this will make sense in the end, or at least along the way... a modern version of the Ruben's judgement of Paris, although if you watch the debate, the mediator already insinuates the "confusion": to my left or to my right, ha ha, left to right, right to left, 1st 3rd 2nd... that's putting it mildly, if i were Paris i'd have given the apple of knowing to Hera, queen of the goddesses... naomi wolf... beauty is in the eye of the beholder... and your phallus in the hand of... mhmm... softer than the flesh of an oyster at the end of the day... they did say once in times just after Pericles: make my inner as beautiful as my outer, and my outer as beautiful as my inner... then take art as not representing images: or the "shallow" arguments... any man would have given the apple to the intellectual Aphrodite (karen straughan)... we all know that antigone darling is Athena: who speaks so little you start to equate wisdom to be a distant synonym of needing courage to engage with a plebiscite crowd... oh don't give that prize to her: she'll probably tongue-tie herself and will never be able to speak into a microphone, the intellectual Aphrodite knows all too well the conundrum... it's the cougar attired in crimson that fuels the whole debate... she doesn't need to have inner beauty, you phallus is already shouting 'sir! yes sir!' at the drill sergeant anyways... you take Aphrodite as a paradoxical beauty, namely that of long conversations and not long interludes of ******* and baking cookies... you'll leave Aphrodite confused... i once heard an English motto: don't take for a wife a woman that's too attractive... that wasn't intended to be within the bias of intellect, i mean a beautiful woman within the bias of being able to manage a harem of 72 male virgins... well **** yeah, artists leave clues, whether knowing or unknowing... they're working from triangles, poets end up writing from Δ, they obscure textures and antonyms of what appears to be monochromatic, we say: red, crimson, burgundy in x-ray confines... the point being: there's no intellectual debate to be had with someone representative metaphorically or not of Hera... you can't have a Parisian fashion week catwalk where you find dehydrated beauty on the outside and an anorexic ego on the inside... what you find in Hera is a volume (voluptuousness) on the inside, within which there's a leech libido that transgresses all demands for intellect... unless it's pistons-well-oiled orientated... please, read some Marquis... if you get an ******* having read a few of his works: you're qualified - or as i like to call it: neo-classical *******... ever masturbated over Bronzino's Venus, Cupid, Folly and Time? well, if you haven't i guess **** ******* and gang-banging is your outlet: mine are pictures of Aria Giovanni and Chloe Vevraire (googlewhack no. 3!): Chloe Vevrier... but if you're never done the Odysseus pokes fun at Polyphemus... yep: the ghost hand: nobody!


