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Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

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The Nile has been running here for millions of years
Carrying all the good and removing our fears

I built the first great civilization on earth
I eliminated the world thirst and dearth

I was born a soldier defending my land
Sacrificing my life for a grain of its sand

Anubis and Horus are forever ready
Protecting Egypt and always steady

I am a pharaoh and here is my fate
Teaching the world how to love not to hate

The Nile is my blood that flows in my veins
Look into my face to see Egypt's mounts and plains

The map of Egypt is carved into the wall of my heart
I taught the world the first writing, music and art

I am the sleepless eye that protects Egypt from any harms
Who dares to get closer and Egypt is between my arms

I command every Egyptian to stand upright
To defend our beloved by day and night

Pharaohs become lions in battlefield
Right and faith are always our shield

The Nile is life artery in time of thirst
That's why we always put it first

Egypt always seeks for peace and justice
Always make them her regular practice

Egypt never seeks for war or conflict
Egypt is the land of love you all expect

If war is imposed on Egypt and its land
Anubis is carrying his spear in each hand

Horus is above fluttering his wings
Celebrating the victory he always brings

Egypt can protect herself against devils of hell
Ask the Hyksos, Tatars and all those who once fell

Ahmose, Mina and Hatchepsout are always there
Sending to the world all the love, peace and care

Peace has always been our first call
That's why Egypt will never fall

A poetic drama (One Scene)

( Egypt’s parliamentary farce)

(The spokesperson on the presidium strikes the table with a wooden hammer and asks for order. Participants become quiet.
Raise your hands and reflect your views on today’s point of argument— The Grand Ethiopian Renaissance Dam (GERD ) on Blue Nile. Various people representatives raise hands,
The spokesman says let us start with Mr. Hydrologist over there.)

Egypt’s globally
Topmost voluminous
Underground
Reserve of water
We could use later.
So via our media outlets
It is better
We dupe
The global community with
Much-touted chatter
“To Egyptians
Demand of water
To cater
Blue Nile is
A life and
Death matter!
As thicker than blood
Is water! ”

Of course,
From the Mediterranean
Or Red Sea
We could extract, desalinate
And use water,
But why should
We talk about that?
We better
Ask on Blue Nile
A farfetched exclusive right.

Though hydropower dam
Has no significant harm
We shall flout it
In a way it runs
Out of charm.
As  the Nobel peace winner
Premier  Abiy Ahmed put it
"Almost all Egyptians
Enjoy the supply of electricity,
While over half of Ethiopians
Are thirsty of such necessity.

Tragically, to date
Using a lamp
Covers most of Ethiopia's map.

For the rational,
It is a source of worry
Innumerable Ethiopian mothers
Still on their backs carry
Backbreaking firewood
So that go to school
Their children could.
What we say
Is if you  are remiss to help
don't stand on our way
While we're flapping wings
From fettering poverty
To break away!"


Also via a conduit
Diverting Blue Nile
Across the Sahara desert
A financial return
Egypt could get
That delights its heart.
The water from
Upstream countries
We do not buy
But paradoxically sell it
We shouldn’t why?

Like Israel
Using drip irrigation
Must not
Draw our attention.
We shall be extravagant
For Blue Nile’s water
Is abundant.
Unchecked lavishly
It must flow!
Pertaining to that
We have to remain adamant.

Also, the
Silt accumulation
In Aswan dam
Could be disastrous
The outcome,
Yet we have
To cry foul
This challenge-averting
GERD must not soon
Generate region-
much-needed power!

Though it is 50 % of the
Annual trans boundary
Water outflow
Other water-generating countries
Are willing to let go
Unwilling anything below,
Kind Ethiopia ventures
Holding only 13% of
The yearly flow to follow,
However, ingratitude
Must feature our attitude.
This may
Provoke a  dismay
But attention
We shall not pay.

(A tumultuous applause shook the parliament. Once more the spokesman asks for order. Then he invites a former diplomat saying “ it is your turn.”)

Once, by famine hit
When Ethiopia   asked
“Help me not why?”,
While others extended help,
Mocking, we did turn
A blind eye.

As our former bent
Whenever Ethiopia
Seeks  grant
From international
Development Institutions
On grounds of
Fighting poverty and drought,
Greasing palms  
We shall bring
Ethiopia’s plans to harness
Blue Nile to naught!
Use we shall
Many a phony diplomat
With a tongue of honey
And a heart of gall.

Tact we do not lack
So cautiously,
Our sanctimonious mask
Our targets
May not hack,
All out
We shall engage in
Self-selling talk!

From all things that fall
In the technical matrices
We shall make a sham politics.

(He sits enjoying a standing ovation. The spokesman invites a representative with a military background.)

We shall blow our
Trumpet in the air
“In lieu of
The reasonable 3 years,
Cooperatively,
From 4 to 6 years
To fill the dam
If Ethiopians dare,
War on it
We shall declare!
Barefacedly claiming
Fifteen to 20 years
Is what is fair!

In such infeasible way
Before it sees the day’s light
GERD will suffer blight.”

(He hiccups and continues)

“With a bellicose bent
To remind ourselves
Deliberately we shall fail
So many times Ethiopia
Chased out every
Egypt’s invading army
Between its legs
Shoveled its tail.
(Ex. Isma'il Pasha/ 1874 –1876
Gundet &Gura March 7–9, 1876)
But why should we care
Arsenal support
Hypocrites, who want to exploit
In the Middle East
Egypt’s political purport,
Will bring to our port.
The current catchphrase
"I can't breathe"
Demonstrates hypocrites'
Justice has no teeth!

