For this reason, Vernarth naughty importunates this metaphysical precognition, alluding to particles that generate dissimilar inclinations in lapses until reaching the threshold from when Stratonice partially divided its material and spiritual origin into stationary diversity, in meditated phases that will not take place nuclear, but in the polymathy of its exteriorized threshold, and of the emotional mass of its free and passionate matter that concerns its strident and impalpable Macedonian origin.

From this moment on, the intuition corresponds to the angular reinforcement of "Poielípsis", in this way the coordinate of the Souls of Trouvere becomes present, as pseudo images of the Diadochi, involving magnetized radial movements that will lie in the spheres of physical value., in the garb of the Gerakis and Petrobus, who strived in the sense of the energeia of the Epsilon neologism, not to restrict themselves as Aristotle affirms, investigating the being towards a mono-sense in this causal, of such alpha that it says the paradoxical, demonstrating the diversity of optics. Faced with this diatribe Vernarth from the naturalness decides to empower Souls that are part of both topics according to Vernarth, it is to alleviate the potentialities of the acts that apprehend the light of genius that coexists with both. What the entity justified us in unfolding will be delivered by divine intelligence, so as not to reduce the free power of the Epsilon that was extracted in the welcoming presence of Stratonice still withdrawn in the atmosphere of the Voielípsis (substitute scale of relativistic emotions of Vernarth). There are few seconds that can be extended more from a selective argument of trends in the specifications, which could be attributed to dimensions of the Trouvere period of souls, lacking stillness in simulated biological environments, as if they deliberate the naturalness of an expression of who It does not philosophize if something has to detach itself or grab hold of creation to privilege the natural, re-arguing affection when professing, if there is time to express it, so it is intuited what the virtue of muttering simultaneously in the laborious, and in what does not progress. The dynamics of this Poielípsis is to dress the Voielípsis, as an analogous addition of quantum causality and of temporal and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas, heading towards the prop in the mega absorption of Christian Aristotelian ideals. The souls of Trouvere will be residents of the indeterminate spiritual mechanics, to deposit effects of the incredulous versatility in themselves, in the sub-aquatic depths that coexist with the geological structure of the cavern of San Juan Apóstol, but in subterranean concomitance, under the same axial coordinate that is sustained sub-geological. Namely; They will coexist as long as the Mandragoron of the Duoverso and its Voielípsis are established, but three hundred and eight meters from its antipode in the underwater base of the Profitis Ilias.

The antithetical line is the verifiable germinability of those vertical events of the plinth settled by the Souls of Trouvere, containing the germinable starch of the growth of the ergonometric stirrup of the Zefian Bolt, which from zero elevation to 308 meters above the Aegean level will form a mega extra parapsychological bilocation, which will be gestated in its uniform vertical chronological numbering, with the pre-Christian Pythagorean and post-Christian representation in the coronation of Carlo Magno, mentioned in royal visions by the Apostle Santiago, in the versant apology of Pythagoras as an entity supra divine, envisioning the scenographic depository, and fragmentability of these three components of this start of the Hellenic Magna in the hydrographic, sub-terrestrial geological and residential basin of the Souls of Trouvere.
The upholstery of the Pythia of Herófila attacks the subtended of the flying buttress that supported the volcanic cavities of the Sub-Patmos, indicating its agreement with the Souls of Trouvere by its disoriented cognitive dissonance, generating paradigms that traced stones that formulated Aquarian sounds, in a dominant tonality by the minuscule machine of light, more distant from the incommensurability that escaped eclipsed in the resplendent major note that becomes monarchical by the hypotenuse of a rectangle in three subdominant angles. This brings about the thaumaturgy of Pythiais, the mother of Pythagoras who, together with Vernarth's Poielípsis, forge retentive songs given the scarce natural light that was only born from some of Trouvere's souls called Poielípsis, in stories of the oracular Delphians. The Poielípsis remains encapsulated from the thaumaturgy of the banal anti-desires that would make it mortal, for a hypotenuse that makes the gift of poetic prayer tangible, prompting the Bio axiom, by fertilizing scaled suspicions of repeated mortality in the banner of risk. Stratonice well points it out:

“The signal field has been prophesied today for the Apollo tripod. Having to reencause itself in three parts of the support of the oracles, and in clairvoyance in the pre and post Christian insemination of the gift of the word that redeems man from sin, sub-tenant of the flying buttress, from the interface of the supra trinity of sin as a blood element, and difficult to evade or avoid. Here the Hegemonic energy of Alexander the Great has been condensed in the arch of ideas, pointing out that the diseased body of Antiochus; my father…, is supplanted by that of the to happen all the trances and difficulties that are assumed after the hazardous departure in Babylon. Therefore he has to bring all the corollary prophesied in the death of my grandfather Seleucus in the hands of Ptolemy Ceraunos. Wanting to dress up the irrevocable interference that occurred in Judah by his Diadocos gangs, opting for the effect of his offspring, therefore on his spiritual stretch of energetic residual and static mass, ad libitum that will end when unleashed in his son. All will already be consumed in the pathogenic body of Antiochus, and of the love for my mother where she was abducted, and possessed she sees by retaliation from Alexander the Great for proven insubordinate ethical demands. "

Stratonice walks with the sendal that should be translucent by Santiago of Compostela. As an intra-everlasting geometric raconto, subduing fears that slide through the sendal of the dogma of the architrave, where no philosophy can look higher if it is not allowed, typical of vegetarianism or freedoms that turn green in fears that do not illuminate life. eternal, perhaps from the same Matematikoi who doubts a basis for Adfinitas, to understand limitless limits, taking Pythagoras to the soil of Crotona. Always, someone who is ignored of the linguistic power, he plans to rewind spheres that still weave crossed angles, placing himself in scores to consider as an irreplaceable past. The soul of Poielípsis adopted a Pythagorean conception, in the halters of the livid legions of Orpheus, as if it were his consecrated hypogeum where the high position was, to stir to the embankment where it will merge with the Zefian arrow. This liquefaction should purify all storage of cognitive and circumscribes of those ancestral, becoming reincarnable pre-Christians, who transmigrate in the need of osmosis of universal unity. Atonal music will transmigrate molecules to great sidereal distances, being the same replica of the other eurythmic, in multi-trigonometric periods, vivifying the fractional number residues as souls of the same numeral that finally perish of Pythagorean digits, perhaps at the angles of the Phalanxes of Vernarth or in the oblique crucial moment that slumbers in an elegy, flourishing in those beings that do not Live...! Already under-treated, they will only be souls tired of keeping themselves alive and deprived of their morbidity, in a dissociated cause of immortality that will distance itself from the forbidden abstinences, in liberating exercises of any count that ponders in the coming etymology of the Vita Pythagorae, on the divan of the joys of serving his doctrine, which saves himself, and which will save the Messiah, for those who in the soul have no sacrifice of a lamb that grazes..., nor on the pedestal that goes ahead in the centuries..., pasturing what nobody was capable of ?. The second triad of the oracle of Apollo of the Souls of Trouvere reveal Charles the Great, favored by the Apostle Santiago for the protectorate of Compostela and its spiritual regency, invited Charlemagne from Aachen, in 33 consecutive years of dispute with swords, stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne placed himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence.