you know, you can cram a lot into a 30 hour "day",
which results in the complete erosion
for the capacity to dream afterwards,
to actually work from the unconscious and create
a subconscious medium vector that connects
to points of consciousness: 30+ hours awake,
however many hours asleep, and then awake again
for another 30+ "day" to digest...
the classical definition of the subconscious, in theory,
is that you get plenty of sleep,
and it's a bit like that schematic A x B (algebraic)
A knows x     and B knows x...
   something mutual acknowledgment
via the same schematic but
A knows x, B knows x,
A knows that B knows x,
A knows that B knows that A knows x,
   which is all very Aristotelian to be frank,
it's this hyperlogic of having to acquire
great technological feats and reduce such
complexities to cat-videos on the internet as
the Egyptian partake in the genius that actually
made it possible... the slogan goes
Moses, you fool! said Nefertiti...
    so B knows x and knows that A knows x
and knows that A knows that B knows x
and B knows it's not necessarily anywhere
alphabetically less, even though the French said
a, b, c... which was very imperial of them,
that's the imperial version of what the mathematical
imperialism proved with the English inches, miles
and furlongs... but in this French case of imperialism
it wasn't a e i o u, b c d f g h j...
            that's what 30 hours awake does to you,
you wouldn't think of alcohol as a party drink,
a social barrier deconstruct... after 30 hours
you're hoping to meet Vladimir Klitschko on your
way to bed... aye pleasing Cossack, give us a
smacker goodnight... one glove it filled with
whiskey, the other with naproxen and amitriptyline...
boom! k.o. snooze, baby:
you gotta love buddhist honesty...
at least you get to see the bright side of life...
  and if people start thinking that Kant was the harbinger
of ill fate... you obviously haven't met a necromancer...
it was only von Kleist for ****'s sake!
       and he had the American option of a suicide
pact with a terminally ill woman and a bullet from
a pistol in a ditch... you can't get more romantic than that...
and there i was, mid-afternoon, having done a few of
the household chores: the washing, the ironing and
cooking a two-course meal while my mother did
the taxes (seems only mothers understand their sons
these days... women my age?
   ever see David Attenborough describe Emperor
penguins? money was invented for women,
because it brokered the end of the brotherhood of man,
we became famished by feminine needs
and have reduced inherent sports in us (hunting)
to sledgehammer bashing entertainment...
i'm the "drunk" that would rather watch ten hours
worth of ping-pong that tennis...
    i don't know why they resurrect the Olympics
every four years, have a **** coverage of it anyway
and then go back to that Glaswegian diet
of deep-fried pizza and haggis... and i hope to never know,
maybe Sepp Blatter knows...
but that's 30 hours of being awake, and only not
able to relax, by writing...
                 you wouldn't see this sort of "abuse" of
alcohol anywhere in the world...
the Soviet sleep experiment is actually not that silly...
too much sleep can also make you feel the minutes
upon your wake as if you've been stung by a bee...
three of my all time favourite songs?
the stone roses'* i wanna be adored,
    chromatics' cherry,
and finally: i can be forgiven for having missed this,
i got into them seriously with the album aufheben
and didn't really move anywhere else,
the dandy warhol effect got me...
but this song out of obscurity, 20th century technology
translated into mp3 and then onto c.d. and then
back into mp3... a song from an album that doesn't
even appear on their discography...
the brian jonestown massacre's pol ***'s pleasure penthouse,
the song in question? fingertips.
so there's that three...
      but **** on me, i half expected android (2015)
to be like ex_machina (whatever year that was)...
same topic... what the difference between android
cyborg and robot?
                                  aren't robots the proper a.i.?
as in: in production, the thing that's not hand-crafted
is artificially crafted, because it is crafted to a large yield
of a product? isn't that so? i can't distinguish (as of yet)
the difference between android and cyborg, i guess
as a Latin man (a - z user) i have to condescend the Grecian
pompousness of demeaning Hebrews (original anti-semitism
originated in Greece, not Rome, the Romans gave
the Jews not elaborate architectural schemes to abide by
in honour of Octavian, but the supposed pride in Greek
thought, undermined what later science would provide
a Latin man with, given the translation of יחֵוָחֵ,
indeed variables... i once wrote a piece about
the two Adams... namely how אָ (alef)
and עַ (ayin) are prominent letters among consonants,
but no vowel kindred of Eve is equal...
or how Eve is covered in both mainstream Islam
and orthodox Judaism... and Christianity is
a Rastafarian dream for more jerky reggae reggae...
they never sing down with Rome, judgement upon
Rome... they always sing about Babylon...
well, polytheistic or poly-schismatic,
it's all Hindu from hereon in - apart from that
here's a very tiny heresy... is that yod he vav he
or is it yod he vav het?
         there is a difference, afterall:
he (ה)        and het (חֵ) obviously differ... oh!
xet!                   god this garden is a mess,
               i guess the fruit of knowing good from evil
was intended to say: till the land, deforest,
learn agriculture... that's good, the **** you do to each
other... well: that's hardly a tonne of grain...
but they so alike though, even when you apply a noun
to these two symbols!
  could have said he xet but instead it's known as he het:
no wonder the Hittites came along for a curious look...
mind you, had not a prominent Roman, a centurion,
asked for help... we'd be prudish in runic from the northern
invaders... so thankfully no one within the Roman confines
of encoding sounds didn't have the bright spark idea
of looking at the very tiny little island of Israel and that
four lettered word and how it became known
to say o = omicron, ε = epsilon and γ = gamma,
   and cutting those things apart leaving only letter
having done plastic surgery on the noun that denotes the
letter that's denoted by the symbol, rearranged it
and got the idea of εγo: ****** marvellous!
- this is not brian pallenberg's story about the pleasure
penthouse album...
but you know what really got me in those 30 hours:
day, night, day, night: a NHLF debate between
naomi wolf, karen straughan & antigone darling,
the part where karen makes the point that
once upon a time men who beat their wives
in Scotland were publicly whipped (dhaal,
straugan), and if they were beaten-up instead by
their wives, a plebiscite of good-wishers would turn up
at the house and apply the Freudian theory of
a castration to the man, bang pots and pans,
and then in public display him having to ride on a
donkey backwards, having to hold the donkey's tail
for stability...
     see that woman in red in that debate? a true political
man-eating beast of ***** readied in atom bomb
explosions... the one next to her isn't wearing any tights...
unconsciously you're thinking: i like her french freestyle
of not having shaved her legs... the smart one is wearing
jeans and she looks oh so desperate to get out...
    the discussion doesn't even enter the realm of ideas...
hen-picking is discussed... all poetry ascribed to language
is gone... is it politically correct to ascribe the sexuality
of female chickens with the word hen to women?
behind me in Blackpool stag-dos (dos? no does...
there isn't even a ******* spelling for that phrase...
hen-nights and the inflatable Juan)...
well obviously your mind is working out why you'd
**** the middle 'un right away... she doesn't say divorcee
which is so "unsexy" but say she's a mum twice,
a mum, a single mum... polly wants a *******...
her address is new york city? ******! i'm heading there,
right now! can a white guy use urban colloquial
in the suburbs on a piece of pixel paper, which he claims
is mere the cartesian extension of his thought
and disinterest in rhetorical skills? i hope so...
it's not like herr adolf wrote a disclaimer saying:
read this or a thousand volts up your ****!
that really was a constipated debate, plus the red was all
provocateur and peppered with "you know",
   and "i know absolutely nothing": there were no ideas
in the debate! whenever there was a chance to debate
ideas, the debate turned into a debated about words,
and what words to use: to simply brush aside any clinching
to a idea-debate... perhaps because feminism is
an ideology without any coherency of ideas, as stated
from the debate: a coherency of wording: and that better
be hen = an asexual chicken, rooster = an asexual chicken...
it's still a chicken kiev at the end of the day.
now? i might squeeze in another poem...
     but it would still be great to get any kind of analysis
comparing the movie android and ex_machina...
the only problem would be: both creators are men...
so that's gender-stereotyping already...
but hell! she gets to build a buggie that she directs with
a laser pen... so that's nice...
but i'd love a discussion on these two films,
given that the music in both films is very oomph!
thriller genre always had better music than horror...
horror music is too romantic... thriller music?
***** back-stabbing you whenever you think you're
going to get a comfortable 10 minute slot...
but it's there... aside from both robotic creators being male...
woman: ex_machina - out of the machinery of man
          ergo? deus, or woman as...
i actually have a problem with the word android...
the woman is a factor of playing the two men against
each other... the android actually find a mechanical
part of himself in the way the "human" talks to the woman,
while the "android" is prejudiced against the rigidity
of his ****** movement: unlike the "human" having
an intellectual rigidity... the woman plays the two against
each other... well, 30 hours no sleep...
  i'm doing the helter-skelter trying to throw ideas
by way of remembering the actual plot of the film...
this obviously adds nothing to the discussion:
meaning i probably gave away a "spoiler" -
but more the point, i need a refill and some fresh air
to breath, having farted into a leather chair for the past
hour.

MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects

My mother was
a first generation lesbian.
My father,
a first generation divorcee.
His father was the one child
of a public school teacher.
He found my grandmother at 18.
A farm child, one of seven.
A painter, a baker.
My mother's father
a single boy to three sisters.
His aggressive masculinity
kept the line clear and thick.
He found my mother's mother at 17.
A middle of seven Pentecostal children.
A beauty queen, an agoraphobic.
Each had five children.
The door-to-door salesmen/
homemaker and mother of boys duo
bet it all to open a hobby shop.
They were by far the poorest of the
watermelon farming siblings.
They were artists and explorers.
The high school graduate and ladies man,
was a logger before a father.
And the single mother of 25 he left
scarcely left her home at all.
Neither pair made it big.
But they made my father.
A lonely, post middle aged man.
The poorest of his brothers.
A used to be pilot,
and could have been teacher,
a want to be pioneer.
A nuclear family super fan
who never got his way.
And they made my mother.
A nervous, eccentric hippie
who doesn't know how to talk to her siblings.
A woman working her *** off to excel at lower middle class.
A builder, a fighter, a **** good mother.
Even if accidentally so.
She has plans to travel.
He has dreams to live by a lake.
And they made me.
A single girl among three boys.
A quirky, nervous tomboy.
A thinker, a gardener, a climber.
A loser and a dreamer by blood.