We shall
Continue to brag
About GERD’s full actualization
Foot to drag.
I’m afraid
If we strike GERD,
On Aswan dam
Ethiopia will certainly inflict
A similar harm.
Its infantry
Acid-tested hero
Within finger-counted days
Will march into Cairo.

Its top official or
One from its mob
Cold blow up in Egypt a bomb.

We have to understand
As its former PM
Meles put it
“It is not
Its football squad
Ethiopia will deploy
On the terrain rough
When the going
Gets tough!”

We shouldn't worry
We have no history
Of battle front victory.
Poking our nose here and there
(Sudan, Somalia, Yemen,
Libiya, Palestine, Israel)
We shall make political trouble
As we are averse to self
-politics burgeoning dabble.

(He sat after enjoying a heartwarming laughter from the audience. The spokesman himself could not help unzipping his lips and invites a hoary headed historian.)

Subjects of colonization
It is our
Historic right
For the hanging-over
Mentality of predators
To fight
“Gobbling down
All resources
Is our right!”
We shall espouse
Unjust and inequitable deal
“Ethiopia fairly
GERD must not fill!”
We must gamble
Regarding the water division
There has to be a deal
That serves our colonial
Legacy a sign and seal.

There is nothing we hate
Than the following sentiment
Pan Africanists activate.
"We have to get
Behind our back
Days dark!"

(He sits accompanied by an affirmative nods. The spokesman invited Miss Environmentalist "it is your turn." "Thank you for the opportunity,"  she said and  standing she scanned the congregants
before speaking)

In parrying evaporation
GRERD being built in a gorge
Than Aswan Dam
In the desert
Draws better attention.
Though logical,
This we do not wish to hear
So we shall turn a deaf ear
Saying
“Your nuisance
We no longer bear!”

Of course
To avoid siltation
In GERD
Also to ensure
The continuous flow of water
Towards Green development
Ethiopia is making an unprecedented &
Unflagging movement.

Yes , Yes
Green development
Draws rain
Though that is
To our gain
From expressing
Appreciation to
Ethiopia’s timely move
We shall refrain.

From the voice of
Sagacious leaders of
Africa
It is better
To heed a hypocrite
From America;
That could not be a shame
In the political game.

(She takes a seat enjoying a high five. The spokesman invites a parliamentarian who is a member of the Arab league.)

As Sudan poses
A rational gait
Its voice has weight.
Our sugar-coated talk
It may not buy
Hence, the fuel-intoxicated
Gluttonous Arab League
Its voice
Needs to raise high.
White supremacists
Must try hard
To sweet talk Sudan
To our side.
Otherwise
Creating political heat
In to two its people
We have to split
To unseat
Its incumbent president
Popular support that ride.
This  insidious tide
From Sudanese mob
We have to hide!

We have a toy League
That doesn’t ask itself
“ Why
War-fleeing Arabs ,
Shunned by Arabs,
Seek a safe haven
Under Ethiopia’s sky?
Why  of all
In Prophet Mohammed's eyes
Ethiopia stands tall?”
That no one could deny
But we must
Neither wonder  nor ponder
“Why
For own advantage
Arabs-eating-Arabs
That commit  
Political suicide
Could not
Stand by
The reasonable
Ones’ side?”

Creating this and  
That pretext
We shall derail
The all-out task
To bring GERD’s to end,
At long last
To make it
As good as dead.

Why should we care?
If Ethiopia or the region is
Thirsty of hydropower
In so far as
Our conceited
Pride remains
In glory tower.


Moreover if soured
Pushed to the end or angry
Reflect  we must not
Ethiopians could tame
Its this or that tributary.

(When a wealthy merchant raised his hand the spokesman gave him a green light to speak.)

Pampering with money
Fifth columnists cruel
Let us keep on using
In Ethiopia
As runs the adage
Divide and rule,
Along ethnic
And religious lines
To  drive a wedge
So that Ethiopians will not
Come to the same page,
While turmoil in their country
Opts to rage.

We could ignore the fact
Ethiopians soon display
Unity and solidarity
When threatened gets
Nation’s  sovereignty.
In Ethio-Somali war
Ethiopians Karamara’s Victory
Talks loud such history.

I'm afraid
Our  divisive action could
Bring together Ethiopians,
Be it on left or right end,
Their sovereignty to defend.


Robbed of
Their alluvial soil
By a prodigal river
Ethiopia’s  farmers
Undergo a hard toil
If we are asked for that
Compensation to pay
“No!”
We  have  to say.

Note that
Using industrialization
Like Japan
Develop we can
Than irrigating  
A- scorching-sun
-smoldered land
Full of sand.

As the  jealously insane
What should worry Egypt
Must not  be what  it could lose
But  Ethiopia gain.
What I fear
In the diplomatic arena
With GERD Ethiopia
Will come forth
Shifting gear.
When Ethiopians' development
Proceeds apace
Ethiopia could Egypt displace.
So on its development
We  have to pose a roadblock
Or a spoke.
.

(This much  farce is enough for today .Parliament is dismissed says the spokesman.)////////

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