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Indian Phoenix Oct 2012
The very first thing I learned about you was your ex-communication from Mormonism. Did you really try teaching a preschool class that Jesus was a Rastafarian? Or was that one of your many big fish tales told to me over the years?

This was when you were only a mischievous high-schooler. Not the cynic you are today, worn down after choosing the safest choices life can offer. When did a clever person like you acquiesce to such homogeneity? Somewhere between your Economist-reading days in undergrad and law school? I know you claim the reason was something about getting your heart broken one too many times. And yes, I know I whacked it around like a pinata... as you did mine. Because that's what reckless kids do. Will you ever accept this as an excuse? Or will you always use it as the reason to avoid my calls?

Back at the age of 15, though, you could do no wrong. A shy smile was all you'd see from me, but I'd go to bed dreaming of all of the clever things I wanted to say to you. My friends would later say you exploited your teaching role as my debate tutor... but me? I was totally, utterly, and blissfully enamored by your explanation of Foucault and FoPo. I'm convinced the reason you fell in love with me was because I wrote a letter to Crayola pretending to be 5 in hopes of getting a free pack of crayons. You liked that kind of smart *** behavior because it was the kind of stuff that made you come alive. Which reminds me... do you still have the "#1 bestseller" sign you swiped from the grocery store? You wore it in your back pocket while wearing your "I spoil my grandkids" t-shirt.

How appropriate that our first kiss was on the debate room couch. I'm glad kissing was, in fact, better for you with your braces removed. And how appropriate that my first date was you taking me to the high school musical, "Kiss Me Kate."

What is it about first loves that make even the most mundane so magical? I can't tell you the number of times I looked out the window in hopes of seeing your red Ford Escort pull up. It took my breath away more than any Mercedes could. Who knows what we'd do when you did come over--probably play Donkey Kong Country, or watch some ironic movie like Donnie Darko. If nobody was home we'd make out to the Disney "Fantasia" soundtrack.

Back then you were always intrigued with the whimsical. Nowadays it's 1940s classics, malt scotch and Coachella concerts. I think your career ***** you so dry of life that you overcompensate with your expensive tastes. The wildest you'd ever get was smoking a hookah. But the guy I remember? He liked pocket watches, Rufus Wainwright, and Harry Connick Jr. I know you're a responsible tax-paying adult now, but I still see you as the wild-eyed wholesome troublemaker you once were. I prefer you that way, even if it's mentally dishonest of me.

Since you, men have wined and dined me at world-renowned resorts and have taken me to presidential *****. But none of these dates have given me the same rush of euphoria as sneaking out and spending the night with you in the home you were house-sitting: That night, we were a pair of 16-year-old rebels. At least we didn't get caught by the cops making out in the high school's agriculture department parking lot. That would happen in a few months' time.

Then you left for college, to gain an education and have experiences that sounded overwhelming for my sheltered ears. It didn't matter that I left for Europe that year--you had left for college, which was a distance in my head that couldn't be measured geographically.

I could recall a thousand barbs exchanged from then until we both finished college: you dated her. I dated him! We made promises. We broke promises. You'd come home for summer. We relished in the relatively new-found art of *******, mostly perfected on each other in our youth. We'd hate each other. We'd love each other. Your friend would hate me; my sister would hate you. On it would go.

But there were such sweet times. We saw Harry Potter together and we sat on my roof, imagining that one night could stretch til forever as we looked up at the stars. It was then that you dedicated Coldplay's "Yellow" to me. And no expression of love was greater than seeing you in the back of the auditorium, waiting to drive me home after my 6th period drama class.

I honestly don't know the person you are today. Sure, you give me snippets. Usually when some girl breaks your heart and you need to vent. In truth, I know you saw me as your plan B. Always. Shame on me for playing that part so beautifully for so long. Could we have worked out, you and me? I smile, knowing that some things from the past should stay firmly rooted where they are. There would always be a part of me that would feel like that freshman trying to impress you, a senior. All the while I wouldn't feel funny enough, cool enough, witty enough by comparison. No, we simply wouldn't work.

You know the rule, about loving your family because they're the only one you've got? I think the same is true with first loves. When I reflect on our oh-so-ordinary relationship, you--I mean, US: we weren't so great. Nothing special.

