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svdgrl Jan 2016
Somewhere along the long stretching lines
of misogyny and misunderstanding,
******* and child-******* became
false-terms that were accepted by the masses
to describe small exploited human beings,
survivors.
and **** became a title boys and men aspired
to achieve, and not quite directly the
selfish manipulative sociopathic ****
that it really entailed.
Thank you, Curtis Jackson.
In case no one has screamed it enough,
It's January 2016 folks.
Let's place ourselves in some perspective.
The stories are never just one,
but I'm getting angry and I'm fortunate
enough to be able to speak.
I've got privileges that need to be checked,
too.
Let's check off the privilege that I haven't been abducted
or coerced at 12 by he who claimed that I was wise beyond my years,
and plucked out of my family to do his bidding
under the guise of a mature relationship.
He's 26, but all I can see is the fact I could be older
than the other girls. An old soul in a small pre-pubescent body.
Which is what they tell you to make you feel special.
Let's check off the privilege that
I'm not given those funny feeling drugs to help me
cope with pain of losing my "virginity" to a high-rolling old man
who was fond of his size.
Let's check off the privilege
that even if I do manage to escape the slavery that I'm put in,
I'm labeled as a *** and used up and too ****** up to really be better,
by both my family and my peers
You don't have to cover your ears and eyes,
because you think you can't see me.
You think I'm over seas or in some true detective podunk village
in middle America.
You think I'm not in your school-yard or
I wasn't the girl you teased for being pregnant in middle school,
the one that disappeared and never came back.
That I might not be your troubled niece who keeps hanging with the wrong crowd and going to boarding school this summer,
but she runs away from home before she's sent off.
But we keep blaming *** education, welfare and alternative schooling as the bane of our children,
all these ads for awareness and underfunded programs to aid them
are quickly shoveled under the thick heavy expensive rugs of the Kardashians and Wests,
the golden globes and the best dressed,
and those horrendous child beauty pageants.
Let's stop absorbing this filler material that we shovel into our
kids brains,
and maybe teach our little boys what it means to be privileged,
and to protect by learning to respect.
Our little girls how far they can reach if they learn to never second guess their worth.
It begins with us. Let's stop turning a blind-eye and shut ear,
because we fear making a commitment to the belief
that men and women should be equal.
That yes, not all men,
but yes there are women,
and our experience is not the only story that needs to be understood.
And everyone has a privilege that needs to be checked,
but check your own first.
January is human-trafficking and slavery awareness month.
It exists among us, all.
Let's stop being part of the problem and learn how we can help.
This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Johnny Noiπ Aug 2018
While most beauty pageants are strictly for girls,
there are a growing number that include boys as well;
                       [often, age divisions
                       for boys run through age 6
                       with very few going beyond that due to lack
    of mutual participation in the rampant molestation];          
                            Age divisions will often have names
such as Baby Miss, Petite Miss, Little Miss &c.
Age divisions broken     down   as follows: 0–11 months,
12–23 months, 1-3 years, 4–6 years, 7–9 years,
10–12 years, 13–15 years, and 16–18 years;
For boys,         sometimes two age divisions
would be merged such as 0–3 years, 4–6 years, etc.

Depending on which type of pageant system
is entered, contestants will spend about two hours
or less in the actual competition. Typically,
pageants have a guideline of no more than one
and a half minutes on stage per child for beauty
or formal evening wear; talent usually limited
                       to two minutes or less;
        with the exceptional allowance
        of two and a half to three minutes;

In glitz pageants, it is expected that girls
have different routines for every segment
of competition composed of different
movements sometimes described as sassy walks
and pretty feet among other names. ****** expressions can include liberal amounts of duck face; often referred to
as "pro-am modeling". Big hair (including fake hair),
flawless makeup, spray tans, flippers [fake teeth],
and nail extensions are also expected of contestants;
                   Glitz pageants may best be described as anything goes;
groping, molestation, ****, group molestation,
         forced oral & *******; virginity checks are routine; any
hyperactive child & also the parent subject
                              to a thorough, prolonged cavity search;

