“Old-man” Cody,
Four years my elder,
And five younger than his mistress,
Makes his way before me,
The only, “known,” and only near.
He dips, trips and spits his way
Into the night and plight
Of my only company,
“Alone,”
And I’m happy with just that,
“Alone.”

We met four years, 22 days
And some-odd hours ago,
Culminated, a Hidalgo County jail,
2,200 miles and some odd feet
Away,
From here that is.
He was of origin, my home,
The when and
Where I was ten years prior –
Juxtaposed, the dusty Stockton shipyard,
Only minutes prior, “now.”

He laughed then
And laughs again
At our, “backwater,” roots
As he longed for the tumbleweed,
But I don’t and won’t
When we’d brawled after something
Mumbled, and congruent, “mother,”
Words tangled with knuckles in cheek,
If only syllables, that spew, drip,
And crawl from his mouth –
Unwanted, anomalous, and
As desirable as a spastic colon.

Coming back to the tumbleweed,
I’ll never forget how, “that,” night,
Our very first encounter had ended -
My face, in between his boot
And that wretched brush;
The scratching and the bleeding,
A creation, making me
The modern scarecrow of sorts;
Pinned and echoing something similar to –
“Uncle!” as my mouth failed to render,
But my body’d spoke more than enough,
And into the dark behind my eyes
I’d leave.

Tonight’d be different though.
Sure, this, “newest,” moment ended,
But an older one began again –
As we came “home,” to iron bars,
Blistered wrists, and guards playing “gods”
With two of the town’s poorest drunks;
One a writer with broken lip,
The other a’bleeding,
Both scarlet and pride, two ol’ boys,
Conjoined in only numb,
Courtesy the 5 o’clock whiskey,
With a chaser, my victory,
And the sweetest I’d ever had.

Luckily, Cody had a warrant,
A bonus prize of sorts, as I’d be rewarded,
A darker cell somewhere and away for him,
Leaving me fortunate and leaving slumber
To take what was rightfully hers, Me.
Yeah, I slept and slept with the wines of
Buttress parallel justified atop lip,
Despite – the desperation, my brothers in
Adjacent containment,
And deafening “roll-calls.”

In between the snores of those
That’d nowhere else to go,
Myself included, I tucked in,
Still smirking within this starless night,
And whispered, “goodnight Cody,
You took me last time,
But I’d had your *** this round.
Good night,
Good night,”
And, “goodnight,” again.

*He was my, "Finnegan," (bit of a Star Trek reference). Every time I bumped into this prankster (like clockwork, regardless location), we'd always drink and we'd always brawl. I hated him. I loved him. He was my friend. He was my enemy. I ought add, "sweet dreams Cody," as he slept some years ago and never woke up - he was driving. Bad call.

i like looking up these shadow-people, the labourers
away from the spotlight, away from easy reference conclusions,
Ludovico Arrighi is among them, as is
the high jumper **** Fosbury - no belly-flop in
the competition after... after 1968 the road signs
told every jumper to expose the back and ***
when overpowering the heights -
Philippe Petit is outside the world, the ultimate
expression of solipsism, what grandeur (previous
attempts, the dyslexic source: the graphemes, æ,
previously i wrote grandeur as: grandeaur,
grandaeur, etc., somehow the syllables of only
vowels can leave you momentarily dyslexic,
when we're talking pure consonant graphemes
we have an aesthetic performed,
sheering can become šeering, whereby the diacritical
input overpowers excess spelling of graphemes,
such examples arise from what became the silent H...
or the surd H... ping-pong with the tetragrammaton...
e.g. dhal - which is said with a macron over the a:
dāl... but the trinity of spelled words gives rise
of neurosis... unless it's a word as conjunction,
the tribunal of aesthetic in keeping language beautiful
will prefer the spelling dhal or even daal rather than
what i proposed). concerning Ludovico Arrighi's
italics type... the skewed rhombus alignment /    /
is prescribed for emphasis... i need something to introduce
something that doesn't stress emphasis, but
sarcasm / ridicule... when i write something,
as i did in Christianity 2.0 (two point oh),
i'd change the direction of the ~wind, i.e. instead of
/    /    for emphasis, i'd like to stress ridicule in the
following direction:    \     .
but that's beside the point, it's like a western with
English not applying noticeable stresses...
for example the English trill, or the French hark...
they should be equipped with diacritical marks
of distinction... some sort of uniformity
of suggestion... the northerners trill (roll)
their R, the French used to, now anything but
a puddle of phlegm... but indeed, easy dyslexia from
pure vowel graphemes... cutting up graphemes
with diacritical incisions (safety, in a persistent vocabulary,
following the method of philosophical methodology -
hence my casual use of diacritics and graφemes -
i.e. when graphemes can't be constructed due
to a lacking of grapheme intention - unlike θ and φ -
supported by their alignment of a twin sound,
the Greeks would never consider applying diacritical
marks on p, t, h - unlike in Polish, where the h
is distinguished into a ch for aesthetic purposes -
e.g. chleb - bread and huj - **** -
but overpowering the vowel graphemes produced
their disappearance and the emergence of diacritical
vowels, e.g. the acute o (ó), which is a U, i treat
the diacritical mark as an incision point for the parabola,
cutting up the omicron, and that seems natural
given that the Greeks already did it without the acute
sign, i.e. the omega (the double u) - ω - again,
aesthetic reasons, the forgotten gallery of words
is there, you just have to forget Chomsky for a while.
but indeed, breaking up graphemes provides us
the necessity for diacritical marks,
the ancient Roman graphemes might have disappeared,
but they're still digitally present: mostly concerning
major words, like onomatopoeia - or encyclopaedia -
graphemes behave differently with the barbarians,
the latter encyclo- example is obviously nostalgic,
the ono- example does a reverse grapheme variation
of oe... but modernity expresses these couples
with individual distinctions - i.e. encyclopaedia
could be written utilising... well not a caron - not quiet
***, and more p'eh - the resurrection of the tetragrammaton
is necessary, i'd have inserted the variation without
minding French, i.e. grave accent on e eating away
the last vowel... or vowels... i.e. encyclopaèdia -
so avoiding the French usage that would cut off the -ia,
i'd insert it for reasons of interacting with a h, p'eh.
Joyce's Finnegan's Wake should have been written like this...
instead, it was written without noticing the diacritical
marks, and therefore made it's pompousness known
by omitting diacritical marks, therefore succumbing to
excessive spelling... or the ruin of Delmore Schwarzt -
nurse! scalpel: sch(sh /sz / š)- -wä(łä)- r(z)'t - drum-kit
wet snare tss't like in jazz.
still i need to define the R being trilled (rolling ball)
akin to the å - but of course the umlaut would do the job
likewise - but it's the aesthetic purpose that's necessary,
i guess umlaut designates an eased concept of
arithmetic included above the sound: i.e. prolonged,
count +2.

