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In the aria of music
As the notes reel
High and low
Thy pulse shall dance
With a rhythm
Such an unmatched fervor!

In the aria of music
While the symphony matures
A new game of romance
Rules the mood
Defying every holding loop

In the aria of music
The moment enriches
The thrill of the heart blooms
Into a new season
Unbridled joy shall stay
Caressing every heart beat!

In the aria of music
As the lyrics hum
In your own self
You shall be complete!
Hadrian Veska Oct 2021
The great pines stand
Laden with heavy snow
Waters flow unseen
Hidden below thick sheets of ice
I caught a glimpse of her once
Or at least I believe I did
That woman long golden hair
Who walks barefoot in the snow
Signing her odd melodies
I have heard nothing like it
In all my many years
Oft I sit at the end of the woods
By the wide river bank
Hoping to hear her
Somewhere off in the distance
On but two occasions in my life
Were my ears so lucky
To be graced by her voice
I was in awe of her
And yet I was fearful
For I know she was not one of us
The old stories say she came from heaven
From a place above the sky
I do not pretend to know
Nor do I care, I simply wish
To catch a glimpse of her again
To lock with her peircing blue eyes
Brighter and fresher
Than a spring time stream
To witness her one last time
And to hear her song in full
A faint Aria in the snow
Mateuš Conrad Aug 2018
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Mateuš Conrad Nov 2016
this will make sense in the end, or at least along the way... a modern version of the Ruben's judgement of Paris, although if you watch the debate, the mediator already insinuates the "confusion": to my left or to my right, ha ha, left to right, right to left, 1st 3rd 2nd... that's putting it mildly, if i were Paris i'd have given the apple of knowing to Hera, queen of the goddesses... naomi wolf... beauty is in the eye of the beholder... and your phallus in the hand of... mhmm... softer than the flesh of an oyster at the end of the day... they did say once in times just after Pericles: make my inner as beautiful as my outer, and my outer as beautiful as my inner... then take art as not representing images: or the "shallow" arguments... any man would have given the apple to the intellectual Aphrodite (karen straughan)... we all know that antigone darling is Athena: who speaks so little you start to equate wisdom to be a distant synonym of needing courage to engage with a plebiscite crowd... oh don't give that prize to her: she'll probably tongue-tie herself and will never be able to speak into a microphone, the intellectual Aphrodite knows all too well the conundrum... it's the cougar attired in crimson that fuels the whole debate... she doesn't need to have inner beauty, you phallus is already shouting 'sir! yes sir!' at the drill sergeant anyways... you take Aphrodite as a paradoxical beauty, namely that of long conversations and not long interludes of ******* and baking cookies... you'll leave Aphrodite confused... i once heard an English motto: don't take for a wife a woman that's too attractive... that wasn't intended to be within the bias of intellect, i mean a beautiful woman within the bias of being able to manage a harem of 72 male virgins... well **** yeah, artists leave clues, whether knowing or unknowing... they're working from triangles, poets end up writing from Δ, they obscure textures and antonyms of what appears to be monochromatic, we say: red, crimson, burgundy in x-ray confines... the point being: there's no intellectual debate to be had with someone representative metaphorically or not of Hera... you can't have a Parisian fashion week catwalk where you find dehydrated beauty on the outside and an anorexic ego on the inside... what you find in Hera is a volume (voluptuousness) on the inside, within which there's a leech libido that transgresses all demands for intellect... unless it's pistons-well-oiled orientated... please, read some Marquis... if you get an ******* having read a few of his works: you're qualified - or as i like to call it: neo-classical *******... ever masturbated over Bronzino's Venus, Cupid, Folly and Time? well, if you haven't i guess **** ******* and gang-banging is your outlet: mine are pictures of Aria Giovanni and Chloe Vevraire (googlewhack no. 3!): Chloe Vevrier... but if you're never done the Odysseus pokes fun at Polyphemus... yep: the ghost hand: nobody!