In contrast, natural pageants have
fairly strict guidelines regarding clothing,
makeup, hair extensions, etc.
Programs such as National American Miss
              forbid any makeup other than non-shiny lip gloss & mascara;
              for girls on stage. This modeling style is referred to as Miss America style [Some pageants have a prescribed
set of movements while others
                   allow more latitude in how girls will use the stage or runway]
                   Miss Tanguita translated
                 Miss Child Bikini,
                   is held in Barbosa, Santader,
                  Colombia as part of the annual          del Rio Suarez Festival
judy smith Feb 2016
On World Hijab Day, which was on February 1, you didn’t have to be a Muslim to wear one. The designated day was first announced in 2013. Founded by activist Nazma Khan, the story behind World Hijab Day is an emotional one which speaks of the bullying, prejudice, physical and racial abuse Khan endured as a young child who migrated to the US from Bangladesh. These unkind imputations were all because she wore a hijab.

Since launching an online store in 2010 to sell hijabs, Khan has received an outpouring of support from hijab-wearing women across the globe who have shared with her their own terrifying stories because of their headscarves.

Today, World Hijab Day is celebrated in 116 countries around the world. Although the declaration received negative criticisms from some who saw it as a “well-financed effort by conservative Muslims to dominate modern Muslim societies,” others respect the day. One such person was New York Assemblyman David Weprin, who in his feature address on World Hijab Day, said: “As the prime Assembly sponsor of the Religious Garb bill in New York State, A2049, I stand with all Americans of faith, regardless of their choice, to wear a hijab, kippah, turban, or cross. All Americans of all faiths should be allowed to freely exercise and display their religious choice without the fear of violence and bigotry.”

Here at home, women’s rights activist and model Naballah Chi has not been quiet about her love and honour for the true meaning of the hijab. In an interview with the T&T; Guardian, Chi explained the meaning of the hijab and why it’s worn.

“The literal meaning of hijab is to veil, to cover, or to screen. Islam is known as a religion concerned with community cohesion and moral boundaries, and therefore the hijab is a way of ensuring that the moral boundaries between unrelated men and women are respected,” said Chi.

She added, “In this sense, the term hijab encompasses more than a scarf and more than a dress code. It is a term that denotes modest dressing and modest behaviour. Wearing the hijab is a commandment from Allah. The majority of Muslim women wear hijab to obey God, and to be known as respectable women.

“The basic requirement of the hijab is that a Muslim woman should cover her head and ***** (chest) and her body. So in the last 30 years, hijab has emerged as a sign of Islamic consciousness and women’s assertion to obey their lord. A woman wearing hijab becomes a very visible sign of Islam.

“The aura of privacy created by hijab is indicative of the great value Islam places upon women. Therefore, hijab is not a symbol of oppression. The hijab does not prevent a woman from acquiring knowledge or from contributing to the betterment of human society. While those who seek to ban hijab refer to it as a symbol of gender-based repression, the women who choose to don a scarf, or to wear hijab, in the broadest sense of the word, view it as a right and not a burden,” she explained.

She said wearing the hijab has given her the freedom from constant attention to her physical self.

“My appearance is not subjected to scrutiny, my beauty, or perhaps lack of. Instead it has been removed from the realm of what can legitimately be discussed,” she said.

Chi comes from a world of beauty pageants where she once felt pressured to put down her hijab in exchange for a crown.

After understanding the true meaning behind the hijab, and why she wore a hijab as a Muslim woman, she decided to design a fashionable collection called Classic Woman—not the conventional headscarf, but rather, beautifully coloured pieces which bear intricate artwork. They can range from embroidery to sequins or even tie-dye. The sky is the limit when she puts her fashionable sense into motion.

Chi said the collection was inspired by both The Great Gatsby and the Renaissance eras of power dressing.

“My collection features designs showcasing the powerful but elegant and well-tailored woman.

Chi Collection’s trademark fabrics are soft, beautiful silks, chiffon, sequins, embroidery and bridal laces. Distinctive attributes are the colours scarlet red, white and black, in keeping with the classic fashion palette and to pay homage to my country as a Trinbagonian designer,” said Chi.

Her collection was launched in November 2015 at the Red Runway Fashion Gala held in Port-of-Spain. The collection will be available for purchase via Chi’s upcoming website.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015
pageants of pageants
fractals and hype
of faceless terrors and faceless
inside
when rain on corrugated iron
when rain and the kettle boiling

i know i have taken too much time
i have taken time from time to decide
to realise i was only wiser before trying.