but these are but minor points of consideration,
obviously it would take decades to implement, and knowing
human endeavours in this realm, once fixed, once
fixated, nothing will hardly change - due to the already
existing utilisation, whereby it works perfectly to segregate
people... and the fact that there's no linguistic bible to
mind... but talking about orthodoxy and meddling with
dogma, i'm still bothered about the Malachi heresy,
how could it have been implemented?
i mean, a polytheistic concept of reincarnation is the oldest
form of identity theft, isn't it?
monotheism is incompatible with the concept of reincarnation,
this is the weakest spot / the blemish in Judaism...
Malachi is the actual inventor of Christianity and Islam,
he introduced the concept of reincarnation with
the return of Elijah, as mentioned in the New Testament
where Jesus is compared with Elijah...
it's a monotheistic heresy... reincarnation has no place
in monotheism, yet there it is, glaring at everyone from
the page... it was Malachi's error that gave rise to
schism... the litmus test of a monotheism is it's inability to
succumb to schism... well, Christianity is poly-schismatic,
Islam suffered an infection of schism early on...
Jewish schism?  you either practice or don't...
you either don the full attire of a Hasidic jews or you simply
turn your opinions toward earthly matters...
and so much rigour just because they didn't care to
roll the ******* back during ***, all that much work
from snipping the *******... early intervention did the job,
snip the skin off and we have the most ridiculously
funny god in the thought of man, an entire Mongolian
horde of intellectuals have been spawned from his existence...
imagine if god intervened when plastic surgery came around...
wouldn't be so ******* funny by my count.
****! listening to the radio and standing up between sentences
then realising there's no go-back button... it's live...
sometimes the oddities of not being your own d.j. can be
petrifying, when you're working against the river-current
like a Salmon of rhythm.

lastly... i guess this is a major point, in a magazine article
some dung-heap of opinion wrote something
about poetry, in ditto:
a policeman shoots dead Michael Brown in Ferguson,
Missouri in August 2014, Maggie Smith's poem
Good Bones goes viral, it wasn't about Ferguson,
it was about life being short and often terrible -
continues with: poetry is the language of crisis, of
profound thought and deep emotion, it may not be
much read these days, but it is certainly felt...

is that all true? is poetry the language of crisis?
i think that assertion is a load of *******...
it's a bit like using a hammer to paint the civil room's
walls (living room, i call it the civil room) -
if i'm reading poetry i'm not commuting or lying in bed,
i'm perched on the windowsill in a quasi-akimbo pose,
sipping a glass of bourbon with coca-cola and
smoking a cigarette, mindful of never wanting to
wear contact lenses or eyeglasses,
poetry is more than this idealism about it,
that you read poetry to savour the moment of critical needs,
i read poetry because newspaper articles **** me off...
poetry is like newspaper articles when those monstrous
literary ****** get going for months of necessary
attention to finish them... poetry, when drinking
bourbon, smoking a cigarette, quasi-akimbo on the windowsill,
perfect use of spacing, i bet most people who stick
to poetry will have better eyesight when they grow older.

