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Tryst Apr 2015
Bedeck the band and play a merry tune
The debutante desires her maiden dance
A farewell serenade beneath the moon

She's drifting like a Sunday afternoon
Each lazy sway a restful rhythmic trance
Bedeck the band and play a merry tune

Encircling suitors pack around and soon
She gleans the grating of each nervous glance:
"A farewell serenade beneath the moon?"

She casts them all aside her heart immune
To each until one voice, one piercing lance:
"Bedeck the band and play a merry tune!"

She falters and her bold facade is hewn
And nodding shyly greets his cold advance:
"A farewell serenade beneath the moon!"

Embracing him her heart begins to swoon
A maiden sunken at her first romance;
Bedeck the band and play a merry tune
A farewell serenade beneath the moon
In memory of RMS Titanic, which sank April 15th 1912.

See also my sonnet of 2014: http://hellopoetry.com/poem/694219/the-ice-maiden/

"Many brave things were done that night, but none were more brave than those done by men playing minute after minute as the ship settled quietly lower and lower in the sea. The music they played served alike as their own immortal requiem and their right to be recalled on the scrolls of undying fame." (Lawrence Beesley, Survivor, RMS Titanic, 1912).
Nat Lipstadt Aug 2013
The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night


#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.


#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?


#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.
There castles fair as a moon of June
Despite denizens 'neath a pit of despair
Like a night lit not by stars or moon.
Sweet is the silent whispers of a zephyr
When falls dew at the peep of dawn
Upon meadow boughs of emerald fair.

When heaven's ever fair golden eye
Doth sprinkle her very last fiery ray
To pave way unto maidens of the sky
That evermore bedeck heaven's bay,
In woods strange lonely things dost cry
In lament of the sweet melted olden day

Now 'neath the vale of time: In fairyland,
Where days once colorful and bright,
Where novelty gems bedeck each strand,
Where lofty towers shine than star light,
There naught remains that doth stand
And there dawns never but endless night.


Kikodinho Edward Alexandros,
      Los Angels, California.
             20th/09/2018
#Fairyland #Tales Of Nineva #Imaginations
Keith J Collard Aug 2012
I had a forest tryst
with Amanita,
after it rained,
I went to see her.

Dank and slain,
suited to decompose:
her bed; and as I sank--
in ballet bare-toe
the white angel arose.

She was flawlessly pale,
and 'round her neck,
still, a wedding veil.

She slipped the straps 'round her neck,
befalling her gown at my request,
she slowly turned in place,
for her suitor to inspect,
never did comely beauty,
on Jerusalem bedeck,

On her head sat,
a white knit -cap,
to it her veil was attached,
I could not gaze on her form,
till I got past this piece she worn.

I asked my love,
to doff her bridal wear.
" My love, my groom
wears my chastity belt round my hair."

Then I could not resist,
I brought the veil up,
and gave her a kiss,
a gentle curse,
she spoke to my lips,
in great thirst I sipped,

Alas, then I saw the ring,
she pulled back,
and deep in my eyes she looked in.
through her gown
in the mire I started to sink,

I felt her gown moving through me,
with the poison of her Gothic beauty.
On her spectral white,
not even the fly alights,
I commit suicide twenty times over,
by taking a bite.

She smiled to my fear,
in her eyes, heaps of bones,
and whispered in my ear,
to whom she was betrothed.
"death"
av willis  Mar 2013
Tin Man
av willis Mar 2013
In a land beyond the rainbow
Stands a dark decrepit wood
Where monkeys glide between the branches
And witches live, both bad and good

There within its tangled branches
Lies a path bedecked with gold
Leading brave souls who do not blanch
On to wonders yet untold

Near this path of yellow mortar
Stands an ancient half hewn tree
Missing wood, about a quarter
Standing **** for all to see

In this wood there stands a hatchet
Once beloved, now fraught with rage
Just another rusted gadget
Cast by in the wake of age

On a gnarled and twisted root
Centered in a mushroom ring
Stands ***** a metal figure
Frozen ever in mid-swing

There he stands through frozen winters
There he stands through summer's heat
There he stands through April showers
Standing ever on his feet