Patterns of paradox haunt
the terms of all desire

tussock grass on paths
that cuts the thin skin
and sticks

and a view to nowhere

some leaf in autumn

the hope of finding
MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects
Jared Eli Sep 2013
Beauty pageant queen
Had a sad, sad life
All her mother wanted
Was to live vicariously
Through a beautiful daughter
All her daughter wanted
Was a mother who loved her for who she was
And didn't care that she was lesbian
But her mother beat her until she submitted
Her will and her life
With words and insults
Thrown as spears into the heart of the innocent child
The beauty pageant queen walked the steps confidently
Ready to reap the greatest reward she had never known:
Freedom
And as her mother read the note
And as her feet swung inches from her mother's grieving head
And as the coroner's men came and took her away
And as the nation was thrown into an uproar over a woman they never knew
And as the people in the streets pointed fingers and called the queen a *****
And as her father heard the news in his second house with his new wife
And as the homeless man she was kind to on the corner took his grubby hat off in mourning
And as the press went wild and blew everything out of proportion and dehumanized her pain
The queen didn't care because she was free from the world
Because she was away from the pain
Because she was exposed for what she was
Because she was dead
And she didn't much care about anything
Not anymore
Xyns  May 2014
Lifeless Judgement
Xyns May 2014
walk a mile in these shoes
the shoes that i've worn my entire life
never gotten any new
they're what i've been stuck with since birth

take a step into my brain
feel my everyday pain
no i'm not happy i did some things
but really i had no other choice

you say that this makes me a *****
well, were you there when i said no?
but it happened anyway, i had no say
so honestly can you call me a **?

you say that i'm a murderer
but did you know that the baby would have died anyway
that my body was beaten severely
and that it no longer can support a fetus?

you say that i'm a liar and a thief
guess what. i have children and a dying mother to feed
get a job? i have two.
still we don't have enough money for the month to get through

you say that i'm hideous and ugly
well, i used to win pageants too
until one day there was 10 car pile up
but what does it matter to you?

you say that i'm evil and cold
did you know that i have no one else at home
i've been left alone, rejected
so that's what i'm used to

before you think thoughts of me
look at the things i've been through please
and realize that i'm me and not your label
the stories you've heard are fables
Danielle Shorr Mar 2015
Woman is a title that comes with too many consequences shoved into the spaces between each letter. I have worn it proudly, not fully understanding the heaviness it carries, or exactly what it means. I still don’t.

Summer camp teaches me how to shave my legs when my mother neglects to. I am eleven, with hair on my skin barely long enough to pull out when my bunkmates coach me on how to erase it. "Boys don't like girls with prickly bodies," my counselor tells me confidently. I soon understand that to be woman means to be bare, stripped, and clean, always. Being woman means catching the changes of your morphing body before anyone else can point them out.

I am raised to keep secrets. We call the parts of ourselves that we aren't supposed to talk about private. I learn to be silent in more ways than one.


Haley is my best friend. Together we uncover the mystery of womanhood untold. She loves a boy two years older than us and gives herself to him in his parked car outside her house during one of our many sleepovers. I listen as she confesses the details to my eager ears. We learn more about *** from each other than we do health class.  The information given out is too much and not enough at the same time. We are taught enough to do it, but not enough to ease our unknowingness.

Condoms are given out for free. Tampons are not.

Virginity was a concept we were told to maintain from early on. At 14 I want to get losing it over with so I do, with a boy two years older, in between his childhood sheets. I am high enough to blur the details, but not high enough to forget it happens.

I learn how to cauterize undesirable memory with substance, the way too many women do.

When a sophomore girl comes to school with a broken face, everyone is quiet. We all know about the fight, the pushing down the stairs, the bruising that swelled violently like her love for him. "I think he's even hotter now," I overhear someone say.

The first boy I ever love treats me like ****. I let him because that's how it works in the movies.

I love a straight girl with curly brown hair and a smile too much like summer. She kisses me and then tells me about whatever boy she is pursuing that week. It confuses me to no end.

Mia meets her first love when we are 17 and gives him all of her too soon. When he dumps her, I come over ready with a box of popsicles in hand.

We play with Polly Pockets well into our teenage years. The dolls live out dreams impossible for us to reach.

I realize vulnerability is not an option, but something we are born wearing.

A friend shows me how to keep my keys peeking through my knuckles at night. I hold them through scared fingers as I navigate the side streets necessary to get home.