But my heart sure seems to think you were... even after all of these years.
Grace Garms  Feb 2014
Fat
Grace Garms Feb 2014
Fat
When your best friend calls you fat
You don’t let her see how much it affects you.
When your best friend calls you fat
You starve yourself until you pass out.
When your best friend calls you fat
You say, “Everyone needs a fat best friend.”
When your best friend calls you fat
You run until your legs give out.
When your best friend calls you fat
You cry yourself to sleep every night.
When your best friend calls you fat
You binge eat to make yourself feel better.
When your best friend calls you fat
You start to believe her.
When your best friend calls you fat
You begin to hate yourself.
When your best friend calls you fat
You want to hate her more than you hate yourself.
When your best friend calls you fat
You wonder how she could do that to you.
When your best friend calls you fat
You can’t help but be glad she tells you the truth.
When your best friend calls you fat
You only see how disgusting you are.
When your best friend calls you fat
You limit everything you eat and count every calorie.
When your best friend calls you fat
You overcompensate for all your shortcomings.
When your best friend calls you fat
You never forgive her.
adele horn Feb 2010
NEW AGAIN
AGAIN I AM LONGING.
FOR AGAINS ARE REPETITIVE.
IT SEEMS I NEED TO HURT.
I NEED TO OVERCOMPENSATE.

BUT I AM BROKEN FROM BEFORES.
SHOULD I AGAIN, AGAIN?

QUICKSILVER THOUGHTS,
RUNNING MADLY,
DEADLY IF CONSUMED.
AND I AM CONSUMED AGAIN.
THE INNOCENCE OF EYES,
MY OWN FAILURES REFLECTED BACK.

I AM MOTHER, DAUGHTER.
EX-LOVER, EX-FIANCE… EX HUMAN?

I AM TEARING AT MY SOULSKIN,
A WEREWULF AT FULL MOON.
MY INNER BEING IS SUFFOCATING.
IT’S TOO EASY TO BE HAPPY.
HARD IS GOOD.
I MUST BE GOOD.
A GOOD LITTLE PUPPY.
A BAD LITTLE PUPPY.
WILL I BITE THE HAND THAT FEEDS ME?
Raquel Cheri  Oct 2011
Ignorance
Raquel Cheri Oct 2011
How does one overcompensate
For the incompetence of a nation?

No compromise for the masses
undeniably *stuck in ruts
of habit
These days Ive seen and see
We're all craving harmony
With no equitable solution
To take the race out of the face
It's just accumulative corruption
Apprehensive assimilation
Aggression stirring underneath
A stone passive shade of sentience

Now say we might anticipate
The fantasizing fringe of youth
Where we will conquer or be conquered
By depravic spurring **truth
Mike Finney Dec 2011
GLUTTONY


Go ahead and gorge yourself upon gallons of gaudy garments,
Gaining more weight got by galling garish goods I guess won’t
Ground

Let loose to the luscious luxuries of lackluster lemon and
Lots of lulling bedtime letters that will surely let at bay the
Ladies

Unravel your unctuous mind and unwrap the unstoppable urge
That undeniably lives under unruly layers of
Unproductive

Together bring the talk of taking another tackle to your taciturn tally,
Taller the score and take down the tormenting tickling
Tack

Over and over in obscure ovals until objective becomes apparent
Only leaving orbs of former obliqueness’ obliging to
Object

Never again nourish the need to negate the null to nonsense,
Leave behind the knots of then and live the neat of
Now

Yesterday was yellow in yielding to yearning and
Today is your yet to the question of no or
Yes











GREED



Gradualy every great thing grounded in your gaudy life will grain,
Falling from grander to
Greed

Run away you realize will render you ridiculously reeled
Be the regal recall of natures
Ranting

Even then elude the everlasting elasticity of your sins
Only to elect your own faults and
edict

Evermore entrapped in the entity of your greed which eels
Its way through your
Etiquettes

****** to depths of hell’s dungeons you will go down
If you never fix your
Deeds.







WRATH



Wound so tightly your will won’t save you when the
Day weans of light to
Wear

Repent all you require if you really must, no reprise
Will be your
Reward

Again and again you’ve all but alleged all of your agitations
And now do you
Abject

Too many you take to the top and through to the terrible
Tale of
Tartaras

How do you have your hallowed hot-headed hate now
Had by all you
hocked







SLOTH



Silently slithering fangs strike and pierce into your supple skin
The serpent of Hades himself forcing you to succumb to
your sloth