Once he glowed a gentle pewter
Once he moved with solemn grace
Lines of rust bedeck his figure
Streaking slowly down his face

Once he stood a man of flesh
A simple hewer of the wood
Who held a cabin near the creek
And loved a maiden fair and good

In the village near the forest
There he sought to win her hand
A debt of love he'd pay with interest
If beside his side she'd stand

In the woods he sought the bride price
Needed to start their new life
In the trees he found the journey
Soon to be defined by strife

By an elm his axehead sundered
Cleaving cruelly through his arm
Through the boughs his loud cry thundered
To the heavens in alarm

To the ground his lost arm plopped
Landing softly with a thump
To the town the woodsmen hopped
Grasping at the ****** stump

There he found the village tinker
And roused him roughly from his bed
Dragging him out to the workshop
Leaking out a wake of red

There he begged the wizened workman
'Make a new arm from your cans
For i marry in a fortnight
Let my bride take a whole man'

So the old man plied his trade
To make a limb of springs and gears
Twisting tendons in a braid
To move his fingers through the years

Now renewed to former vigor
The Woodsman went back to his trade
Returning to the morning's rigor
Back into the ancient glade

Little did the doughty hewer
Know his axe contained a curse
Stricken on unknowing users
Causing their limbs to disperse

By an oak he lost his left ear
By a beech he lost the right
Hazel took him down a peg
And by a yew he lost his sight

Through the week the tinker labored
On in a rush to replace
Just enough of the woodcutter
To accept his bride's embrace

On the day his nuptials dawned
The woodsman clanged into the square
Passing through the crowd with awe
On to meet his maiden fair

There she stood beneath a trellis
Sky blue ribbons through her braids
Oh, she was a sight to rellish
Worth the trial of the glades

There he stood forever altered
A shadow of the former man
In this form forever haltered
To this shell of springs and cans

The cutter broke into a dash
To wrap his woman in his arms
On the cobbles his feet clashed
Causing her no small alarm

From the altar his bride fled
With screams of terror in her wake
On the day  he should have wed
Became the day his heart did break

Suddenly devoid of purpose
To the copse the woodsman flees
Never ere' again to surface
From the shelter of the trees

Months went by the woodsman toiled
Day and night, no pause to sleep
Day and night his kettle boiled
Over with the urge to weep

Till the sound of April thunder
Rumbled in the cutters ears
Bringing rain that tore assunder
Dams he'd built around his tears

So between his swings he wept
Of loss and of abandoned trust
Trails of tears in his joints crept
And hardened slowly into rust

Now he stands in frozen duty
Saplings rising all around
Dreaming of an ancient beauty
Long surrendered to the ground

Till the day another maid
Returns to bathe his limbs in oil
On that day he'll leave the glade
Moving on to other toils

Then the rust begins to part
Then the magic starts to slake
Then the woodsman finds his heart
Then the Tin Man starts to wake
Izlecan Sep 2018
On the heap,
Thou dangle and screech
And bedeck, for I seemingly espouse.
The anecdotes and myths:
Engaged in a mutual pose.
There comes the hymn,
And the sway and the hum;
The abnormality and the deform
Halted on a single stance.
To dozen of the tokens
Whom I prejudged;
The prevalence of the chaos
That sleeps merely on my tongue.
To all the estrangements
From which I refrain,
Within the bawl of the tantrum, upon the hook of the day.
Farewell to all, farewell the haze
Farewell the cluster,
To the resolution found within a fane;
Where rituals confuse,
Where the practice becomes a fame.
There thou taketh solely,
A hymn and an interminable haze.
Whats the sense of the ovation
When no screen displays
A mourning motion
For which no motion craves?
I sigh, and mumble
To which mere consciences giveth
To me only, mine solely.
His to hear and his, keenly.
ConnectHook Apr 2017
Six-armed things of Asiatic trances,
temple belles entwined in temple dances:
mantra in one hand, the other holds naan.
One holding chutney and the other, paan.
Two hands left (befitting of deity):
one offers curry, one incense.  Aseity
signifies self-contented wonderment.
(One wonders as well what that mantra meant...)