Mom buys me glitter covered pepper spray, "because it's cute." I know her unsaid words and what she really means. "There are too many bad people in the world to not be cautious, you can never be too careful."

When a girl I don't know well is attacked in a back alley by strangers, we sit nervously the couch and talk about the terrifying reality, how bad we feel for her, and how awful it must be to go through something like that.

I call my best guy friend immediately after someone I know takes my body without permission. I explain the details to him of what happened, still shaking from the shock of it. I wait for his response, hoping for open arms ready to hold while I shatter. He sighs and says, "you should have been more careful." I don't counter. I shower three times in a row, tuck myself into the same bed where it happened, and pick up the cracked pieces of myself in the morning. I tell no one else after that.

**** is the punch line to too many jokes.
I don’t laugh.

In an anonymous thread, I read as people discuss the topic of ****** assault. My eyes lose count of how many times strangers say, "just because you regret it, doesn't mean it is ****." I have seen doubt ******* too many faces hearing the stories of survivors with dull eyes from telling theirs over and over again to people who will never believe them. Their truth is taken with a shot of uncertainty.
They ask, "Why survivor? Why not victim?"
They say, “It doesn’t **** you, you’re not a survivor.”
I want to answer that survival is a choice made in the aftermath of destruction, that we either chew our way through the broken glass or swallow it whole, letting it break us from the inside out. I want to say survival is not as simple as we didn’t die. Survival is consciously refusing not to.
Instead I say nothing.

I know girls with too many piercings and tattoos because they had run out of room on their small bodies to let out any more anger. I watch darkness fill their skin with its reminder, young girls who know pain all too well.

A man on the street calls out to me. I shake my head quietly because I'm afraid of the bomb my response could set off. I have seen too many ticking men explode for me to want to fight back.

I learn about abortion when I am too young to understand it, too self-centered at the time to try to imagine the fear of unwanted growing inside of her. I have grown to understand the importance of choice.

A guy tells me that if a woman has *** with more than five guys in her lifetime, she's a *****.

Someone I hook up with shares with me about how his friends audio record their girlfriends during ***. He laughs, I shudder.

"Guys don’t like it when.."  is a tip I hear almost daily.  

School dress codes mark my shoulders unholy, my shorts too miniscule. I am sent to the principal's office in 10th grade when I refuse to change into a top that doesn't show my lower back. I ask what my body did to have to learn this kind of shame. I am suspended for the rest of the day.

Beauty pageants teach me that perfect woman is exactly what I am not.

My ex boyfriend calls me a ****.

My other ex boyfriend calls me crazy. I’ve learned that crazy is synonymous with “she had an opinion that did not align with mine.”

In my college lecture we talk about the origins of hysteria, remembering how women in history had their voices twisted into insanity. I think about how often “calm down” is used as a modern-day-tranquilizer.

Us weekly tells me every week, in one too many advertisements, how to lose weight.

My campus paper posts an ad for breast augmentation deals. "Get spring break ready."

The size of my chest is too much a reflection of my brain’s capacity.

Being woman means too much in a language I do not fully understand. It is skin and bones, it is raw and blood, it is a mouth filled with words unsaid, it is fear and worry, it is an unspoken connection between us all, it is 75 cents to a dollar, less for those of color, it is censored body, it is *******, it is being too much to handle, it is being equated with less, it is we are the same but we are not treated so, it is we are human in a world we call man’s, it is we have been struggling under the waves for centuries, it is not drowning, it is still swimming, always
Patricia Drake Jul 2014
Sometimes we wish
We were Americans

We would have aced the Spelling B's
Been athletes on scholarships
Or won beauty pageants

Our institutions would compete
And we would win prizes
For accomplishments

If we were Americans
We would thrive with competition

We would live the American Dream
And be rich and famous
I just know it

Sometimes we just wish
Our Scandinavian system favoured people with our talents
Our lack of compromise
More
judy smith Dec 2016
She has dressed Oscar-winning actress Lupita Nyong'o and Uganda's chess Woman Candidate Master Phiona Mutesi for the premiere of 'Queen of Katwe'. She has also designed several Miss Uganda and Miss Tourism contestants among others.