Legs let leave your longing to linger standing
The lull of the luscious leisure of laziness
Calling you

Over and over you omit the need to oblige
Object the obscurities and overcompensate the
obligation

Though it takes away tell of your toes, stunning your talk
Teathering you to a tree and leaving you to the
terrors

However hollow the halo, the hearth of hasty hearts, may be,
you cannot halt it before is has you in its hold
sleep








LUST


Linger in line a little longer until your litenous lust
lessens to lethargic
larceny

Undone and unset you undermind your unity
and uncite all uncertainty, understand to this
ulcer

Slung across a slat singing sultry in your stipple,
you slew to sound off your
sanity

Taught thoughtless logic tenderly apply topical treatment
to tape together the tatters, tonight a temporary
Tylenol








ENVY



Eject and exact illusions of elected goals eluding your reason
So eject them for
Ever

Never return, never negate the negligence of this nuisance,
Need it
Not

Vanquish your venomous vicarious visions so vivid
I assure you not very
Vivid

Yearn no more and yearn by years how yellow
Can yell the
Yetti








PRIDE



Perniciously palpable pigs of pride that so prate way their progress,
Putting all but prosperity in their own
Propensity

Ridiculously cold rendering the most righteous of realist,
Even relenting to the racketeering of a
Rider

I too see an iota of insolence in intemperate impostors
Of what internal instances tell us is
Intimidating

Down the street dally a day and discover how detrimental
Such a disease dilutes the delineation of our past
Delegation

Even if one ever eludes the elasticizes of this eccentric extortionist
Eventually another will emit it upon to you again
entirely
Lyzi Diamond  Sep 2013
Everything
Lyzi Diamond Sep 2013
You watch the little one teeter,
precarious, fifteen feet above
the mat on the chalked beam
with white tape wrapped around
her wrist and the cracked webbing
between her thumb and forefinger.
You watch.

Her fingers tight against themselves
she reaches left arm out and bends
to grab the structure wrapped in taut
leather and sanded down into a smooth,
uniform surface, the likes of which are
stacked in warehouses in central Pennsylvania
or southern Iowa or west Texas and shipped
to community centers and middle school
gymnasiums for use in competitions with face paint
and streamers and yelling parents donning
appropriate colors and shouting cheers in unison.

You watch her shift her weight from left
leg to left arm and kick up to handstand.
You see her look of concentration and you
see when her eyes open wide with surprise
and you see her balance shift backwards
and you see her overcompensate
and you see her back bend to the side
in a way it's not supposed to go.
You watch her fold in half and fall hard
onto the bright blue mat
in a cloud of chalk dust and you watch
her face full of disgust and disappointment
and white tears and sour looks.

You run to her, laying on the ground in a
small pile. You push competition officials
to the side and hurdle trainers and instructors
to get to her, to hold her in your arms and to
hear her crying and whispering softly,
"I'm so sorry."
"I'm so sorry."
"I'm so sorry."

You put your lips on her forehead
and you put your lips on her temple
and you hold her against your chest
and your eyes start to quiver
and you grip her tighter
and you tell her that she's perfect
and you tell her that she's doing
all she can do, and that everyone
makes mistakes and everyone falls
down once in a while, but the part of
life that's most important is to get up,
get up, get up, get up.

She repeats,
"I'm so sorry."
"I'm so sorry."
"I'm so sorry."

You hold her and the two of you
rock together and the room falls
silent and you are the only two
there, you are the only two who
matter in that moment, and if
she could just listen, if she could just
hear you, she would know and she
would believe and she would realize
that all she can do is be who she is
and get up and try again and that
every day is a new day and that
every moment is a new moment.

But she can only sit in your arms and cry
and whisper apologies to nobody and
everybody, apologies that seem out of place
in the first round of the junior varsity
gymnastics tournament in the fourth
of five divisions in a nothing town on a cold
Saturday afternoon in March when she's
got a scholarship to Berkeley in the fall
and an award for increasing student
engagement and a clarinet concert the next
day and a family who loves her.

You lift her up onto your arm like
you did when she was small and you
carry her to the car to raucous applause
and admiration for the little girl who did
it all and will continue to do it all.