you know, you can cram a lot into a 30 hour "day",
which results in the complete erosion
for the capacity to dream afterwards,
to actually work from the unconscious and create
a subconscious medium vector that connects
to points of consciousness: 30+ hours awake,
however many hours asleep, and then awake again
for another 30+ "day" to digest...
the classical definition of the subconscious, in theory,
is that you get plenty of sleep,
and it's a bit like that schematic A x B (algebraic)
A knows x     and B knows x...
   something mutual acknowledgment
via the same schematic but
A knows x, B knows x,
A knows that B knows x,
A knows that B knows that A knows x,
   which is all very Aristotelian to be frank,
it's this hyperlogic of having to acquire
great technological feats and reduce such
complexities to cat-videos on the internet as
the Egyptian partake in the genius that actually
made it possible... the slogan goes
Moses, you fool! said Nefertiti...
    so B knows x and knows that A knows x
and knows that A knows that B knows x
and B knows it's not necessarily anywhere
alphabetically less, even though the French said
a, b, c... which was very imperial of them,
that's the imperial version of what the mathematical
imperialism proved with the English inches, miles
and furlongs... but in this French case of imperialism
it wasn't a e i o u, b c d f g h j...
            that's what 30 hours awake does to you,
you wouldn't think of alcohol as a party drink,
a social barrier deconstruct... after 30 hours
you're hoping to meet Vladimir Klitschko on your
way to bed... aye pleasing Cossack, give us a
smacker goodnight... one glove it filled with
whiskey, the other with naproxen and amitriptyline...
boom! k.o. snooze, baby:
you gotta love buddhist honesty...
at least you get to see the bright side of life...
  and if people start thinking that Kant was the harbinger
of ill fate... you obviously haven't met a necromancer...
it was only von Kleist for ****'s sake!
       and he had the American option of a suicide
pact with a terminally ill woman and a bullet from
a pistol in a ditch... you can't get more romantic than that...
and there i was, mid-afternoon, having done a few of
the household chores: the washing, the ironing and
cooking a two-course meal while my mother did
the taxes (seems only mothers understand their sons
these days... women my age?
   ever see David Attenborough describe Emperor
penguins? money was invented for women,
because it brokered the end of the brotherhood of man,
we became famished by feminine needs
and have reduced inherent sports in us (hunting)
to sledgehammer bashing entertainment...
i'm the "drunk" that would rather watch ten hours
worth of ping-pong that tennis...
    i don't know why they resurrect the Olympics
every four years, have a **** coverage of it anyway
and then go back to that Glaswegian diet
of deep-fried pizza and haggis... and i hope to never know,
maybe Sepp Blatter knows...
but that's 30 hours of being awake, and only not
able to relax, by writing...
                 you wouldn't see this sort of "abuse" of
alcohol anywhere in the world...
the Soviet sleep experiment is actually not that silly...
too much sleep can also make you feel the minutes
upon your wake as if you've been stung by a bee...
three of my all time favourite songs?
the stone roses'* i wanna be adored,
    chromatics' cherry,
and finally: i can be forgiven for having missed this,
i got into them seriously with the album aufheben
and didn't really move anywhere else,
the dandy warhol effect got me...
but this song out of obscurity, 20th century technology
translated into mp3 and then onto c.d. and then
back into mp3... a song from an album that doesn't
even appear on their discography...
the brian jonestown massacre's pol ***'s pleasure penthouse,
the song in question? fingertips.
so there's that three...
      but **** on me, i half expected android (2015)
to be like ex_machina (whatever year that was)...
same topic... what the difference between android
cyborg and robot?
                                  aren't robots the proper a.i.?
as in: in production, the thing that's not hand-crafted
is artificially crafted, because it is crafted to a large yield
of a product? isn't that so? i can't distinguish (as of yet)
the difference between android and cyborg, i guess
as a Latin man (a - z user) i have to condescend the Grecian
pompousness of demeaning Hebrews (original anti-semitism
originated in Greece, not Rome, the Romans gave
the Jews not elaborate architectural schemes to abide by
in honour of Octavian, but the supposed pride in Greek
thought, undermined what later science would provide
a Latin man with, given the translation of יחֵוָחֵ,
indeed variables... i once wrote a piece about
the two Adams... namely how אָ (alef)
and עַ (ayin) are prominent letters among consonants,
but no vowel kindred of Eve is equal...
or how Eve is covered in both mainstream Islam
and orthodox Judaism... and Christianity is
a Rastafarian dream for more jerky reggae reggae...
they never sing down with Rome, judgement upon
Rome... they always sing about Babylon...
well, polytheistic or poly-schismatic,
it's all Hindu from hereon in - apart from that
here's a very tiny heresy... is that yod he vav he
or is it yod he vav het?
         there is a difference, afterall:
he (ה)        and het (חֵ) obviously differ... oh!
xet!                   god this garden is a mess,
               i guess the fruit of knowing good from evil
was intended to say: till the land, deforest,
learn agriculture... that's good, the **** you do to each
other... well: that's hardly a tonne of grain...
but they so alike though, even when you apply a noun
to these two symbols!
  could have said he xet but instead it's known as he het:
no wonder the Hittites came along for a curious look...
mind you, had not a prominent Roman, a centurion,
asked for help... we'd be prudish in runic from the northern
invaders... so thankfully no one within the Roman confines
of encoding sounds didn't have the bright spark idea
of looking at the very tiny little island of Israel and that
four lettered word and how it became known
to say o = omicron, ε = epsilon and γ = gamma,
   and cutting those things apart leaving only letter
having done plastic surgery on the noun that denotes the
letter that's denoted by the symbol, rearranged it
and got the idea of εγo: ****** marvellous!
- this is not brian pallenberg's story about the pleasure
penthouse album...
but you know what really got me in those 30 hours:
day, night, day, night: a NHLF debate between
naomi wolf, karen straughan & antigone darling,
the part where karen makes the point that
once upon a time men who beat their wives
in Scotland were publicly whipped (dhaal,
straugan), and if they were beaten-up instead by
their wives, a plebiscite of good-wishers would turn up
at the house and apply the Freudian theory of
a castration to the man, bang pots and pans,
and then in public display him having to ride on a
donkey backwards, having to hold the donkey's tail
for stability...
     see that woman in red in that debate? a true political
man-eating beast of ***** readied in atom bomb
explosions... the one next to her isn't wearing any tights...
unconsciously you're thinking: i like her french freestyle
of not having shaved her legs... the smart one is wearing
jeans and she looks oh so desperate to get out...
    the discussion doesn't even enter the realm of ideas...
hen-picking is discussed... all poetry ascribed to language
is gone... is it politically correct to ascribe the sexuality
of female chickens with the word hen to women?
behind me in Blackpool stag-dos (dos? no does...
there isn't even a ******* spelling for that phrase...
hen-nights and the inflatable Juan)...
well obviously your mind is working out why you'd
**** the middle 'un right away... she doesn't say divorcee
which is so "unsexy" but say she's a mum twice,
a mum, a single mum... polly wants a *******...
her address is new york city? ******! i'm heading there,
right now! can a white guy use urban colloquial
in the suburbs on a piece of pixel paper, which he claims
is mere the cartesian extension of his thought
and disinterest in rhetorical skills? i hope so...
it's not like herr adolf wrote a disclaimer saying:
read this or a thousand volts up your ****!
that really was a constipated debate, plus the red was all
provocateur and peppered with "you know",
   and "i know absolutely nothing": there were no ideas
in the debate! whenever there was a chance to debate
ideas, the debate turned into a debated about words,
and what words to use: to simply brush aside any clinching
to a idea-debate... perhaps because feminism is
an ideology without any coherency of ideas, as stated
from the debate: a coherency of wording: and that better
be hen = an asexual chicken, rooster = an asexual chicken...
it's still a chicken kiev at the end of the day.
now? i might squeeze in another poem...
     but it would still be great to get any kind of analysis
comparing the movie android and ex_machina...
the only problem would be: both creators are men...
so that's gender-stereotyping already...
but hell! she gets to build a buggie that she directs with
a laser pen... so that's nice...
but i'd love a discussion on these two films,
given that the music in both films is very oomph!
thriller genre always had better music than horror...
horror music is too romantic... thriller music?
***** back-stabbing you whenever you think you're
going to get a comfortable 10 minute slot...
but it's there... aside from both robotic creators being male...
woman: ex_machina - out of the machinery of man
          ergo? deus, or woman as...
i actually have a problem with the word android...
the woman is a factor of playing the two men against
each other... the android actually find a mechanical
part of himself in the way the "human" talks to the woman,
while the "android" is prejudiced against the rigidity
of his ****** movement: unlike the "human" having
an intellectual rigidity... the woman plays the two against
each other... well, 30 hours no sleep...
  i'm doing the helter-skelter trying to throw ideas
by way of remembering the actual plot of the film...
this obviously adds nothing to the discussion:
meaning i probably gave away a "spoiler" -
but more the point, i need a refill and some fresh air
to breath, having farted into a leather chair for the past
hour.
Eliot Greene Dec 2013
I.
Nothing lasts long enough
To out live its time line
So I weave mine into
A concert celebrating the sound
That our bodies beat to
This organic clockwork armada
Of single cell ships singing lions roars
Before time aligns my spine with the dirt