have you ever made a spider a Palestinian? i have, today, refreshing the paint-job on the back of my house, a whole family strutting away from fresh paint being applied (poets cure boredom, they simply don't know it), the cardigans erase & rewind, my uncle would be perfect with his age to work out the demographics - my age circuit, 30 and listening to the palette of those in full-throttle of the 1990s - anyway, refreshing the paint on the back of my house, not for dough, but for the sweat of my brow - learning i succumb to acrophobia on the ladder - but i did it anyway... i love phobias, they're not the fear, they're like a box of chocolates... you never know what will make you startle... it's not permanent, phobias shouldn't be considered permanent, they're too reflexive... and we all know that nibbling them in the reflective realm immediately suggests irrationality, not to a reaction, but to a continuum of a reaction: a ladder, a giant spider to boot. but i never watched a spider eat fresh paint... watched the ******* do the nibble on paint... ***** - a getty cardinal spider shooting paint pollutants with its leg, eating the Chernobyl cocktail, the rainbow melt in a puddle of oil spill... junkies everywhere; so that done, a beer and a quick look at the Olympics...

if table tennis was as relevant as table tennis -
i prefer table tennis,
judo is too cool too - classic Greek wrestling
with feet to match the hands -
i think in terms of the Olympics we're in
the Gobi desert - so many sports are shown only
once every 4 years, the once that don't make the dough...
i'd prefer the Olympics without the pop culture
exponents that keep us hungry for spectacles
during the 4 years apart -
hand-ball, Romania thrashed by Angola -
ladies first, of course,
and weight-lifting, weighs in at 48kg and lifts
80+kg... well Jihad John versus G.I. Jane...
a pretty match up... look, i came from a certain background
i won't be making politically correct statements,
if it weren't for my personal initiative i'd be scooping
grub from an industrial flat surface roof like my father...
i don't mind getting paid... i just love the fact that i will
and if ending up homeless, i have enough heart already
to start a religion, or something.
of course i'll miss my personal library of books and albums,
who wouldn't? i'll join the divorcee crew and it'll be
like it always was supposed to be.
but am i really that ridiculous? think about it,
i use ridiculous words in my vocabulary, after all i went
to a catholic school, it was bound to happen -
not true secular cool, sorry -
but is my usage of certain words completely penniless
more ridiculous in the form of an oligarch buying
a pearl entombed in a custard pie? of a yacht for a month
at Monte Carlo? seriously? if i utilise the words
Paraclete or Antichrist after just skimmed rereading of
a psychiatrist's religious venture in Jung's *answer to Job
am i as ridiculous as those barons?
i don't think so... i read that book like Flaubert instructed
concerning all books: read in order to live it -
a book is a transplant, some leave a heart, come a ****,
some a brain, some a pint of blood with a book...
i hope to leave the worm of hell licking your ear for a sloppy
Jim - read Jung... almost atypical German Christian
intelligentsia byproduct, neutral Swiss just after the second
world war... Freud read Nietzsche and so did Mussolini...
****** was very much Jung... it's a strange book...
we all know that the Greeks hijacked Judaism...
the Romans were like: whatever that meant...
shoved it into a cauldron of the prefix omni-
and attributed to the prefix geographies and geometries
all inclusive (herr deutsche came along though) -
but the Greeks hijacked the oddity of Judea at that
special time because they had scientific inclinations
rather than aesthetic inclinations of the Romans,
and they wanted answers... got **** all...
it's not the Jews that thought the Greek involvement
ridiculous, it was the Romans... hence the omni-
and -presence, -potency, etc. - the Greeks just had
those mythical names for ****... Logos, Sophia...
that's the funny thing with mythology and history -
the book of Revelation by the looks of it simply looks
like a redemption of Oedipus... mythology is a logic
of history where either none was recorded on papyrus
since no one required hush-hush intrigue talk and people
spoke to each other face to face rather than to a profile -
mugs and mustard seeds -
you can always buy the book, C. G. Jung answer to Job,
it's peppered with too much Greek, and very little
Roman care... the theological addition of a globalised world
(under monotheism, failed and thriving, whichever)
is bound to play the montage of omni- and simply add -
God = omnivocab - i have my limitations of words -
i had to censor or rather select a vocabulary in order
to process the interchanges to reach a conclusive churning
without an ultimate goal other than to preserve a continuum,
like Balzac boring everybody with the 19th instalment of
the human comedy. so after reading this book on religious
matters by a psychiatrists i'm sorta bothered...
i'm tripping... obviously not seeing any hyper-geometry
of your choice... i just think the Greeks did the most horrid