She wipes the tears from her face and
looks up at you through hurt and furrowed
brow.

"Ice cream?" You ask and she smiles.
"Yes please." She looks down.
"Chin up." You lift her face towards the sun.
"Okay." She opens her eyes with wonder.
emily c marshman Oct 2018
10:13 am. A text from you: what time are we leaving for Cornell? I’m embarrassed by your apparent lack of enthusiasm so I overcompensate with emojis, enough for you and I both. Three hours later I pick you up from your driveway, turn my music down, and hope to God you don’t hear which boyband I had been listening to. You get in and immediately fill up the entire passenger seat. You grow and grow and fold your right leg over your left until it’s encroaching upon my personal space and you turn the music up a little and then reach to roll down the window (to grow some more, I guess) and I have to tell you that my window won’t roll back up if rolled down and you acknowledge this but grow even more anyway, regardless of the fact that there’s nowhere else for you to go.
We’re awkward for a few minutes. This was to be expected considering our first few interactions had been drunken arm touches and Snapchats asking where are you? on nights we wanted to find each other even though we had no right to know where the other was. Then you break the silence, and we talk about where we’re from and where we want to go, and suddenly it’s not so awkward anymore. This is a conversation I feel like I’ve had before. I can envision conversations with you for miles to come. This is a conversation that makes a forty-five-minute car ride feel like five.
When we finally make it to Cornell, it’s 2:17pm and we decide to walk around a bit, together, to help you get your bearings. You can hardly contain your excitement when you see the baseball field – it’s endearing. We split up once we’ve finished our tour of Lincoln Hall, which is, appropriately, the music building. I leave you and walk around campus before finally settling in Goldwin Smith to journal for the fifty minutes before it’s time to meet back up. I’ve lied to you – you don’t know that the only reason I’m in Ithaca with you is to be with you, but I think it’s better that you don’t know.
2:46pm. I’m having fun with Peter. He’s cool. My journal tells a story I’d never be able to say to your face – I enjoy the time I’ve spent with you, though it’s limited and I know I’ll never have time like this with you again. This connection that I seem to have made has pushed my anxiety down into a part of me that it hasn’t seen it a while. Being here for today has been good for my soul … I feel good right now. These are words my journal hasn’t heard from me since at least April. Today has been a lot less awkward than I thought it would be I thought it would be a lot harder to just hang out, one on one, yet here we are. It’s really hard to be uncomfortable/an anxious mess around him.
I think about the stop sign that I almost ran in front of the admissions building, on our way to park at the Schoellkopf garage. I think about seeing my ex-boyfriend in front of the philosophy building. I think about the dance class I interrupted when I was trying to write poetry in the science building.
You text me and we meet in front of the statue of Ezra Cornell. I hardly recognize you, in your flannel, your legs crossed, on a bench, and I realize that I’ve never seen you sitting down. You make a phone call and I pretend not to eavesdrop but I can’t help it. I’m admiring the professional tone you adopt, watching people go by, wondering if they think we’re a couple, but we’re not sitting close enough for anyone to think that.
3:47 pm. We walk from the Arts Quad to Collegetown Bagels and I think that maybe you’ll offer to pay for my meal – I don’t know why I think this – but you don’t. You follow my lead, walking up to the counter to order your bagel. You decide to try the Big Sur because that’s what I tell you is my favorite on the menu, and I feel a warmth radiate outward from the center of my body until I’m sure I must be leaking happiness from my fingertips. I know then that this day won’t have been a waste of time in any way.
You ask questions and I respond, my mouth full of apples and honey and cheese, and I’m grateful that you don’t think any less of me for talking with my mouth full. I ask questions and you respond, bashfully, blissfully unaware of how intrigued I am by your every answer. I drink my Hubert’s Lemonade – mango flavored – and you drink yours, a brand called Nantucket’s Nature. The cap has a fact about whales on it, something about how hundreds of them live in the waters surrounding Nantucket, and you get excited, cleaning it off, gushing about how you’d like to give this to a certain Moby ****-obsessed professor.