And though I know gray hair will claim crowns
Overthrowing the royalty of youth
These ball headed blessings
Are nothing more then a water park river slide
We must all ride toward oblivion

So my fatal flawed form
Speaks a beautiful broken clock symphony
For these poems to fill up
Facing the future as if it was an old friend
To bed down with
Laughing at how long it’s been
Since we claimed tomorrow
As a carpe diem doctrine
To rock in

And I hope that when the waterfall of my life
Meets rock-bottom-spray-mist-rainbow-prism-old-age-epiphany  
My grandchildren will cling to me
Like vines to a towering oak tree
So I can whisper to them through a white Walt Whitman mane

"I may be a washed up old lion
But you
You are the roar of a crescendo
To an aria arranged before the birth of music
As if each note was placed purposely to hang in harmony
With the budding of your bones
They sing in the same key as the fickler flashbulbs
Of the stars you were forged in
Who sweet talk to you in your sleep nightly"  
Saying
        Listen my lovelies
        To the lullaby of the universe
        As it sings itself toward salvation
Which when translated into night
        Says come gather your dreams
        In the concert of my body
Babies
You were born
        As a single rift
        In the solo
Of some Charlie parker bird flight ascension
So let this bedtime word weaving remind you of the halo about your head
For you
Were born as angels
Back when the big bang band first leaned how to blow

So if you stagnate
         Like we all do
Fearing that you are all alone in the prison cell of your skin
Remember the old lions still roaring in your gut
Listen close
        For there has never been a moment of silence
        And there will never been a moment of silence
Cause there is music buried beneath your bones my children
Come sing in the choir of your forefathers the winds
        Your solo is about to begin
Alexander Low  Jun 2019
An Aria
Alexander Low Jun 2019
I am thirteen
    when the mean girls call
me weird—
I do not shave
I do not wear makeup.
I do wear basketball shorts
and messy ponytails.
I am pressured to be her—
Aria.
I shave relentlessly
    for the next two years.

I am fifteen
    full of discomfort
    and anger
breaking my bones like they
    are glass
reckless rage—
all reckless no brave
    depraved of a home
    inside my own skin.

I am fifteen when I
learn what gender dysphoria is.

I am fifteen when I
    realize I am a boy
that I always have and will be
    a boy.

I am fifteen—
putting holes in wall and
    overdosing on advil
like it is a sport
championing my own self demise.

I am fifteen afraid and closeted—
I write my name as
ALEX
on my school assignments
I always change it back
before I turn them in.  