Yet Brenda Niwagaba Maraka, who is undoubtedly among Uganda's top fashion designers, describes herself as "just a simple person who loves work and fashion". She is also quick to recognise people who have inspired her, including renowned fashion designer and artist Stella Atal and Xenson Samson Ssenkaaba

In January 2007, Maraka officially launched 'Brendamaraka' as a fashion label.

"I work to represent Uganda as a tropical country through fashion and also extend Kampala's position as a fashion hub," said Maraka.

For the love of developing and inspiring others through her fashion skills, Maraka grooms two talented and interested students in fashion and design every year.

Come next year January, Maraka is set to showcase at her own fashion show marking ten years in the industry.

It will be the highest point for a woman who from way back, as a young girl, has loved being artistic. It was no surprise that she concentrated on art in school and one of her fondest memories as a student is designing costumes for school plays and beauty pageants.

"That confirmed my goal in life of creating designs through my own fashion label," she says, "I love to create new things."

At 13 years old, after completing primary education, Maraka proceeded to Namasagali College in Kamuli for O-level and these to her were years of fun and building character. She then left to a new environment of only girls at Trinity College Nabbingo for A-level and by the time she left she had forged a career path.

"It was a totally different and harder experience. However, by the time I completed Form six, I knew what I was meant to be a fashion designer courtesy of the school's arrangement on career guidance," says Maraka.

She was offered several opportunities including one on government sponsorship at Makerere University all of which were meant to grow her fashion career but Maraka settled for a fashion design program at the London Academy of Design and dress making where she completed in 2005.

Maraka chose exposure to international fashion trends at the London school at a cost rather than free education in Uganda. She rates it as a priceless decision that has paid off.

In 2014 as part of her internship program, Maraka made a maiden runaway showcase during the Uganda International Fashion Week and since then she has not looked back. She has participated in a number of fashion events both in Uganda and UK.

In comparing London's fashion industry to Uganda, Maraka says London has already established big brands and it is close to impossible for anyone starting out.

"The industry is faster, bigger and people produce too many new collections every year as the market demands," she says.

By contrast, she says, Uganda offers limitless opportunities are limitless or, in her words, "There is room to define who you are".

Maraka was born in Soroti-Teso, Eastern Uganda in 1981. She was raised by a single mother Elizabeth Maraka who worked long at the Soroti Flying School and she says is her great inspiration. She used to make dresses for her and remains her stylist to date. Maraka grew up as an only child because her twin siblings died. It is the reason she is also called Akello, meaning 'follower of twins'.

Liteside

Any three things we don't know about you?

I am an only child of my mother. I really love sports to the extent that I train for kickboxing. I had a dream of representing Uganda for RIO 2016 though it didn't come to pass. When I am confident enough to have my face punched, I will get to the ring.

I love to travel and for this year, I chose to visit every part of Uganda that I had never visited. One of them was Kidepo and it was a breathtaking experience where I realised I had made it. I also visited the pyramids in Cairo.

What is your idea of perfect happiness?

Doing what you love. If you think you can regret doing it, then it's not worth doing. Even when you fail to achieve at something you loved doing, you gain satisfaction.

What is your greatest fear?

I have a phobia for rodents. I can face anything in life but not them.

What is the trait you most deplore in yourself?

I am not a confrontational person yet sometimes I wish I could be one to give my all. It makes people walk all over me.

What is the trait you most deplore in others?

I just don't like dishonest people. I appreciate honesty.

Which living person do you most admire?

My Mother, Elizabeth Maraka; she taught me to be a strong person, believe in myself and to see good in people. I am privileged to live with her even as an adult.

What is your greatest extravagance?

Everything about improving my fashion and design career.

What is the greatest thing you have ever done?

I still have to do it and I am planning on how to achieve it.

What is your current state of mind?

I am at peace and love my life.

What do you consider the most overrated virtue?

That whole saying of 'Government should help us' or 'government has not done much' just breaks my heart. How I wish the same people would ask themselves what they have done for government as well. Anyone can start small and grow big.

What does being powerful mean to you?

Being able to make a difference in someone's life or inspire someone. It can also mean being well connected in society.

On what occasion do you lie?

I like to be real.

What do you most dislike about your appearance?

When I was young I was chubby and I didn't like it but I have since found peace in myself.

Which living person do you most despise?

Even when I see the worst in a person, I don't destroy bridges because I might need them tomorrow.

What is the quality you most like in a man?

Having a plan or purpose in life.