hoarding and looting know to man... which reflected
the looting of Byzantium and never reaching the Holy Land...
the barbarians never cared to be honest, they only
started caring when they started to castrate the boys
for the "holy" choir rather than circumcise them...
then they went Berserk... the book of revelation can only
mean the quantum mechanics of history, bound to
mythology - Oedipus was very real... the blackened
heart of Greeks even though Aristotle, Socrates, Plato...
that intellectual import and expression didn't help...
after all Eddie Gein gave birth to the latter part of the 20th
century pop culture... Texas Chainsaw... Haemorrhoid Hannibal,
House of a 1000 Corpses.. history and journalism
dismisses mythology, i dismiss journalism as simply
a hyper-sensitivity that keeps dialectics out of the picture,
a monologue of opinions... mythology just doesn't seem
that insensible given our perspective into history with Darwin
and millions of years ago with the sea-turtles... you know
how gossip works... it sooth the reality of it had happened...
because we prefer oysters and chicken thighs to digest than
the tales of Eddie, oh yeah... Fe Maiden... d'uh!
the Greeks looted the Hebrews to purge themselves of
Oedipus... the weakness came by keeping estranged with
Narcissus and iconoclasm... you want an extract?
bombshell blonde at your bidding -
assumptio mariae: mary as the bride is united with the son
in the heavenly-chamber, and as sophia, with the godhead.
basically Mary is a schizophrenic ****-child of lust
for a Roman centurion who makes the story of a ****** birth
her wish to bed-wet her son (Jesus) into joining **** John
and Toe into her ****** (***** *****, like her already)
in heaven - she thinks her body will **** her "******-birth"
son and her wisdom (Sophia is her alias, or nickname)
will **** god in the head. oh hell this is sacrilege -
i'm not afraid of it... boo! ha! caught you mouth dry with the
boogie man. so this is a psychiatrist reasoning his religion...
as i said, the Greeks had no omni- Roman put the **** back
into his boots before he starts river-dancing...
all these quizzical ultra-mythical words that the Greeks
used starting with the Logos and Hippocrates were attached
to the failed Platonism of the unconverted Damocles principle
and the tyrant succumbing to drink and never bound to
a sober wish for anything more - (i'm guessing his intentions
were laid with Nietzsche as source of discipleship) - in short
let's just say that Platonism failed in practice,
and it needed a populist movement, a redemption from
the curse of Oedipus came from Hebrew with the schizoid-birth,
Joseph bin Adam was: better bite that ****** of the cow-fruit
and remind her of the stoning practices around here -
oh it's all pretty much Eastenders around here, it's
not the ******* Vatican marble corridors, we're talking
Gaza dust sneezing while whipping the donkey's *** to
move along... split-mind: beautiful metaphor... premature
dementia, obviously misunderstood... if premature "dementia"
while so much creativity among the split-minded...
it's like all the zodiac signs became jealous of Gemini,
incorporating Gemini-Solipsism... well, i have a neck like a bull
and a *****-count like a charging bull... but the thinking
behind the 3.a.m. is kinda staggering... oh right, you want
more quirky clues from Jung's book:
- silvia loret
- maritza mendez
- aria giovanni             (get a hybrid and i'll believe in Disneyland) -
****, that ain't what i was going to write, never mind,
you get a chance to see the palette of what's fudge for
fucky-fucky sized 16+ and what the Renaissance men
knew would be better than duck-feathers in pillows;
- meister eckhart: gott ist selig in der seele
- puer aeternus: vultu mutabilis albus et ater
    (of changeful countenance, both white and black)
- pius XII's apostolic constitution (munificentissimus dei)
   words like muni-imus really make you train in
    grammatical arithmetic, don't they? playing doctor with
   them as to where to cut them for a aqua format of rivers
   is quiet like reciting a 5x table up to 30 (sometimes)
- oportebat sponsam, quam pater desponsaverat, in θalmis caelestibus habitare (the bride whom the father had espoused had to abide in the heavenly bridal-chambers): st. john damascene (encomium in dormitionem);

summa summarum?
Nietzsche answered Job... this is my answer to Jung as also an answer to Lot - **** your daughters, your wife turns into a pillar of salt... and i equate that as a precursor to the man of sorrows on the ****** crucifix - salt is a metaphor for misery (that's etymology for you); and the Roman phonetic encoding survived over the fates of Egyptian and Babylonian is precisely why the adopted son of Caesar later made his uncle's adopted nephew his successor - as with the four dogma canon gospels, we're replicas of the tetragrammaton... well... i was never confirmed, i'm one short of joining the god-men that came out from catholic school after choosing a name for themselves they could have changed not having wished to be known by the two names given to them by their parents... few did... i just ended up an acronym of Einstein: M C E.