4:31pm. The Ithaca Commons during Apple Fest is more hectic than I’m used to, but we make it all the way down to Taste of Thai and then back to the playground before deciding on a destination. As we meander you ask me if I’ve ever dated a boy shorter than me. I blush knowing my negating answer will make me seem vain. I catch your grin with my own and we walk into Autumn Leaves, a used bookstore.
We talk about The Hobbit and David Sedaris and my favorite poets and poems and I buy Dracula, because it’s four dollars and because I’m so intoxicated with adrenaline that I can’t not. I learn that your favorite movie is Fever Pitch because, honestly, why wouldn’t it be. We leave the bookstore, my backpack a little heavier and my heart a little lighter. We should be holding hands, I think, and immediately I’m terrified you can read my mind but I know there’s no way that’s possible.
As it’s Apple Fest, you claim it’s only appropriate that we eat an apple each, even though I’m pretty sure I’m allergic and I’ve had more than enough apples already that day. You offer up two dollars in quarters to the man behind the stand and ask what he’d recommend. He turns our attention to the resident apple expert, who asks what our favorite apples are, and you tell her that mine is Fuji. I don’t remember telling you this about myself. We are told to try an apple called ***’s Orange Pippin, and we’re intrigued until we find the basket – it’s full of ugly apples. The apples we do eat are too sweet, too big, and we can’t finish them. We laugh together – what if those apples, the ugly ones, the ones too ugly for us to eat, were the best apples of the bunch? We tell each other that we’re *******. We’re *******. We just stereotyped those apples! How could we do that?
We duet “Africa” by Toto as we leave Ithaca, the sun warming my face, your laugh filling the car. On the ride home we talk, more than we did on the drive down to Ithaca. You ask if I’ve watched Doctor Who and I smile because there’s no way you can’t read my mind, at this point. I tell you about the T.A.R.D.I.S. shirt I saw on the Commons and how I almost asked, but I didn’t, in your words, want to sound like a ******* nerd. We talk music and I find out you’re a Beatles fan who’s never seen Across the Universe so I ask you to play “I’ve Just Seen a Face,” and as we sing along it dawns on me how this would seem if we were in a romantic comedy. I’ve just seen a face. I can’t forget the time or place where we’ve just met.
7:41pm. It wasn’t a date. It wasn’t a date. It wasn’t a date, I tell myself as we pull back onto school property. You’ll be getting out of my car soon, my car you just helped me name, and you’ll be heading back to your apartment to catch up on Saturday night drinking, and I’ll be scaling the hill to the athletic center to watch my friends kick each other’s ***** in a game of unprofessional basketball. We’ll go back to our lives that probably will never intertwine again – and maybe they weren’t meant to in the first place. As I walk back to my room, I’m hit by how exhausted I am. I’m hit by how hard I must have been working without even realizing to seem like a normal human being, one whose brain isn’t constantly trying to keep them from going outside. I’m a firm believer in having to work for what you want, and I worked for you, but maybe I didn’t work hard enough. Or maybe I’m working for the wrong person.
This is an essay I wrote for my beginner creative nonfiction course in undergrad. It is most definitely about a boy I had a crush on at the time. If he ever finds this, I will be thoroughly mortified, but I'm also too proud of it to hide it forever. I changed his name, of course.
Sam Knaus  Oct 2014
Sanity
Sam Knaus Oct 2014
Sit back and over-analyse
the lies that you were serving my mind.
Providing a way to relate
and trying not to overcompensate
for my lack of you,
I should have known you’d
***** and moan enough that
in time,
I could make your whines rhyme.
(Maybe that’s why your speaker points
were always the lowest.)
In this debate,
rate my way and rate of diction,
because truth is stranger than fiction
I sigh
cause I’m lying through my teeth
when I say “I’m okay”.
Sit back and wait for
what you think you have to say
We wager away our
bad experiences,
nearing another night of searing
dreaming
playing make-believe
with a ballpoint pen.
Remember the way all this started
with an oration and the weight
of what came to be a bad break up
make up
break up
wake up
to a world where you two don’t fit together.
Force your cracks into each others’
like broken heirlooms
Shake off the dust,
Can’t shake the thought that you’d be happier
without me.
I can’t see through this cloud of doubt without
an explanation,
an answer to the chance
that I can’t distinguish
the morning dew from her rose petals
that she tried to drown you in
from your tears.
“If this ain’t love
then how do we get out?”
Get out of this mess,
regress back into an obsession
with death,
and destruction,
let me provide some instruction
on obstructing these thoughts
that threaten to consume
what I assume is your last shred
of sanity.

— The End —