I am fifteen
    convinced everyone loves the girl
I am not
    and will never love me as the boy
I actually am.

I am sixteen crying on the floor
    of a psych ward
    this is my fifth hospitalization
in fourteen months.
Pretending to be her is
killing me.
I choke back tears as I tell
my mom that I am
transgender.
She tells me she loves me,
    and she saw me writing
    ALEX on my papers.

It will take five years
for her to let her daughter go.

I am seventeen when I am shoved
    to the floor in a men's bathroom
    slammed and slurred across the tile—
It will not be until six months into
    Hormone Replacement Therapy
that I use the men's public restroom.
I am eighteen when my moms boyfriend of the
time pulls me aside
and tells me I am making a mistake.
He would wear his mothers dresses and heels,
    hiding in her closet
    all of this is to say
    this is a phase.
When people say that this is a phase—
    I am sixteen
    sobbing on linoleum floors
    covered in cuts
    wanting nothing more than death
    if I have to pretend to be her
    for more than one second longer.

I am nineteen hopeful
    and naive.
Voice cracking and hair sprouting
    I am coming into my own body.
    I have learned that there
    are things much worse than needles.

I am twenty out of the
    ashes of abuse and trauma
    I am finally becoming
    the man I have always been
    meant to be.
Redshift  Feb 2013
An Aria
Redshift Feb 2013
There's a girl bopping her head to the music,
A boy wanderin' 'round with a guitar
Who don't know how to use it.
Traffic fills my ears and eyes,
Onions and smoke and fries.

Beat up sneakers and flip flops
Bandanna people with orange tops,
Hipsters, tricksters
Hustlers and saints
Empty, wandering, full of complaints.

Broken, discordant conversations
Elaborate, intricate exaggerations
Dusty, ugly sidewalk
Happy, ugly small talk.

Sighs and trees...
Silent pleas
From the lost
Who couldn't pay the cost
To belong:

An aria for the wrong.
tangshunzi Jul 2014
Vow Renewal ha davvero bisogno di presentazioni .Perché appartiene Gene Simmons e la abiti da sposa on line sua splendida moglie Shannon di Kiss !E.a parte il folle .folle d'amore che tutti noi sappiamo che condividono .questo duo sa anche come ospitare un impressionante bella festa - con file di Pretty in Pink .schiocchi di favoloso e una devozione a tutte le cose ballare degno.Creato da Lady Liberty Eventi + un cuore Matrimoni con fotografie di Trish Barker .c'è molto di più nella galleria .

Condividi questa splendida galleria ColorsSeasonsSummerSettingsAl FrescoStylesModernRomantic

Dal Liberty Woodman di Lady Liberty Events.I hanno conosciuto Gene e Shannon per anni ed era così eccitato quando hanno deciso di rinnovare i loro voti alle Hawaii !Abbiamo collaborato con i talentuosi One Matrimoni cuore che gentilmente hanno contribuito a portare tutto il glamour alla vita!

Gene e Shannon volevano un incontro molto intimo dei loro più stretti amici e parenti di essere una parte del loro rinnovo di amore .Abbiamo deciso di fare un palato nero .fard e oro per riunire l'atmosfera glamour e moderno.con il suggerimento perfetto di nervosismo .Il progetto per questa occasione era semplicemente incredibile e era la rappresentazione ideale della loro morbida lato romantico mescolato con il loro rock \u0026rotolare personalità !