In the second segment of the concave wasteland of the straight ascendant of Trouvere, he crowned Charlemagne emperor of Rome and the Franks, predicted by the Apostle James, in defensive papal struggles and in defense of Christianity. In this paradigm it appears how they are transmitted from the dead ungraspable world, they unite here in the axon of Poielípsis for the sake of the times that occur due to the anonymity of a silence that augured to link, and to know within what the endless intrinsically organic movement is, as well as the biological cosmos in the discovery of the Jacobean route. In what better region than the Dodecanese, he will be fused by twelve apostles, and now the brother of the son of Zebedee; Santiago brother of Saint John the Apostle. Dating back to 778 AD, spreading to Hispania. In the ****** and constant fight against the Saxons, Carlo Magno, entered Hispania crossing the Pyrenees, as a preview of the aforementioned Jacobean Route, everything raged witnessing their overwhelmed squares in the fueros of the Trouveres, who were Pythagorean elite soldiers, who had been bilocated in this post was Christian, preceded by the perfidious Basque in the forests, subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to continue them to Pamplona with Charlemagne. All escaped from Islam, and not a few Christians resented this affront, the dynamics will be reflected in the Songs of the French Gesta, to enter the Jacobean Route on the way to Santiago de Compostela, when the Calixtino Codex, in its book IV o Historia Turpini, the apparition of the Apostle Santiago to Charlemagne is told in dreams, pointing to the Milky Way as a way to find his tomb, which must free them from the Saracens to be able to venerate their relics with the enamels and medallions that they issued in the Apostle's crypt in Compostela. The souls of Trouvere, are beings that enjoyed a short life in the Pyrenees, they enjoyed the fortune of originating a liberator of post-Christian inheritances, mechanized by the exquisite citation of Pythagorean antiquity, behind indigo faded in red blood cells, to dress the sendal of the figure of Faith, freed behind those who should have dressed her as a Codex Calixtinus.

Five sections rose along the straight line of the Trouvere pyramidal axon, the base of the liturgical appendix that honors the multidimensional space, with antiphons for the cult of Carlo Magno on the underlying Patmos. Santiago was lacerated in the Holy Land far from his Brother Apostle Saint John, but he came to meet with the Trouveres who came from the rugged Pyrenees. Santiago passed the Strait of Gibraltar and reached Padrón, which is about 20 kilometers west of Santiago de Compostela; there some angels took him to the place where he actively rests. In a boat he arrived..., and always by the Mediterranean he will now reach Patmos, still acquiring the iconography that attempts to find Charlemagne, and a codex that would unite pre-Christians like Pythagoras and Aristotle united in the relic of the taxpayers transformed into three maritime rivers, concerned with a predicted belligerent episode, to say that all roads lead to Patmos, like Locus Sanctus, of all the shepherds who heal their sheep in which they are not of others that are populated with souls white, for the good of others. Thus the souls of Trouvere from the Pyrenees revealed themselves as predecessors of the raiding of the shells 308 meters below the Profitis Ilias, in agreement with Stratonice who would be arriving in Macedonia, where the passing of the centuries would tell him about the Jacobean Route instructed in confronts, and concordances with the airones of the Trouvere, protected by a rectangle in three subdominant Pythagorean angles in the dissipated darkness of the golden indigo of Theoskepasti, in the meridian of Kímolos.

Well, what now, hey?
     I threw the dog overboard yesterday.
     The day before, the day?
Where will you go, hey?

I heard the orchestra-man play
The same way,
     Sanctum, requiem, asylum
All Latin in his French dog-eared play.

     Hear the monkey, playing accordion play
To the whirling whirly-whirly-ghig
     Tre dramatique, no? Today
I understand you're just as "tramatig."

I want to hear your Frenchmen play
Play ***** pipes play play
      In his dog-eared French *****-man
Play

But I cannot, cannot say
     Tears of joy, in hydrant spray
The Hyades triumphant rainbow stay
     Cough your little fears away;

Hear the Star Spangled Francis Key play
Frenchmen play, play,
Little piggies counted play
Black white keys with little piggle-plumps play

Atone-al, A-tonal---atonal tonal sounds as if to say
"Getting married here to stay"
       All alone and all today
      Settle down if for a day
And who will hear the trumpet play
When *****-man Frenchman say
"Where? Home of the free" and stay

Keep your hands away
Never want to        let you say
               "Hear me, hear ye, all you weary, weary dreamers
         But never left your confidence like Russell-rustle leaf-blown willow-white

You fill them up with seventy two pay
      Make a kite, to(k)night, allRight
      Thank god for the fleas in the right
Hairless creatures for to sway

I threw the dog overboard yesterday
The day before, the day
And if you'd wanted it to stay
You should've say, you should've say

