The limbs of weeping willows,
Hang over the redbud trees.
Pink flowers on the redbuds,
Are ones that are real beauties.

As gray clouds are divided,
The  sunlight, makes its way through;
The leaves then lean toward it,
As nature intends them to.

As wind whips limbs and branches,
Redbud petals whirl in air,
The ground will have  a carpet,
Of pink near the village square.

what's left to say
now that you've gone away
when the sky is cold and grey
and I'm lost without you

we met in the fall
among hues of orange and red
and when your eyes met mine
the sun shined on my heart for the first time

fall turned to winter
and the days flew by
with the swiftness of the migrating flocks
etched across the sky

winter turned to spring
oh what beauty it did bring,
as we walked
underneath the budding trees

spring turned to summer
but your feelings changed
as the seasons do
and it was time to say goodbye

to you.

Race toward the mountains,
Peddle through redbud alley,
Chase the blood red sky.

Redbirds, redbirds,
Long and long ago,
What a honey-call you had
In hills I used to know;

Redbud, buckberry,
Wild plum-tree
And proud river sweeping
Southward to the sea,

Brown and gold in the sun
Sparkling far below,
Trailing stately round her bluffs
Where the poplars grow —

Redbirds, redbirds,
Are you singing still
As you sang one May day
On Saxton’s Hill?

April is their month.
They've sat,
Patient,
Throughout the winter,
Those sturdy oval buds,
Sometimes cased in ice,
They don't seem
To mind.
Are they awaiting,
Tax time?
These jewels
Keep company with
Their pretty pink
Cousins,
The Redbud.
Why does the dogwood
Ask
For our attention
So?
Perhaps because it
Blooms so early,
When
There is so little else
To see.
Perhaps it is the legend that,
From the poor dogwood,
Came the wood,
From which was fashioned,
The true cross.
More likely it's just,
The timeless beauty,
Born-in beauty,
From long ago,
Needing no
Adornment,
And not a bit
Of pruning.
Touch it with a knife,
You'll invite disease.
Let it grow ***** nilly,
It will give you,
Perfect beauty,
On its own.

Wild,
It sits beneath
The forest cover,
Like a craggy,
Wasted twig,
Dwarfed,
By its bigger cousins.
And then,
Before any others,
That slim and subtle
Beauty
First appears,
As an
Exquisite miniature,
Creamy yellow flowers,
That open,
To bleach themselves white,
And show the
Blood red crosses
At their center.

They are
Gems,
That change,
Day by day,
So leave your camera
Home.
You cannot catch
Their beauty.
Instead,
Imprint the view
Upon your mind.
They'll be back
Next year,
More beautiful
Than ever.

I

She’s sleepwalking again,
my nine-year-old daughter,
who shares the bedroom
with her sister down the hall.
She’s kicked off the covers
and wandered downstairs,
somnambulant, her bare feet
moving as though in a dream
across the kitchen’s linoleum
floor to the back of the house.
The porch door smacks shut—
a gunshot—and she is gone.

For a time, I watch her from
the open bedroom window.
Her diaphanous nightgown
absorbs August moonlight.
She steps slowly, a pale flame
floating across the back field,
the wiregrass up to her knees,
avoiding a copse of redbuds,
skirting shrubs and stones.

When her small figure succumbs
to shadow at the edge of the trees,
I put on my bathrobe and follow.

II

At first, she is lost to me.
I break into a delirious run,
scratched on my cheek
by a redbud branch.
Reaching the tree line,
I see her standing still,
shoulders stooped,
a luminous cattail
bending down.

She hovers above a sleeping fawn,
the warm bundle curled at her feet.
I contemplate the white spots
scattered on fur, thinking, velvet stars.

But when I place a hand
on my daughter’s shoulder
I see blood flowing fresh
from the doe’s abdomen;
red entrails slipping out,
pooling on pine needles.
Stepping closer, I remember a moment
earlier that evening: a jar of preserves
spilled carelessly on the kitchen’s stone counter,
the soft dishtowel soaking scarlet in my hand.

At the edge of the creek, a second doe
watches us with opaque, joyless eyes.
My daughter puts her finger to her lips;
the doe tenses, blinks, and bolts away.

I lift my daughter and carry her carefully
home, her head buried in my shoulder,
blades of grass clinging to my bare feet.

III

My daughters' room:
holding her in weak arms, poised
to lay her on top bedcovers,
I notice her sister’s empty bed,
neatly made, the blankets smooth
and tight across the mattress.

An anemic moth bangs
against the window pane.

The light flicks on and suddenly
I am awake, remembering all of it:
the dry diagnosis, the slow whir
of hospital machines, the smell
of old flowers, and somewhere
in my daughter’s stomach,
the cruel mathematics
of cells metastasizing.

My wife stands in the doorway,
her hand on the light switch.
My arms are empty. I gaze
down and see our daughter
nestled under covers,
breathing softly, asleep.

I see the pale white skin of my clean bare feet.

You’re sleepwalking again, my wife says.
She touches my unsullied cheek, hooks her
fingers through mine, and shuffles me down
the hall to bed. Head sinking into the pillow,
I gaze out the open bedroom window and weep.

The moonless sky cradles its constellations:
bright grains of salt scattered on soapstone;
my hand trembles, unable to wipe them away.

Iamb, iamb, iamb, I plod along
in verse predicting I could write a song.
To call upon the muse of higher power
pour some wine, kick off your shoes and glower.

While putting best foot forward, don't forget:
cliches are lines that surely **** your wit.
Reality, you say, bears greener grass?
Abstraction always steps across as crass.

It's true you could walk on like this for days.
Your meter's tight, it rarely ever strays.
But what of clever feet and sounds succinct?
If images are dull, your verse will stink,

As blossoms dance upon the redbud tree
and oceans fill your squid with ink of glee,
remember what your mama always said:
mixed metaphors fill readership with dread!

Say: sonics surely sock a swelling swale,
Entwined, the twisted tongues tell not your tale.
Less is always more, the teachers say.
If tricks you train, then please just walk away!

I never knew how hard it really was
to write a poem that might parade a buzz.
I thank you moderators and big brass
for sticking yours so fully up my ***!

The redbud tree is blossoming
                as is my brand new love
        The flowers that covet its being
     like cupids arrows shot from above
  My heart is whole and has yet to break
       for i love my love like i love my fate
          To be a lover and to be a friend
its what makes me loyal to the very end

My misgivings hide among the shadows,
In the tangle of long grass along the hedgerow
Between your wide open fields and my cultivated lawn.

Unspoken truths crowd out the spring bulbs,
Now snarled with weeds and thorned with blackberry,
The cobbled pathway which once linked my hope with your promise.

Will you meet me at the gate by the old sycamore tree?
If yes, then bring your dreams, untethered, and the dappled autumn sunshine,
I will bring my careful notions and the soft spring rain.

Prim roses and wild lilac; a velvet ash and sweet chestnuts,
Your gypsy summer, my redbud winter,
Our season, one garden.