All'arrivo gli ospiti hanno fatto la loro strada attraverso un bianco appeso all'ingresso 25ft parete del fiore .dove erano seduti a splendide vignette in stile.Una combinazione di divani vintage.pouf e poltrone accentati con moderni cuscini neri e blush tiro .creando un ambiente opulento per i posti a sedere cerimonia.Flutti che scorre biancheria coprivano le pareti e soffitti .mentre blush e avorio nastri proposto come lo sfondo perfetto per la sposa e lo sposo a dire che faccioènuovo.Affiancato da lussureggianti centrotavola di ortensie e un corridoio personalizzato in mostra il loro monogramma .la passeggiata lungo la navata era niente timido di stordimento .gene \u0026Figlia Shannon ' .Sophie .ha messo insieme una cerimonia calorosa e cordiale e con l'aggiunta dei loro voti personali .non c'era un occhio secco in casa .Poco a poco gli ospiti sanno che ci sarebbe stata una cerimonia a sorpresa da seguire!Shannon illustra la sua sorella Sara .e il suo sposo Greg .felice di poter condividere questo giorno speciale con loro.Sara \u0026Greg ha proceduto con più di una cerimonia tradizionale stile hawaiano che ha aggiunto un'aggiunta unica e incantevole per i festeggiamenti .L'amore era certamente nell'aria !Come la coppia ri - sposato.e sposi fecero il loro ritorno lungo la navata.gli ospiti gettati petali che sono stati elegantemente presentati in sacchetti di rete a ogni sedile rosa .Gli ospiti

diretti verso l'area cocktail .che si è svolta sotto un albero magnificamente fiorito che è stato appeso con centinaia di candele appese .Un albero augurio visualizzazione degli ospitiècarte escort perfettamente ondeggiava nel piacevole brezza hawaiana .Le melodie contemporanee suonate dal duo stringa a condizione che il suono perfetto come ospiti sorseggiavano un cocktail speciali e mordicchiò bocconi .Gli ospiti

sono stati poi invitati a fare la loro strada in reception e zona pranzo .guidati dal suono di freddo jazz suonata dal vivo banda di 9 pezzi .La tavola era apparecchiata con biancheria blush frizzante .carica d'oro eposate e nero cristalleria moderna .Ogni impostazione è accentato con neri abiti da sposa on line laser taglio plexi Consiglio vetro carte.che sembrava incredibile contro il rossore e oro toni .Overhead .festoni di blush tendaggi e lampadari splendidi con sfumature nere fornito una magnifica atmosfera .Oro candelabri \u0026votive oro mercurio sono stati mescolati con le modalità lussureggianti che consisteva di fragranti rose da giardino e ortensie stabiliti nel colpire le navi nere .Le sedie erano vestiti con flirty battiscopa blush che fatica complimentato il paesaggio tavolo .La vivace verde vivente che circonda la zona e il suono luce delle cascate perfezionato l'aspetto della sala da pranzo .

L'enorme pista da ballo bianco incandescente con Gene \u0026Monogramma Shannon ' stato circondato da 4 .100 £ lampadari floreali che erano semplicemente bocca caduta .Vignette Petite circondato il pavimento e sono stati accentati con personalizzati monogramma cuscini di seta dupioni con ricami in oro .Una volta che tutti hanno fatto la loro strada verso la pista da ballo .feste la sera ' aveva appena iniziato !Shannon aveva chiesto karaoke per abiti da sposa corti la ricezione .così abbiamo pensato



così cosa c'è di meglio che avere una band suonare dal vivo come la loro musica di sottofondo !Sophie ( Gene e figlia Shannon ' ) ha iniziato le danze via con la sua interpretazione diè eeautifulèeè et Ultimoè?mentre i suoi genitori amorevolmente ballavano tra di loro e hanno accolto i loro amici e familiari a unirsi a loro sul pavimento .Gene saltò sul contrabbasso .mentre .Sophie \u0026Nick ( i loro figli ) ha cantato tutta la notte .Hanno sicuramente tutti scosso la casa .e ci siamo divertiti tutta la serata !
la serata si è conclusa .Gene e Shannon sono stati presentati con una splendida torta 3-tier .che consisteva di due livelli oro con finiture nere.e un livello inferiore di perfezione filodiffusione avorio rose .Mentre gli ospiti erano riuniti attorno .un solo cuore matrimoni avevano sorpreso gli ospiti con una giornata di modifica video l'intera attività serate .ogni ipotesi era in soggezione .E 'stato il modo perfetto per concludere questa bella raccoltaèsi poteva assolutamente sentire l'amore nell'aria