But never let my hand betray
The vein, the line, the artery
Of arterial shells bombastically
Loquacious to a fault, this day

They say "You want another day"
They say "You never wanted say"
They say "You wasted every day"
They say "They say, they say, they say"

                   But e'er forget, ne'er forget
                   I'll despise you abandon heaven for earth to get
       And leave your money, your millions behind
       For mansions with my Lord to find

But in the ceiling never was a god to pray

Grandfather John, my mother's dad,
remarried later on in life.
When he passed on his vast wealth
passed largely to this second wife.
Thus did her children benefit
from the bulk of his estate.
My mother and my Uncle John
relatively little, sad to state.
Sometime after the internment date
a piano was shipped to our home.
A piece Step- Grandma didn't want
She didn't play and lived alone.
When my mother was a child
living up in Marble Hill
She'd learned to play the instrument
that now she merely wished to ****.
In mortal rage she grabbed an axe
and like a batter swung away
It was a fair bit of exercise
(She had played baseball in her day.)
Such sounds that spinnet then produced
were likely never heard before.
such atonal melodies
as she ripped and smashed its core.

the Axe concerto was concluded
when only splinters still remained
She went and stored the axe away-
After than she never played

So many words between us—
The caustic breech of abatement, ruin
Runs atonal, in recitals of indifference,
How even the ****** birds now sound
Discordant and rain crushes as it falls,
Ballistic.

The pinprick stars are merely eyes
Undraped to the worn soul's veil
And gorgon time roils setting our feet
In the crust of wishes and delusions
Kept.  

The bullet riddled skies in absence
Of colour are but particulates of lime
To the moonless night.  Words have no
Eyes, they can only finger.

O the sorrows of the untouched—
The cruelty of the sightless and bent blind,
Drab vermillion stars felled like forced tears.

I used to be hidden in my room
choking at my mouth's roof
as if stuck within a stutter,
exhausted from existing, hinging
like a wind-chime battered by a hurricane.

Then a troubadour with honey hair
had me humming to his ear-worm
of a melody, depicting a choreography
that jolted my legs into frenetic mania
like an early talkie starlet's.

For years, I have memorized
this intricate chord structure,
immersed myself in its crescendos
until I could belt it backwards.
It's the only song I know by heart.

There is this one tune,  though,
if you can even call it that,
this atonal reverberation that alerts
the darkest corners of my mind,
a slowly muttered siren song
leading to lands I never want to visit.

I can never fully decipher
the lyrics to an entire verse.

It's the excerpts, scattered
like dust mites in a concert hall,
that try to nibble at me piecemeal,
romanticizing the revolving door
of self-destruction, bruises
veiled as smudged calligraphy.

So please excuse the minor notes
that hiccup from my vocal cords
every other half moon or so.

It's just the ebb and flow
of awkward drumming
that disorients the ear,
causes me to trip up
on the patchwork of refrains
we've spent so much time weaving
into heavenly cohesion.

Above all, please remember
that no static or din
will ever shoehorn its way
into our ironclad harmony.

Free as a bird
they say
To spread those wings and glide atop
the world’s walls

But aren’t they, too, caged by our fear,
wings beating to the rhythms of war below,
atonal music thundering ever louder,
drowning the notes they struggle to recall
and clinging anxiously to the harmonies of long ago

Land of liberty,
free as a bird we move about,
thinking that we know what we have lost
Flocking with the crowd from home to home,
stopping only to pick at the grass
for any semblance of meaningful sustenance
that our souls so desperately crave

So many words between us—
The caustic breech of abatement, ruin
Runs atonal, in recitals of indifference,
How even the ****** birds now sound
Discordant and rain crushes as it falls,
Ballistic.

The pinprick stars are merely eyes
Undraped to the worn soul's veil
And gorgon time roils setting our feet
In the crust of wishes and delusions
Kept.  

The bullet riddled skies in absence
Of colour are but particulates of lime
To the moonless night.  Words have no
Eyes, they can only finger.

O the sorrows of the untouched—
The cruelty of the sightless and bent blind,
Drab vermillion stars felled like forced tears.