What is the quality you most like in a woman?

Having a purpose in life.

Which words or phrases do you most overuse?

I like saying 'you know' and 'yeah'.

What or who is the greatest love of your life?

I guess it is my Mum but there are so many other people I love.

When and where were you happiest?

There is no one single moment because there are so many things I do that bring happiness to me. Finishing School in 2006 was a happy moment but also each time I remember when I had my first fashion show during my internship in 2004, I am fulfilled.

Which talent would you most like to have?

I love music and may be one day I hope I will drop an album. I used to play a violin and hope that one day I will do it once more.

If you could change one thing about yourself, what would it be?

I am just in love with myself.

What do you consider your greatest achievement?

I am still a work in progress; I haven't yet reached there.

If you were to die and come back as a person or a thing, what would it be?

As me and fix everything I didn't do from as far as a child.

Where would you most like to live?

Uganda but particularly in Karamoja and Kidepo; the landscape and weather are amazing. It can rain so heavily and dry up so fast.

What is your most treasured possession?

I never got to see my grandfather but I was given a crucifix from his things. It has that sentimental value and makes me relate with him. But even when everything is taken away from me, I can start afresh and build-up.

What do you regard as the lowest depth of misery?

Suffering from cancer; I visited Mulago Cancer ward and witnessed people suffer in too much pain. Things like broken heart can be amended but not cancer.

What is your favorite occupation?

I always wanted to be a fashion designer.

What do you most value in your friends?

Honesty

Who are your favorite writers?

I am not a fan of any particular person but I love to read inspirational pieces.

Who is your hero of fiction?

I like Superman and how he comes in to rescue at the right time. I wish there were true supermen.

Which historical figure do you most identify with?

I may model myself to Mother Theresa but I can't come even an inch to who she was and what she did.

What is your greatest regret?

I don't regret anything.

How would you like to die?

I want to die of old age on my bed with my grand children all looking and smiling at me.

What is your motto?

Always make sure you are climbing the right hill.Read more at:www.marieaustralia.com/backless-formal-dresses | http://www.marieaustralia.com/long-formal-dresses
Johnny Noiπ Sep 2018
Georgiana Seymour,
            Duchess of Somerset
crowned 'Queen of Beauty'
at the 1839 Eglinton
Tournament,    the first known
                        beauty pageant;

W

European festivals dating to the medieval era
provide the most direct lineage for beauty pageants.
For example, English May Day celebrations always
involved the selection of a May Queen.
In the United States, the May Day tradition
of selecting a woman to serve as a symbol
of bounty and community ideals continued,
as young beautiful women participated
in public celebrations; such as the beauty pageant
held during the Eglinton Tournament of 1839,
organized by Archibald Montgomerie,           13th Earl of Eglinton,
as part of a re-enactment of a medieval joust
that was held in Scotland;                                the pageant was won
by Georgiana Seymour,                                   Duchess of Somerset,
wife of Edward Seymour,                             12th Duke of Somerset,
and sister of Caroline Norton;
                Georgiana proclaimed "Queen of Beauty";

Entrepreneur Phineas Taylor Barnum staged
the first modern American pageant in 1854,
          his beauty contest closed down after public protest;
However beauty contests became popular
in the 1880s;     In 1888 the title of 'beauty queen'
was awarded to an 18-year-old Creole contestant
at a pageant in Spa, Belgium. All participants
had to supply a photograph & a short description
of themselves to be eligible to enter; a final selection
of 21 judged by a formal panel.
Such events were not regarded as respectable;
But beauty contests came to be considered more
respectable with the first modern "Miss America"
           contest held in 1921;
Still the oldest pageant in operation,
  the Miss America pageant was organized
in 1921 by a local businessman as a means
to entice tourists to Atlantic City, New Jersey;
The pageant hosted the winners of local
            newspaper beauty contests in the
Inter-City Beauty Contest & was attended
    by over one hundred thousand people;
Sixteen-year-old Margaret Gorman of Washington, D.C.
was crowned Miss America 1921, having won both the
popularity and beauty contests, and was awarded $100

1

  Come, my tan-faced children,
Follow well in order, get your weapons ready;
Have you your pistols? have you your sharp edged axes?  Pioneers! O pioneers!

2

  For we cannot tarry here,
We must march my darlings, we must bear the brunt of danger,
We, the youthful sinewy races, all the rest on us depend,  Pioneers! O pioneers!