Banda : Jimmy Mac \u0026 The Kool Kats | Dress Brides 1 : . Jenny Packham | Dress Brides 2 : Badgley Mischka | Cake: DesignerCakes | Restauro : Sugar Beach Catering | Sedia Covers : Wildflower lino | Coordinatore / Progettista : Lady Liberty Eventi | Assistenza design: bianco Orchid Weddings | Designer : Matrimoni Un cuore | Fiori : Uno Matrimoni cuore | biancheria: La Tavola biancheria | Fotografia : TrishFotografia Barker | Luogo Carte : Pitbulls e Posies | String Duo : Don Lax | Luogo : Haiku Mill | caricabatterie: BBJ LinenBadgley Mischka è un membro del nostro Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui .Wildflower Lino.un'orchidea da sposa bianco .INC .BBJ e Lady Liberty eventi fanno parte del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Wildflower Linen vedi portfolio un'orchidea da sposa bianco .INC vedi portfolio BBJ vedi portfolio Lady Liberty Eventi visualizza
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Gene Simmons Vow Renewal_abiti da sposa 2014
1

Out of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d alone, bare-headed, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows, twining and twisting as if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories, sad brother—from the fitful risings and fallings I heard,
From under that yellow half-moon, late-risen, and swollen as if with tears,
From those beginning notes of sickness and love, there in the transparent mist,
From the thousand responses of my heart, never to cease,
From the myriad thence-arous’d words,
From the word stronger and more delicious than any,
From such, as now they start, the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither—ere all eludes me, hurriedly,
A man—yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them—but swiftly leaping beyond them,
A reminiscence sing.

2

Once, Paumanok,
When the snows had melted—when the lilac-scent was in the air, and the Fifth-month grass was growing,
Up this sea-shore, in some briers,
Two guests from Alabama—two together,
And their nest, and four light-green eggs, spotted with brown,
And every day the he-bird, to and fro, near at hand,
And every day the she-bird, crouch’d on her nest, silent, with bright eyes,
And every day I, a curious boy, never too close, never disturbing them,
Cautiously peering, absorbing, translating.

3

Shine! shine! shine!
Pour down your warmth, great Sun!
While we bask—we two together.

Two together!
Winds blow South, or winds blow North,
Day come white, or night come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.

4

Till of a sudden,
May-be ****’d, unknown to her mate,
One forenoon the she-bird crouch’d not on the nest,
Nor return’d that afternoon, nor the next,
Nor ever appear’d again.

And thenceforward, all summer, in the sound of the sea,
And at night, under the full of the moon, in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals, the remaining one, the he-bird,
The solitary guest from Alabama.

5

Blow! blow! blow!
Blow up, sea-winds, along Paumanok’s shore!
I wait and I wait, till you blow my mate to me.

6

Yes, when the stars glisten’d,
All night long, on the prong of a moss-scallop’d stake,
Down, almost amid the slapping waves,
Sat the lone singer, wonderful, causing tears.

He call’d on his mate;
He pour’d forth the meanings which I, of all men, know.

Yes, my brother, I know;
The rest might not—but I have treasur’d every note;
For once, and more than once, dimly, down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the shadows,
Recalling now the obscure shapes, the echoes, the sounds and sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen’d long and long.

Listen’d, to keep, to sing—now translating the notes,
Following you, my brother.

7

Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind, embracing and lapping, every one close,
But my love soothes not me, not me.

Low hangs the moon—it rose late;
O it is lagging—O I think it is heavy with love, with love.

O madly the sea pushes, pushes upon the land,
With love—with love.

O night! do I not see my love fluttering out there among the breakers?
What is that little black thing I see there in the white?

Loud! loud! loud!
Loud I call to you, my love!

High and clear I shoot my voice over the waves;
Surely you must know who is here, is here;
You must know who I am, my love.

Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon, do not keep her from me any longer.