Note the third eye in the figure's forehead:
a spare one in case left or right go dead?
But really—how freakish these idols look:
a ******-pantheon from a nightmare book.
(Outdone only by the Aztecs for fright
along with demons born of tribal night.)

Cobra-crowned elephant-headed mutants
sickly-sweet incense, divine pollutants
mix in with the stench of bodies burning
alongside the filthy Ganges churning
flowing with ashes from funeral ghats
excrement, corpses of humans and rats
that swarmed humble hovels of Hindustan
where gods are mass-produced for fallen man.

Maidens in saris with red tinted lips;
glossy vulgarity, loose at the hips
now growing more arms; an insect vision
enough to make one gag on religion.
The ubiquitous trident looms, a sign:
the eternally present un-divine.
Instead, it ought to stick some sacred cow
in its bovine buttocks, and so allow
beef curry for a hungry avatar
craving fresh meat in his juggernaut car.

Turn from this antediluvian scene
in sincerity, ask: what does it mean?
Were you created in these gods' image?
Is anything real behind their visage?
Blue skin and sick smiles, anointed with ghee:
exotic... but wrong theologically.
Till lingams are yonis I'll spell it out;
these Aryan idols should merit your doubt.
Such weirdness deserves some analysis
(as did old Diana of Ephesus).

Would you tingle if such a god showed up
and offered to refill your soma cup,
sending siddhis up your spinal column
with you in full lotus, clueless, solemn.
Would you offer puja in their temple,
bedeck your soul in a robe to sample
veggie-masalas, chapatis and dal,
peruse the Upanishads, and enthrall
your mind with the mystic old Rig-Vedas
fall for idolatrous sin conveyed
as spiritual truth when it's just a big lie...
bow before a multi-armed freak?  Not I.
Not for all the visions in Satan's world.
Better to call B.S. than to be hurled
to hell for living and loving this lie
embracing monstrosities. By and by
the books will be opened. The Lord will judge.
Consider this your transcendental nudge
toward something less false, less fearfully fake
than the idols Antichrist nations make.
NaPoWriMo #15

TS Eliot
wrote highbrow literary
poetry (so-called)
Thus she pulled tautly
Against his well worn jerkin
Free of woes and clothes
And skin without sin
Removing the veil of enchantment until she rose
Like a full ripe moon high
Upon his radiant earthly body

The welkins were pleased
Sighed with relief
So silken was she within
His richness and majesty
They adorned her with
Their supernatural jewels
To symbolize her graceful submissive gentle nature

They removed from her the chains erasing her paint
This transforming her scars
Into bejewelled stars
To bedeck the ashen midnight of her past with dawns beauty and light
Presenting them both
With a present of eternal
Passion and fulfilment

Mary C Puls
Thus she pulled tautly
Against his well worn jerkin
Free of woes and clothes
And skin without sin
Removing the veil of enchantment until she rose
Like a full ripe moon high
Upon his radiant earthly body

The welkins were pleased
Sighed with relief
So silken was she within
His richness and majesty
They adorned her with
Their supernatural jewels
To symbolize her graceful submissive gentle nature

They removed from her the chains erasing her paind
This transforming her scars
Into bejewelled stars
To bedeck the ashen midnight of her past with dawns beauty and light
Presenting them both
With a present of eternal
Passion and fulfilment

Mary C Puls
Vashti Ayla Miria
To one who’s name is written in the faint perfume upon my neck
Your hands gently tend my landscape with their caress
Each and every flower, you gracefully bedeck
In the richest warmth of your undress

You move your morning breezes into the darkness of my night
Until I no longer know the season or present year
Time is of no essence within my sight
Of warmth or cold, I have no fear

To one who’s name is written on every single line of my heart
In your ink flowing from the radiance of our eternal sun
Your hands tend my landscape in a world apart
Marked on a calendar of none

The cares of life, waft into silent pieces as they come to light
When your morning breeze moves upon my flowers
Each one you tend with your hand’s sight
Forgets these cares of ours

To one who’s name is written in my eyes as my master gardener
My flowers will always seek the ink flowing from our sun
My landscape will be your garden harbor
From your breezes, I will never run
A reading of this poem can be found at:
http://www.youtube.com/watch?v=pwC8EL3QAPA
Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
Janette  Oct 2012
Silver Rain:
Janette Oct 2012
Come softly
silver rain, come
softly now my thoughts,
heavy as October's reddest hue
in hours shed these patched conceits
of dry leaves, curled
along the Summer road,
become some vast appalling wilderness...