3

  O you youths, western youths,
So impatient, full of action, full of manly pride and friendship,
Plain I see you, western youths, see you tramping with the foremost,  Pioneers! O pioneers!

4


Do they droop and end their lesson, wearied, over there beyond the seas?
We take up the task eternal, and the burden, and the lesson,  Pioneers! O pioneers!

5

  All the past we leave behind;
We debouch upon a newer, mightier world, varied world,
Fresh and strong the world we seize, world of labor and the march,

6

  We detachments steady throwing,
Down the edges, through the passes, up the mountains steep,
Conquering, holding, daring, venturing, as we go, the unknown ways,  Pioneers! O pioneers!

7

  We primeval forests felling,
We the rivers stemming, vexing we, and piercing deep the mines within;
We the surface broad surveying, we the ****** soil upheaving,  Pioneers! O pioneers!

8

  Colorado men are we,
From the peaks gigantic, from the great sierras and the high plateaus,
From the mine and from the gully, from the hunting trail we come,  Pioneers! O pioneers!

9


Central inland race are we, from Missouri, with the continental blood intervein’d;
All the hands of comrades clasping, all the Southern, all the Northern,  Pioneers! O pioneers!

10

  O resistless, restless race!
O beloved race in all! O my breast aches with tender love for all!
O I mourn and yet exult—I am rapt with love for all,

11

  Raise the mighty mother mistress,
Waving high the delicate mistress, over all the starry mistress, (bend your heads all,)
Raise the fang’d and warlike mistress, stern, impassive, weapon’d mistress,  Pioneers! O pioneers!

12

See, my children, resolute children,
By those swarms upon our rear, we must never yield or falter,
Ages back in ghostly millions, frowning there behind us urging,  Pioneers! O pioneers!

13

  On and on, the compact ranks,
With accessions ever waiting, with the places of the dead quickly fill’d,
Through the battle, through defeat, moving yet and never stopping,  Pioneers! O pioneers!

14


Are there some of us to droop and die? has the hour come?
Then upon the march we fittest die, soon and sure the gap is fill’d,  Pioneers! O pioneers!

15

  All the pulses of the world,
Falling in, they beat for us, with the western movement beat;
Holding single or together, steady moving, to the front, all for us,

16

  Life’s involv’d and varied pageants,
All the forms and shows, all the workmen at their work,
All the ****** and the landsmen, all the masters with their slaves,  Pioneers! O pioneers!

17

  All the hapless silent lovers,
All the prisoners in the prisons, all the righteous and the wicked,
All the joyous, all the sorrowing, all the living, all the dying,  Pioneers! O pioneers!

18

  I too with my soul and body,
We, a curious trio, picking, wandering on our way,
Through these shores, amid the shadows, with the apparitions pressing,  Pioneers! O pioneers!

19

  Lo! the darting bowling orb!
Lo! the brother orbs around! all the clustering suns and planets,
All the dazzling days, all the mystic nights with dreams,  Pioneers! O pioneers!

20

  These are of us, they are with us,
All for primal needed work, while the followers there in embryo wait behind,
We to-day’s procession heading, we the route for travel clearing,  Pioneers! O pioneers!

21

  O you daughters of the west!
O you young and elder daughters! O you mothers and you wives!
Never must you be divided, in our ranks you move united,  Pioneers! O pioneers!

22


(Shrouded bards of other lands! you may sleep—you have done your work;)
Soon I hear you coming warbling, soon you rise and ***** amid us,  Pioneers! O pioneers!

23

  Not for delectations sweet;
Not the cushion and the slipper, not the peaceful and the studious;
Not the riches safe and palling, not for us the tame enjoyment,

24

  Do the feasters gluttonous feast?
Do the corpulent sleepers sleep? have they lock’d and bolted doors?
Still be ours the diet hard, and the blanket on the ground,  Pioneers! O pioneers!

25

  Has the night descended?
Was the road of late so toilsome? did we stop discouraged, nodding on our way?
Yet a passing hour I yield you, in your tracks to pause oblivious,  Pioneers! O pioneers!

26

  Till with sound of trumpet,
Far, far off the day-break call—hark! how loud and clear I hear it wind;
Swift! to the head of the army!—swift! spring to your places,  Pioneers! O pioneers.

— The End —