We  were    squeezed    from    corruption
armed     with        the  monstrous cutlery
of  rippers and tearers of    rationed meat
    for a day,         for a day,         for a day:
the     butcher    gives   his       best     cuts
to the young       and godless      divorcee
find us, keep us              : a spectre hiding
in the    dark pig iron rust hooks looping
through     your ***    and shopping lists:
smelting                                     your coin
and punching                             your face
          Company is the        full knowledge
of our      protracted,        3  -stage   decay
burn                drift               degradation
             ­                        eyes crusting shut
in doom            and     settling    bomb silt
      palms up,    taking      a    punishment
                              ­     in the mothertongue
    ignoring       lessons     in    the gracious
                            expectancy of departure
We,      A legion of ancient clockwatchers,
in         on       the        joke       of       time
and    folk fetish     of apple-cheek poverty
    [Gasp!] The gruesome romance of class!
              !you cry!     !safe!     !always safe!
in the nuclear hotdog option       , which is
observably, the title of this advertisement
We will never get you[       ]you're awake!
and your atmosphere    is still In Da Black
      We                                        watch you
                                                     watching
the           5            car            pile          up
catch­ up       rolling          down your chin

I spent some time writing a response to a poem that someone had written on commitment-- then lost it on this wonky site.
I'm learning to copy and save all my longer responses.  This one was worthwhile, I think.  Here it is with no apology for its content or its being prose.
____

The Other Woman

In so much of this thinking, I disagree with you.  Love involves so much more than  commitment.  My parents were married almost 60 years.  They were not in love for a long time toward the end though they were committed and attached. I was around to watch the steady loss with only the family loves and interests held in their surroundings-- to keep them sane?  

I watched the woman who came to my father's wake alone, weeping quietly by his casket.  I knew there was a deep love between them even though they were both "committed" to another.  My mother, as always, distracted by the "social," the appearance of it.  My father's honors were her claim to any personal worth-- His well-known name, his courage and heroics, his whole-hearted service to others, his children his wealth...these were the things she wanted from her commitment to him.  Too busy with her dementia at the end and all the attention lavished on her, my mother seemed to have lost my father years before.  I do not blame her.  I think we live too long for most of our “commitments.”

Truth be told, my father had several women  latch on to him in their loneliness and need to have their cars fixed and stuff a woman has no knowledge of, a widow and a divorcee, one unhappily married.  I know they loved him too--and in a sense, he them.  Not sure if there was anything physical between them. I would not have blamed them though.  But commitment-- certainly, yes. They were often at the house, devoted in their care of him in the worst crisis of his life, caring for us, supporting my mother through it too.  One knitted sweaters for us, gave me her family's violin; the other left us everything she owned.  My mother accepted this, unquestioning.  We used to joke about my father's "other wives."

This last woman-- was the smile of his old age, his Red Sox and drinking buddy, the one with whom he shared affection, knowing looks; the porch, their yards, the lawn chairs, coarse jokes-- a drunken wheelbarrow ride home, and all their troubles, aches and pains. My mother's church and chatter, puttering, annoyed him. This last woman kept him company.  Their love--so deep, so entire....  I could see it in their eyes when they were together despite their 30-year difference in age.

Now by his casket, propriety could not allow her grief its full  expression.  Only family ordered flowers, met after-- for "the dinner,” unrolled the pall over his body, paid the last tributes by his grave."  She was treated with loving appreciation as a faithful, loving neighbor.  My sisters hugged her, whispered grief.  When my turn came, I hope she heard me, felt me--as I hugged her, repeating,  “J_, I know, I know...."

I know I've gone on here too long, and I'm sorry.  I write all this to say that whatever commitment is, I don't think we understand the half of it.... Relationships, faithfulness, expectations, decorum-- fall apart in the face of true love-- which never needs to explain itself.