Your hands, an Autumn dream,
cast a thick red sap
upon the swollen planes of my body,
crouch in a stealth pathos
of grey leopard cells,
as they well, wild with faith
and thirsty prayer...

Come away
from these stale Summer breads,
for your kisses
are a much softer fate
than wisdom, come
the ease of rain, softly
silver rain...

Stay the solemn night
with leaves, bedeck
my perilous flesh,
let it ascend
its grey latitudes
in blizzards of dogwood,
kindling songs on paperchains...

My hands,
string an alphabet
of silence, tied
by hours of rope,
inviolate, palms
clasped to glass, two
hummingbirds, quiet...

Stilled, joined, unbind
to close into fists, come Autumn
the season of bearing,
the rich red earth darkens and drinks
our tears, and now, never
the ease of rain, falling,
come softly,
softly silver rain....
Pauvel Jétha Oct 2013
There was a time when I was sane
when I used to walk among daffodils.
When they used to open up and sing
their unadorned song from hill to hill.

There was a time when I was sane
when the trees used to sway
and the leaves used to rustle
just to lay their flowers in my way.

When I was sane,the eagles
from their eyries,used to fly high
and block the sun with their wings.
Just so it wouldn't be in my eyes.

The clouds would come at my call.
And the rain would fall only for me.
The diamond drops would break
and bedeck the ground at my feet.

Looking at the night sky,
at the star studded lanes,
I would see the moon smile at me
and know that I was sane.

I used to create new worlds
with living words from my pen.
Full of marvels they used to be.
But that was all then...

Wrapt I was in fantasy
while the world moved on.
It has moved away from me
while,impassive,I looked on.

People said I was not sane,
told me that where I lived
there were no daffodils;
No promise in how I lived.

Now that I'm cured,I see
that I'd been but a fool
who believed Horton really lived
in the Jungle of Nool.

No magic rings in reality.
No wonderland or wicked witches.
No Elves nor dragons.
Not even Quidditch and snitches.

Now cured,I see reason.
The flowers never did sing.
Nor did any eagle fly for me.
Reason came but relief did not bring.

All those words I created,
All those worlds I cherished,
All too soon yea all too soon
All have but perished.

Now I see people toiling away
in richness,poverty and ignorance.
I see children bent with age;
In their eyes,everything but innocence.

Reluctantly now moves my pen
as I try to make new worlds.
Stringing letters together it desponds.
As lacking life,they are but words.

Everything used to be wonderful
when I knew I was sane.
Now that I've seen reality,
I know I must be insane.
Nat Lipstadt Sep 2013
"How beautiful are your tents, O Jacob,
Your dwelling places, O Israel!"

Thy children gather,
telescoping generations,
O Jacob, what do thine eyes ascertain.
what history do they memorize?

Coalescing younger star clusters,
disparate related families uniting,
embedding as a single unity,
a star cloud,
shedding a new light,
the astronomers awed, witnesses,
a super-star cluster birthed.

The beauty of thy tents,
thy wealth, O Jacob,
is their multiplicity,
their construct and content.

The web of thy tissue,
bindings, linkages,
what resides within thy tents,
acknowledge, testify, that
the strength of thy issue,
are the Matriarchs,
managers of thy destiny,
mothers of thy dynasty,

The Sarah's, Leah's, the Rachel's,
the Fay's, the Ginger's, the Miriam's
these jewels bedeck, beautify,
brides and bridles of thy tents,
master mistresses of thy dwellings,
without them, O Jacob,
you, but, just,
another desert tribe.
Lazhar Bouazzi Jul 2016
It rained last night while he slept
in the chair, waiting for her -
I mean for the rain to bedeck
the olive tree with her silver perls
and cause a stir
in his reason and imagination -
a spur.
But the rain came while he slept.

She came and came and came -
for nothing.

© LazharBouazzi, Carthage, May 17; revised on July 30, 2016

— The End —