How the silence greeted her never be?
Never see the clock to fool you
Always react quickly the change
will get you
About  her time never to be wasted
And never the right time to be free
Please she is the lady never
defeated like General Lee
The revelation to be loved
he had this clock-wise
reaction

Charlotte curved her position
like a pendulum going back and forth.

It was all she could say
she looked up at him
dancing with the golden flames
piercing her eyes. nineteen roaring
just about twenty dames
The clocks how she envisioned the
quarterback the hands like wands
had different names of foreign lands
Please, not my clock hand my hand
I am running out of time
The love doesn't last even the
first time or your
Last race against time
I assure you the competition never the
right words
But I am feeling all the wrong
signals so indecisive
Clocks somehow can be relative

Her heels not so concrete when
we are talking
and especially walking running late
its always like  her and his debate
So conclusive men campfire no clocks
But the hot fire bacon
Her clock is near the mason jar
Hollywood star is way out of line
Throw her overboard
The babe is so pompous
ladies taking trips beyond the clock
Graveyard shift please assure me
I can use a facelift
Feeling the dead of night waitress shifts
looking at the clock nothing to rave about

The quiet ones so sensitive giving
them a lift be positive to be saved
and please clock them into the tick.
There shining with there own click
computer ((Apple)) bite with Gents
of martini ladies turn the clock
like Houdini.

We need to be more responsive
to the thing that ticks back at us
So like we are living together so costly
Being passive at the time but expensive every-time
that elapsed like the war of the flow of clocks world.

She hopes so strongly she didn’t jump into his frying pan of words like trying to read the top of the hour newspaper trying to tell the time it’s like a second-hand clock.

But first, most importantly we cannot turn the clock
back to undo the harm it caused.
But we certainly have the power to go with the flow to make things better instant pudding have a way of coming unstuck.

To ensure ourselves what happened in our past never again will we let it flow into our future. Let our minds flow with more positive energy.

Day in and Day out:
Please assure me the right day you come on in
The day that you want to leave but please
don't stay out more time that's what life is about

All you do is dig dig dig… how we conserve energy per unit time. How we put all our energies into works.
Or also our nervous energy fighting trying so hard to focus to find the time to balance our energy our mass movement.

Like the sacred going deep well dig your way to a spiritual time and knowing the truth of things will set us free.

Your the one going solo feel a pounding in your heart needing so much to tell someone how you care about them what happens to you when your day begins.
Do we have a second to think about can we undo something or will it remain deep in our hearts?
Something touched you like explosive words at war with one another how they develop.

How does this entire world deal with such terrorism?
But not having the time
What! I see the clocks and the
Watchtower every soap opera hour to tell someone you love them how you need them because your days come to close to the end.

You feel like a thousand drums
hit you like a bomb going off ticking clocks.

We visualize more what love really is and the day in and day out like the song continues on your digging way down to finding something its huge so major to bring it way up to the surface.

Telling one another the game isn’t over until the clock says zero.
We are going to below trying to dig deeper.
Like time management oxymoron time beyond like anger management, we cannot control it will keep ticking regardless of our lives any flow or form.

He changed to be pleased or she retreated one arm against the mantelpiece his eyes surprised
The engagement turned like a clockwork orange so irritated beyond a different time.
To refresh the orange pulp going to the Gulf of Mexico
She felt stopped for a moment in time how she couldn’t gasp for air.
The sensation got stronger how she was being watched making the right or wrong moves her steps going back and forth.

With an effort,
Please assure me
I know it not easy to please me or how you know me
Like a six sense our eyes went the same direction
Like the romance endless kisses of France
She forced herself to straighten her body
to behave but her mind really needed to function.
He sensed the last word
The next word I assure you it's like a love bomb
For quite some time  I felt in a coffin
like tic rock boom of logs
Emboldened she allowed herself
to see the contour of destined time.
Please assure me all contours shaped his face.
Please assure me I still have a brain but a
different environment place
My clock stopped just when I felt my writer's block
Somewhere over Finnegan's rainbow, his colors
changed my clock.

Like the 'French Emperor Napoleon"
Too many derogatory stereotypes.
The morning mist
The ending  list was lifted by the time
like our world became
so responsible for the past
and future how different the time became.
Like the Rehma time

The flow of electric mechanical
The clock number remarkable, please dig into the deeper movement, beautiful Girl flow’s inside.
Like Yoga life of the party, Gala adulterated minds drift oceans wave brains of Psychology.
Love and hope but our souls the core of our brain.
That cozy warm inviting library with the creative cafe of old grandfather clocks Ingram 1828 Ansonia 1850
His name Gilbert rocking pendulum newton equation
Please assure me we will meet again there is so much space

How someone is born with the proverbial silver spoon those compounding assets please assure me I will look up your face in my clock became all in one heirloom faces.