Land! land! O land!
Whichever way I turn, O I think you could give me my mate back again, if you only would;
For I am almost sure I see her dimly whichever way I look.

O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.

O throat! O trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth;
Somewhere listening to catch you, must be the one I want.

Shake out, carols!
Solitary here—the night’s carols!
Carols of lonesome love! Death’s carols!
Carols under that lagging, yellow, waning moon!
O, under that moon, where she droops almost down into the sea!
O reckless, despairing carols.

But soft! sink low;
Soft! let me just murmur;
And do you wait a moment, you husky-noised sea;
For somewhere I believe I heard my mate responding to me,
So faint—I must be still, be still to listen;
But not altogether still, for then she might not come immediately to me.

Hither, my love!
Here I am! Here!
With this just-sustain’d note I announce myself to you;
This gentle call is for you, my love, for you.

Do not be decoy’d elsewhere!
That is the whistle of the wind—it is not my voice;
That is the fluttering, the fluttering of the spray;
Those are the shadows of leaves.

O darkness! O in vain!
O I am very sick and sorrowful.

O brown halo in the sky, near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! O throbbing heart!
O all—and I singing uselessly, uselessly all the night.

Yet I murmur, murmur on!
O murmurs—you yourselves make me continue to sing, I know not why.

O past! O life! O songs of joy!
In the air—in the woods—over fields;
Loved! loved! loved! loved! loved!
But my love no more, no more with me!
We two together no more.

8

The aria sinking;
All else continuing—the stars shining,
The winds blowing—the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok’s shore, gray and rustling;
The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost touching;
The boy extatic—with his bare feet the waves, with his hair the atmosphere dallying,
The love in the heart long pent, now loose, now at last tumultuously bursting,
The aria’s meaning, the ears, the Soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there—the trio—each uttering,
The undertone—the savage old mother, incessantly crying,
To the boy’s Soul’s questions sullenly timing—some drown’d secret hissing,
To the outsetting bard of love.

9

Demon or bird! (said the boy’s soul,)
Is it indeed toward your mate you sing? or is it mostly to me?
For I, that was a child, my tongue’s use sleeping,
Now I have heard you,
Now in a moment I know what I am for—I awake,
And already a thousand singers—a thousand songs, clearer, louder and more sorrowful than yours,
A thousand warbling echoes have started to life within me,
Never to die.

O you singer, solitary, singing by yourself—projecting me;
O solitary me, listening—nevermore shall I cease perpetuating you;
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before what there, in the night,
By the sea, under the yellow and sagging moon,
The messenger there arous’d—the fire, the sweet hell within,
The unknown want, the destiny of me.

O give me the clew! (it lurks in the night here somewhere;)
O if I am to have so much, let me have more!
O a word! O what is my destination? (I fear it is henceforth chaos;)
O how joys, dreads, convolutions, human shapes, and all shapes, spring as from graves around me!
O phantoms! you cover all the land and all the sea!
O I cannot see in the dimness whether you smile or frown upon me;
O vapor, a look, a word! O well-beloved!
O you dear women’s and men’s phantoms!

A word then, (for I will conquer it,)
The word final, superior to all,
Subtle, sent up—what is it?—I listen;
Are you whispering it, and have been all the time, you sea-waves?
Is that it from your liquid rims and wet sands?

10

Whereto answering, the sea,
Delaying not, hurrying not,
Whisper’d me through the night, and very plainly before day-break,
Lisp’d to me the low and delicious word DEATH;
And again Death—ever Death, Death, Death,
Hissing melodious, neither like the bird, nor like my arous’d child’s heart,
But edging near, as privately for me, rustling at my feet,
Creeping thence steadily up to my ears, and laving me softly all over,
Death, Death, Death, Death, Death.

Which I do not forget,
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok’s gray beach,
With the thousand responsive songs, at random,
My own songs, awaked from that hour;
And with them the key, the word up from the waves,
The word of the sweetest song, and all songs,
That strong and delicious word which, creeping to my feet,
The sea whisper’d me.

— The End —